Download or read book Confronting the Dirty War in Argentine Cinema 1983 1993 written by Constanza Burucúa and published by Tamesis Books. This book was released on 2009 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: An examination of Argentina's "Dirty War" in films made after the advent of democracy in 1983.
Download or read book Cleansing the Dirty War written by and published by . This book was released on 2005 with total page 582 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Historical Dictionary of the Dirty Wars written by David Kohut and published by Rowman & Littlefield. This book was released on 2016-11-16 with total page 495 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Historical Dictionary of the Dirty Wars coversthe period 1954–1990 in South America, when authoritarian regimes waged war on subversion, both real and imagined. The term “dirty war” (guerra sucia), though originally associated with the military dictatorship in Argentina from 1976 to 1983, has since been applied to neighboring dictatorships in Paraguay (1954–1989), Brazil (1964–1985), Bolivia (1971–1981), Uruguay (1973–1985), and Chile (1973–1990). Although the concept is by no means peculiar to Latin America—the term has become a byword for state-sponsored repression anywhere in the world—these regimes were among its most notorious practitioners. In the mid-1970s they joined forces—along with Ecuador and Peru—to create Operation Condor, a top-secret network of military dictatorships that kidnapped, tortured, and disappeared one another’s political opponents. Their death squads operated both nationally and internationally, sometimes beyond the region. This third edition of Historical Dictionary of the Dirty Wars contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on the countries themselves; guerrilla and political movements that provoked (though by no means exonerated) governmental reaction; leading guerrilla, human-rights, military, and political figures; local, regional, and international human-rights organizations; expressions of cultural resistance (art, film, literature, music, and theater); and artistic figures (filmmakers, novelists, and playwrights) whose works attempted to represent or resist the period of repression. This book is an excellent access point for students, researchers, and anyone wanting to know more about the dirty wars of South America
Download or read book Argentine cinema written by Daniela Ingruber and published by LIT Verlag Münster. This book was released on 2012 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Enemy in Contemporary Film written by Martin Löschnigg and published by Walter de Gruyter GmbH & Co KG. This book was released on 2018-08-21 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: Culture and conflict inevitably go hand in hand. The very idea of culture is marked by the notion of difference and by the creative, fraught interaction between conflicting concepts and values. The same can be said of all key ideas in the study of culture, such as identity and diversity, memory and trauma, the translation of cultures and globalization, dislocation and emplacement, mediation and exclusion. This series publishes theoretically informed original scholarship from the fields of literary and cultural studies as well as media, visual, and film studies. It fosters an interdisciplinary dialogue on the multiple ways in which conflict supports and constrains the production of meaning, on how conflict is represented, how it relates to the past and projects the present, and how it frames scholarship within the humanities. Editors: Isabel Capeloa Gil, Catholic University of Portugal, Lisbon, Portugal; Paulo de Medeiros, University of Warwick, UK, Catherine Nesci, University of California, Santa Barbara, USA. Editorial Board: Arjun Appadurai, New York University, Claudia Benthien, Universität Hamburg, Elisabeth Bronfen, Universität Zürich, Bishnupriya Ghosh, University of California, Santa Barbara, Joyce Goggin, Universiteit van Amsterdam, Lawrence Grossberg, University of North Carolina at Chapel Hill, Andreas Huyssen, Columbia University, Ansgar Nünning, Universität Gießen, Naomi Segal, University of London, Birkbeck College, Márcio Seligmann-Silva, Universidade Estadual de Campinas, António Sousa Ribeiro, Universidade de Coimbra, Roberto Vecchi, Universita di Bologna, Samuel Weber, Northwestern University, Liliane Weissberg, University of Pennsylvania, Christoph Wulf, FU Berlin, Longxi Zhang, City University of Hong Kong
Download or read book Contemporary Argentine Women Filmmakers written by Mirna Vohnsen and published by Springer Nature. This book was released on 2023-07-06 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited volume offers a wide-ranging picture of Argentine women filmmakers’ contribution to the film industry from the 1980s to the present by bringing together the work of highly acclaimed and emerging directors. Through thirteen critical essays by leading scholars in the field of Argentine cinema, the book acknowledges that contemporary women filmmakers have transformed the cinema of Argentina by questioning, challenging and debunking hegemonic patriarchal systems of representation. With a focus on women’s voices and experiences, the contributions redress both the under-representation of women and girls onscreen and the perpetuation of stereotypes, while exploring the innovative aesthetics used by these filmmakers.
