Download or read book Notes written by Music Library Association and published by . This book was released on 2005-06 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalog of Copyright Entries written by Library of Congress. Copyright Office and published by . This book was released on 1977 with total page 1730 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Harvard Dictionary of Music written by Don Michael Randel and published by Harvard University Press. This book was released on 2003-11-28 with total page 1020 pages. Available in PDF, EPUB and Kindle. Book excerpt: This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.
Download or read book Historical Sets Collected Editions and Monuments of Music Index written by and published by . This book was released on 1980 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Includes the complete editions of the music of individual composers and the major collections of music that have been published or are in the process of publication ... that is, collections, anthologies, or monumental sets of music considered by the author to have historical value, musical worth, reliable editing, or significance to music research"--Preface, p. ix.
Download or read book From Renaissance to Baroque written by Jonathan Wainwright and published by Routledge. This book was released on 2017-07-05 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historians of instruments and instrumental music have long recognised that there was a period of profound change in the seventeenth century, when the consorts or families of instruments developed during the Renaissance were replaced by the new models of the Baroque period. Yet the process is still poorly understood, in part because each instrument has traditionally been considered in isolation, and changes in design have rarely been related to changes in the way instruments were used, or what they played. The essays in this book are by distinguished international authors that include specialists in particular instruments together with those interested in such topics as the early history of the orchestra, iconography, pitch and continuo practice. The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performance of Baroque music. What sorts of instruments should be used? At what pitch? In which temperament? In what numbers and/or combinations? For this reason, the book will be invaluable to performers, academics, instrument makers and anyone interested in the fascinating period of change from the 'Renaissance' to the 'Baroque'.
Download or read book Bibliographic Guide to Music written by New York Public Library. Music Division and published by . This book was released on 2003 with total page 862 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The American Organist written by and published by . This book was released on 1988 with total page 674 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A History of Baroque Music written by George J. Buelow and published by Indiana University Press. This book was released on 2004-11-23 with total page 732 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.
Download or read book Historical Organ Techniques and Repertoire England 1730 1830 written by Wayne Leupold and published by . This book was released on 2000 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Aspects of the Secular Cantata in Late Baroque Italy written by Michael Talbot and published by Routledge. This book was released on 2017-07-05 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: As shown by the ever-increasing volume of recordings, editions and performances of the vast repertory of secular cantatas for solo voice produced, primarily in Italy, in the second half of the seventeenth century and the first half of the eighteenth century, this long neglected genre has at last 'come of age'. However, scholarly interest is currently lagging behind musical practice: incredibly, there has been no general study of the Baroque cantata since Eugen Schmitz's handbook of 1914, and although many academic theses have examined microscopically the cantatas of individual composers, there has been little opportunity to view these against the broader canvas of the genre as a whole. The contributors in this volume choose aspects of the cantata relevant to their special interests in order to say new things about the works, whether historical, analytical, bibliographical, discographical or performance-based. The prime focus is on Italian-born composers working between 1650 and 1750 (thus not Handel), but the opportunity is also taken in one chapter (by Graham Sadler) to compare the French cantata tradition with its Italian parent in association with a startling new claim regarding the intended instrumentation. Many key figures are considered, among them Tomaso Albinoni, Giovanni Bononcini, Giovanni Legrenzi, Benedetto Marcello, Alessandro Scarlatti, Alessandro Stradella, Leonardo Vinci and Antonio Vivaldi. The poetic texts of the cantatas, all too often treated as being of little intrinsic interest, are given their due weight. Space is also found for discussions of the history of Baroque solo cantatas on disc and of the realization of the continuo in cantata arias - a topic more complex and contentious than may at first be apparent. The book aims to stimulate interest in, and to win converts to, this genre, which in its day equalled the instrumental sonata in importance, and in which more than a few composers invested a major part of their creativity.
Download or read book Catalog of Copyright Entries Third Series written by Library of Congress. Copyright Office and published by . This book was released on 1977 with total page 1714 pages. Available in PDF, EPUB and Kindle. Book excerpt: The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.).
Download or read book The Bach Family and the Keyboard Concerto written by Jane R. Stevens and published by . This book was released on 2001 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: A historical-stylistic study of the solo keyboard concerto and its changing identity. The author discusses the development of the work of Johann Sebastian Bach and three of his sons (Wilhelm Friedemann, Carl Philipp Emanuel, and Johann Christian) for whom he was an important teacher. Her primary aim is to explore certain issues pertaining to concerto composition in the 18th century, with a focus upon the history of musical practice and imagination rather than the investigation of the relevant musical documents.
