Download or read book Christian Rite and Christian Drama in the Middle Ages written by O. B. Hardison Jr. and published by JHU Press. This book was released on 2019-12-01 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1965. The European dramatic tradition rests on a group of religious dramas that appeared between the tenth and twelfth centuries. These dramas, of interest in themselves, are also important for the light they shed on three historical and critical problems: the relation of drama to ritual, the nature of dramatic form, and the development of representational techniques. Hardison's approach is based on the history of the Christian liturgy, on critical theories concerning the kinship of ritual and drama, and on close analysis of the chronology and content of the texts themselves. Beginning with liturgical commentaries of the ninth century, Hardison shows that writers of the period consciously interpreted the Mass and cycle of the church year in dramatic terms. By reconstructing the services themselves, he shows that they had an emphatic dramatic structure that reached its climax with the celebration of the Resurrection. Turning to the history of the Latin Resurrection play, Hardison suggests that the famous Quem quaeritis—the earliest of all medieval dramas—is best understood in relation to the baptismal rites of the Easter Vigil service. He sets forth a theory of the original form and function of the play based on the content of the earliest manuscripts as well as on vestigial ceremonial elements that survive in the later ones. Three texts from the eleventh and twelfth centuries are analyzed with emphasis on the change from ritual to representational modes. Hardison discusses why the form inherited from ritual remained unchanged, while the technique became increasingly representational. In studying the earliest vernacular dramas, Hardison examines the use of nonritual materials as sources of dramatic form, the influence of representational concepts of space and time on staging, and the development of nonceremonial techniques for composition of dialogue. The sudden appearance of these elements in vernacular drama suggests the existence of a hitherto unsuspected vernacular tradition considerably older than the earliest surviving vernacular plays.
Download or read book Christian Rite and Christian Drama in the Middle Ages written by Osborne Bennett Hardison (Jr.) and published by . This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Christian rite and christian drama in the middle ages written by Osborne Bennett Hardison and published by . This book was released on 1969 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Christian rite and Christian drama in the middle ages essays in the origin and early history of modern drama written by Osborne Bennett Hardison and published by . This book was released on 1983 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Origin of Medieval Drama written by Leonard Goldstein and published by Fairleigh Dickinson Univ Press. This book was released on 2004 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: It has been widely accepted that the 10th-century liturgical plays developed naturally as a religious entity from the Mass. This approach is critiqued in The Origin of Medieval Drama where Leonard Goldstein places the development of the plays within the socio-economic context of the period, most notably the rapid rise of feudalism. Goldstein argues that the plays were a response by the Church to a decline in faith brought on by the burdens of feudalism on the peasantry. However, instead of revitalising faith, the plays which sought to assure the peasantry of their salvation actually represented and therefore reinforced the emerging private property relation. In looking at the origins of ancient Greek drama where scholars have concentrated more on social and cultural issues, Goldstein develops a Marxist model for the origins of medieval drama.
Download or read book The Circulation of Power in Medieval Biblical Drama written by Robert S. Sturges and published by Springer. This book was released on 2015-10-07 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: A literary reading informed by the recent temporal turn in Queer Theory, this book analyzes medieval Biblical drama for themes representing modes of power such as the body, politics, and law. Revitalizing the discussions on medieval drama, Sturges asserts that these dramas were often intended not to teach morality but to resist Christian authority.
Download or read book The Medieval Drama written by Center for Medieval and Renaissance Studies (Los Angeles, Calif.) and published by SUNY Press. This book was released on 1972-01-01 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: The religious medieval drama, like the Church which produced it, was international. As such, from its earliest beginnings in the tenth-century Quem quaeritis to the thirteenth-century Ludi Paschales and Passion Plays, it exhibits a cultural and thematic unity binding the various plays: a thematic unity from the fabric of Christian thought, and a cultural unity from the fact that these productions, at least up to the end of the thirteenth century, generally share a technical-philological medium: the Latin language. In later centuries, this religious drama expressed in the vernacular remained an act of faith; its purpose being to strengthen the faith of the worshippers and to express in visible, dramatic terms the facts and values of Christian belief. These essays were, in their original form, addressed to the third annual conference of the Center for Medieval and Early Renaissance Studies at the State University of New York at Binghamton. The work of international authorities on the medieval drama, they span many centuries and bear witness to the growth of the religious dramatic form and of the dramatic movement and temper of the liturgy in which that form finds its origin. Omer Jodogne establishes a difference, on the aesthetic level, between dramatic works and their theatrical performance by pointing out that the surviving texts, whether they were meant for reading or for a theatrical performance, reproduce only what was said on the stage, and, succinctly, what was done. Wolfgang Michael suggests that the first medieval drama did not originate in a slow growth from the Easter trope Quem quaeritis but was rather an original creation of the author or authors of the Concordia Regularis. He indicates that subsequent dramatic endeavors in their slow process of change and expansion reflect the working of tradition rather than an original spirit and form. Sandro Sticca examines the creation of the first Passion Play and shows that Christ's passion became increasingly popular in the tenth century, and that the new forces which allowed a more eloquent and humane visualization and description of Christ's anguish first appeared in the eleventh and twelfth centuries. He also refutes the traditional view that the Planctus Mariae is the germinal point of the Latin Passion Play. V. A. Kolve seeks to account for certain central facts about Everyman which have never had close critical attention. He analyzes the Biblical and Patristic references within which the story is shaped and which are central to the understanding of other actions and to determining the meaning of the play. Glynn Wickham, after exploding on the evidence of reference alone the old categorizing of English Saint Plays as by-products or late developments of Mysteries and Moralities, turns to a critical discussion of the three surviving texts of English Saint Plays and of their original staging by means of diagrammatic illustrations providing a vivid visualization of their performance. William Smolden takes an unaccustomed approach to the controversial question of the origins of the Quem quaeritis. He maintains that when musical evidence is called on, it brings about, on a number of occasions, a confutation of the theory of a "textual" writer. From a detailed consideration of the two earliest Quem quaeritis he feels convinced that the place of origin of the trope was the Abbey of St. Martial of Limoges.
