Download or read book conomies contemporaines du cin ma en Europe written by Claude Forest and published by CNRS. This book was released on 2001 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cette étude analyse, d'une part, les métiers, les enjeux stratégiques de la filière cinématographique avec ses différents stades : production, distribution, programmation et d'autre part, une série de données actualisées sur les structures et les comportements nationaux éclairant l'avenir de l'industrie cinématographique européenne.
Download or read book Quel film voir written by Claude Forest and published by Presses Univ. Septentrion. This book was released on 2009 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: L'étude convoque la sociologie, la philosophie, la psychanalyse, l'anthropologie ou la neurologie pour éclairer les mécanismes de mimésis dans les pratiques des spectateurs-consommateurs. Il interroge la demande qui détermine selon lui l'offre et développe des notions connexes comme celles du besoin, de l'envie ou du désir.
Download or read book Budgets and Markets written by Terry Ilott and published by Routledge. This book was released on 2013-06-17 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: Budgets and Markets highlights the decisions involved in budgeting and marketing European films. It looks at the origin, development, production, distribution, financing and profit of thirteen European films, including such critical and popular successes as Tacones Lejones (High Heels) by Pedro Almodovar; Oci Ciornie (Dark Eyes) by Nikita Mikhalkov; Peter's Friends by Keneth Branagh and La Discrete by Christian Vincent. Detailed financial data is reinforced by interviews with the producers of each film. The core of the analysis is based on the question 'Was this film made at the right price for the right market?'.
Download or read book ECONOMIE DU CINEMA EUROPEEN DE L INTERVENTIONNISME A L ACTION ENTREPRENEURIALE written by Éric Dubet and published by Editions L'Harmattan. This book was released on 2000-04-01 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Le présent ouvrage s'attache à décrire et à expliquer le fonctionnement et les transformations de l'industrie cinématographique en Europe. Comprendre le fonctionnement du cinéma en Europe, c'est d'abord saisir les rouages d'un système complexe à travers une analyse en terme de filière. C'est ensuite, au vu des difficultés rencontrées par la production, la distribution et l'exploitation de longs métrages, mieux percevoir les motivations d'un financement public massif et souvent critiqué. C'est enfin répertorier et analyser les nouveaux financements.
Download or read book French Blockbusters written by Michael Charlie Michael and published by Edinburgh University Press. This book was released on 2019-07-17 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: The digitised spectacles conjured by a word like 'blockbuster' may create a certain cognitive dissonance with received ideas about French cinema - long celebrated as a model for philosophical, economic and aesthetic resistance to globalised popular culture. While the Gallic 'cultural exception' remains a forceful current to this day, this book shows how the onslaught of Hollywood mega-franchises and new media platforms since the 1980s has also provoked an overtly commercialised response from French producers eager to redefine the stakes and scope of their own traditions. From English-language action vehicles like Valrian and the City of a Thousand Planets (Besson, 2017) to revisionist historical films like Of Gods and Men (Beauvois, 2011) and crowd-pleasing comedies like Intouchables (Toldano & Nakache, 2011), the variously filiated 'local blockbusters' from contemporary France brim with the seeds of cultural contradiction, but also with the energy of a forceful counter-history. Cutting across a swath of recent French-produced cinema, French Blockbusters offers the first book-length consideration of the theoretical implications, historical impact and cultural consequences of a recent grouping of popular films that are rapidly changing what it means to make - or to see - a 'French' film today.
Download or read book Digital Media Worlds written by Giuditta De Prato and published by Springer. This book was released on 2014-05-13 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Digital Media Worlds tracks the evolution of the media sector on its way toward a digital world. It focuses on core economic and management issues (cost structures, value network chain, business models) in industries such as book publishing, broadcasting, film, music, newspaper and video game.
Download or read book The European Film Production Guide written by Arthur Andersen and published by Routledge. This book was released on 2013-09-13 with total page 470 pages. Available in PDF, EPUB and Kindle. Book excerpt: The European Film Production Guide sets out in one comprehensive volume the major economic, financial and business considerations which independent producers need to bear in mind when making films in or with other countries within Europe. Arthur Andersen provides creative solutions for its clients through audit, tax, business advisory and speciality consulting services. Its professsionals combine extensive technical competence and industry experience with innovative and progressive thought, enabling Arthur Anderson to exceed client expectations.
