Download or read book Art and Artists of Twentieth century China written by Michael Sullivan and published by Univ of California Press. This book was released on 1996 with total page 451 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Sullivan presents a wealth of material that has never before appeared in a Western language. I expect it will be the standard book on twentieth-century Chinese art for the foreseeable future."--Julia F. Andrews, author of Painters and Politics in the People's Republic of China "A most sympathetic and useful guide to twentieth-century Chinese art. Long the leading scholar on the subject, Professor Sullivan has presented a lucid account of a most dramatic chapter in Chinese art in a complex interplay of aesthetics, politics, cultural, and social history."--Wen C. Fong, Princeton University "So much of China's art in the twentieth century has to do with artistic (and political) ideas from the West that is is appropriate that one of its first comprehensive histories should be written by a Western scholar--especially one who has known personally many of China's leading artistic figures of the last fifty years. Not only does Professor Sullivan tell the complex story of twentieth century China art with lucidity and style, his learned text is also illuminated with witty anecdotes and incisive observations that can only come from an indsider."--Johnson Chang (Chang Tson-zung), Director, Hanart Tz Gallery, Hong Kong
Download or read book Total Modernity and the Avant Garde in Twentieth Century Chinese Art written by Minglu Gao and published by MIT Press. This book was released on 2011-04-29 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: A groundbreaking book that describes a distinctively Chinese avant-gardism and a modernity that unifies art, politics, and social life. To the extent that Chinese contemporary art has become a global phenomenon, it is largely through the groundbreaking exhibitions curated by Gao Minglu: "China/Avant-Garde" (Beijing, 1989), "Inside Out: New Chinese Art" (Asia Society, New York, 1998), and "The Wall: Reshaping Contemporary Chinese Art" (Albright-Knox Art Gallery, 2005) among them. As the first Chinese writer to articulate a distinctively Chinese avant-gardism and modernity—one not defined by Western chronology or formalism—Gao Minglu is largely responsible for the visibility of Chinese art in the global art scene today. Contemporary Chinese artists tend to navigate between extremes, either embracing or rejecting a rich classical tradition. Indeed, for Chinese artists, the term "modernity" refers not to a new epoch or aesthetic but to a new nation—modernityinextricably connects politics to art. It is this notion of "total modernity" that forms the foundation of the Chinese avant-garde aesthetic, and of this book. Gao examines the many ways Chinese artists engaged with this intrinsic total modernity, including the '85 Movement, political pop, cynical realism, apartment art, maximalism, and the museum age, encompassing the emergenceof local art museums and organizations as well as such major events as the Shanghai Biennial. He describes the inner logic of the Chinese context while locating the art within the framework of a worldwide avant-garde. He vividly describes the Chinese avant-garde's embrace of a modernity that unifies politics, aesthetics, and social life, blurring the boundaries between abstraction, conception, and representation. Lavishly illustrated with color images throughout, this book will be a touchstone for all considerations of Chinese contemporary art.
Download or read book Twentieth century Chinese Painting written by and published by Oxford University Press, USA. This book was released on 1988 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Richly illustrated with 200 black-and-white and 32 color plates, this stimulating collection surveys the full range of 20th-century Chinese painting, covering all the schools and major artists, both within the People's Republic and elsewhere. Chinese artists now draw their inspirations from an amazing variety of subjects--airplanes and automobiles, Vietnamese refugees and Beijing opera, ancient cave murals and historical figures--and they have developed new techniques and formats that have greatly expanded the range of Chinese paintings. Their work reveals how traditional techniques, when reintroduced into unexpected contexts, can bring about strikingly new results. In light of the tremendous variety of artistic impulses and stylistic approaches that exist in 20th-century Chinese painting, and the rapidity with which these changes have occurred, it is quite remarkable that China's artistic tradition has not only been able to sustain itself, but continues to evolve in new and exciting directions. This beautiful volume captures the vibrancy of a national art that is stunning in its complexity and diversity.
Download or read book Chinese Art in the Twentieth Century written by Michael Sullivan and published by . This book was released on 1959 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Between Two Cultures written by Wen Fong and published by Metropolitan Museum of Art. This book was released on 2001 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive assemblage in the West of paintings on this subject, the Robert H. Ellsworth Collection comprises works in the classical Chinese medium of ink on paper and in the traditional formats of scrolls, album leaves, and fans."--BOOK JACKET.
