Download or read book Cinemascope 3 written by John Howard Reid and published by Lulu.com. This book was released on 2006 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: This third collection of widescreen wonders photographed in CinemaScope, focuses on such popular movies as "Love Is a Many-Splendored Thing," "Cleopatra," "Three Coins in the Fountain," "Bus Stop," "There's No Business Like Show Business," "The Seven Year Itch," "Let's Make Love," "Peyton Place," "North to Alaska," "The Longest Day," "The Eddy Duchin Story," "Far from the Madding Crowd," "The Man in the Gray Flannel Suit," "The Helen Morgan Story," "A Star Is Born" and "2001: A Space Odyssey."
Download or read book Stereoscopic Cinema and the Origins of 3 D Film 1838 1952 written by Ray Zone and published by University Press of Kentucky. This book was released on 2014-04-23 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: From stereoview cards to large-format IMAX films, 3-D technology's heightened realism and powerful visual allure have held audiences captive for over a century and a half. The technology, known as stereoscopy, creates an illusion of depth by presenting two slightly different images to the eye in print or on-screen. The advent of stereoscopic film technology excited both filmmakers and audiences, as a means of replicating all of the sounds, colors, movement, and dimensionality of life and nature for the first time. The origins of 3-D film are often linked with a proliferation of stereoscopic films in the 1950s. By the time films like Man in the Dark and House of Wax was attracting large crowds, however, the technology behind this form of filmmaking was already over a century old. Stereoscopic Cinema and the Origins of 3-D Film, 1838--1952, examines this "novelty period" of stereoscopic film, charting its progression from Charles Wheatstone's 1938 discovery of 3-D to the 1952 release of Arch Oboler's innovative film, Bwana Devil. Stereoscopic specialist Ray Zone argues that the development of stereoscopic film can best be understood through a historical analysis of the technology rather than of its inventors. Zone examines the products used to create stereoscopic images, noting such milestones as David Brewster's and Oliver Wendell Holmes's work with stereoscopes, the use of polarizing image selection, and the success of twin-strip 3-D films, among others. In addition, Zone looks at the films produced up to 1952, discussing public reception of early 3-D short films as well as longer features such as Power of Love in single-strip anaglyphic projection in 1922 and Semyon Ivanov's 1941 autostereoscope Robinson Crusoe. He integrates his examination of the evolution of 3-D film with other cinematic developments, demonstrating the connection between stereoscopic motion pictures and modern film production. Stereoscopic Cinema and the Origins of 3-D Film, 1838--1952, is an exhaustive study of not only the evolution of 3-D technology and the subsequent filmmaking achievements but also the public response to and cultural impact of 3-D movies. Zone takes the reader on a voyage of discovery into the rich history of a field that predates photography and that continues to influence television and computer animation today.
Download or read book A Short History of Film Third Edition written by Wheeler Winston Dixon and published by Rutgers University Press. This book was released on 2018-03-30 with total page 558 pages. Available in PDF, EPUB and Kindle. Book excerpt: With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
Download or read book Epics Spectacles and Blockbusters written by Sheldon Hall and published by Wayne State University Press. This book was released on 2010 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Considers the history of the American blockbuster-the large-scale, high-cost film-as it evolved from the 1890s to today.
Download or read book Poetics of Cinema written by David Bordwell and published by Routledge. This book was released on 2008 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringing together twenty-five years of work on what he has called the "historical poetics of cinema," David Bordwell presents an extended analysis of a key question for film studies: how are films made, in particular historical contexts, in order to achieve certain effects? For Bordwell, films are made things, existing within historical contexts, and aim to create determinate effects. Beginning with this central thesis, Bordwell works out a full understanding of how films channel and recast cultural influences for their cinematic purposes. With more than five hundred film stills, Poetics of Cinema is a must-have for any student of cinema.
Download or read book A History of Three Dimensional Cinema written by David A. Cook and published by Anthem Press. This book was released on 2021-09-14 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: A History of Three-Dimensional Cinema chronicles 3-D cinema as a single, continuous and coherent medium, proceeding from 19th-century experiments in stereoscopic photography and lantern projection (1839–1892) to stereoscopic cinema’s “long novelty period” (1893–1952). It proceeds to examine the first Hollywood boom in anaglyphic stereo (1953–1955), when the mainstream industry produced 69 features in 3-D, mostly action films that could exploit the depth illusion, but also a handful of big-budget films—for example, Kiss Me Kate (George Sidney, 1953) and Dial M for Murder (Alfred Hitchcock, 1954)—until audiences tired of the process; the anaglyphic revival of 1970–1985, when 3-D was sustained as a novelty feature in sensational genres like soft-core pornography and horror; the age of IMAX 3-D (1986–2008); the current era of digital 3-D cinema, which began in 2009 when James Cameron’s Avatar became the highest-grossing feature of all time and the studios once again stampeded into 3-D production; and finally the future promise of Virtual Reality.