Download or read book Film Policy in a Globalised Cultural Economy written by John Hill and published by Routledge. This book was released on 2018-12-07 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: The past two decades have witnessed major changes in film industries worldwide in response to both economic globalisation and technological developments. The dominant position of Hollywood movies in the global film market has remained largely uncontested, but Hollywood itself has become increasingly international in its operations whilst ‘regional’ screen industries such as those in East Asia and in the Indian subcontinent have (re-)emerged and developed new forms of collaboration. The advent of digital technologies has also transformed the content of films and the ways in which they are made and consumed. Such changes, in turn, have posed new economic and cultural challenges for policy-makers around the world and led to a degree of rethinking of how film policy objectives are to be conceived, defined and implemented. This collection brings together a range of international scholars from the USA, Europe and Asia to consider how film policy has responded to the various economic, technological and political shifts shaping the global film industry; and to identify the many tensions between global and local, economic and cultural, and public and private policy objectives that have been the result of these changes. This book was originally published as a special issue of the International Journal of Cultural Policy.
Download or read book The Political Economy of Disney written by Alexandre Bohas and published by Springer. This book was released on 2016-09-15 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book sheds new light on the socio-economic impact of multinational corporations. Combining Cultural Studies and International Political Economy, it provides a revealing analysis of the Walt Disney Company, and by extension the wider Hollywood studio system. It does so by examining the cultural and economic forces powering the industry's expansion, the 'civilisation' that Disney disseminates, and the various ways that societies beyond the USA have adopted facets of the Hollywood productions to which they are exposed. Identifying both the strengths and the weaknesses of these transnational firms, it demonstrates the significance of their contribution to American power and predominance.
Download or read book L conomie de l industrie cin matographique en Europe written by Éric Dubet and published by . This book was released on 2000 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Handbook of Research on the Impact of Culture and Society on the Entertainment Industry written by Ozturk, R. Gulay and published by IGI Global. This book was released on 2014-06-30 with total page 699 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This reference provides a review of the academic and popular literature on the relationship between communications and media studies, cinema, advertising, public relations, religion, food tourism, art, sports, technology, culture, marketing, and entertainment practices"--Provided by publisher.
Download or read book Exception Taken written by Jonathan Buchsbaum and published by Columbia University Press. This book was released on 2017-01-10 with total page 429 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Exception Taken, Jonathan Buchsbaum examines the movements that have emerged in opposition to the homogenizing force of Hollywood in global filmmaking. While European cinema was entering a steady decline in the 1980s, France sought to strengthen support for its film industry under the new Mitterrand government. Over the following decades, the country lobbied partners in the European Economic Community to design strategies to protect the audiovisual industries and to resist cultural free-trade pressures in international trade agreements. These struggles to preserve the autonomy of national artistic prerogatives emboldened many countries to question the benefits of accelerated globalization. Led by the energetic minister of culture Jack Lang, France initiated a series of measures to support all sectors of the film industry. Lang introduced laws mandating that state and private television invest in the film industry, effectively replacing the revenue lost from a shrinking theatrical audience for French films. With the formation of the European Union in 1992, Europe passed a new treaty (Maastricht) that extended its legal purview to culture for the first time, setting up the dramatic confrontation over the General Agreement on Trade and Tariffs (GATT) in 1993. Pushed by France, the EU fought the United States over the idea that countries should preserve their right to regulate cultural activity as they saw fit. France and Canada then initiated a campaign to protect cultural diversity within UNESCO that led to the passage of the Convention on Cultural Diversity in 2005. As France pursued these efforts to protect cultural diversity beyond its borders, it also articulated "a certain idea of cinema" that did not simply defend a narrow vision of national cinema. France promoted both commercial cinema and art cinema, disproving announcements of the death of cinema.
