Download or read book Cinema and the Second Sex written by Carrie Tarr and published by Bloomsbury Publishing. This book was released on 2016-10-06 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women's filmmaking in France has been a source of both delight and despair. On the one hand, the numbers are impressive – over 250 feature-length films were made by over 100 women directors in France in the 1980s and 1990s. On the other hand, despite the heritage of French feminism, French women directors characteristically disclaim their gender as a significant factor in their filmmaking. This incisive study provides an informative, critical guide to this major body of work, exploring the boundaries between personal films (intimate psychological dramas relating to key stages in life) and genre films (which demonstrate women's ability to appropriate and rework popular genres). It analyzes the effects of postfeminism, women's desire to enter the mainstream, and the impact of a new generation of filmmakers, enabling readers to take stock of the wealth and diversity of women's contribution to French cinema during the 1980s and 1990s.
Download or read book Hollywood s Second Sex written by Aubrey Malone and published by McFarland. This book was released on 2015-04-24 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Women stars in Hollywood were invariably in two categories," said director Otto Preminger. "One group was of women who were exploited by men, and the other, much smaller group was of women who survived by acting like men." Beginning with silent film vamp Theda Bara and continuing with icons like Greta Garbo, Marilyn Monroe and Raquel Welch, this study of film industry misogyny describes how female stars were maltreated by a sexist studio system--until women like Katharine Hepburn and Bette Davis fought for parity. The careers of Doris Day, Brigitte Bardot, Carole Landis, Frances Farmer, Dorothy Dandridge, Inger Stevens and many others are examined, along with more recent actresses like Demi Moore and Sharon Stone. Women who worked behind the scenes, writing screenplays, producing and directing without due credit, are also covered.
Download or read book Existentialism and Contemporary Cinema written by Jean-Pierre Boulé and published by Berghahn Books. This book was released on 2012-09-01 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: Simone de Beauvoir’s work has not often been associated with film studies, which appears paradoxical when it is recognized that she was the first feminist thinker to inaugurate the concept of the gendered ‘othering’ gaze. This book is an attempt to redress this balance and reopen the dialogue between Beauvoir’s writings and film studies. The authors analyse a range of films, from directors including Claire Denis, Michael Haneke, Lucille Hadzihalilovic, Sam Mendes, and Sally Potter, by drawing from Beauvoir’s key works such as The Second Sex (1949), The Ethics of Ambiguity (1947) and Old Age (1970).
Download or read book Le Deuxi me Sexe written by Simone de Beauvoir and published by Vintage. This book was released on 1989 with total page 791 pages. Available in PDF, EPUB and Kindle. Book excerpt: The classic manifesto of the liberated woman, this book explores every facet of a woman's life.
Download or read book The Body and the Screen written by Kate Ince and published by Bloomsbury Publishing USA. This book was released on 2017-01-12 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agnès Varda in gaining international renown, while British directors Lynne Ramsay and Andrea Arnold have forged award-winning careers in feature film. This new volume in the “Thinking Cinema” series draws on feminist philosophers and theorists from Simone de Beauvoir on to offer readings of a range of the most important and memorable of these films from the 1990s and 2000s, focusing as it does so on how the films convey women's lives and identities. Mainstream entertainment cinema traditionally distorts the representation of women, objectifying their bodies, minimizing their agency, and avoiding the most important questions about how cinema can "do justice" to female subjectivity. Kate Ince suggests that the films of independent women directors are progressively redressing the balance, reinvigorating both the narratives and the formal ambitions of European cinema. Ince uses feminist philosophers to interpret such films as Sex Is Comedy, Morvern Callar, White Material, and Fish Tank anew, suggesting that a philosophical understanding of female subjectivity as embodied and ethical should underpin future feminist film study.
Download or read book Sex and the Cinema written by Tanya Krzywinska and published by Wallflower Press. This book was released on 2006 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Sex And The Cinema' traces the numerous factors and contexts - artistic, institutional, political and socio-culture - that have shaped the way that sex appears in film.
Download or read book Neo Feminist Cinema written by Hilary Radner and published by Routledge. This book was released on 2010-11-01 with total page 493 pages. Available in PDF, EPUB and Kindle. Book excerpt: What lies behind current feminist discontent with contemporary cinema? Through a combination of cultural and industry analysis, Hilary Radner’s Neo-Feminist Cinema: Girly Films, Chick Flicks and Consumer Culture shows how the needs of conglomerate Hollywood have encouraged an emphasis on consumer culture within films made for women. By exploring a number of representative "girly films," including Pretty Woman, Legally Blonde, Maid in Manhattan, The Devil Wears Prada, and Sex and the City: The Movie, Radner proposes that rather than being "post-feminist," as is usually assumed, such films are better described as "neo-feminist." Examining their narrative format, as it revolves around the story of an ambitious unmarried woman who defines herself through consumer culture as much as through work or romance, Radner argues that these films exemplify neo-liberalist values rather than those of feminism. As such, Neo-Feminist Cinema offers a new explanation as to why feminist-oriented scholars and audiences who are seeking more than "labels and love" from their film experience have viewed recent "girly films" as a betrayal of second-wave feminism, and why, on the other hand, such films have proven to be so successful at the box office.
