Download or read book Cinema Italiano 1895 1979 written by Lissani and published by . This book was released on 2000 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Il Cinema Italiano 1895 1979 written by Carlo Lizzani and published by . This book was released on 1979 with total page 545 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A History of Italian Cinema written by Peter Bondanella and published by Bloomsbury Publishing USA. This book was released on 2017-10-19 with total page 753 pages. Available in PDF, EPUB and Kindle. Book excerpt: A History of Italian Cinema, 2nd edition is the much anticipated update from the author of the bestselling Italian Cinema - which has been published in four landmark editions and will celebrate its 35th anniversary in 2018. Building upon decades of research, Peter Bondanella and Federico Pacchioni reorganize the current History in order to keep the book fresh and responsive not only to the actual films being created in Italy in the twenty-first century but also to the rapidly changing priorities of Italian film studies and film scholars. The new edition brings the definitive history of the subject, from the birth of cinema to the present day, up to date with a revised filmography as well as more focused attention on the melodrama, the crime film, and the historical drama. The book is expanded to include a new generation of directors as well as to highlight themes such as gender issues, immigration, and media politics. Accessible, comprehensive, and heavily illustrated throughout, this is an essential purchase for any fan of Italian film.
Download or read book The Italian Cinema Book written by Peter Bondanella and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: THE ITALIAN CINEMA BOOK is an essential guide to the most important historical, aesthetic and cultural aspects of Italian cinema, from 1895 to the present day. With contributions from 39 leading international scholars, the book is structured around six chronologically organised sections: THE SILENT ERA (1895–22) THE BIRTH OF THE TALKIES AND THE FASCIST ERA (1922–45) POSTWAR CINEMATIC CULTURE (1945–59) THE GOLDEN AGE OF ITALIAN CINEMA (1960–80) AN AGE OF CRISIS, TRANSITION AND CONSOLIDATION (1981 TO THE PRESENT) NEW DIRECTIONS IN CRITICAL APPROACHES TO ITALIAN CINEMA Acutely aware of the contemporary 'rethinking' of Italian cinema history, Peter Bondanella has brought together a diverse range of essays which represent the cutting edge of Italian film theory and criticism. This provocative collection will provide the film student, scholar or enthusiast with a comprehensive understanding of the major developments in what might be called twentieth-century Italy's greatest and most original art form.
Download or read book Italian Neorealist Cinema written by Christopher Wagstaff and published by University of Toronto Press. This book was released on 2007-12-29 with total page 537 pages. Available in PDF, EPUB and Kindle. Book excerpt: The end of the Second World War saw the emergence of neorealist film in Italy. In Italian Neorealist Cinema, Christopher Wagstaff analyses three neorealist films that have had significant influence on filmmakers around the world. Wagstaff treats these films as assemblies of sounds and images rather than as representations of historical reality. If Roberto Rossellini's Roma città aperta and Paisà, and Vittorio De Sica's Ladri di biciclette are still, half a century after they were made, among the most highly valued artefacts in the history of cinema, Wagstaff suggests that this could be due to the aesthetic and rhetorical qualities of their assembled narratives, performances, locations, lighting, sound, mise en scène, and montage. This volume begins by situating neorealist cinema in its historical, industrial, commercial and cultural context, and makes available for the first time a large amount of data on post-war Italian cinema. Wagstaff offers a theoretical discussion of what it means to treat realist films as aesthetic artefacts before moving on to the core of the book, which consists of three studies of the films under discussion. Italian Neorealist Cinema not only offers readers in Film Studies and Italian Studies a radically new perspective on neorealist cinema and the Italian art cinema that followed it, but theorises and applies a method of close analysis of film texts for those interested in aesthetics and rhetoric, as well as cinema in general.
