Download or read book Cluniac Art of the Romanesque Period written by Joan Evans and published by CUP Archive. This book was released on 1950 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Romanesque Sculpture written by Millard Fillmore Hearn and published by Cornell University Press. This book was released on 1985 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Cluniac Monasticism in the Central Middle Ages written by Noreen Hunt and published by Springer. This book was released on 2016-01-03 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Anglo Norman Studies VI written by R. Allen Brown and published by Boydell & Brewer. This book was released on 1984 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: In studies ranging from Norman Sicily to Scandinavia, six focus on aspects of Scottish history. Papers discuss authenticity and forgery, royal and aristocratic values, the history of William the Conqueror and the Marshal earls. Contemporary historians' perceptions of the Jews and Byzantium complete the roll call.
Download or read book Library of Congress Subject Headings written by Library of Congress and published by . This book was released on 2006 with total page 1960 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Library of Congress Subject Headings written by Library of Congress. Cataloging Policy and Support Office and published by . This book was released on 2007 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Masons and Sculptors in Romanesque Burgundy Text written by C. Edson Armi and published by Penn State University Press. This book was released on 1983 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: For nearly a century, archaeologists and art historians studying the great third abbey at Cluny (Cluny III) have "agreed on a set of abstract principles, including its spontaneous generation or revolutionary character, and posited an overseeing genius who selected from non-local sources." In a sweeping revision of that position, this book argues that Cluny Ill is "the building where regional masons of different traditions first combined their talents to develop a new design," and further maintains that the artisans responsible for the masonry of Cluny Ill also created its sculpture. Professor Armi reaches these conclusions through a painstaking analysis of archaeological evidence, such as masons' marks, and a careful "hand analysis" of the site's sculpture, allowing observation of both individual and general design changes, turning points, and stylistic trends. As a result of his investigation of the major Burgundian structures of the period Cluny, Vézelay, Paray-le-Monial, Anzy-le-Duc, Perrecy-les-Forges, etc., the author has established a new chronology for the architecture of the region. He also has identified the careers of the major artists who carved the portal and capital sculpture. His research has even disproved the traditional assumption that sculpture was carved in situ, for his evidence reveals that finished pieces were fitted into the masonry at Cluny III and elsewhere. By focusing on the work of individual masons and on progressive alterations in architectural detail, the author has broken with the method of his predecessors, but there is ample support for both his methods and his conclusions in the book's 400 illustrations. In his use of macrophotography alone, Armi has added a valuable new methodological tool for the comprehension of both architecture and sculpture, but his most important contribution to the field lies in showing that, by working together, two local groups of masons merged their separate traditions to create a magnificent synthesis: the Cluniac High Romanesque style.
Download or read book An Account of Medieval Figure sculpture in England written by Edward Schröder Prior and published by . This book was released on 1912 with total page 762 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Cluny and the Origins of Burgundian Romanesque Sculpture written by C. Edson Armi and published by L'Erma Di Bretschneider. This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The role of individual sculptors in creating the ambulatory capitals in the largest basilica in Christendom at Cluny remains a mystery. The unresolved issue of individual creativity leaves open three important questions about this powerful abbey which controlled hundreds of monasteries throughout Europe in the eleventh century: What was the specific artistic context - the origin, training and career path of the major sculptors who worked at the mother church at the start of construction? What was the relationship, in time and influence, between the focal ambulatory capitals and similar sculptures at numerous local sites? And what role did artists play in determining the form and meaning of Cluny sculptures and related monuments? This book traces the career of a sculptor who worked on the earliest capitals in the abbey church at Cluny. It documents his artistic preferences at previous Burgundian projects, gathering a variety of evidence intended to be on the one hand precise, complex and subtle, and on the other convincingly repetitious. He treated gesture, pose, anatomy, drapery, foliage, architecture, background and space not only consistently but also in a complementary fashion. Plainly put, he blurred the traditional distinction between sculpture and architecture, displaying a rich and unique combination of artistic preferences even as he worked with different kinds of patrons on various subjects at numerous and diverse monuments. These findings are supported with high-resolution photographs taken at telling angles from high ladders and scaffolding. This version of the creative process at the mother church, in which the Cluniac brothers picked a local talent to carry out one of the most important sculptural commissions in Europe, differs markedly from the standard one based largely on presumed but undocumented artistic priorities of the monks. Prevailing theory assumes the monks had an international perspective when it came to art as they tried to establish at Cluny a new Rome as the centerpiece of their monastic empire. Rather than tap an experienced sculptor who worked in the indigenous masonry tradition, they would have looked toward foreign lands to find suitable artists who based their designs on high forms of art such as ivory, painting, and metalwork. C. Edson Armi Is a research professor at the University of California, Santa Barbara. He has written books on Cluniac architecture and sculpture, design and construction in Romanesque architecture, Gothic sculpture, and American car design. He received the Society of Architectural Historians Founders' Award, the C.I.N.O.A. International Art History Prize, and a Guggenheim Fellowship.
Download or read book The Nave Sculpture of V zelay written by Kirk Ambrose and published by PIMS. This book was released on 2006 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This scholarly work fundamentally changes the way we think about the monastic church of Vezelay and its sculptures. Kirk Ambrose provides a new account of the celebrated sculptural ensemble at this important French Romanesque monastic church. Whereas scholarly attention in the past has focused almost exclusively on the Pentecostal portal, Ambrose devotes most of his analysis to the nave capitals. He considers how these works intersect with various aspects of monastic culture, from poetry to a sign language used during observed periods of silence. From this study it emerges how many of the sculptures resonated with communal practices and with interpretive modes in use at the site." "Deeming the attempt to uncover an underlying or unifying program to be an anachronistic project, Ambrose explores historically specific ways this ensemble cohered for medieval viewers. Covering a range of themes, including hagiography, ornament, and violence, he develops alternative approaches for the examination of serial imagery. As a result, this book has broad implications for the study of eleventh- and twelfth-century art in the West."--BOOK JACKET.
Download or read book Eight Chapters on English Medieval Art written by Edward Schröder Prior and published by Cambridge, University Press. This book was released on 1922 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Romanesque Sculpture of the Pilgrimage Roads written by Arthur Kingsley Porter and published by . This book was released on 1923 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Art Bulletin written by and published by . This book was released on 1927 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes section: Notes and reviews.
Download or read book The Romanesque Architecture and Sculpture of Perrecy les Forges written by Masuyo Tokita Darling and published by . This book was released on 1994 with total page 758 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book American Journal of Archaeology and of the History of the Fine Arts written by and published by . This book was released on 1922 with total page 578 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book American Journal of Archaeology written by and published by . This book was released on 1922 with total page 554 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Art of the Sublime written by Roger Homan and published by Routledge. This book was released on 2017-03-02 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the view of Hegel and others, pagan art is the art of the beautiful and Christian art is the art of the sublime. Roger Homan provides a comprehensive and informative account of the course of Christian art, encompassing a re-evaluation of conventional aesthetics and its application to religious art. Homan argues that taste and aesthetics are fashioned by morality and belief, and that Christian art must be assessed not in terms of its place in the history of art but of its place in Christian faith. The narrative basis of Christian art is documented but religious art is also explored as the expression of the devout and as an element in the trappings of collective expression and personal quest. Sections in the book explore pilgrimage art, puritan art, the tension of Gothic and Classical, church architecture and the language of worship. Current areas of debate, including the relationship of ethics to the appreciation of art, are also discussed. An extensive range of examples of painting, architecture and decoration, most of which are of European origin, are discussed throughout, with a number of striking illustrations included within the text.