Download or read book Focus 2021 World Film Market Trends written by Martin Kanzler and published by Council of Europe. This book was released on 2021-07-26 with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt: COVID pandemic causes theatrical markets across Europe to plummet by over 70% in 2020 This 2021 edition of the Focus provides a global overview of a film industry painfully impacted by the COVID-19 crisis. The collapse of cinema exhibition, the growth in the market share of European films, the relative resilience of film production, the continued investments in cinema screens and the contrasts between countries and regions are among the observations that our figures suggest. La pandémie de COVID a fait chuter les marchés du cinéma en Europe de plus de 70 % en 2020 Cette édition 2021 de Focus offre un aperçu global d'une industrie cinématographique douloureusement impactée par la crise du COVID-19. L'effondrement de l'exploitation des salles de cinéma, la croissance de la part de marché des films européens, la relative résilience de la production cinématographique, la poursuite des investissements continus dans les écrans de cinéma et les contrastes entre pays et régions sont parmi les constats indiqués par nos données.
Download or read book Nordic Film Cultures and Cinemas of Elsewhere written by Westerstahl Stenport Anna Westerstahl Stenport and published by Edinburgh University Press. This book was released on 2019-09-27 with total page 584 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nordic Film Cultures and Cinemas of Elsewhere introduces a new concept to Nordic film studies as well as to other small national, transnational and world cinema traditions. Examining overlooked 'elsewheres', the book presents Nordic cinemas as international, cosmopolitan, diasporic and geographically dispersed, from their beginnings in the early silent period to their present 21st-century dynamics. Exploring both canonical works by directors like Ingmar Bergman and Lars von Trier, as well as a wide range of unknown or overlooked narratives of movement, synthesis and resistance, the book offers a new model of inquiry into a multi-varied Scandinavian cultural lineage, and into small nation and pan-regional world cinemas.
Download or read book L ECONOMIE DE L INDUSTRIE CINEMATOGRAPHIQUE EN EUROPE written by Éric Dubet and published by . This book was released on 1998 with total page 764 pages. Available in PDF, EPUB and Kindle. Book excerpt: L'OMNIPRESENCE DE L'ETAT DANS L'UNIVERS DU FILM EUROPEEN, EU EGARD AUX CRITIQUES QU'ELLE SOULEVE, NOUS CONDUIT, PRESENTEMENT, A UNE REFLEXION SUR SON ORIGINE : POURQUOI AVOIR INTRODUIT UN SYSTEME D'AIDES PUBLIQUES ? NOUS NOUS PROPOSONS D'EXAMINER CETTE QUESTION A TRAVERS DEUX CHAMPS D'INVESTIGATION : CELUI DES BIENS COLLECTIFS ET CELUI DES BIENS DE TUTELLE. NOUS VERRONS ALORS QU'EN S'IMMISCANT DANS LA PRODUCTION DE LONGS METRAGES, LES POUVOIRS PUBLICS PEUVENT NON SEULEMENT CHERCHER A SUPPLEER UN MARCHE DEFICIENT, MAIS EGALEMENT A CORRIGER LES PREFERENCES INDIVIDUELLES, ESSENTIELLEMENT DANS UNE OPTIQUE CULTURELLE. LE PROBLEME DU SOUTIEN PUBLIC NE S'ARRETE TOUTEFOIS PAS A CES SEULS ARGUMENTS. L'ETAT INTERVIENT AUSSI PARCE QUE LE CINEMA EST EN CRISE. POUR MIEUX COMPRENDRE CET ETAT DE FAIT, HORMIS ETUDIER EN DETAIL LA FILIERE, ON PEUT SE REPORTER AUX ANALYSES METTANT EN RELATION LE PROGRES TECHNIQUE ET LES CYCLES LONGS. ON DECOUVRE ALORS QUE C'EST LA TELEVISION, NEE PENDANT LA LONGUE PHASE D DE L'ENTRE-DEUX-GUERRES ET ETENDUE A TOUTE LA SOCIETE PENDANT LA LONGUE PHASE A DE L'APRES-GUERRE, QUI A CONDUIT LE SEPTIEME ART A SES DIFFICULTES ACTUELLES. CEPENDANT, AVEC LES TECHNOLOGIES RECENTES, QUI CONTRIBUENT A LA MULTIPLICATION DES CANAUX DE DIFFUSION ET, CONSEQUEMMENT, GENERENT DES DEBOUCHES ET FINANCEMENTS NOUVEAUX, IL SEMBLERAIT QU'UN CHANGEMENT DE SITUATION SOIT ENVISAGEABLE. D'AILLEURS, CONSCIENTES DE L'IRREVERSIBILITE DES TRANSFORMATIONS EN COURS, LES ENTREPRISES CINEMATOGRAPHIQUES CHOISISSENT FREQUEMMENT DE TRAVAILLER EN COLLABORATION AVEC LES DIFFUSEURS. POUR LE MOMENT, IL EST NEANMOINS INDISPENSABLE DE RETABLIR LA COMPETITIVITE DE NOS LONGS METRAGES, MAIS AUSSI DE TOUTES NOS FICTIONS, SOUMIS A UNE CONCURRENCE INTERNATIONALE POUSSEE A SON PAROXYSME. INDISCUTABLEMENT, LE CINEMA EUROPEEN EST UN SECTEUR CULTUREL EN CRISE QUI DOIT ETRE SOUTENU PAR LES POUVOIRS PUBLICS ET, DANS UN MONDE DE L'IMAGE EN MUTATION, ADOPTER DES STRATEGIES QUI LUI SOIENT PROPRES AFIN DE POUVOIR CONTINUER D'EXISTER CULTURELLEMENT ET ECONOMIQUEMENT.