Download or read book Italian Film in the Light of Neorealism written by Millicent Marcus and published by Princeton University Press. This book was released on 2020-03-31 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: The movement known as neorealism lasted seven years, generated only twenty-one films, failed at the box office, and fell short of its didactic and aesthetic aspirations. Yet it exerted such a profound influence on Italian cinema that all the best postwar directors had to come to terms with it, whether in seeming imitation (the early Olmi), in commercial exploitation (the middle Comencini) or in ostensible rejection (the recent Tavianis). Despite the reactionary pressures of the marketplace and the highly personalized visions of Fellini, Antonioni. And Visconti, Italian cinema has maintained its moral commitment to use the medium in socially responsible ways--if not to change the world, as the first neorealists hoped, then at least to move filmgoers to face the pressing economic, political, and human problems in their midst. From Rossellini's Open City (1945) to the Taviani brothers' Night of the Shooting Stars (1982). The author does close readings of seventeen films that tell the story of neorealism's evolving influence on Italian postwar cinematic expression. Other films discussed are De Sica's Bicycle Thief and Umberto D. De Santis's Bitter Rice, Comencini's Bread, Love, and Fantasy, Fellini's La strada, Visconti's Senso, Antonioni's Red Desert, Olmi's Il Posto, Germi's Seduced and Abandoned, Pasolini's Teorema, Petri's Investigation of a Citizen above Suspicion, Bertolucci's The Conformist, Rosi's Christ Stopped at Eboli, and Wertmuller's Love and Anarchy, Scola's We All Loved Each Other So Much provides the occasion for the author's own retrospective consideration of how Italian cinema has fulfilled, or disappointed, the promise of neorealism.
Download or read book Italian Film written by Marcia Landy and published by Cambridge University Press. This book was released on 2000-04-13 with total page 446 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the extraordinary cinematic tradition of Italy, from the silent era to the present.
Download or read book Fascist Spectacle written by Simonetta Falasca-Zamponi and published by Univ of California Press. This book was released on 2023-09-01 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: This richly textured cultural history of Italian fascism traces the narrative path that accompanied the making of the regime and the construction of Mussolini's power. Simonetta Falasca-Zamponi reads fascist myths, rituals, images, and speeches as texts that tell the story of fascism. Linking Mussolini's elaboration of a new ruling style to the shaping of the regime's identity, she finds that in searching for symbolic means and forms that would represent its political novelty, fascism in fact brought itself into being, creating its own power and history. Falasca-Zamponi argues that an aesthetically founded notion of politics guided fascist power's historical unfolding and determined the fascist regime's violent understanding of social relations, its desensitized and dehumanized claims to creation, its privileging of form over ethical norms, and ultimately its truly totalitarian nature.
Download or read book A Companion to Italian Cinema written by Frank Burke and published by John Wiley & Sons. This book was released on 2017-04-10 with total page 825 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written by leading figures in the field, A Companion to Italian Cinema re-maps Italian cinema studies, employing new perspectives on traditional issues, and fresh theoretical approaches to the exciting history and field of Italian cinema. Offers new approaches to Italian cinema, whose importance in the post-war period was unrivalled Presents a theory based approach to historical and archival material Includes work by both established and more recent scholars, with new takes on traditional critical issues, and new theoretical approaches to the exciting history and field of Italian cinema Covers recent issues such as feminism, stardom, queer cinema, immigration and postcolonialism, self-reflexivity and postmodernism, popular genre cinema, and digitalization A comprehensive collection of essays addressing the prominent films, directors and cinematic forms of Italian cinema, which will become a standard resource for academic and non-academic purposes alike
Download or read book Fascism and Fiction written by Alberto Traldi and published by Scarecrow Press. This book was released on 1987 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: No descriptive material is available for this title.
Download or read book Cinema and Fascism written by Steven Ricci and published by Univ of California Press. This book was released on 2008-02 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This study considers Italian filmmaking during the Fascist era and offers an original and revealing approach to the interwar years. Steven Ricci directly confronts a long-standing dilemma faced by cultural historians: while made during a period of totalitarian government, these films are neither propagandistic nor openly "Fascist." Instead, the Italian Fascist regime attempted to build ideological consensus by erasing markers of class and regional difference and by circulating terms for an imaginary national identity. Cinema and Fascism investigates the complex relationship between the totalitarian regime and Italian cinema. It looks at the films themselves, the industry, and the role of cinema in daily life, and offers new insights into this important but neglected period in cinema history." -- Book cover.
Download or read book Dante Cinema and Television written by Amilcare A. Iannucci and published by University of Toronto Press. This book was released on 2004-01-01 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Divine Comedy of Dante Alighieri (1265-1321) is one of the seminal works of western literature. Its impact on modern culture has been enormous, nourishing a plethora of twentieth century authors from Joyce and Borges to Kenzaburo Oe. Although Dante's influence in the literary sphere is well documented, very little has been written on his equally determining role in the evolution of the visual media unique to our times, namely, cinema and television. Dante, Cinema, and Television corrects this oversight. The essays, from a broad range of disciplines, cover the influence of the Divine Comedy from cinema's silent era on through to the era of sound and the advent of television, as well as its impact on specific directors, actors, and episodes, on national/regional cinema and television, and on genres. They also consider the different modes of appropriation by cinema and television. Dante, Cinema, and Television demonstrates the many subtle ways in which Dante's Divine Comedy has been given 'new life' by cinema and television, and underscores the tremendous extent of Dante's staying power in the modern world.
