Download or read book New Argentine Cinema written by Jens Andermann and published by I.B. Tauris. This book was released on 2011-11-22 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: `If you want to know why Argentine cinema over the past 15 years has proved so vibrant and so innovative, look no further than Jens Andermann's timely book.' -- Maria Delgado, Professor of Theatre and Screen Arts, Queen Mary, University of London --Book Jacket.
Download or read book Argentine cinema written by Daniela Ingruber and published by LIT Verlag Münster. This book was released on 2012 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Argentine Cinema written by David George and published by Lexington Books. This book was released on 2017-12-22 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: Argentine Cinema: From Noir to Neo-Noir examines the phenomenon of Argentine film noir. Beginning with definitions of film noir and its international iterations, the book presents a history of the development of film noir and neo-noir in Argentina (from the 1940s to the present), as well as a technical, aesthetic, and socio-historical analysis of such recent Argentine neo-noir films as The Aura, The Secret in Their Eyes, and The German Doctor. It considers the question of inscription of such classic noirs as Double Indemnity and The Third Man and looks forward to future scholarly work on other Latin American noir and neo-noir films, especially those produced in Mexico and Brazil.
Download or read book The Film Industry in Argentina written by Jorge Finkielman and published by McFarland. This book was released on 2014-06-24 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Argentina fell in love with movies as soon as they were first exhibited in 1896. Even before World War I, Argentina was one of the biggest film markets in the world and continues to be a major film market today. This history of the Argentine film industry--starting with the earliest film exhibitions in 1897--covers film music, broadcasting, the introduction of film with sound, the impact of the American film industry on the Argentine, the industrialization of Argentine film, Hollywood films in Spanish, the tango in film and local stars. Reference material includes filmographic information and reviews from numerous publications. Photographs offer a look at film stills, promotions, and the people involved in the industry, and an index provides quick access to names and titles.
Download or read book New Argentine Cinema written by Jens Andermann and published by Bloomsbury Publishing. This book was released on 2011-11-30 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: Argentine filmmaking from the mid-1990s to the present has enjoyed worldwide success. New Argentine Cinema explores this cinema in order to discover the elements that have made for this success, in relation to the country's profound political, social and cultural crisis during the same period. Jens Andermann shows how the most recent wave of films differs markedly from the Argentine cinema of the preceding decade, following the end of the dictatorship in 1983. Studying films by Lisandro Alonso, Albertina Carri, Lucrecia Martel, Raul Perrone, Martin Rejtman, and Pablo Trapero, among others, he identifies a shift in aesthetic sensibilities between these directors and those of the previous generation as well as a profound change in the way films are being made, and their relation to the audiovisual field at large. In combining close comparative analyses with a review of the changing models of production, editing, actorship and location, Andermann uncovers the ways in which Argentine films have managed to construct a complex, multilayered account of their own present, as shot through - or 'perforated' - by the still unresolved legacies of the past.
Download or read book Masculinities in Contemporary Argentine Popular Cinema written by Carolina Rocha and published by Springer. This book was released on 2012-04-14 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines contemporary cinematic representations of Argentine masculinities, the social construction of gender, and the financing of domestic film production following Argentina's 1990 change to a neo-liberal economic model.
Download or read book Other Worlds written by G. Aguilar and published by Springer. This book was released on 2016-01-23 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Respected film critic Gonzalo Aguilar offers a lucid and sophisticated analysis of Argentine films of the last decade. This is the most complete and up-to-date work in English to examine the 'new Argentine cinema' phenomenon. Aguilar looks at highly relevant films, including those by Lucrecia Martel and Sergio Rejtman.
Download or read book Argentine Cinema and National Identity 1966 1976 written by Carolina Rocha and published by Liverpool University Press. This book was released on 2018-01-05 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Argentine Cinema and National Identity covers the development of Argentine cinema since the late 1950s to the mid-1970s, concentrating on the historical film genre and the gauchesque. This cultural history investigates the way Argentine cinema positioned itself when facing the competition of American films.
Download or read book Contemporary Argentine Cinema written by David William Foster and published by University of Missouri Press. This book was released on 1992 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Foster discusses ten Argentine films, including Kiss of the Spider Woman, The Official Story, and Man Facing Southeast to examine the transformation of social topics into motion pictures and the relationship between commercial filmmaking strategies and Argentine redemocratization."--Publishers website.
Download or read book Other Worlds written by G. Aguilar and published by Springer. This book was released on 2016-01-23 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Respected film critic Gonzalo Aguilar offers a lucid and sophisticated analysis of Argentine films of the last decade. This is the most complete and up-to-date work in English to examine the 'new Argentine cinema' phenomenon. Aguilar looks at highly relevant films, including those by Lucrecia Martel and Sergio Rejtman.
