Download or read book Conductors on Composers written by John L. Holmes and published by Greenwood. This book was released on 1993-07-30 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: A lively commentary by 123 important conductors of the past and present on the music they perform, this work discloses fascinating insights on much of our classical concert and recorded repertoire. It reveals different approaches of these interpreters of great music and also sometimes surprising prejudices and enthusiasms. The material comes from hundreds of sources, mainly conductors' autobiographies and their critical writings, interviews with conductors, and biographical works, all interwoven into a cohesive narrative for each of the 71 composers covered. A companion to the author's Composers on Composers, this volume is similarly organized alphabetically by composer. Brief biographies are given of the conductors, and their remarks on the music can be traced via indexing.
Download or read book Conductors and Composers of Popular Orchestral Music written by Naomi Musiker and published by Routledge. This book was released on 2014-02-25 with total page 395 pages. Available in PDF, EPUB and Kindle. Book excerpt: World-wide in scope and focusing on the second half of the 20th century, this work provides biographies and discographies of some 500 composers and conductors of light and popular orchestral music, including film, show, theatre and mood music. The book is arranged in two sequences: 1) Biographies and select discographies, both arranged alphabetically, of the well-known and better-known conductors and composers. These entries also include a list of suggested reading for those wishing to further their studies; and 2) Select discographies of conductors about whom little or no biographical information is available. The bibliography at the end of the book covers discographical sources, popular music and film music. This is the first time that the lives and recordings of such artists as Kostelanetz, Faith, and Gould as well as the orchestral recordings of such great popular composers as Gershwin, Kern, Porter, Rodgers, Berlin and Coward have been documented and presented in an encyclopedic form.
Download or read book Music as Alchemy written by Tom Service and published by Faber & Faber. This book was released on 2012-06-05 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: How are conductors' silent gestures magicked into sound by a group of more than a hundred brilliant but belligerent musicians? The mute choreography of great conductors has fascinated and frustrated musicians and music-lovers for centuries. Orchestras can be inspired to the heights of musical and expressive possibility by their maestros, or flabbergasted that someone who doesn't even make a sound should be elevated to demigod-like status by the public. This is the first book to go inside the rehearsal rooms of some of the most inspirational orchestral partnerships in the world - how Simon Rattle works at the Berlin Philharmonic, how Mariss Jansons deals with the Concertgebouw Orchestra in Amsterdam, and how Claudio Abbado creates the world's most luxurious pick-up band every year with the Lucerne Festival Orchestra. From London to Budapest, Bamberg to Vienna, great orchestral concerts are recreated as a collection of countless human and musical stories.
Download or read book The Great Conductors written by Harold C. Schonberg and published by Simon & Schuster. This book was released on 1967 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: "'He is of commanding presence, infinite dignity, fabulous memory, vast experience, high temperament and serene wisdom. He has been tempered in the crucible but he is still molten and he glows with a fierce inner light. He is many things: musician, administrator, executive, minister, psychologist, technician, philosopher and dispenser of wrath. Like many great men, he has come from humble stock; and, like many great men in the public eye, he is instinctively an actor. As such, he is an egoist. He has to be. Without infinite belief in himself and his capabilities, he is as nothing. Above all, he is a leader of men. His subjects look to him for guidance. He is at once a father image, the great provider, the fount of inspiration, the Teacher who knows all ... . He has but to stretch out his hand and he is obeyed. He tolerates no opposition. His will, his word, his very glance, are law.' With this pyrotechnical description of the genus, Harold Schonberg begins his historical survey of the Great Conductors and their art. For the great conductor--from the time-beater of the thirteenth century to the maestro of today--is always the inspired leader who can impose his authority on the musicians who make up his orchestra. Thus it was with Bach, whom Schonberg pictures leading his forces seated at the clavier or with violin at his shoulder, and singing any part that was being wrongly performed. Thus it was with Handel, who threatened to throw a prima donna out of the window if she would not sing the notes as written. Thus it was even with Beethoven, because of his deafness a tragically bad conductor, who nevertheless tried to impose his will on the performers by practically creeping under the desk for pianissimo and jumping high with outstretched arms for the opposite. Before us through the pages of this book march the great conductors of the past and of the present. Schonberg evokes Lully, who beat time on the floor with a cane--so powerfully that he drove it into his foot on one occasion and died of the resulting gangrene. We meet Berlioz, 'in constant motion on the podium, exuding electricity ... who held absolute sway over his troops and played on them as a pianist upon the keyboard,' and Mendelssohn, the gentle, well-mannered aristocrat who ripped up scores and screamed at musicians who showed up drunk and fractious. And so through all the important composer-conductors--Wagner, Liszt, Mahler, Strauss. Then the moderns: the elemental Arturo Toscanini, the loving Bruno Walter, the witty and acrimonious Thomas Beecham--on and on to the youngest to earn a chapter to himself, the phenomenal Leonard Bernstein. With biography, anecdote, vivid description, and more than a hundred well-chosen prints and photographs, Mr. Schonberg gives a striking picture of each of these men, and dozens of others, showing just how and why they influenced the performance of classical music and how they developed a new and modern art--the art of conducting."--Dust jacket.
