Download or read book Collaboration in the Arts from the Middle Ages to the Present written by Silvia Bigliazzi and published by Routledge. This book was released on 2017-11-30 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Collaboration' is a complex cultural and political phenomenon: the combined practice of two or more artists, simultaneously or across time, or the willing (and therefore publicly reprehensible) collusion implied by the term's specifically historical meaning. These interdisciplinary essays propose collaboration as a strategy for ensuring creativity within a dynamic tradition, and as a means of mutual enrichment both between individuals and between disciplines. Writers from Chaucer to Wilde and Conrad are considered in this context, together with medieval iconography and German Romanticism. Yet collaboration as collusion and coercion are also implicated in diverse political and cultural agendas informed by xenophobic and exclusive, rather than inclusive, ideologies. Their impact spreads beyond the lives and minds of individual artists and individual texts to touch on the relationship between the citizen and the state, whether writers from the 'losing' side, the immigrant in Italy, writers who supported Fascisim, or the Roma in Britain.
Download or read book Collaboration in the Arts from the Middle Ages to the Present written by Silvia Bigliazzi and published by Ashgate Publishing Company. This book was released on 2006 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: These interdisciplinary essays propose the complex cultural phenomenon of collaboration as an unorthodox but creative response to tradition. Writers from Chaucer to Conrad, medieval iconography, and German Romanticism are considered here while the darker side of collaboration as political choice and ethical dilemma is explored in essays on fascist writers and state racism.
Download or read book The Arts in the Middle Ages and at the Period of the Renaissance written by P. L. Jacob and published by . This book was released on 1875 with total page 654 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Reconciling Copyright with Cumulative Creativity written by Giancarlo Frosio and published by Edward Elgar Publishing. This book was released on 2018 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reconciling Copyright with Cumulative Creativity: The Third Paradigm examines the long history of creativity, from cave art to digital remix, in order to demonstrate a consistent disparity between the traditional cumulative mechanics of creativity and modern copyright policies. Giancarlo Frosio calls for the return of creativity to an inclusive process, so that the first (pre-modern imitative and collaborative model) and second (post-Romantic copyright model) creative paradigms can be reconciled into an emerging third paradigm which would be seen as a networked peer and user-based collaborative model.
Download or read book The Arts in the Middle Ages and the Renaissance written by P. L. Jacob and published by . This book was released on 189? with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Imagining the Past in France written by Elizabeth Morrison and published by Getty Publications. This book was released on 2010-12-07 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: This exquisite volume beautifully reproduces and insightfully examines the most important illuminations found in French history manuscripts.
Download or read book The Arts in the Middle Ages and at the Period of the Renaissance written by James Dafforne and published by Legare Street Press. This book was released on 2023-07-18 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explore the world of art in medieval and Renaissance Europe. This book provides an in-depth look at the major art movements of the era, including Gothic and Renaissance art. With beautiful illustrations and expert analysis, this book is a must-read for anyone interested in the history of art. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Download or read book Collaborative Creative Thought and Practice in Music written by Margaret S. Barrett and published by Routledge. This book was released on 2016-05-23 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: The notion of the individual creator, a product in part of the Western romantic ideal, is now troubled by accounts and explanations of creativity as a social construct. While in collectivist cultures the assimilation (but not the denial) of individual authorship into the complexities of group production and benefit has been a feature, the notion of the lone individual creator has been persistent. Systems theories acknowledge the role of others, yet at heart these are still individual views of creativity - focusing on the creative individual drawing upon the work of others rather than recognizing the mutually constitutive elements of social interactions across time and space. Focusing on the domain of music, the approach taken in this book falls into three sections: investigations of the people, processes, products, and places of collaborative creativity in compositional thought and practice; explorations of the ways in which creative collaboration provides a means of crossing boundaries between disciplines such as music performance and musicology; and studies of the emergence of creative thought and practice in educational contexts including that of the composer and the classroom. The volume concludes with an extended chapter that reflects on the ways in which the studies reported advance understandings of creative thought and practice. The book provides new perspectives to our understandings of the role of collaborative thought and processes in creative work across the domain of music including: composition, musicology, performance, music education and music psychology.
Download or read book Handbook of the Arts of the Middle Ages and Renaissance written by Jules Labarte and published by . This book was released on 1855 with total page 486 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Arts in the Middle Ages and at the Period of the Renaissance written by P. L. Jacob and published by . This book was released on 1869 with total page 549 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Arts in the Middle Ages and at the Period of the Renaissance written by Paul Lacroix and published by Literary Licensing, LLC. This book was released on 2014-03 with total page 586 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Is A New Release Of The Original 1875 Edition.
