Download or read book Orchestral Music written by David Daniels and published by Scarecrow Press. This book was released on 2005-10-13 with total page 634 pages. Available in PDF, EPUB and Kindle. Book excerpt: Also Available: Orchestral Music Online This fourth edition of the highly acclaimed, classic sourcebook for planning orchestral programs and organizing rehearsals has been expanded and revised to feature 42% more compositions over the third edition, with clearer entries and a more useful system of appendixes. Compositions cover the standard repertoire for American orchestra. Features from the previous edition that have changed and new additions include: · Larger physical format (8.5 x 11 vs. 5.5 x 8.5) · Expanded to 6400 entries and almost 900 composers (only 4200 in 3rd Ed.) · Merged with the American Symphony Orchestra League's OLIS (Orchestra Library Information Service) · Enhanced specific information on woodwind & brass doublings · Lists of required percussion equipment for many works · New, more intuitive format for instrumentation · More contents notes and durations of individual movements · Composers' citizenship, birth and death dates and places, integrated into the listings · Listings of useful websites for orchestra professionals

Download or read book Daniels Orchestral Music written by David Daniels and published by Rowman & Littlefield. This book was released on 2022-06-30 with total page 1464 pages. Available in PDF, EPUB and Kindle. Book excerpt: Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.

Download or read book The Oxford Handbook of Topic Theory written by Danuta Mirka PhD and published by Oxford University Press. This book was released on 2014-10-16 with total page 713 pages. Available in PDF, EPUB and Kindle. Book excerpt: Topics are musical signs developed and employed primarily during the long eighteenth century. Their significance relies on associations that are clearly recognizable to the listener with different genres, styles and types of music making. Topic theory, which is used to explain conventional subjects of musical composition in this period, is grounded in eighteenth-century music theory, aesthetics, and criticism, while drawing also from music cognition and semiotics. The concept of topics was introduced into by Leonard Ratner in the 1980s to account for cross-references between eighteenth-century styles and genres. As the invention of a twentieth-century academic, topic theory as a field is comparatively new, and The Oxford Handbook of Topic Theory provides a much-needed reconstruction of the field's aesthetic underpinnings. The volume grounds the concept of topics in eighteenth-century music theory, aesthetics, and criticism. Documenting the historical reality of individual topics on the basis of eighteenth-century sources, it traces the origins of topical mixtures to transformations of eighteenth-century musical life, and relates topical analysis to other methods of music analysis conducted from the perspectives of composers, performers, and listeners. Focusing its scope on eighteenth-century musical repertoire, The Oxford Handbook of Topic Theory lays the foundation for further investigation of topics in music of the nineteenth, twentieth, and twenty-first centuries.

Download or read book Masterworks of the Orchestral Repertoire written by Donald N. Ferguson and published by U of Minnesota Press. This book was released on 1968-03-04 with total page 686 pages. Available in PDF, EPUB and Kindle. Book excerpt: Masterworks of the Orchestral Repertoire was first published in 1968. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The fullest enjoyment of an orchestral performance or a record concert comes with a background of knowledge about the music itself. This handbook is designed to help music lovers get the ultimate pleasure from their listening by providing them with that background about a large portion of the orchestral repertoire. Professor Ferguson analyzes and interprets the most important classical symphonies, overtures, and concertos, as well as selected orchestral works of modern composers. He goes beyond a conventional analysis of structure since he believes (with a majority of the music-loving public) that great music is actually a communication -- that it expresses significant emotions. The great composers, on their own testimony, have striven not merely to create perfect forms but to interpret human experience. Mingled with the analyses, then, the reader will find comments on the expressive purport of the music. For twenty-five years Professor Ferguson has supplied the program notes for the subscription concerts of the Minneapolis Symphony Orchestra, and this volume is an outgrowth of that activity. In preparing the material for book publication, however, he studied the musical compositions anew, and the resulting chapters provide a much deeper exploration of the musical subjects than did the program notes. The themes of important works are illustrated by musical notations, and a brief glossary explains technical terms.

Download or read book Decca Group Records Tapes Main Catalogue written by Decca Record Company and published by . This book was released on 1979 with total page 812 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The University Musical Society written by University of Michigan. University Musical Society and published by UM Libraries. This book was released on 1954 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book School of Music Programs written by University of Michigan. School of Music and published by . This book was released on 1939 with total page 570 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book University of Michigan Official Publication written by and published by UM Libraries. This book was released on 1942 with total page 1932 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Conducting and Rehearsing the Instrumental Music Ensemble written by John F. Colson and published by Scarecrow Press. This book was released on 2012 with total page 521 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The most comprehensive guide on the rehearsal process for conducting instrumental music ensembles. This work breaks the multidimensional activity of working with an ensemble, orchestra, or band into its constituent components"--from publisher description.

Download or read book The Best of George Frideric Handel written by Paul Paradise and published by Alfred Music. This book was released on with total page 36 pages. Available in PDF, EPUB and Kindle. Book excerpt: This beautiful collection for orchestra or string quartet is ideal for students, amateurs, and professionals. Useful in school, church, at the mall, and in the concert hall. Titles are: * Opus 6, No. 9 in F Major * Opus 6, No. 7 in B-flat Major * Opus 6, No. 1 in G Major * Opus 6, No. 2 in F Major * Opus 6, No. 3 in E Minor * Opus 6, No. 10 in D Minor * Opus 6, No. 6 in B-flat Major.