Download or read book Women Composers Conductors and Musicians of the Twentieth Century written by Jane Weiner LePage and published by Metuchen, N.J. : Scarecrow Press. This book was released on 1980 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lepage's latest volume comprises eighteen biographies.
Download or read book Female Composers Conductors Performers Musiciennes of Interwar France 1919 1939 written by Laura Hamer and published by Routledge. This book was released on 2018-05-20 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing upon extensive archival research, interview material, and musical analysis, Female Composers, Conductors, Performers: Musiciennes of Interwar France, 1919–1939 presents an innovative study of women working as professional musicians in France between the two World Wars. Hamer positions the activities, achievements, and reception of women composers, conductors, and performers against a contemporary socio-political climate that was largely hostile to female professionalism. The musical styles and techniques of Marguerite Canal, Jeanne Leleu, Germaine Tailleferre, Yvonne Desportes, Elsa Barraine, and Claude Arrieu are discussed with reference to significant works dating from the interwar period. Hamer highlights the activities of Jane Evrard and her Orchestre féminin de Paris as well as the reception of the Orchestra of the Union des Femmes Professeurs et Compositeurs de Musique, a contemporary pro-suffrage organisation that was dedicated to defending the collective interests of musiciennes and campaigning for their employment rights. Beyond women composers and conductors, Hamer also sheds light on female performers and their contribution to the interwar early music revival.
Download or read book Why Mahler written by Norman Lebrecht and published by Anchor. This book was released on 2011-11-01 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why Mahler? Why does his music affect us in the way it does? Norman Lebrecht, one of the world’s most widely read cultural commentators, has been wrestling obsessively with Mahler for half his life. Following Mahler’s every footstep from birthplace to grave, scrutinizing his manuscripts, talking to those who knew him, Lebrecht constructs a compelling new portrait of Mahler as a man who lived determinedly outside his own times. Mahler was—along with Picasso, Einstein, Freud, Kafka, and Joyce—a maker of our modern world. Why Mahler? is a book that shows how music can change our lives.
Download or read book Conductors and Composers of Popular Orchestral Music written by Naomi Musiker and published by Routledge. This book was released on 2014-02-25 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: World-wide in scope and focusing on the second half of the 20th century, this work provides biographies and discographies of some 500 composers and conductors of light and popular orchestral music, including film, show, theatre and mood music. The book is arranged in two sequences: 1) Biographies and select discographies, both arranged alphabetically, of the well-known and better-known conductors and composers. These entries also include a list of suggested reading for those wishing to further their studies; and 2) Select discographies of conductors about whom little or no biographical information is available. The bibliography at the end of the book covers discographical sources, popular music and film music. This is the first time that the lives and recordings of such artists as Kostelanetz, Faith, and Gould as well as the orchestral recordings of such great popular composers as Gershwin, Kern, Porter, Rodgers, Berlin and Coward have been documented and presented in an encyclopedic form.
