Download or read book Chinese Music written by Jie Jin and published by Cambridge University Press. This book was released on 2011-03-03 with total page 157 pages. Available in PDF, EPUB and Kindle. Book excerpt: This accessible, illustrated introduction explores the history of Chinese music, an ancient, diverse and fascinating part of China's cultural heritage.
Download or read book Yellow Music written by Andrew F. Jones and published by Duke University Press. This book was released on 2001-06-19 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVThe distribution of the gramophone and the birth of popular music, including jazz, as a part of nation-building and modernity in China./div
Download or read book Qupai in Chinese Music written by Alan R Thrasher and published by Routledge. This book was released on 2016-03-31 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presenting the latest research in the area, this volume explores the fundamental concept of qupai 曲牌, melodic models upon which most traditional Chinese instrumental music (and some vocal music) is based. The greater part of the traditional instrumental repertoire has emerged from qupai models by way of well-established 'variation' techniques. These melodies and techniques are alive today and still performed in 'silk-bamboo' types of ensemble music, zheng 箏, pipa 琵琶 and other solo traditions, all opera types, narrative songs, and Buddhist and Daoist ritual music. With a view toward explaining qupai as a musical system, contributors explore the concept from multiple directions, notably its historic development, patterns of structural organization, compositional usage in Kunqu classical opera, influence on the growth of traditional ensemble and solo repertoires, and indeed on 19th-century European music as well. Related essays examine the use of shan'ge 山歌 folksongs as qupai models in one local opera tradition and the controversial relationship between qupai forms and the metrically-organized banqiang 板腔 forms of organization in Beijing opera. The final three essays are focused upon traditional suite forms in which qupai and non-qupai tunes are mixed, examples drawn from the Minnan nanguan 南管 repertoire, Jiangnan 'silk-bamboo' tradition and the ritual music of North China.This is the first Western-language study on the nature and background of the qupai tradition, and the methods by which model melodies have been varied in creation of repertoire. The volume is essential reading for East Asian music specialists and contributes to the fields of ethnomusicology, musicology, music theory, music composition, and Chinese music and performing arts.
Download or read book Chinese Music and Musical Instruments written by Xi Qiang and published by Shanghai Press. This book was released on 2011-04-10 with total page 114 pages. Available in PDF, EPUB and Kindle. Book excerpt: With dozens of color photographs and insightful text, Chinese Music and Musical Instruments describes in detail the musical instruments with which a Chinese folk orchestra is equipped and their working and sounding principles. There are as many as a thousand different kinds of musical instruments in China. Only a tiny portion of them are used in an orchestra. The selection of musical instruments for an orchestra depends on how well they complement one another. A Chinese folk orchestra is composed of four sections: wind, plucked, percussion and bowed. This book is also devoted to the description of the development of classical Chinese music and the introduction of some music-related tales of profound significance. Chinese music is a big family composed of various distinctive types of music: Chinese folk music played at weddings, funerals or in festivals an fairs. The religious music played in religious services conducted in Buddhist and Taoist temples. Court music, which reached its zenith during the Tang Dynasty. The scholars' music based on Confucian thinking was the embodiment of the musical life of academia and refined music of this kind is still prevalent in today's society.
Download or read book A Way of Music Education written by C. Victor Fung and published by Oxford University Press. This book was released on 2018 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Moving back through Dewey, Heidegger, Nietzsche, and Rousseau, the lineage of Western music education finds its origins in Plato and Pythagoras. Yet theories not rooted in the ancient Greek tradition are all but absent. A Way of Music Education provides a much-needed intervention, integrating ancient Chinese thought into the canon of music education in a structured, systematized, and philosophical way. The book's three central sources - the Yijing (The Book of Changes), Confucianism, and Daoism - inform author C. Victor Fung's argument: that the human being exists as an entity at the center of an organismic world in which all things and events, including music and music education, are connected. Fung ultimately proposes a new educational philosophy based on three key ideas in Chinese thought: change, balance, and liberation. A unique work, A Way of Music Education offers a universal approach engrained in a specific and ancient cultural tradition.
Download or read book Dangerous Tunes written by Barbara Mittler and published by Otto Harrassowitz Verlag. This book was released on 1997 with total page 532 pages. Available in PDF, EPUB and Kindle. Book excerpt: Barbara Mittler's book is the first comprehensive monographic study of China's New Music written in a Western language. It deals with two key points of contention: the effects of politics on the development of Chinese New Music, and the importance of China's indigenous musical traditions for the development of her New Music. In many ways, it is a handbook to New Chinese Music as it provides biographical and musicological sketches of the greater number of China's composers. As a reference work it will thus be of interest to libraries as well as to musicologists and music impressarios. The book is unique as a comparative study of New Chinese Music under three different political systems. Its conclusions, the discovery of (and explanations for) inherent similarities in those three New Musics will be of interest to sinologists in the field of politics and cultural studies.
