Download or read book Conservation of Easel Paintings written by Joyce Hill Stoner and published by Routledge. This book was released on 2013-02-15 with total page 917 pages. Available in PDF, EPUB and Kindle. Book excerpt: Conservation of Easel Paintings is the first comprehensive text on the history, philosophy, and methods of treatment of easel paintings that combines both theory with practice. With contributions from an international group of experts and interviews with important artists, this volume provides an all-encompassing guide to necessary background knowledge in technical art history, artists' materials, scientific methods of examination and documentation, with sections that present varying approaches and methods for treatment, including consolidation, lining, cleaning, retouching, and varnishing. The book concludes with a section featuring issues of preventive conservation, storage, shipping, exhibition, lighting, safety issues, and public outreach. Conservation of Easel Paintings is a crucial resource in the training of conservation students and will provide generations of practicing paintings conservators and interested art historians, curators, directors, collectors, dealers, artists, and students of art and art history with invaluable information and guidance.
Download or read book Conservation of Easel Paintings written by Joyce Hill Stoner and published by Routledge. This book was released on 2020-11-30 with total page 1394 pages. Available in PDF, EPUB and Kindle. Book excerpt: Conservation of Easel Paintings, Second Edition provides a much-anticipated update to the previous edition, which has come to be known internationally as an invaluable and comprehensive text on the history, philosophy and methods of the treatment of easel paintings. Including 49 chapters written by more than 90 respected authors from around the world, this volume offers the necessary background knowledge in technical art history, artists’ materials and scientific methods of examination and documentation. Later sections of the book provide information about the varying approaches and methods for treatment and issues of preventive conservation, as well as valuable reflections on storage, shipping, and exhibition. Including exciting developments that have taken place since the last edition was published, the book also covers new techniques of examination, especially MacroXRF scanning and Reflectance Transmission Imagery. Drawing on research presented at recent professional conferences, information about innovative methods for cleaning modern and contemporary paintings and insights into modern oil paints is also included. Incorporating the latest regulations and understanding of health and safety practices and integrating theory with practice throughout, Conservation of Easel Paintings, Second Edition will continue to be an indispensable reference for practicing conservators. It will also be an essential resource for students taking conservation courses around the world.
Download or read book The Structural Conservation of Panel Paintings written by Kathleen Dardes and published by Getty Publications. This book was released on 1998-10-29 with total page 582 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents the proceedings of an international symposium organized by the Getty Conservation Institute and the J. Paul Getty Museum. The first conference of its kind in twenty years, the symposium assembled an international group of conservators of painted panels, and gave them the opportunity to discuss their philosophies and share their work methods. Illustrated in color throughout, this volume presents thirty-one papers grouped into four topic areas: Wood Science and Technology, History of Panel-Manufacturing Techniques, History of the Structural Conservation of Panel Paintings, and Current Approaches to the Structural Conservation of Panel Paintings.
Download or read book Seeing Through Paintings written by Andrea Kirsh and published by Yale University Press. This book was released on 2000-01-01 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: This prize-winning book offers the only comprehensive discussion available on materials, techniques, and condition issues in Western easel paintings from medieval times to the present. “An essential handbook for the pro, and also a beautifully illustrated primer for the layperson. Kirsh and Levenson teach the most valuable lessons about painting of all: how meanings, material, and techniques are bound up together.”—John Walsh, former director, J. Paul Getty Museum “Every element of Kirsh and Levenson's book is smart, concise, and informative. . . . [It is] the essential book on its subject.”—Kenneth Baker, San Francisco Examiner & Chronicle “A long overdue book with direct relevance for modern students of the history of art.”—Libby Sheldon, Burlington Magazine
Download or read book Conservation of Modern Oil Paintings written by Klaas Jan van den Berg and published by Springer Nature. This book was released on 2020-02-17 with total page 611 pages. Available in PDF, EPUB and Kindle. Book excerpt: Artists’ oil paints have become increasingly complex and diverse in the 20th Century, applied by artists in a variety of ways. This has led to a number of issues that pose increasing difficulties to conservators and collection keepers. A deeper knowledge of the artists’ intent as well as processes associated with material changes in paintings is important to conservation, which is almost always a compromise between material preservation and aesthetics. This volume represents 46 peer-reviewed papers presented at the Conference of Modern Oil Paints held in Amsterdam in 2018. The book contains a compilation of articles on oil paints and paintings in the 20th Century, partly presenting the outcome of the European JPI project ‘Cleaning of Modern Oil Paints’. It is also a follow-up on ‘Issues in Contemporary Oil Paint’ (Springer, 2014). The chapters cover a range of themes and topics such as: patents and paint manufacturing in the 20th Century; characterization of modern-contemporary oil paints and paint surfaces; artists’ materials and techniques; the artists’ voice and influence on perception of curators, conservators and scientists; model studies on paint degradation and long term stability; approaches to conservation of oil paintings; practical surface treatment and display. The book will help conservators and curators recognise problems and interpret visual changes on paintings, which in turn give a more solid basis for decisions on the treatment of these paintings.