Download or read book The Silent Musician written by Mark Wigglesworth and published by University of Chicago Press. This book was released on 2019-03-21 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: The conductor—tuxedoed, imposingly poised above an orchestra, baton waving dramatically—is a familiar figure even for those who never set foot in an orchestral hall. As a veritable icon for classical music, the conductor has also been subjected to some ungenerous caricatures, presented variously as unhinged gesticulator, indulged megalomaniac, or even outright impostor. Consider, for example: Bugs Bunny as Leopold Stokowski, dramatically smashing his baton and then breaking into erratic poses with a forbidding intensity in his eyes, or Mickey Mouse in Fantasia, unwittingly conjuring dangerous magic with carefree gestures he doesn’t understand. As these clichés betray, there is an aura of mystery around what a conductor actually does, often coupled with disbelief that he or she really makes a difference to the performance we hear. The Silent Musician deepens our understanding of what conductors do and why they matter. Neither an instruction manual for conductors, nor a history of conducting, the book instead explores the role of the conductor in noiselessly shaping the music that we hear. Writing in a clever, insightful, and often evocative style, world-renowned conductor Mark Wigglesworth deftly explores the philosophical underpinnings of conducting—from the conductor’s relationship with musicians and the music, to the public and personal responsibilities conductors face—and examines the subtler components of their silent art, which include precision, charisma, diplomacy, and passion. Ultimately, Wigglesworth shows how conductors—by simultaneously keeping time and allowing time to expand—manage to shape ensemble music into an immersive, transformative experience, without ever making a sound.
Download or read book The Compleat Conductor written by Gunther Schuller and published by Oxford University Press. This book was released on 1998-12-10 with total page 585 pages. Available in PDF, EPUB and Kindle. Book excerpt: A world-renowned conductor and composer who has lead most of the major orchestras in North America and Europe, a talented musician who has played under the batons of such luminaries as Toscanini and Walter, and an esteemed arranger, scholar, author, and educator, Gunther Schuller is without doubt a major figure in the music world. Now, in The Compleat Conductor, Schuller has penned a highly provocative critique of modern conducting, one that is certain to stir controversy. Indeed, in these pages he castigates many of this century's most venerated conductors for using the podium to indulge their own interpretive idiosyncrasies rather than devote themselves to reproducing the composer's stated and often painstakingly detailed intentions. Contrary to the average concert-goer's notion (all too often shared by the musicians as well) that conducting is an easily learned skill, Schuller argues here that conducting is "the most demanding, musically all embracing, and complex" task in the field of music performance. Conducting demands profound musical sense, agonizing hours of study, and unbending integrity. Most important, a conductor's overriding concern must be to present a composer's work faithfully and accurately, scrupulously following the score including especially dynamics and tempo markings with utmost respect and care. Alas, Schuller finds, rare is the conductor who faithfully adheres to a composer's wishes. To document this, Schuller painstakingly compares hundreds of performances and recordings with the original scores of eight major compositions: Beethoven's fifth and seventh symphonies, Schumann's second (last movement only), Brahms's first and fourth, Tchaikovsky's sixth, Strauss's "Till Eulenspiegel" and Ravel's "Daphnis et Chloe, Second Suite." Illustrating his points with numerous musical examples, Schuller reveals exactly where conductors have done well and where they have mangled the composer's work. As he does so, he also illuminates the interpretive styles of many of our most celebrated conductors, offering pithy observations that range from blistering criticism of Leonard Bernstein ("one of the world's most histrionic and exhibitionist conductors") to effusive praise of Carlos Kleiber (who "is so unique, so remarkable, so outstanding that one can only describe him as a phenomenon"). Along the way, he debunks many of the music world's most enduring myths (such as the notion that most of Beethoven's metronome markings were "wrong" or "unplayable," or that Schumann was a poor orchestrator) and takes on the "cultish clan" of period instrument performers, observing that many of their claims are "totally spurious and chimeric." In his epilogue, Schuller sets forth clear guidelines for conductors that he believes will help steer them away from self indulgence towards the correct realization of great art. Courageous, eloquent, and brilliantly insightful, The Compleat Conductor throws down the gauntlet to conductors worldwide. It is a controversial book that the music world will be debating for many years to come.
Download or read book Classical Music For Dummies written by David Pogue and published by John Wiley & Sons. This book was released on 2015-06-25 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: Haydn, Tchaikovsky, and Brahms, oh, my! The beginner's guide to classical music Classical Music For Dummies is a friendly, funny, easy-to-understand guide to composers, instruments, orchestras, concerts, recordings, and more. Classical music is widely considered one of the pinnacles of human achievement, and this informative guide will shows you just how beautiful and rewarding it can be. You'll learn how Bach is different from Beethoven, how Mozart is different still, and why not all "classical" music is actually Classical if it's really Baroque or Romantic. You'll be introduced to the composers and their work, and discover the groundbreaking pieces that shake the world every time they're played. Begin building your classical music library with the essential recordings that define orchestral, choral, and operatic beauty as you get acquainted with the orchestras and musicians that bring the composers to life. Whether you want to play classical music or just learn more about it, Classical Music For Dummies will teach you everything you need to know to get the most out of this increasingly popular genre. Distinguish flute from piccolo, violin from viola, and trumpet from trombone Learn the difference between overtures, requiems, arias, and masses Explore the composers that shaped music as we know it Discover the recordings your music library cannot be without Classical music has begun sneaking into the mainstream — if your interest has been piqued, there's never been a better time to develop an appreciation for this incredibly rich, complex, and varied body of work. Classical Music For Dummies lays the groundwork, and demonstrates just how amazing classical music can be.