Download or read book European Film Industries written by Anne Jäckel and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: In what kind of state is the European film business? This study is the first in a series that provides an accessible understanding of how the world's contemporary screen industries function. It looks at all the factors in play, from government regulation to the marketing strategies behind an international success like 'Run Lola Run'/'Lola Rennt'. Anne Jackel evaluates how Europe's film industries operate, their working practices and the region's place within the global business of cinema. Exploring trends in production, distribution and exhibition, the book considers a range of national and pan-regional developments. Key areas of critical debate are highlighted, including private and public financing, co-production, film policy, links between the film and television industries, and the threats to 'art cinema' from within and without Europe.
Download or read book Jane Campion written by Hilary Radner and published by Wayne State University Press. This book was released on 2009 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: An innovative collection of original essays on Jane Campion, renowned female auteur filmmaker. In Jane Campion: Cinema, Nation, Identity a diverse group of contributors challenge the view that Campion's body of work lacks coherence or unity to instead examine the important characteristics and themes that underlie it. Editors Hilary Radner, Alistair Fox, and Irène Bessière have compiled rich, original scholarship on Campion's oeuvre to probe issues previously neglected by scholars--like her debt to New Zealand sources and her personal views of family dynamics--and those that benefit from additional insight--such as her place in the feminist filmmaking tradition. This volume also investigates Campion's distinct cinematic style in light of these issues to examine the source of her enduring cross-cultural and international appeal. Contributors in the first section explore the creation of subjectivity and identity in Campion's films, which include well-known works like The Piano and Holy Smoke, to trace the unique perspectives of Campion's characters and Campion herself as director. In the second section, essays analyze Campion's close relationship with literature and argue that the singular vision in her literary adaptations stems from her New Zealand background and her personal mythology. Contributors in the third section argue that while Campion devotes considerable attention to the evocation of feminine internal space, she also uses the symbolic potential of her external physical locations to register what is taking place in the inner life of her characters and reflect their search for personal fulfillment. A final group of essays presents a variety of responses to Campion's films, demonstrating that Campion is a highly personal and idiosyncratic director who nonetheless manages to fascinate viewers across a broad cultural spectrum. Taken together, contributors in Jane Campion: Cinema, Nation, Identity present a compelling analysis of Campion's status as a leading female filmmaker with close attention to her distinctive cinematic style and particular mise-en-scène. The collective nature of this volume will appeal to students and teachers of film, literature, and gender studies, as well as fans of Campion's work.