Download or read book Ten Italian Violin Concertos from Fonds Blancheton Part 1 written by Jehoash Hirshberg and published by A-R Editions, Inc.. This book was released on 1984-01-01 with total page 130 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music Cataloging Bulletin written by and published by . This book was released on 1987 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bolognese Instrumental Music 1660 1710 written by Gregory Barnett and published by Routledge. This book was released on 2017-07-05 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book, the first of its kind, is a study of Bolognese instrumental music during the height of the city's musical activity in the late seventeenth century. The period?marked by a rapid expansion of the cappella musicale of the principal city church, San Petronio, by the founding of the Accademia Filarmonica, and by increasingly lavish patronage of musical events?witnessed the proliferation of repertory for instrumental ensembles. This music not only reveals crucial stages in the development of the sonata and concerto but also recalls the elaborate church rituals and the opulent public and private celebrations in which they figured prominently. Moreover, the late seventeenth century saw the heyday of Bolognese music publishing, whose output of sonatas and related instrumental genres easily surpassed that of the once-dominating Venetian presses. The approach taken here departs from composer- and genre-centered monographs on Italian instrumental music in order to illuminate an array of topics that center on the Bolognese repertory: the social condition of instrumentalist-composers; the acumen of music publishers in the creation of the repertory; the diverse contexts of the instrumental dances; the influence of liturgical traditions on sonata topoi; the impact of psalmodic practice on tonal style; and the innovative climate that led to experiments with scoring and form in the earliest instrumental concertos. In sum, this book not only illustrates the historically significant and defining features of the music, but also links the surviving repertory to the flourishing musical culture in which it was created.
Download or read book Ignaz Moscheles and the Changing World of Musical Europe written by Mark Kroll and published by Boydell & Brewer Ltd. This book was released on 2014 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first full-length study devoted to Ignaz Moscheles (1794-1870), pianist, conductor and composer. This book, the first full-length study devoted to Ignaz Moscheles (1794-1870), explores how the son of middle-class Jewish parents in Prague became one of the most important musicians of his era, achieving recognition and world-wide admiration as a virtuoso pianist, conductor and composer, a sought-after piano teacher, and a pioneer in the historical performance of early music. Placing Moscheles' career within the context of the social, political and economic milieu in which he lived, the book offers new insights into the business of music and music making; the lives and works of his contemporaries, such as Schumann, Meyerbeer, Chopin, Hummel, Rossini, Liszt, Berlioz and others; the transformation of piano playing from the classical to romantic periods; and the challenges faced by Jewish artists during a dynamic period in European history. A section devoted to Moscheles' engagement as both a performer and editor with the music of J. S. Bach and Handel enhances our understanding of nineteenth-century approaches to early music, and the separate chapters that detail Moscheles' interactions with Beethoven and his extraordinarily close relationship with Mendelssohn adds considerably to the existing literature on these two masters. MARK KROLL has earned worldwide recognition as a harpsichordist, scholar and educator during a career spanning more than forty years. Professor emeritus at Boston University, Kroll has published scholarly editions of the music of Hummel, Geminiani, Charles Avison and Francesco Scarlatti, and is the author of Johann Nepomuk Hummel: A Musician's Lifeand World; Playing the Harpsichord Expressively; and The Beethoven Violin Sonatas.
Download or read book Secular Vocal Music written by Francesco Barsanti and published by A-R Editions, Inc.. This book was released on 2018-01-01 with total page 101 pages. Available in PDF, EPUB and Kindle. Book excerpt: A latecomer to music and not particularly gifted as an executant on any instrument (a great handicap for any musician in an age when music appreciation was performer-centered rather than composer-centered), the Italian expatriate Francesco Barsanti (ca. 16901775) would seem doomed to failure, especially given his reportedly unassertive, even timid, personality; but his versatility, industry, and ability to win and retain a surprisingly large support network kept him afloat until the end. His ability to survive from day to day by carrying out a multitude of humdrum tasks gave him sufficient time and freedom to engage in what he did best and seemingly valued most: composing music. The compact but by no means negligible corpus of music he produced in a wide variety of genres makes him one of the most original and interesting composers active in eighteenth-century Britain. His instrumental music has already won some recognition in modern times, but his equally impressive vocal music, all produced in Britain, is so far virtually unknown. The present volume, which contains all Barsantis secular vocal music known to survive, together with a complementary volume containing his complete sacred vocal music, aims to bring these attractive works before the musicological community and the public at large.