Download or read book 30 Second Cinema written by Nikki Baughan and published by . This book was released on 2019-03-14 with total page 163 pages. Available in PDF, EPUB and Kindle. Book excerpt: Are you an art-movie buff or a blockbuster enthusiast? Can you reel off a list of New Wave masterpieces, or are you more interested in classic Westerns? Most of us love the movies in one form or another, but very few of us have the all-round knowledge we'd like. 30-Second Cinema offers an immersion course, served up in neat, entertaining shorts. These 50 topics deal with cinema's beginnings, with its growth as an industry, with key stars and producers, with global movements--from German Expressionism to New Hollywood--and with the movies as a business. By the time you've worked your way through, you'll be able to identify the work of George Melies, define auteur theory or mumblecore in a couple of pithy phrases, and you'll have broadened your knowledge of global cinema to embrace not only Bollywood but Nollywood, too. All in the time it takes to watch a couple of trailers.
Download or read book When Things of the Spirit Come First written by Simone de Beauvoir and published by HarperCollins Publishers. This book was released on 1983 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Audition written by Ryu Murakami and published by A&C Black. This book was released on 2010-01-18 with total page 173 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the death of his wife seven years ago, documentary maker Aoyama has not dated anyone else. Now even his teenage son, Shige, thinks that he should remarry and his best friend Yoshikawa comes up with a plan: to hold fake film auditions from which, he can choose a new bride. Of the thousands who apply, it is a beautiful ballerina, Yamasaki Asami, who captivates Aoyama. Infatuated by her fragile nature and nervous smile, he ignores his increasing sense of unease, putting aside his doubts about his new love, until it may be too late... In Audition, Ryu Murakami delivers his most subtly disturbing novel yet, confirming him as Japan's master of the psycho-thriller.
Download or read book America on Film written by Harry M. Benshoff and published by John Wiley & Sons. This book was released on 2011-08-26 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: America on Film: Representing Race, Class, Gender, and Sexuality in the Movies, 2nd Edition is a lively introduction to issues of diversity as represented within the American cinema. Provides a comprehensive overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, and sexuality Includes over 100 illustrations, glossary of key terms, questions for discussion, and lists for further reading/viewing Includes new case studies of a number of films, including Crash, Brokeback Mountain, and Quinceañera
Download or read book African American Women and Sexuality in the Cinema written by Norma Manatu and published by McFarland. This book was released on 2014-01-10 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: The representation of African American women is an important issue in the overall study of how women are portrayed in film, and has received serious attention in recent years. Traditionally, "women of color," particularly African American women, have been at the margins of studies of women's on-screen depictions--or excluded altogether. This work focuses exclusively on the sexual objectification of African American women in film from the 1980s to the early 2000s. Critics of the negative sexual imagery have long speculated that control by African American filmmakers would change how African American women are depicted. This work examines sixteen films made by males both white and black to see how the imagery might change with the race of the filmmaker. Four dimensions are given special attention: the diversity of the women's roles and relationships with men, the sexual attitudes of the African American female characters, their attitudes towards men, and their nonverbal and verbal sexual behaviors. This work also examines the role culture has played in perpetuating the images, how film influences viewers' perception of African American women and their sexuality, and how the imagery polarizes women by functioning as a regulator of their sexual behaviors based on cultural definitions of the feminine.
Download or read book Chick Flicks written by B. Ruby Rich and published by Duke University Press. This book was released on 1998 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: Part journalistic chronicle, part memoir, and 100% pure cultural historical odyssey, "Chick Flicks" captures the birth and growth of feminist film as no other book has done. 22 photos.
Download or read book Men Women and Chain Saws written by Carol J. Clover and published by Princeton University Press. This book was released on 2015-05-26 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining the popularity of low-budget cinema, particularly slasher, occult, and rape-revenge films, the author argues that, while such films have been traditionally understood as offering only sadistic pleasure to their mostly male audiences, in actuality they align spectators not with the male tormentor but with the females being tormented--particularly the slasher movie's "final girls"--Who endure fear and degradation before rising to save themselves.--Adapted from publisher description.