Download or read book Touching the Passion Seeing Late Medieval Altarpieces through the Eyes of Faith written by Donna L. Sadler and published by BRILL. This book was released on 2018-03-06 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Touching the Passion considers the ways that the Passion in late medieval retables touched worshipers. The author explores the “aesthetics of immersion” through different lenses, such as scale, medium, the five senses, the effect of the frame, and medieval mnemonics.
Download or read book Improvisation in the Arts of the Middle Ages and Renaissance written by Timothy James McGee and published by Medieval Institute Publications. This book was released on 2003 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: One impression that stands out from this collection is the extent to which improvisation was an important factor in all of the arts. As each of the authors assembles a case by ferreting out bits and pieces of information having to do with a single art, the weight of the assembled material lends additional strength to each case. By considering the overall picture that results, as well as that made by each of the individual studies, the reader is able to see much more clearly the role played by improvisation from the late Middle Ages through to the time of Shakespeare and beyond. A careful reading of the essays brings with it the awareness that to ignore improvisation is to distort the art in a major way. In light of the present volume, the very concept of faithful historical re-creation takes on a much broader and more complex character.
Download or read book Time and Presence in Art written by Armin Bergmeier and published by Walter de Gruyter GmbH & Co KG. This book was released on 2022-03-07 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the relationship between temporality and presence in medieval artworks from the third to the sixteenth centuries. It is the first extensive treatment of the interconnections between medieval artworks' varied presences and their ever-shifting places in time. The volume begins with reflections on the study of temporality and presence in medieval and early modern art history. A second section presents case studies delving into the different ways medieval artworks once created and transformed their original viewers' experience of the present. These range from late antique Constantinople, early Islamic Jerusalem and medieval Italy, to early modern Venice and the Low Countries. A final section explores how medieval artworks remain powerful and relevant today. This section includes case studies on reconstructing presence in medieval art through embodied experience of pilgrimage, art historical research and museum education. In doing so, the volume provides a first dialog between museum educators and art historians on the presence of medieval artifacts. It includes contributions by Hans Belting, Keith Moxey, Rika Burnham and others.
Download or read book Mechanisms of Exchange written by and published by BRILL. This book was released on 2013-04-15 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: Featuring eight innovative studies by prominent scholars of medieval art and architecture, this special issue of Medieval Encounters examines the specific means by which art and architectural forms, techniques, and ideas were transmitted throughout the medieval world (ca. 1000-1500). While focusing on the Mediterranean region, the collection also includes essays that expand this geographic zone into a cultural and artistic one by demonstrating contact with near and distant neighbors, thereby allowing an expanded understanding of the interconnectedness of the medieval world. The studies are united by a focus on the specific mechanisms that enabled artistic and architectural interaction, as well as the individuals who facilitated these transmissions. Authors also consider the effects and collaboration of portable and monumental arts in the creation of intercultural artistic traditions. Contributors are: Justine Andrews, Maria Georgopoulou, Ludovico Geymonat, Heather E. Grossman, Eva Hoffman, Melanie Michailidis, Renata Holod, Scott Redford and Alicia Walker.
Download or read book The Arts in the Middle Ages and the Renaissance written by P. L. Jacob and published by . This book was released on 1885 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Negotiating Secular and Sacred in Medieval Art written by Amanda Luyster and published by Routledge. This book was released on 2017-07-05 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering original analysis of the convergence between 'sacred' and 'secular' in medieval works of art and architecture, this collection explores both the usefulness and limitations of these terms for describing medieval attitudes. The modern concepts of 'sacred' and 'secular' are shown to be effective as scholarly tools, but also to risk imposing false dichotomies. The authors consider medieval material culture from a broad perspective, addressing works of art and architecture from England to Japan, and from the seventh to the fifteenth century. Although the essays take a variety of methodological approaches they are unified in their emphasis on the continuing and necessary dialectic between sacred and secular. The contributors consciously frame their interpretations in terms and perspectives derived from the Middle Ages, thereby demonstrating how the present art-historical terminology and conceptual frameworks can obscure the complexity of medieval life and material culture. The resonance among essays opens possibilities for productive cross-cultural study of an issue that is relevant to a diversity of cultures and sub-periods. Introducing an innovative approach to the literature of the field, this volume complicates and enriches our understanding of social realities across a broad spectrum of medieval worlds.
