Download or read book The Finale in Western Instrumental Music written by Michael Talbot and published by Oxford Monographs on Music. This book was released on 2001 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.

Download or read book Orchestral music v 1 Berlin symphonies written by Carl Philipp Emanuel Bach and published by . This book was released on 2005 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Penguin Guide to Compact Discs written by Ivan March and published by Penguin Group. This book was released on 2001 with total page 1618 pages. Available in PDF, EPUB and Kindle. Book excerpt: Regarded as the standard guide to classical music on CD, the 2002/3 edition of The Penguin Guide to Compact Discs has a new wider trim size to allow for even more updates. This guide takes into account the many hundreds of new and reissued CDs that have appeared in recent years while also including all the highlights from the back catalog. Arranged by composer, the guide lists all major recordings from each work-from remastered vintage recordings to the latest releases-with evaluations of interpretation and performance by the authors, as well as assessments of recording accuracy and advice on the best buys for cost and quality. This essential reference work is designed to help select the very best recorded classical music available today.

Download or read book Concerto in B major Wq 167 written by Carl Philipp Emanuel Bach and published by . This book was released on 1975 with total page 114 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Gramophone written by and published by . This book was released on 1996 with total page 946 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book British Union Catalogue of Orchestral Sets written by Tony Reed and published by . This book was released on 1989 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Musical Heritage Review written by and published by . This book was released on 1992 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Penguin Guide to Compact Discs written by and published by . This book was released on 2002 with total page 1612 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Classic CD written by and published by . This book was released on 1996 with total page 590 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Collected Writings of Franz Liszt written by and published by Scarecrow Press. This book was released on 2013-12-19 with total page 427 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Dramaturgical Leaves: Essays about Musical Works for the Stage and Queries about the Stage, Its Composers and Performers, the third volume in Janita R. Hall-Swadley’s The Collected Writings of Franz Liszt, Liszt heralds his admiration for early nineteenth-century opera and musical stage works. He honors Gluck, the musical prophet, as the cultivator of dramatic truth in the Romantic opera Orpheus, expounds on Beethoven’s harmonic inventions and innovative treatment of form in Fidelio, and argues for the latter’s incidental music to Goethe’s Egmont as the epitome of music organicism, a complete unity of words and tone. He also comments on Weber’s Euryanthe as offering the most progressive musical characterizations and declamation—even more so than his popular work Der Freischütz—and on how both works prefigure Wagner’s music dramas; awards Mendelssohn, whose genius Liszt ranks only slightly less than Beethoven’s, top honors for creating in Midsummer’s Night Dream the highest standards of music poetry; suggests how Scribe and Meyerbeer’s Robert the Devil paints a mental image of art’s eternal flames, where poet and musician share equal space in the development of music tragedy; reveals how the poetic deficiencies in the libretto to Schubert’s Alfonso and Estrella are too easily overlooked because of the music’s melodic and lyrical supremacy; and offers in contrast Auber’s Mute from Portici, a remarkable text by many historically picturesque musical motives that are universal and nationalistic at the same time. Finally Liszt offers an early gender study in music in his essay about Bellini’s Montague and Capulet (as well as its impact on nineteenth-century audiences), a look at Boieldieu’s White Lady as a sublime depiction of literary music, and Donizetti’s Favorite as colored with a special type of imagery, a laterna magica, in Liszt’s hand. The beloved soprano Pauline Viardot-Garcia receives special attention in an essay devoted entirely to her, and Liszt proffers a critique of entr’acte music as a pointless tradition that dethrones music and insults the artist and composer by making music a “palate cleanser.” This volume includes a detailed discussion about what it meant to be patronized by Liszt and how his support—financial, literary, and musical—helped shape many a music career. It also offers commentary on how gender in opera was sometimes obscured not only for dramatic interest but also as part of the process of outlining a nation’s identity,as well as a thorough study of Liszt’s concepts of Gestalt theory, the Archetype, and his musical Weltanschauung (his musical "world view"), all revealing his contribution to 19th-century music philosophy as it relates to opera. Finally, a historical review of entr’acte music is presented—how it began and how it developed—to clarify Liszt’s stance against it, making this volume a necessary read for music historians, serious musicians, and music connoisseurs alike.