Download or read book Catalog of Copyright Entries written by Library of Congress. Copyright Office and published by . This book was released on 1963 with total page 1068 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The World s Encyclopedia of Recorded Music written by Francis F. Clough and published by . This book was released on 1952 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Arnold Schoenberg written by Mark Berry and published by Reaktion Books. This book was released on 2019-04-15 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: The most radical and divisive composer of the twentieth century, Arnold Schoenberg remains a hero to many, and a villain to many others. In this refreshingly balanced biography, Mark Berry tells the story of Schoenberg’s remarkable life and work, situating his tale within the wider symphony of nineteenth- and twentieth-century history. Born in the Jewish quarter of his beloved Vienna, Schoenberg left Austria for his early career in Berlin as a leading light of Weimar culture, before being forced to flee in the dead of night from Hitler’s Third Reich. He found himself in the United States, settling in Los Angeles, where he would inspire composers from George Gershwin to John Cage. Introducing all of Schoenberg’s major musical works, from his very first compositions, such as the String Quartet in D Major, to his invention of the twelve-tone method, Berry explores how Schoenberg’s revolutionary approach to musical composition incorporated Wagnerian late Romanticism and the brave new worlds of atonality and serialism. Essential reading for anyone interested in the music and history of the twentieth century, this book makes clear Schoenberg changed the history of music forever.

Download or read book After Wagner written by Mark Berry and published by Boydell & Brewer Ltd. This book was released on 2014 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is both a telling of operatic histories 'after' Richard Wagner, and a philosophical reflection upon the writing of those histories. Historical musicology reckons with intellectual and cultural history, and vice versa. The 'after' of the title denotes chronology, but also harmony and antagonism within a Wagnerian tradition. Parsifal, in which Wagner attempted to go beyond his achievement in the Ring, to write 'after' himself, is followed by two apparent antipodes: the strenuously modernist Arnold Schoenberg and the stheticist Richard Strauss. Discussion of Strauss's Capriccio, partly in the light of Schoenberg's Moses und Aron, reveals a more 'political' work than either first acquaintance or the composer's 'intention' might suggest. Then come three composers from subsequent generations: Luigi Dallapiccola, Luigi Nono, and Hans Werner Henze. Geographical context is extended to take in Wagner's Italian successors; the problem of political emancipation in and through music drama takes another turn here, confronting challenges and opportunities in more avowedly 'politically engaged' art. A final section explores the world of staging opera, of so-called Regietheater, as initiated by Wagner himself. Stefan Herheim's celebrated Bayreuth production of Parsifal, and various performances of Lohengrin are discussed, before looking back to Mozart (Don Giovanni) and forward to Alban Berg's Lulu and Nono's Al gran sole carico d'amore. Throughout, the book invites us to consider how we might perceive the sthetic and political integrity of the operatic work 'after Wagner'. After Wagner will be invaluable to anyone interested in twentieth-century music drama and its intersection with politics and cultural history. It will also appeal to those interested in Richard Wagner's cultural impact on succeeding generations of composers. MARK BERRY is Senior Lecturer in Music at Royal Holloway, University of London.

Download or read book Philosophy of New Music written by Theodor W. Adorno and published by U of Minnesota Press. This book was released on 2020-06-02 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: An indispensable key to Adorno’s influential oeuvre—now in paperback In 1949, Theodor W. Adorno’s Philosophy of New Music was published, coinciding with the prominent philosopher’s return to a devastated Europe after his exile in the United States. Intensely polemical from its first publication, every aspect of this work was met with extreme reactions, from stark dismissal to outrage. Even Arnold Schoenberg reviled it. Despite the controversy, Philosophy of New Music became highly regarded and widely read among musicians, scholars, and social philosophers. Marking a major turning point in his musicological philosophy, Adorno located a critique of musical reproduction as internal to composition, rather than a matter of musical performance. Consisting of two distinct essays, “Schoenberg and Progress” and “Stravinsky and Reaction,” Philosophy of New Music poses the musical extremes in which Adorno perceived the struggle for the cultural future of Europe: between human emancipation and barbarism, between the compositional techniques and achievements of Schoenberg and Stravinsky. In this translation, which is accompanied by an extensive introduction by distinguished translator Robert Hullot-Kentor, Philosophy of New Music emerges as an essential guide to the whole of Adorno's oeuvre.

Download or read book 1001 Most Popular Wedding Questions from WedSpace com written by Alex A. Lluch and published by WS Publishing Group. This book was released on 2010 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: About 5 million people tie the knot each year and many of them are asking the same questions when it comes to wedding planning. 1001 Most Frequently Asked Questions from WedSpace.com compiles the most common questions brides and grooms have, based on the thousands of couples registered on WedSpace.com, the first and only social networking site for engaged couples, their guests, and wedding vendors. This book answers questions on every hot topic, from who pays for what, to understanding the responsibilities of the wedding party members, to what to budget for each aspect of the wedding.

Download or read book Cadence written by William E. Caplin and published by Oxford University Press. This book was released on 2024-09-20 with total page 649 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cadence is a comprehensive examination of how formal units in European art music of the tonal era achieve closure. The book brings together the author's decades-long investigations into cadence, a compositional device that is readily experienced both by musicians and non-musicians, but one that has proven intractable to clear and precise theoretical formulation. Rooted in Caplin's broader theory of formal functions, the book first develops concepts of cadence for music of the high classical style and then extends these ideas to gauge cadential practice in earlier and later style periods. Throughout the study, various manifestations of cadence are defined in terms of their morphology (their harmonic and melodic profiles) as well as their function (the specific formal contexts in which they are deployed). Cadence introduces a host of theoretical concepts illustrated by copious musical examples, all of which contain extensive analytical annotations of harmony, melody and form. Though the book is addressed primarily to music theorists, the many issues of compositional practice raised in this study will resonate with the interests of composers, historians, and performers alike.