Download or read book Cries of Joy Songs of Sorrow written by Marc L. Moskowitz and published by University of Hawaii Press. This book was released on 2009-11-24 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the mid-1990s, Taiwan’s unique brand of Mandopop (Mandarin Chinese–language pop music) has dictated the musical tastes of the mainland and the rest of Chinese-speaking Asia. Cries of Joy, Songs of Sorrow explores Mandopop’s surprisingly complex cultural implications in Taiwan and the PRC, where it has established new gender roles, created a vocabulary to express individualism, and introduced transnational culture to a country that had closed its doors to the world for twenty years. In his early chapters, Marc L. Moskowitz provides the historical background necessary to understand the contemporary Mandopop scene, beginning with the birth of Chinese popular music in the East Asian jazz Mecca of 1920s Shanghai. A brief overview of alternative musical genres in the PRC such as Beijing rock and revolutionary opera is included. The section concludes with a look at the manner in which Taiwan’s musical ethos has influenced the mainland’s music industry and how Mandopop has brought Western music and cultural values to the PRC. This leads to a discussion of Taiwan pop’s exceptional hybridity, beginning with foreign influences during the colonial period under the Dutch and Japanese and continuing with the country’s political, cultural, and economic alliance with the U.S. Moskowitz addresses the resulting wealth of transnational musical influences from the rest of East Asia and the U.S. and Taiwan pop’s appeal to audiences in both the PRC and Taiwan. In doing so, he explores how Mandopop’s "songs of sorrow," with their ubiquitous themes of loneliness and isolation, engage a range of emotional expression that resonates strongly in the PRC. Later chapters examine the construction of male and female identities in Mandopop and look at the widespread condemnation of the genre by critics. Drawing on analyses and data from earlier chapters (including interviews with dozens of performers, song writers, and lay people in Taipei and Shanghai), Moskowitz attempts to answer the question: Why, if the music is as bad as some assert, is it so central to the lives of the largest population in the world? To answer, he highlights Mandopop’s important contribution as a poetic lament that simultaneously embraces and protests modern life. Cries of Joy, Songs of Sorrow is a highly readable introduction to an important but understudied East Asian phenomenon. It will find a ready audience among scholars and students of Chinese and Taiwanese popular culture as well as musicologists studying transnational music flows and non-Western popular music.
Download or read book Music of the Billion written by David Mingyue Liang and published by Conran Octopus. This book was released on 1985 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music in Chinese culture is not an isolated phenomenon, but is rather a contextual phenomenon broadly related to all aspects of life. In historical China, music was integrally related to banquets, archery events, dances, etc. The word for "music" in Chinese is yue. In its inclusive meaning, yue refers to the "arts" and to music, and, together with morals, law, and politics, was traditionally considered to be one of the four fundamental societal functions. Primarily because of this emphasis, every feudal state, dynasty and republic throughout history had established an official music organization or bureau of music indicating the import of music within the society. The book is organized into two parts: one, a diachronic orientation of major musical events throughout history, and two, a synchronic focus on musical content and context. In the historical section, the patterns and themes are emphasized, so that a sense of continuation, interrelationships and changes can be observed. In part two, six topical subjects have been selected, based on what the author believes represent a sense of balance of major subjects and styles in Chinese music, that is topics on aesthetics, notation-transmission, instrumental music (high art and regional styles), theatrical music, and major musical instruments. -- Back cover.
Download or read book Lives in Chinese Music written by Helen Rees and published by University of Illinois Press. This book was released on 2010-10-01 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: Until recently, most scholarly work on Chinese music in both Chinese and Western languages has focused on genres, musical structure, and general history and concepts, rather than on the musicians themselves. This volume breaks new ground by focusing on individual musicians active in different amateur and professional music scenes in mainland China, Hong Kong, and Chinese communities in Europe. Using biography to deepen understanding of Chinese music, contributors present richly contextualized portraits of rural folk singers, urban opera singers, literati, and musicians on both geographic and cultural frontiers. The topics investigated by these authors provide fresh insights into issues such as the urban-rural divide, the position of ethnic minorities within the People's Republic of China, the adaptation of performing arts to modernizing trends of the twentieth century, and the use of the arts for propaganda and commercial purposes. The social and political history of China serves as a backdrop to these discussions of music and culture, as the lives chronicled here illuminate experiences from the pre-Communist period through the Cultural Revolution to the present. Showcasing multiple facets of Chinese musical life, this collection is especially effective in taking advantage of the liberalization of mainland China that has permitted researchers to work closely with artists and to discuss the interactions of life and local and national histories in musicians' experiences. Contributors are Nimrod Baranovitch, Rachel Harris, Frank Kouwenhoven, Tong Soon Lee, Peter Micic, Helen Rees, Antoinet Schimmelpenninck, Shao Binsun, Jonathan P. J. Stock, and Bell Yung.