Download or read book Crisis and Capitalism in Contemporary Argentine Cinema written by Joanna Page and published by Duke University Press. This book was released on 2009-05-22 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: There has been a significant surge in recent Argentine cinema, with an explosion in the number of films made in the country since the mid-1990s. Many of these productions have been highly acclaimed by critics in Argentina and elsewhere. What makes this boom all the more extraordinary is its coinciding with a period of severe economic crisis and civil unrest in the nation. Offering the first in-depth English-language study of Argentine fiction films of the late twentieth century and early twenty-first, Joanna Page explains how these productions have registered Argentina’s experience of capitalism, neoliberalism, and economic crisis. In different ways, the films selected for discussion testify to the social consequences of growing unemployment, rising crime, marginalization, and the expansion of the informal economy. Page focuses particularly on films associated with New Argentine Cinema, but she also discusses highly experimental films and genre movies that borrow from the conventions of crime thrillers, Westerns, and film noir. She analyzes films that have received wide international recognition alongside others that have rarely been shown outside Argentina. What unites all the films she examines is their attention to shifts in subjectivity provoked by political or economic conditions and events. Page emphasizes the paradoxes arising from the circulation of Argentine films within the same global economy they so often critique, and she argues that while Argentine cinema has been intent on narrating the collapse of the nation-state, it has also contributed to the nation’s reconstruction. She brings the films into dialogue with a broader range of issues in contemporary film criticism, including the role of national and transnational film studies, theories of subjectivity and spectatorship, and the relationship between private and public spheres.
Download or read book Transition Cinema written by Jessica L. Stites Mor and published by University of Pittsburgh Press. This book was released on 2012-05-27 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Transition Cinema, Jessica Stites Mor documents the critical role filmmakers, the film industry, and state regulators played in Argentina's volatile and unfinished transition from dictatorship to democracy. She shows how, during periods of both military repression and civilian rule, the state moved to control political film production and its content, distribution, and exhibition. She also reveals the strategies that the industry, independent filmmakers, and film activists employed to comply with or circumvent these regulations. Stites Mor traces three distinct generations of transition cinema, each defined by a seminal event that shifted the political economy of national filmmaking. The first generation of filmmakers witnessed and participated in civil uprisings, such as the Cordobazo in 1969, and faced waves of repression, violence, and censorship. This generation gave rise to vibrant underground exhibitions and film clubs and eventually became symbolically linked to the Peronist Left and radical militancy. Following the 1983 return to civilian rule, a second generation of political filmmakers emerged at the center of public debates, when Buenos Aires became the locus for state-level cultural programs to address human rights and collective memory. Building on that legacy, a third generation of filmmakers explored new modes of activist and political filmmaking aided by digital technology. They pioneered new genres such as the street phenomenon of cine piquetero and introduced resistance politics and social movements into highly visible public spaces. In this captivating work, Stites Mor examines how social movements, political actors, filmmakers, and government and industry institutions, all became deeply enmeshed in the project of Argentina's transition cinema. She demonstrates how film emerged as the chronicler of political struggles in a dialogue with the past, present, and future, whose message transcended both cultural and national borders.
Download or read book Journeys in Argentine and Brazilian Cinema written by Natalia Pinazza and published by Springer. This book was released on 2014-10-16 with total page 197 pages. Available in PDF, EPUB and Kindle. Book excerpt: Many South American films that use the popular road movie format to examine regional culture and attitudes, especially in Argentina and Brazil. Pinazza performs a careful cultural analysis of the films and investigates how road movies deal with narratives on nationhood whilst simultaneously inserting themselves in a transnational dialogue.
Download or read book Masculinities in Contemporary Argentine Popular Cinema written by Carolina Rocha and published by Springer. This book was released on 2012-04-14 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines contemporary cinematic representations of Argentine masculinities, the social construction of gender, and the financing of domestic film production following Argentina's 1990 change to a neo-liberal economic model.
Download or read book Journeys in Argentine and Brazilian Cinema written by Natalia Pinazza and published by Springer. This book was released on 2014-10-16 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Many South American films that use the popular road movie format to examine regional culture and attitudes, especially in Argentina and Brazil. Pinazza performs a careful cultural analysis of the films and investigates how road movies deal with narratives on nationhood whilst simultaneously inserting themselves in a transnational dialogue.
Download or read book The Projected Nation written by Matt Losada and published by SUNY Press. This book was released on 2018-08-01 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Investigates how Argentine cinema has represented rural spaces and urban margins from the 1910s to the present. The Projected Nation examines the representation of rural spaces and urban margins in Argentine cinema from the 1910s to the present. The literary and visual culture of the nineteenth and early-twentieth centuries formulated a spatial imaginaryoften articulated as an opposition between civilization and barbarism, or its inversioninto which the cinema intervened. As the twentieth century progressed, the new medium integrated these ideas with its own images in various ways. At times cinema limited itself to reproducing inherited representations that reassure the viewer that all is well in the nation, while at others it powerfully reformulated them by filming spaces and peoples previously excluded from the national culture and left behind in the nations modernizing process. Matt Losada accounts for historical events, technological factors, and the politics of film form and viewing in assessing a selection of works ranging from mass-marketed cinema to the political avant-garde, and from the canonical to the nearly unknown. This is an ambitious work that views the spatial imaginary in a full century of film development as informed by national culture and politics. Marvin DLugo, coeditor of The Routledge Companion to Latin American Cinema
Download or read book The Cinematic Tango written by Tamara Leah Falicov and published by Wallflower Press. This book was released on 2007 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text explores the cultural politics of over 60 years of filmmaking in Argentina. The author explores how national culture on film has been shaped, articulated and debated through the lens of state policy and the dynamics of the global film market.