Download or read book English Religious Drama of the Middle Ages written by Hardin Craig and published by Greenwood. This book was released on 1978 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Medieval Christianity in Practice written by Miri Rubin and published by Princeton University Press. This book was released on 2021-06-08 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Medieval Christianity in Practice provides readers with a sweeping look at the religious practices of the European Middle Ages. Comprising forty-two selections from primary source materials--each translated with an introduction and commentary by a specialist in the field--the collection illustrates the religious cycles, rituals, and experiences that gave meaning to medieval Christian individuals and communities. This volume of Princeton Readings in Religions assembles sources reflecting different genres, regions, and styles, including prayer books, chronicles, diaries, liturgical books, sermons, hagiography, and handbooks for the laity and clergy. The texts represent the practices through which Christians conducted their individual, family, and community lives, and explores such life-cycle events as birth, confirmation, marriage, sickness, death, and burial. The texts also document religious practices related to themes of work, parish life, and devotions, as well as power and authority. Enriched by expert analysis and suggestions for further reading, Medieval Christianity in Practice gives students and general readers alike the necessary background and foundations for an appreciation of the creativity and multiplicity of medieval Christian religious culture.
Download or read book Feeling Persecuted written by Anthony Bale and published by Reaktion Books. This book was released on 2012-01-01 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Feeling Persecuted, Anthony Bale explores the medieval Christian attitude toward Jews, which included a pervasive fear of persecution and an imagined fear of violence enacted against Christians. As a result, Christians retaliated with expulsions, riots, and murders that systematically denied Jews the right to religious freedom and peace. Through close readings of a wide range of sources, Bale exposes the perceived violence enacted by the Jews and how the images of this Christian suffering and persecution were central to medieval ideas of love, community, and home. The images and texts explored by Bale expose a surprising practice of recreational persecution and show that the violence perpetrated against medieval Jews was far from simple anti-Semitism and was in fact a complex part of medieval life and culture. Bale’s comprehensive look at medieval poetry, drama, visual culture, theology, and philosophy makes Feeling Persecuted an important read for anyone interested in the history of Christian-Jewish relations and the impact of this history on modern culture.
Download or read book The Staging of Religious Drama in Europe in the Later Middle Ages written by Peter Meredith and published by Kalamazoo, Mich. : Medieval Institute Publications, Western Michigan University. This book was released on 1983 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Medieval and Renaissance Drama in England written by S. P. Cerasano and published by Associated University Presse. This book was released on 2008-08 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reflecting a variety of scholarly interests, this volume includes articles that range addressing Africans in Elizabeth London to chapel stagings, to the theory and practice of domestic tragedy. It also includes essays on the historical and theoretical issues relating to the evolution of dramatic texts and women at the theater.
Download or read book The Routledge History of Medieval Christianity written by R. N. Swanson and published by Routledge. This book was released on 2015-04-10 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge History of Medieval Christianity explores the role of Christianity in European society from the middle of the eleventh-century until the dawning of the Reformation. Arranged in four thematic sections and comprising 23 originally commissioned chapters plus introductory overviews to each part by the editor, this book provides an authoritative survey of a vital element of medieval history. Comprehensive and cohesive, the volume provides a holistic view of Christianity in medieval Europe, examining not only the church itself but also its role in, influence on, and tensions with, contemporary society. Chapters therefore range from examinations of structures, theology and devotional practices within the church to topics such as gender, violence and holy warfare, the economy, morality, culture, and many more besides, demonstrating the pervasiveness and importance of the church and Christianity in the medieval world. Despite the transition into an increasingly post-Christian age, the historic role of Christianity in the development of Europe remains essential to the understanding of European history – particularly in the medieval period. This collection will be essential reading for students and scholars of medieval studies across a broad range of disciplines.