Download or read book On The Meta category Of Chinese Music Aesthetics written by Sai Yang and published by World Scientific. This book was released on 2021-07-02 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book opens with the emergence and development of the discipline of aesthetics in western countries, specifically the history of Western Music Aesthetics, to study and delve into the development of Chinese Music Aesthetics. The book provides a clear timeline throughout the writing — from the history of Chinese Music Aesthetics, to the construction of a theoretical framework, and the intersections and conversations between Western and Chinese Music Aesthetics. This academic piece is fundamentally consistent with the developing field of Chinese philosophical and literary research.This book also discusses important music aesthetic categories of Confucianism, Taoism, Mohism, and metaphysics, and uses critical thinking to analyse the relationship between these categories and relevant schools of thought, reflecting the author's academic vision and thought process.
Download or read book The Semantics of Chinese Music written by Adrian Tien and published by John Benjamins Publishing Company. This book was released on 2015-01-14 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music is a widely enjoyed human experience. It is, therefore, natural that we have wanted to describe, document, analyse and, somehow, grasp it in language. This book surveys a representative selection of musical concepts in Chinese language, i.e. words that describe, or refer to, aspects of Chinese music. Important as these musical concepts are in the language, they have been in wide circulation since ancient times without being subjected to any serious semantic analysis. The current study is the first known attempt at analysing these Chinese musical concepts linguistically, adopting the Natural Semantic Metalanguage (NSM) approach to formulate semantically and cognitively rigorous explications. Readers will be able to better understand not only these musical concepts but also significant aspects of the Chinese culture which many of these musical concepts represent. This volume contributes to the fields of cognitive linguistics, semantics, music, musicology and Chinese studies, offering readers a fresh account of Chinese ways of thinking, not least Chinese ways of viewing or appreciating music. Ultimately, this study represents trailblazing research on the relationship between language, culture and cognition.
Download or read book Qupai in Chinese Music written by Alan R Thrasher and published by Routledge. This book was released on 2016-03-31 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presenting the latest research in the area, this volume explores the fundamental concept of qupai 曲牌, melodic models upon which most traditional Chinese instrumental music (and some vocal music) is based. The greater part of the traditional instrumental repertoire has emerged from qupai models by way of well-established 'variation' techniques. These melodies and techniques are alive today and still performed in 'silk-bamboo' types of ensemble music, zheng 箏, pipa 琵琶 and other solo traditions, all opera types, narrative songs, and Buddhist and Daoist ritual music. With a view toward explaining qupai as a musical system, contributors explore the concept from multiple directions, notably its historic development, patterns of structural organization, compositional usage in Kunqu classical opera, influence on the growth of traditional ensemble and solo repertoires, and indeed on 19th-century European music as well. Related essays examine the use of shan'ge 山歌 folksongs as qupai models in one local opera tradition and the controversial relationship between qupai forms and the metrically-organized banqiang 板腔 forms of organization in Beijing opera. The final three essays are focused upon traditional suite forms in which qupai and non-qupai tunes are mixed, examples drawn from the Minnan nanguan 南管 repertoire, Jiangnan 'silk-bamboo' tradition and the ritual music of North China.This is the first Western-language study on the nature and background of the qupai tradition, and the methods by which model melodies have been varied in creation of repertoire. The volume is essential reading for East Asian music specialists and contributes to the fields of ethnomusicology, musicology, music theory, music composition, and Chinese music and performing arts.
Download or read book Gender in Chinese Music written by Rachel A. Harris and published by University Rochester Press. This book was released on 2013 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gender in Chinese Music draws together contributions from ethnomusicologists, anthropologists, and literary scholars to explore how music is implicated in changing notions of masculinity, femininity, and genders "in between" in Chinese culture.