Download or read book The Nickel Was for the Movies written by Gavriel Moses and published by Univ of California Press. This book was released on 2023-04-28 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: The cinephobic novelist who complains to Fitzgerald's tycoon that he will never get the hang of scriptwriting wouldn't give a nickel for the movies. Yet never before the appearance of film had human perception been engaged in such an all-encompassing way by a single art form. In this ambitious investigation of a little-studied narrative genre, Gavriel Moses defines and explores "the film novel," a literary text in which cinema provides the thematic, formal, psychological, and philosophical center. Through close readings of works by the major representatives of the genre—Pirandello, Nabokov, Isherwood, West, Fitzgerald, Moravia, Percy, Puig—Moses develops a suggestive theory of novels that use literature to investigate the central role that film has acquired in human experience. These novels, because of their fascination with filmmaker and spectator alike, and because they anticipate current views of the questions of cinema, remain a tangible presence within the repertoire of literary modernism. Offering insightful discussions of Laughter in the Dark, Lancelot, Kiss of the Spider Woman, and other film novels, Moses shows the depth of the exchange between literature and cinema and illustrates the extent to which the way we tell stories with words has been affected by the movies. His book will be of wide interest to literary scholars, film historians, and students of cinema and the novel.
Download or read book Tuttitalia written by and published by . This book was released on 1990 with total page 844 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Popular Italian Cinema written by L. Bayman and published by Springer. This book was released on 2013-01-17 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exciting new critical perspectives on popular Italian cinema including melodrama, poliziesco, the mondo film, the sex comedy, missionary cinema and the musical. The book interrogates the very meaning of popular cinema in Italy to give a sense of its complexity and specificity in Italian cinema, from early to contemporary cinema.
Download or read book Global Neorealism written by Saverio Giovacchini and published by Univ. Press of Mississippi. This book was released on 2011-10-11 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contributions by Nathaniel Brennan, Luca Caminati, Silvia Carlorosi, Caroline Eades, Saverio Giovacchini, Paula Halperin, Neepa Majumdar, Mariano Mestman, Hamid Naficy, Sada Niang, Masha Salazkina, Sarah Sarzynski, Robert Sklar, and Vito Zagarrio Intellectual, cultural, and film historians have long considered neorealism the founding block of post-World War II Italian cinema. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period and aimed at recovering the reality of Italy after the sugarcoated moving images of fascism. Lasting from 1945 to the early 1950s, neorealism produced world-renowned masterpieces such as Roberto Rossellini's Roma, città aperta (Rome, Open City, 1945) and Vittorio De Sica's Ladri di biciclette (Bicycle Thieves, 1947). These films won some of the most prestigious film awards of the immediate postwar period and influenced world cinema. This collection brings together distinguished film scholars and cultural historians to complicate this nation-based approach to the history of neorealism. The traditional story notwithstanding, the meaning and the origins of the term are problematic. What does neorealism really mean, and how Italian is it? Italian filmmakers were wary of using the term and Rossellini preferred "realism." Many filmmakers confessed to having greatly borrowed from other cinemas, including French, Soviet, and American. Divided into three sections, Global Neorealism examines the history of this film style from the 1930s to the 1970s using a global and international perspective. The first section examines the origins of neorealism in the international debate about realist esthetics in the 1930s. The second section discusses how this debate about realism was “Italianized” and coalesced into Italian “neorealism” and explores how critics and film distributors participated in coining the term. Finally, the third section looks at neorealism’s success outside of Italy and examines how film cultures in Latin America, Africa, Asia, and the United States adjusted the style to their national and regional situations.
Download or read book Fame Amid the Ruins written by Stephen Gundle and published by Berghahn Books. This book was released on 2019-11-04 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Italian cinema gave rise to a number of the best-known films of the postwar years, from Rome Open City to Bicycle Thieves. Although some neorealist film-makers would have preferred to abolish stars altogether, the public adored them and producers needed their help in relaunching the national film industry. This book explores the many conflicts that arose in Italy between 1945 and 1953 over stars and stardom, offering intimate studies of the careers of both well-known and less familiar figures, shedding new light on the close relationship forged between cinema and society during a time of political transition and shifting national identities.