Download or read book Medieval Christianity written by Kevin Madigan and published by Yale University Press. This book was released on 2015-01-13 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt: An “engaging narrative history” of the medieval church, with new attention to women, ordinary parishioners, attitudes toward Jews and Muslims, and more (Publishers Weekly, starred review). For many, the medieval world seems dark and foreign—an often brutal and seemingly irrational time of superstition, miracles, and strange relics. The aggressive pursuit of heretics and attempts to control the “Holy Land” might come to mind. Yet the medieval world produced much that is part of our world today, including universities, the passion for Roman architecture and the development of the gothic style, pilgrimage, the emergence of capitalism, and female saints. This new narrative history of medieval Christianity, spanning the period 500 to 1500 CE, attempts to integrate the familiar with new themes and narratives. Elements of novelty in the book include a steady focus on the role of women in Christianity; the relationships among Christians, Jews, and Muslims; the experience of ordinary parishioners; the adventure of asceticism, devotion, and worship; and instruction through drama, architecture, and art. Kevin Madigan expertly integrates these areas of focus with more traditional themes, such as the evolution and decline of papal power; the nature and repression of heresy; sanctity and pilgrimage; the conciliar movement; and the break between the old Western church and its reformers. Illustrated with more than forty photographs of physical remains, this book promises to become an essential guide to a historical era of profound influence. “Compelling . . . a picture of medieval Christianity that is no less lively for being well-informed and carefully balanced.” —Commonweal
Download or read book Christianization and Commonwealth in Early Medieval Europe written by Nathan J. Ristuccia and published by Oxford University Press. This book was released on 2018 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Christianization and Commonwealth in Early Medieval Europe re-examines the alterations in Western European life that followed widespread conversion to Christianity-the phenomena traditionally termed "Christianization". It refocuses scholarly paradigms for Christianization around the development of mandatory rituals. One prominent ritual, Rogationtide supplies an ideal case study demonstrating a new paradigm of "Christianization without religion." Christianization in the Middle Ages was not a slow process through which a Christian system of religious beliefs and practices replaced an earlier pagan system. In the Middle Ages, religion did not exist in the sense of a fixed system of belief bounded off from other spheres of life. Rather, Christianization was primarily ritual performance. Being a Christian meant joining a local church community. After the fall of Rome, mandatory rituals such as Rogationtide arose to separate a Christian commonwealth from the pagans, heretics, and Jews outside it. A Latin West between the polis and the parish had its own institution-the Rogation procession-for organizing local communities. For medieval people, sectarian borders were often flexible and rituals served to demarcate these borders. Rogationtide is an ideal case study of this demarcation, because it was an emotionally powerful feast, which combined pageantry with doctrinal instruction, community formation, social ranking, devotional exercises, and bodily mortification. As a result, rival groups quarrelled over the holiday's meaning and procedure, sometimes violently, in order to reshape the local order and ban people and practices as non-Christian.
Download or read book A Dictionary of Biblical Tradition in English Literature written by David Lyle Jeffrey and published by Wm. B. Eerdmans Publishing. This book was released on 1992 with total page 1000 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over 15 years in the making, an unprecedented one-volume reference work. Many of today's students and teachers of literature, lacking a familiarity with the Bible, are largely ignorant of how Biblical tradition has influenced and infused English literature through the centuries. An invaluable research tool. Contains nearly 800 encyclopedic articles written by a distinguished international roster of 190 contributors. Three detailed annotated bibliographies. Cross-references throughout.
Download or read book The Medieval Theatre written by Glynne William Gladstone Wickham and published by Cambridge University Press. This book was released on 1987-07-09 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a thoroughly revised edition of Glynne Wickham's important history of the development of dramatic art in Christian Europe. Professor Wickham surveys the foundations on which this dramatic art was built: the architecture, costumes and ceremonial of the imperial court at Byzantium, the liturgies of countires in the Eastern and Western Empires and the triumph of the Roman rite and the Romanesque style in Western art. Within this context Professor Wickham describes three major influences upon the drama: religion, recreation and commerce. The first produced the liturgical music drama rooted in praise of Christ the King, vernacular Corpus Christi drama, Saint Plays and Moralities centred on the humanity of Christ. The second gave rise to the secular theatres of social recreation based on the games and dances of village communities ad the more sophisticated sex and war games of the nobility. The section on commerce shows how the development of the drama was intimately related to questions of funding and management which led, during the sixteenth century, to the substitution of a professional for an amateur theatre, and to a growing emphasis on stage spectacle. For this third edition the author has added a substantial section on monastic reform and its effect on Biblical translation and the use of allegory; a final chapter charts the transition in different European countries from this medieval Gothic theatre to the neoclassical methods of play construction and representation which flourished for the next two hundred years. The book gorges a coherent pattern through a very large and complicated subject. It is an excellent introduction to medieval theatre for undergraduates and to the growing number of theatregoers who enjoy contemporary revivals of medieval plays. A large plate section gives a pictorial version of the story, using photographs of contemporary manuscript illuminations, mosaics, frescoes, paintings and sculptures.