Download or read book Mexploitation Cinema written by Doyle Greene and published by McFarland. This book was released on 2005-08-29 with total page 203 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thanks in large part to an exploitation film producer and distributor named K. Gordon Murray, a unique collection of horror films from Mexico began to appear on American late-night television and drive-in screens in the 1960s. Ranging from monster movies clearly owing to the heyday of Universal Studios to the lucha libre horror films featuring El Santo and the "Wrestling Women," these low-budget "Mexploitation" films offer plenty of campy fun and still inspire cult devotion, yet they also reward close study in surprising ways. This work places Mexploitation films in their historical and cultural context and provides close textual readings of a representative sample, showing how they can be seen as important documents in the cultural debate over Mexico's past, present and future. Stills accompany the text, and a selected filmography and bibliography complete the volume.
Download or read book Ghouls Gimmicks and Gold written by Kevin Heffernan and published by Duke University Press. This book was released on 2004-03-25 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Creature from the Black Lagoon, the Tingler, the Mole People—they stalked and oozed into audiences’ minds during the era that followed Boris Karloff’s Frankenstein and preceded terrors like Freddy Krueger (A Nightmare on Elm Street) and Chucky (Child’s Play). Ghouls, Gimmicks, and Gold pulls off the masks and wipes away the slime to reveal how the monsters that frightened audiences in the 1950s and 1960s—and the movies they crawled and staggered through—reflected fundamental changes in the film industry. Providing the first economic history of the horror film, Kevin Heffernan shows how the production, distribution, and exhibition of horror movies changed as the studio era gave way to the conglomeration of New Hollywood. Heffernan argues that major cultural and economic shifts in the production and reception of horror films began at the time of the 3-d film cycle of 1953–54 and ended with the 1968 adoption of the Motion Picture Association of America’s ratings system and the subsequent development of the adult horror movie—epitomized by Rosemary’s Baby. He describes how this period presented a number of daunting challenges for movie exhibitors: the high costs of technological upgrade, competition with television, declining movie attendance, and a diminishing number of annual releases from the major movie studios. He explains that the production and distribution branches of the movie industry responded to these trends by cultivating a youth audience, co-producing features with the film industries of Europe and Asia, selling films to television, and intensifying representations of sex and violence. Shining through Ghouls, Gimmicks, and Gold is the delight of the true horror movie buff, the fan thrilled to find The Brain that Wouldn’t Die on television at 3 am.
Download or read book Motion Picture Distribution Trade Practices 1956 Hearings Before a Subcommittee of 84 2 on Problems of Independant Motion picture Exhibitors March 21 22 and May 21 22 1956 written by United States. Congress. Senate. Select Committee on Small Business and published by . This book was released on 1956 with total page 794 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Companion to British and Irish Cinema written by John Hill and published by John Wiley & Sons. This book was released on 2019-05-07 with total page 608 pages. Available in PDF, EPUB and Kindle. Book excerpt: A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.
Download or read book Amateur Cinema written by Charles Tepperman and published by University of California Press. This book was released on 2014-12-24 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the very beginning of cinema, there have been amateur filmmakers at work. It wasn’t until Kodak introduced 16mm film in 1923, however, that amateur moviemaking became a widespread reality, and by the 1950s, over a million Americans had amateur movie cameras. In Amateur Cinema, Charles Tepperman explores the meaning of the “amateur” in film history and modern visual culture. In the middle decades of the twentieth century—the period that saw Hollywood’s rise to dominance in the global film industry—a movement of amateur filmmakers created an alternative world of small-scale movie production and circulation. Organized amateur moviemaking was a significant phenomenon that gave rise to dozens of clubs and thousands of participants producing experimental, nonfiction, or short-subject narratives. Rooted in an examination of surviving films, this book traces the contexts of “advanced” amateur cinema and articulates the broad aesthetic and stylistic tendencies of amateur films.