Download or read book C P E Bach written by Doris Powers and published by Routledge. This book was released on 2002-04-19 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although he is the son of J. S. Bach, C. P. E. Bach is an important composer in his own right, this long-awaited annotated bibliography presents a complete listing of the works of C. P. E. Bach. This volume in the Routledge Music Bibliographies series includes many different aspects of his work: the editing of his father's masterpieces, his concert

Download or read book Index to Record Reviews 1978 1983 written by Kurtz Myers and published by Boston, Mass. : G.K. Hall. This book was released on 1985 with total page 918 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book InTune written by and published by . This book was released on 1996 with total page 966 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Eighteenth Century Fortepiano Grand and Its Patrons written by Eva Badura-Skoda and published by Indiana University Press. This book was released on 2017-11-20 with total page 510 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Badura-Skoda addresses the place of the piano in the eighteenth century from the perspective of a scholar and performer” (Eighteenth-Century Music). In the late seventeenth century, Italian musician and inventor Bartolomeo Cristofori developed a new musical instrument—his cembalo che fa il piano e forte, which allowed keyboard players flexible dynamic gradation. This innovation, which came to be known as the hammer-harpsichord or fortepiano grand, was slow to catch on in musical circles. However, as renowned piano historian Eva Badura-Skoda demonstrates, the instrument inspired new keyboard techniques and performance practices and was eagerly adopted by virtuosos of the age, including Scarlatti, J. S. Bach, Clementi, Haydn, Mozart, and Beethoven. Presenting a rich array of archival evidence, Badura-Skoda traces the construction and use of the fortepiano grand across the musical cultures of eighteenth-century Europe, providing a valuable resource for music historians, organologists, and performers. “Badura-Skoda has written a remarkable volume, the result of a lifetime of scholarly research and investigation. . . . Essential.” —Choice

Download or read book The Vintage Guide to Classical Music written by Jan Swafford and published by Vintage. This book was released on 1992-12-15 with total page 626 pages. Available in PDF, EPUB and Kindle. Book excerpt: The most readable and comprehensive guide to enjoying over five hundred years of classical music -- from Gregorian chants, Johann Sebastian Bach, and Wolfgang Amadeus Mozart to Johannes Brahms, Igor Stravinsky, John Cage, and beyond. The Vintage Guide to Classical Music is a lively -- and opinionated -- musical history and an insider's key to the personalities, epochs, and genres of the Western classical tradition. Among its features: -- chronologically arranged essays on nearly 100 composers, from Guillaume de Machaut (ca. 1300-1377) to Aaron Copland (1900-1990), that combine biography with detailed analyses of the major works while assessing their role in the social, cultural, and political climate of their times; -- informative sidebars that clarify broader topics such as melody, polyphony, atonality, and the impact of the early-music movement; -- a glossary of musical terms, from a cappella to woodwinds; -- a step-by-step guide to building a great classical music library. Written with wit and a clarity that both musical experts and beginners can appreciate, The Vintage Guide to Classical Music is an invaluable source-book for music lovers everywhere.

Download or read book Carl Philipp Emanuel Bach written by Doris Bosworth Powers and published by Psychology Press. This book was released on 2002 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Download or read book Elements of Sonata Theory written by James Arnold Hepokoski and published by . This book was released on 2011 with total page 1188 pages. Available in PDF, EPUB and Kindle. Book excerpt: Elements of Sonata Theory is a comprehensive rethinking of the basic principles of sonata form in the decades around 1800. This foundational study outlines a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven: sonatas, chamber music, symphonies, overtures, and concertos.