Download or read book Preparation for Painting written by and published by . This book was released on 2008 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Conservation and Restoration of Paintings written by John Clifton and published by McFarland. This book was released on 2024-10-17 with total page 161 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a comprehensive guidebook to the fascinating aspects of the conservation and restoration of paintings. It explains clearly what happens in dealing with the confusing and multilayered problems encountered. The author discusses basic techniques, materials used in both the original paintings and in restoration, chemical formulas, the equipment and methods of handling and storage; he shows how many common pitfalls can be avoided, and offers other tips based on 30 years of experience. There are chapters on the Restorer and the Studio; Construction of Paintings; Technique of Painting; Renovation and Repair; and a bibliography, glossary and index. Eleven line drawings illustrate restoration techniques and the assembly of components.
Download or read book Radiography and Painting written by Elisabeth Ravaud and published by Brepols Publishers. This book was released on 2023 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Radiography is a technique that has been employed in the study of paintings for more than a century. The history of this method of analysis indicates that its development has been modest since the 1960s, as its use has been limited to reductive approaches that take into account no more than the immediately intelligible signs. By systematically considering the physical mechanisms involved in the creation of an image, this volume seeks to demonstrate that we can access new fields of radiological analysis by identifying two categories of 'signs': those that may be obvious but whose meaning is misleading, and those which are not immediately comprehensible. This study has been primarily based on a thorough and essential reviewing of current literature concerning the materials and processes used for the making of paintings. The semiological analysis is based on the understanding of the physical phenomena occurring in the formation of the image, and on correlations between the radiographic images of a painting and the information stemming from its observation, other scientific results, and the restoration reports. Furthermore, a number of experiments were conducted to consolidate certain assumptions regarding image-formation mechanisms. Ultimately, this book hopes to show how data resulting from radiographic analysis can be seen and set in a broader context of information on a specific work or a group of works, in order to enrich our knowledge of art history, history of technology, and conservation as well as restoration. Elisabeth Ravaud is a doctor of medicine, specialised in radiology and scientific imaging and has defended a PhD in Art history. She has been working at the charge of studies and research on easel paintings. She works more particularly on the contribution of scientific imaging to the knowledge and conservation of European easel paintings from the 11th to the early 20th century. Her skills in all techniques or analysis used to study paintings, in xylology, in art history, in history of painting techniques and conservation, allow her a multi and interdisciplinary approach that is particularly valuable in the scientific expertise of easel paintings. She has studied the paintings of numerous artists including Giotto, Leonardo da Vinci, Jean Cousin, Nicolas Poussin, Georges de La Tour, Vincent Van Gogh... Elisabeth Ravaud also coordinated the ICOM-CC Painting Group from 2014 to 2020. The 'Centre de Recherche et de Restauration des Musees de France' (C2RMF) The C2RMF is a Department with national competence of the Ministry of Culture. It has two main missions: scientific research, centred on the knowledge of artworks from French museums in particular their original materials, and conservation/restoration of these works, carried out in its conservation studios in Paris and Versailles or by scientific support on site. Its particularity is to bring together in the same place, around the works, the combined views and skills of art historians, physicists, chemists, curators, archaeologists, restorers, photographers, documentalists, administrators and technicians. The C2RMF is aimed at the 1220 labelled "museums of France". It benefits from the support of the Ministry of Research, thanks to collaborations with the National Centre for Scientific Research (CNRS), as well as from the European Community through transnational projects.
Download or read book Scientific Examination of Art written by and published by National Academies Press. This book was released on 2005-01-01 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the application of scientific methods to the study and conservation of art and cultural properties. This work addresses scientific topics of broad interest, cutting across the boundaries of traditional disciplines and attracting up to 250 leadingresearchers in the field.
Download or read book Painted Wood written by Valerie Dorge and published by Getty Publications. This book was released on 1998-08-27 with total page 549 pages. Available in PDF, EPUB and Kindle. Book excerpt: The function of the painted wooden object ranges from the practical to the profound. These objects may perform utilitarian tasks, convey artistic whimsy, connote noble aspirations, and embody the highest spiritual expressions. This volume, illustrated in color throughout, presents the proceedings of a conference organized by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works (AIC) and held in November 1994 at the Colonial Williamsburg Foundation in Williamsburg, Virginia. The book includes 40 articles that explore the history and conservation of a wide range of painted wooden objects, from polychrome sculpture and altarpieces to carousel horses, tobacconist figures, Native American totems, Victorian garden furniture, French cabinets, architectural elements, and horse-drawn carriages. Contributors include Ian C. Bristow, an architect and historic-building consultant in London; Myriam Serck-Dewaide, head of the Sculpture Workshop, Institut Royal du Patrimoine Artistique, Brussels; and Frances Gruber Safford, associate curator of American decorative arts at the Metropolitan Museum of Art in New York. A broad range of professionals—including art historians, curators, scientists, and conservators—will be interested in this volume and in the multidisciplinary nature of its articles.