Download or read book Traditional Chinese Music in Contemporary Singapore written by Michelle Loh and published by Pagesetters Services. This book was released on with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traditional Chinese Music in Contemporary Singapore is a collection of essays written by 12 esteemed contributors who are greatly involved in building up and contributing to traditional Chinese music in Singapore. Ranging from musicians to lecturers and conductors, these essays present various perspectives and incisive insights into this particular sphere of music, and are both a useful entry point for the curious reader, as well as valuable companions to experienced enthusiasts. Featuring essays from: Lum Yan Sing; Quek Ling Kiong; Tan Chin Huat; Michelle Loh; Samuel Wong; Teresa Fu; Natalie Alexandra Tse; Chia Qilong Andy;
Download or read book Tradition and Change in the Performance of Chinese Music written by Tsao Penyeh and published by Routledge. This book was released on 2013-12-19 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1998. As a cultural entity of over five thousand years of history, Chinese music is a multi-faced phenomenon consisting of diverse regional and transregional traditions. Two large categories of Chinese music can be distinguished: music(s) of the Han nationality and music(s) of the ethnic nationalities. The present volume brings together ten articles written largely by native scholars, with the general aim of presenting a dialogue about Chinese music from 'insider's' view-points.
Download or read book Chinese Music in Print written by YANG YUANZHENG and published by Hong Kong University Press. This book was released on 2023-01-11 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: Grounded in a desire to bring back to life rare items from the University of Hong Kong’s Fung Ping Shan Library that are entwined within the world of music and to place them in a context of books and images in American, British, and other Asian collections, Chinese Music in Print views the library as a repository not of information but of artifact, and then uses these artifacts as a means for generating scholarly narrative. It begins by assessing seminal texts in the Confucian canon set against the delicacy of the concubine and amanuensis Shen Cai’s calligraphy and poetry. Confucianism was itself a crucial aspect of courtly life, and an exploration of its ritual is the book’s second theme. Vernacular genres of opera and song are represented in the third chapter, while the Great Sage returns in the fourth for an exploration of the repertoire and richness of his favourite instrument, the qin. The final chapter ends the journey with discussion of the legacy of generations of Europeans who have visited China and their contribution to the understanding of a more vernacular instrument, the erhu. “Like the 2021 exhibition called ‘Music in Print’ that preceded it, this exploration of Chinese music history introduces many rare books from the University of Hong Kong Libraries. The essays combine professional expertise in musicology with an excellent grasp of traditional bibliography, which allows the one to illuminate the other. Bravo!” —J. S. Edgren, Princeton University “I am most impressed by the critical reading of the author who excels in classical studies, whose expertise in calligraphy, seals, editions, and other related disciplines in Sinology is admirable. His meticulous investigation into the complicated situation regarding the book printing business of dynastic China is professional and convincing.” —Yu Siu-wah, chief editor of Anthology of Chinese Folk and Ethnic Instrumental Music: The Hong Kong Volume “Such a wide-ranging but meticulously researched book that now contextualizes the dissemination and transmission of music into the discussion of manuscript and printed culture in China will clearly be an important addition to the holdings of libraries supporting Chinese studies and book studies broadly taken, as well as those supporting the study of music. Obviously, it will be of direct importance for specialists in East Asian book studies and for musicologists of East Asian traditions.” —Elizabeth Markham, University of Arkansas “This beautifully illustrated and carefully edited book is the first English-language monograph dedicated exclusively to the history of Chinese music as captured through the medium of print. It introduces a host of new sources and methodologies to the English-speaking public, fruitfully complicates established narratives of music history and of print cultures in both East and West, and offers a vital building-block for the creation of a truly global music history.” —Karl Kügle, University of Oxford
Download or read book Origins of Chinese Music 2007 Edition EPUB written by Lim SK and published by Asiapac Books Pte Ltd. This book was released on 2018-09-21 with total page 157 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the early days, musical instruments in China were made from everyday items: hunting tools, trees, bamboo and even bones. During the Zhou dynasty, there were about 70 instruments. Today, there are hundreds. But have you ever wondered how these musical instruments in China came about? Well, in this book, the evolution of Chinese music over the centuries is examined, from prehistoric times, through the Qin, Han, Sui and Tang dynasties, all the way to our modern times. In addition, the origins and characteristics of specific musical instruments are explored, giving insight in one's understanding of these instruments. Legendary accounts related to historical personalities are also featured, including: * How two phoenixes helped Fuxi, the earliest ancestor of the Chinese, add music to the lives of the people. * How the musical talents of some individuals were so high they could sense evil elements in a piece of music. * How Wangzi Qiao became an immortal from playing the sheng. Indeed, this book holds a treasury of fascinating information and stories pertaining to Chinese musical instruments. This is definitely something any music lover should have in his collection.