Download or read book Historical Dictionary of South American Cinema written by Peter H. Rist and published by Rowman & Littlefield. This book was released on 2014-05-08 with total page 761 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Historical Dictionary of South American Cinema covers the long history of cinema in Portuguese-speaking Brazil and the nine Spanish-speaking countries. These films include Los tres berretines, Prisioneros de la tierra, La balandra Isabel llegó esta tarde, La hora de los hornos, El chacal de Nahueltoro, La teta asustada, Abrir puertas y ventanas, El secreto de sus ojos, and NO. This is done through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 300 cross-referenced dictionary entries on directors, producers, performers, films, film studios and genres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the South American Cinema.
Download or read book The Precarious in the Cinemas of the Americas written by Constanza Burucúa and published by Springer. This book was released on 2018-05-29 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historically, cinema in the Americas has been signed by a state of precariousness. Notwithstanding the growing accessibility to video and digital technologies, access to the material means of film production is still limited, affecting the spheres of production, distribution, and reception. Equally, questions about the precarious can be traced in cultural and archival policies, film legislations, as well as in thematic and aesthetic choices. While conventional definitions of the precarious have been associated with notions of scarcity and insecurity, this volume looks at precariousness from a non-monolithic angle, exploring its productivity and potential for original, critical approaches, with the aim of providing new readings to the variedly rich and complex cinemas of the Americas.
Download or read book Masculinities in Contemporary Argentine Popular Cinema written by Carolina Rocha and published by Springer. This book was released on 2012-04-14 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines contemporary cinematic representations of Argentine masculinities, the social construction of gender, and the financing of domestic film production following Argentina's 1990 change to a neo-liberal economic model.
Download or read book Rethinking Testimonial Cinema in Postdictatorship Argentina written by Verónica Garibotto and published by Indiana University Press. This book was released on 2019-03-01 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: For roughly two decades after the collapse of the military regime in 1983, testimonial narrative was viewed and received as a privileged genre in Argentina. Today, however, academics and public intellectuals are experiencing "memory fatigue," a backlash against the concepts of memory and trauma, just as memory and testimonial films have reached the center of Argentinian public discourse. In Rethinking Testimonial Cinema in Postdictatorship Argentina, Verónica Garibotto looks at the causes for this reticence and argues that, rather than discarding memory texts for their repetitive excess, it is necessary to acknowledge them and their exhaustion as discourses of the present. By critically examining how trauma theory and subaltern studies have previously been applied to testimonial cinema, Garibotto rereads Argentinian films produced since 1983 and calls for an alternate interpretive framework at the intersection of semiotics, theories of affect, scholarship on hegemony, and the ideological uses of documentary and fiction. She argues that recurrent concepts—such as trauma, mourning, memory, and subalternity—miss how testimonial films have changed over time, shifting from subaltern narratives to official, hegemonic, and iconic accounts. Her work highlights the urgent need to continue to study these types of narratives, particularly at a time when military dictatorships have become entrenched in Latin America and memory narratives proliferate worldwide. Although Argentina is Garibotto’s focus, her theory can be adapted to other contexts in which narratives about recent political conflicts have shifted from alternative versions of history to official, hegemonic accounts—such as in Spanish, Chilean, Uruguayan, Brazilian, South African, and Holocaust testimonies. Garibotto’s study of testimonial cinema moves us to pursue a broader ideological analysis of the links between film and historical representation.
Download or read book The History of Genocide in Cinema written by Jonathan Friedman and published by Bloomsbury Publishing. This book was released on 2016-10-27 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: The organization 'Genocide Watch' estimates that 100 million civilians around the globe have lost their lives as a result of genocide in only the past sixty years. Over the same period, the visual arts in the form of documentary footage has aided international efforts to document genocide and prosecute those responsible, but this book argues that fictional representation occupies an equally important and problematic place in the process of shaping minds on the subject. Edited by two of the leading experts in the field, The History of Genocide in Cinema analyzes fictional and semi-fictional portrayals of genocide, focusing on, amongst others, the repression of indigenous populations in Australia, the genocide of Native Americans in the 19th century, the Herero genocide, Armenia, the Holodomor (Stalin's policy of starvation in Ukraine), the Nazi Holocaust, Nanking and Darfur. Comprehensive and unique in its focus on fiction films, as opposed to documentaries, The History of Genocide in Cinema is an essential resource for students and researchers in the fields of cultural history, holocaust studies and the history of film.