Download or read book History in Movies Hollywood Style written by John Howard Reid and published by Lulu.com. This book was released on 2013-05-21 with total page 103 pages. Available in PDF, EPUB and Kindle. Book excerpt: Table of Contents: Abraham Lincoln, Adventures of Marco Polo, Affaire Nina B., All Quiet on the Western Front, Anastasia, Anna Boleyn, Assassination of Jesse James, Belle Starr, The Big Knife, Bonnie Prince Charlie, Boys Town, Brigham Young, Butch and Sundance: The Early Days, Captain Fly-By-Night, Carry On Dick, Charge of the Light Brigade, Children of Eve, Cleopatra, The Court Martial of Billy Mitchell, The Cruel Sea, Day of the Locust, Destination Unknown, Disraeli, Divine Lady, The Devil's Brigade, The Devil's Needle, Don't Lose Your Head, Dr. Jekyll and Mr. Hyde, End of the Trail, The Enforcer, Excalibur, Fangs of Destiny, Great Gatsby, Great Dictator, Great Moment, Hawk of the Hills, Helen of Troy, Humanity and Paper Balloons, If I Were King, The Informer, In Old Arizona, In Old Chicago Is Paris Burning?, James Dean Story, The Jayhawkers, Joyeux Noel, King of Kings, The Lady of the Lake, The Law and Outlaw, Lives of a Bengal Lancer, The Lawless Breed, Man with the Green Carnation, Marco Polo, etc. etc.
Download or read book Warning Shadows Home Alone with Classic Cinema written by Gary Giddins and published by W. W. Norton & Company. This book was released on 2010-04-19 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: A brilliantly insightful and witty examination of beloved and little-known films, directors, and stars by one of America’s most esteemed critics. In his illuminating new work, Gary Giddins explores the evolution of film, from the first moving pictures and peepshows to the digital era of DVDs and online video-streaming. New technologies have changed our experience of cinema forever; we have peeled away from the crowded theater to be home alone with classic cinema. Recounting the technological developments that films have undergone, Warning Shadows travels through time and across genres to explore the impact of the industry’s most famous classics and forgotten gems. Essays such as “Houdini Escapes! From the Vaults! Of the Past!,” “Edward G. Robinson, See,” and “Prestige and Pretension (Pride and Prejudice)” capture the wit and magic of classic cinema. Each chapter—ranging from the horror films of Hitchcock to the fantastical frames of Disney—provides readers with engaging analyses of influential films and the directors and actors who made them possible.
Download or read book Screen Presence written by Monteiro Stephen Monteiro and published by Edinburgh University Press. This book was released on 2016-05-31 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema plays a major role in contemporary art, yet the deeper influence of its diverse historical forms on artistic practice has received little attention. Screen Presence explores the intersections of film, popular media, and art since the 1950s through the examples of four pivotal figures - Andy Warhol, Robert Rauschenberg, Mona Hatoum and Douglas Gordon. While their film-related works may appear primarily as challenges to conventional cinema, these artists draw on overlooked forms of popular film culture that have been commonplace, and even dominant, in specific social contexts. Through a range of new sources, including advertisements, specialty magazines, postcards, technical guides and souvenir programs, Stephen Monteiro demonstrates the dependence of contemporary artists on cinema's shifting applications and interpretations, offering a fresh understanding of the enduring impact of everyday media on how we make and view art.
Download or read book Cinema Studies written by Susan Hayward and published by Psychology Press. This book was released on 2000 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this second edition essential guide some 150 key genres, movements, theories and production terms are explained and analysed with depth and clarity.
Download or read book Francophone Belgian Cinema written by Steele Jamie Steele and published by Edinburgh University Press. This book was released on 2018-12-19 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Francophone Belgian Cinema offers an original critical analysis of filmmaking in an oft-neglected 'national' and regional cinema. The book draws key distinctions between the local, national, small national, regional and transnational frameworks in both representational and industrial terms. Alongside the Dardenne brothers, this book considers four promising Francophone Belgian filmmakers who have received limited critical attention in academic publications on contemporary European cinema: Joachim Lafosse, Olivier Masset-Depasse, Lucas Belvaux and Bouli Lanners. Exploring these filmmakers' themes of post-industrialism, paternalism, the fractured nuclear family and spatial dynamics, as well as their work in the more commercial road movie and polar genres, Jamie Steele analyses their stylistic continuities and filiation. This is complemented by an analysis of how the industrial aspects of film production, distribution and exhibition contribute to the creation of both a regional and transnational cinema.
Download or read book Cinematic Appeals written by Ariel Rogers and published by Columbia University Press. This book was released on 2013-11-19 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen cinema promised to draw the viewer into the world of the screen, enabling larger-than-life close-ups of already larger-than-life actors. This technology fostered the illusion of physically entering a film, enhancing the semblance of realism. Alternatively, the digital era was less concerned with the viewer's physical response and more with information flow, awe, and the reevaluation of spatiality and embodiment. This study ultimately shows how cinematic technology and the human experience shape and respond to each other over time.