Download or read book Issues in Feminist Film Criticism written by Patricia Erens and published by Indiana University Press. This book was released on 1990 with total page 492 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This anthology makes it abundantly clear that feminist film criticism is flourishing and has developed dramatically since its inception in the early 1970s." —Journal of Aesthetics and Art Criticism Erens brings together a wide variety of writings and methodologies by U.S. and British feminist film scholars. The twenty-seven essays represent some of the most influential work on Hollywood film, women's cinema, and documentary filmmaking to appear during the past decade and beyond. Contributors include Lucie Arbuthnot, Linda Artel, Pam Cook, Teresa de Lauretis, Mary Ann Doane, Elizabeth Ellsworth, Lucy Fischer, Jane Gaines, Mary C. Gentile, Bette Gordon, Florence Jacobowitz, Claire Johnston, E. Ann Kaplan, Annette Kuhn, Julia Lesage, Judith Mayne, Sonya Michel, Tania Modleski, Laura Mulvey, B. Ruby Rich, Gail Seneca, Kaja Silverman, Lori Spring, Jackie Stacey, Maureen Turim, Diane Waldman, Susan Wengraf, Linda Williams, and Robin Wood.
Download or read book Latin American Cinema written by Lisa Shaw and published by McFarland. This book was released on 2005-03-09 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renewed interest in Latin American film industries has opened a host of paths of scholarly exploration. Productions from different countries reflect particular social attitudes, political climates and self-conceptions, and must be considered separately and as a whole. The search for national identity is a key component of Latin American films in a time of decreasing cultural diversity and pressures to westernize. Globalization and falling government support have fueled cross-border collaborations, calling into question the idea of a movie's "nationality," and leaving some nations' film industries on the brink of collapse. Whether thriving or barely surviving, struggling to remain distinct or embracing globalization on its own terms, addressing the government or society, Latin American cinema remains vibrant, offering a wealth of material to scholars of all stripes. These collected essays explore important elements of Latin American cinema and its associated national film industries. The first section of essays examines the impact of modernization on both Latin American screen images and the industry itself, offering modern and historical perspectives. The second section focuses on filmmakers who deal with issues of gender and sexuality, whether sexual transgression, the role of female characters, or societal attitudes towards sex and nudity. The final section of essays discusses the relationship between national identity and Latin American film industries: how movies are used to create a sense of self; Uruguay's ongoing identity crisis; and Brazil's use of Hollywood's stereotypical depiction of the country to depict itself. Photographs and an annotated bibliography accompany each essay, and an index supplements the text.
Download or read book Screening Sex written by Linda Williams and published by Duke University Press. This book was released on 2008-09-23 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: For many years, kisses were the only sexual acts to be seen in mainstream American movies. Then, in the 1960s and 1970s, American cinema “grew up” in response to the sexual revolution, and movie audiences came to expect more knowledge about what happened between the sheets. In Screening Sex, the renowned film scholar Linda Williams investigates how sex acts have been represented on screen for more than a century and, just as important, how we have watched and experienced those representations. Whether examining the arch artistry of Last Tango in Paris, the on-screen orgasms of Jane Fonda, or the anal sex of two cowboys in Brokeback Mountain, Williams illuminates the forms of pleasure and vicarious knowledge derived from screening sex. Combining stories of her own coming of age as a moviegoer with film history, cultural history, and readings of significant films, Williams presents a fascinating history of the on-screen kiss, a look at the shift from adolescent kisses to more grown-up displays of sex, and a comparison of the “tasteful” Hollywood sexual interlude with sexuality as represented in sexploitation, Blaxploitation, and avant-garde films. She considers Last Tango in Paris and Deep Throat, two 1972 films unapologetically all about sex; In the Realm of the Senses, the only work of 1970s international cinema that combined hard-core sex with erotic art; and the sexual provocations of the mainstream movies Blue Velvet and Brokeback Mountain. She describes art films since the 1990s, in which the sex is aggressive, loveless, or alienated. Finally, Williams reflects on the experience of screening sex on small screens at home rather than on large screens in public. By understanding screening sex as both revelation and concealment, Williams has written the definitive study of sex at the movies. Linda Williams is Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her books include Porn Studies, also published by Duke University Press; Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J. Simpson; Viewing Positions: Ways of Seeing Film; and Hard Core: Power, Pleasure, and the “Frenzy of the Visible.” A John Hope Franklin Center Book November 424 pages 129 illustrations 6x9 trim size ISBN 0-8223-0-8223-4285-5 paper, $24.95 ISBN 0-8223-0-8223-4263-4 library cloth edition, $89.95 ISBN 978-0-8223-4285-4 paper, $24.95 ISBN 978-0-8223-4263-2 library cloth edition, $89.95