Download or read book Politics Propaganda and the Press written by Louise A. Clare and published by Taylor & Francis. This book was released on 2023-03-20 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines British and Argentine media output in the prelude to and during the 1982 Falklands/Malvinas Conflict and acknowledges the aftermath and legacies of the media response. Yards of ink have been spilt, reinforcing the view that the Argentine Junta’s action on 2nd April 1982 was a ‘diversion’ from domestic tensions. This view, coupled with the paucity of any thorough, in-depth analysis afforded to Argentine media aspects of the War - particularly the press - necessitates this volume’s copious international study of the Conflict. Uniquely, US media output is also analysed alongside Britain’s and Argentina’s, all drawing upon Cold War historiography and media theory, with a view to contesting the traditional consensus that media outlets merely reflected government opinion during the Crisis, providing almost no effective dissent. Asserting media and culture influenced the climatic decision-making process of key actors in the Conflict, this book’s triangulated approach explores the integral, influencing role played therein by culture, and how it was not only instrumental to government actions, but also to Argentine, British and US media output. This book’s revisionist approach makes it a reference point for any nascent research on Falklands/Malvinas media reporting and Argentine and international approaches—particularly the US—to the 1982 Conflict.
Download or read book Punto de Vista and the Argentine Intellectual Left written by Sofía Mercader and published by Springer Nature. This book was released on 2021-09-20 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first comprehensive account of the Argentine magazine Punto de Vista (1978–2008), a cultural review that gathered together prominent Argentine intellectuals throughout the last quarter of the twentieth century. Directed by cultural historian and public intellectual Beatriz Sarlo, the story of the magazine serves as a lens to study the evolution of Argentine intellectuals from the leftist mobilization of the 1960s through periods of military dictatorship and then the shifting politics of democratization in the 1980s and 1990s. The book argues that the way in which the Argentine intellectual left negotiated the political and cultural transformations of the late twentieth century can be understood as the history of two political defeats: that of the revolutionary utopias of the 1960s and 1970s and that of the social democrat project in the 1980s. By adopting an interdisciplinary approach, this book encompasses a wide range of debates taking place in Argentina, from the years prior to the dictatorship to the postdictatorship period.
Download or read book Latin American Women Filmmakers written by Deborah Martin and published by Bloomsbury Publishing. This book was released on 2017-03-23 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Latin American women filmmakers have achieved unprecedented international prominence in recent years. Notably political in their approach, figures such as Lucrecia Martel, Claudia Llosa and Bertha Navarro have created innovative and often challenging films, enjoying global acclaim from critics and festival audiences alike. They undeniably mark a 'moment' for Latin American cinema.Bringing together distinguished scholars in the field - and prefaced by B. Ruby Rich - this is a much-needed account and analysis of the rise of female-led film in Latin America. Chapters detail the collaboration that characterises Latin American women's filmmaking - in many ways distinct from the largely 'Third Cinema' auteurism from the region - as well as the transnational production contexts, unique aesthetics and socio-political landscape of the key industry figures. Through close attention to the particular features of national film cultures, from women's documentary filmmaking in Chile to comedic critique in Brazil, and from US Latina screen culture to the burgeoning popularity of Peruvian film, this timely study demonstrates the remarkable possibilities for film in the region. This book will allow scholars and students of Latin American cinema and culture, as well as industry professionals, a deeper understanding of the emergence and impact of the filmmakers and their work, which has particular relevance for contemporary debates on feminism.
Download or read book Experimental Latin American Cinema written by Cynthia Tompkins and published by University of Texas Press. This book was released on 2013-02-15 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes a filmography with the bibliography.
Download or read book Affective Moments in the Films of Martel Carri and Puenzo written by Inela Selimović and published by Springer. This book was released on 2018-04-09 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book studies the intimate tensions between affect and emotions as terrains of sociopolitical significance in the cinema of Lucrecia Martel, Albertina Carri, and Lucía Puenzo. Such tensions, Selimović argues, result in “affective moments” that relate to the films’ core arguments. They also signal these filmmakers’ novel insights on complex manifestations of memory, desire, and violence. The chapters explore how the presence of pronounced—but reticent—affect complicates emotional bonding in the everydayness depicted in these films. By bringing out moments of affect in these filmmakers’ diegetic worlds, this book traces the ways in which subtle foci on gender, class, race, and sexuality correlate in these Argentine women’s films.
Download or read book Beyond the Bottom Line written by Andrew Spicer and published by Bloomsbury Publishing USA. This book was released on 2014-07-31 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first collection of original critical essays devoted to exploring the misunderstood, neglected and frequently caricatured role played by the film producer. The editors' introduction provides a conceptual and methodological overview, arguing that the producer's complex and multifaceted role is crucial to a film's success or failure. The collection is divided into three sections where detailed individual essays explore a broad range of contrasting producers working in different historical, geographical, generic and industrial contexts. Rather than suggest there is a single type of producer, the collection analyses the rich variety of roles producers play, providing fascinating and informative insights into how the film industry actually works. This groundbreaking collection challenges several of the conventional orthodoxies of film studies, providing a new approach that will become required reading for scholars and students.