Download or read book Interactions of Water with Paintings written by Rhiannon Clarricoates and published by . This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume contains the papers presented at the ICON Paintings Group conference 'Wet Paint - Interactions between Water and Paintings' held in Edinburgh on 12th October 2018.0There are many ways in which water and humidity can physically alter paintings, sometimes with disastrous effect e.g the staining of canvases; flaking and blanching paint; warping of wooden panels and cockling canvas supports. However, water is also a useful material for conservators that can be employed in the treatment of painted surfaces in the form of aqueous cleaning solutions, moisture treatments to reduce deformations and as a carrier for adhesives.
Download or read book Metal Soaps in Art written by Francesca Casadio and published by Springer. This book was released on 2019-03-23 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: This go-to reference work surveys the current state of knowledge in the field of metal soap-related degradation phenomena in art works. It contains detailed descriptions and images of the different phenomena and addresses the practical aspects of soap formation, preventive conservation, and treatment. The occurrence of metal soaps is one of the defining issues in the conservation of painted surfaces, and one that presently leaves innumerable open questions. It is estimated that around 70% of paintings in museum collections are affected by some form of metal soap-related degradation. In recent years, significant advances have been made in the detection and characterization of these compounds through interdisciplinary approaches including conventional spectroscopy and microscopy as well as emerging synchrotron-based techniques. This book for the first time captures a panoramic overview of the state of knowledge of metal soaps related to both scientific analysis and implications for conservation and treatment. It also critically examines open questions. The book is accessible to audiences with varied backgrounds (e.g. conservators, students of conservation science) while simultaneously presenting the technical details indispensable for academics and researchers active in this field.
Download or read book Gels in the Conservation of Art written by Lora Angelova and published by . This book was released on 2017-10-16 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: The papers in this publication will be talks at the 3 day Gels in Conservation conference held by IAP in association with Tate. The conference will be a gathering of conservators, conservation and other scientists, and students of conservation to present and discuss the theory and practical use of gels in various branches of conservation (paintings, paper, wall paintings, textiles, museum objects etc).The papers and posters present in this publication cover topics on the theory of Gels, recent developments in Gel technologies, clearance and residues, systematic evaluation of Gel properties and effects, preparation and practical issues with case studies concerning: wall paintings, easel paintings, contemporary art, textiles, archaeological objects, paper, sculpture, mixed media, traditional materials and more.
Download or read book Conservation Treatment Methodology written by Barbara Appelbaum and published by Routledge. This book was released on 2012-05-04 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt: Conservation Treatment Methodology presents a systematic approach to decision-making for conservation treatments. The methodology is applicable to all cultural property, independent of object type or material, and its use will enable conservators to be more confident in their treatment decisions. Conservation Treatment Methodology is illustrated with numerous examples that emphasize the equal importance of the physical and cultural aspects of objects for decision-making. The book also explains how the history of an object and the meaning that it holds for its owner or custodian contribute to determining its treatment. Conservation Treatment Methodology is an essential text for conservators, historic preservation specialists, and restorers, as well as students. Since it is not a technical manual about how to carry out treatments, the book will also be of value to art historians and museum personnel who work with conservators. "This book is unique in its overarching, multidisciplinary approach. The writing is not only clear, but entertaining and engaging." Dan Kushel, Distinguished Teaching Professor, Art Conservation Department, Buffalo New York) State College Barbara Appelbaum is one of the premier objects conservators in the United States and the author of Guide to Environmental Protection of Collections. Practicing in New York, Appelbaum was trained at New York University and began her career at The Brooklyn Museum. The author treats a wide range of object types. Projects of note have included George Washington’s leather portfolio, a Marcel Duchamp urinal, and a Marilyn Monroe dress.
Download or read book Adhesives and Consolidants in Painting Conservation written by Alexandra Gent and published by . This book was released on 2012 with total page 99 pages. Available in PDF, EPUB and Kindle. Book excerpt: The conference papers in this volume give an overview of current requirements, practice and innovation in the use of adhesives and consolidants in paintings conservation.
Download or read book The Conservation of Easel Paintings written by Joyce Hill Stoner and published by . This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Painting in Tempera C 1900 written by Karoline Beltinger and published by Archetype Publications. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This co- publication of Archetype Publications Ltd with Schweizerisches Institut für Kunstwissenschaft (SIK-ISEA) is a collection of essays by an international group of scholars which provides access to an important chapter of technical art history: the rise in the popularity of temperas as an alternative to oil paints in Europe in the 19th and early 20th century. The term 'tempera' designated media that were generally water-soluble and which could include components as wide ranging as egg, gums, glues, soaps, waxes and resins. Revered as the technique of the ancients, it possessed both historical cachet and aesthetic and practical advantages, such as luminosity of colour, short drying times, and resistance to yellowing and cracking. Although interest in tempera paints was not limited to any one country, their industrial manufacture was concentrated in the region of present-day Germany, while in Italy a distinct tradition of artisanal production evolved. Developments in these two regions are surveyed, lending insight into the academic polemics surrounding temperas, the varied range of products on the market, their composition and their use by specific artists for easel paintings, murals and decorative schemes alike. Based upon source material, conservation research and technical studies of paintings as well as scientific approaches to the analysis of historical temperas, a vivid depiction of this complex artistic period emerges.