Download or read book The Masters of the Classical Period as Conductors written by Birchard Coar and published by . This book was released on 1949 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book For the Love of Music written by John Mauceri and published by Vintage. This book was released on 2020-08-04 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: With a lifetime of experience, profound knowledge and understanding, and heartwarming appreciation, an internationally celebrated conductor and teacher answers the questions: Why should I listen to classical music? How can I get the most from the listening experience? A protégé of Leonard Bernstein--his colleague for eighteen years--and an eminent conductor who has toured and recorded all over the world, John Mauceri helps us to reap the joys and pleasures classical music has to offer. Briefly, we learn the way a musical tradition born in ancient Greece, embraced by the Roman Empire, and subsequently nurtured by influences from across the globe, gave shape to the classical music that came to be embraced by cultures from Japan to Bolivia. Then Mauceri examines the music itself, helping us understand what it is we hear when we listen to classical music: how, by a kind of sonic metaphor, it expresses the deepest recesses of human feeling and emotion; how each piece bears the traces of its history; how the concert experience--a unique one each and every time--allows us to discover music anew. Unpretentious, graceful, instructive, this is a book for the aficionado, the novice, and anyone looking to have the love of music fired within them.
Download or read book Conductors on Record written by John L. Holmes and published by Greenwood. This book was released on 1982-03-15 with total page 762 pages. Available in PDF, EPUB and Kindle. Book excerpt: Product information not available.
Download or read book The Orchestral Conductor written by Hector Berlioz and published by . This book was released on 1902 with total page 32 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book George Szell written by Michael Charry and published by University of Illinois Press. This book was released on 2011-06-01 with total page 466 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first full biography of George Szell, one of the greatest orchestra and opera conductors of the twentieth century. From child prodigy pianist and composer to world-renowned conductor, Szell's career spanned seven decades, and he led most of the great orchestras and opera companies of the world, including the New York Philharmonic, the NBC and Chicago Symphonies, the Berlin Philharmonic, the Vienna Philharmonic and Opera, and the Concertgebouw Orchestra. A protégé of composer-conductor Richard Strauss at the Berlin State Opera, his crowning achievement was his twenty-four-year tenure as musical director of the Cleveland Orchestra, transforming it into one of the world's greatest ensembles, touring triumphantly in the United States, Europe, the Soviet Union, South Korea, and Japan. Michael Charry, a conductor who worked with Szell and interviewed him, his family, and his associates over several decades, draws on this first-hand material and correspondence, orchestra records, reviews, and other archival sources to construct a lively and balanced portrait of Szell's life and work from his birth in 1897 in Budapest to his death in 1970 in Cleveland. Readers will follow Szell from his career in Europe, Great Britain, and Australia to his guest conducting at the New York Philharmonic and his distinguished tenure at the Metropolitan Opera and Cleveland Orchestra. Charry details Szell's personal and musical qualities, his recordings and broadcast concerts, his approach to the great works of the orchestral repertoire, and his famous orchestrational changes and interpretation of the symphonies of Robert Schumann. The book also lists Szell's conducting repertoire and includes a comprehensive discography. In highlighting Szell's legacy as a teacher and mentor as well as his contributions to orchestral and opera history, this biography will be of lasting interest to concert-goers, music lovers, conductors, musicians inspired by Szell's many great performances, and new generations who will come to know those performances through Szell's recorded legacy.
Download or read book The Beat Stops Here written by Mark Gibson and published by Oxford University Press. This book was released on 2017 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Master conductor Mark Gibson addresses the technique of conducting as an extension of intimate knowledge of the score to the hands and arms, employing a variety of everyday activities and physical motions (brushing the dog, Tinkerbelle, the 'door knob') to describe the physical aspects of the role. The approach to score study is detailed, bar-by-bar and comprehensive, both in terms of musical analysis and conducting method."--Page [4] of cover.