Download or read book Art and Artists of Twentieth Century China written by Michael Sullivan and published by Univ of California Press. This book was released on 2023-12-22 with total page 451 pages. Available in PDF, EPUB and Kindle. Book excerpt: This visually stunning book focuses on the rebirth of Chinese art in the twentieth century under the influence of Western art and culture. Michael Sullivan, recognized throughout the world as a leading scholar of Chinese art, vividly documents the conflicting pulls of traditional and Western values on Chinese art and provides 364 illustrations, in color and black-and-white, to show the great range of artistic expression and the historical processes that occurred within various movements. A substantial biographical index of twentieth-century Chinese artists is a valuable addition to the text. Sullivan discusses artists and their work against China's background of oppression and relaxation, despair and hope. He expertly conveys the diverse and at times bizarre intertwining of Chinese cultural history and art during this century. Included are the intense debates between traditionalists and reformers, the creation of the first art schools, and the birth of the idea—shocking in ethnocentric China—that art is a world language that obliterates all frontiers. The scholarly traditions of classical Chinese painting, the belated discovery of Western modernism, the artistic upheaval under Communism, and China's rethinking of the very nature of art all have a place in Sullivan's fascinating history. Michael Sullivan has known many of the major figures in China's modern art movement of the 1930s and 1940s and has also gained the confidence of younger artists who rose to prominence following the 1979 "Peking Spring." This long-awaited book—richly documented and abundantly illustrated—is a capstone to Sullivan's work and will be enthusiastically welcomed by art lovers everywhere.
Download or read book China Art Modernity written by David Clarke and published by Hong Kong University Press. This book was released on 2019-01-22 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: China—Art—Modernity provides a critical introduction to modern and contemporary Chinese art as a whole. It illuminates what is distinctive and significant about the rich range of art created during the tumultuous period of Chinese history from the end of Imperial rule to the present day. The story of Chinese art in the twentieth and twenty-first centuries is shown to be deeply intertwined with that of the country’s broader socio-political development, with art serving both as a tool for the creation of a new national culture and as a means for critiquing the forms that culture has taken. The book’s approach is inclusive. In addition to treating art within the Chinese Mainland itself during the Republican and Communist eras, for instance, it also looks at the art of colonial Hong Kong, Taiwan and the Chinese diaspora. Similarly, it gives equal prominence to artists employing tools and idioms of indigenous Chinese origin and those who engage with international styles and contemporary media. In this way it writes China into the global story of modern art as a whole at a moment in intellectual history when Western-centred stories of modern and contemporary culture are finally being recognized as parochial and inadequate. Assuming no previous background knowledge of Chinese history and culture, this concise yet comprehensive and richly-illustrated book will appeal to those who already have an established interest in modern Chinese art and those for whom this is a novel topic. It will be of particular value to students of Chinese art or modern art in general, but it is also for those in the wider reading public with a curiosity about modern China. At a time when that country has become a major actor on the world stage in all sorts of ways, accessible sources of information concerning its modern visual culture are nevertheless surprisingly scarce. As a consequence, a fully nuanced picture of China’s place in the modern world remains elusive. China—Art—Modernity is a timely remedy for that situation. ‘Here is a book that offers a comprehensive account of the dizzying transformations of Chinese art and society in the twentieth and twenty-first centuries. Breaking free of conventional dichotomies between traditional and modern, Chinese and Western that have hobbled earlier studies, Clarke’s highly original book is exactly what I would assign my own students. Anyone eager to understand developments in China within the global history of modern art should read this book.’ —Robert E. Harrist Jr., Columbia University ‘Clarke’s book presents a critically astute mapping of the arts of modern and contemporary China. It highlights the significance of urban and industrial contexts, migration, diasporas and the margins of the mainland, while imaginatively seeking to inscribe its subject into the broader story of modern art. A timely and reliable intervention—and indispensable for the student and non-specialist reader.’ —Shane McCausland, SOAS University of London
Download or read book A Pocket History of 20th century Chinese Art written by Peng Lü and published by . This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this volume, Lü Peng, China's foremost art expert traces the accelerated development of Chinese art in the last century, tackling its emergence not only in mainland China, Taiwan and Hong Kong, but also in such important expatriate centres as Paris and Tokyo.
Download or read book Chinese Art in the Twentieth Century written by Michael Sullivan (sinologo) and published by . This book was released on 1959 with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A History of Art in 20th Century China written by Peng Lü and published by Somogy Art Publishing. This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lü Peng, China's foremost modern art historian, incisively analyzes developments in Chinese art from the late Qing Dynasty through to the opening years of the 21st century in this new revised edition of A History of Art in 20th-Century China, published for the first time simultaneously in French and English editions. The art that emerged over the course of a troubled century and more of Chinese history reveals a complex evolution with intrinsic connections to contemporary life. Lü Peng ably charts that evolution, not only in mainland China, Taiwan, and Hong Kong, but also in important centers such as Paris and Tokyo. This comprehensive narrative will remain for many years the reference to which those seeking knowledge of this history will inevitably turn.
Download or read book Chinese Art The Impossible Collection written by Adrian Cheng and published by Assouline Publishing. This book was released on 2021-05-01 with total page 6 pages. Available in PDF, EPUB and Kindle. Book excerpt: While readers will come away from Chinese Art with a nuanced understanding of Chinese culture, the volume is also a work of art in its own right—a must-have collectible for any devotee of Chinese art and culture. Assouline’s Ultimate Collection is an homage to the art of luxury bookmaking—the oversized volume is hand-bound using traditional techniques, with several of the plates hand-tipped on art-quality paper and housed in a luxury silk clamshell.
Download or read book Modern Chinese Artists written by Michael Sullivan and published by Univ of California Press. This book was released on 2006-04-03 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher description
Download or read book Chinese Art written by Maxwell K. Hearn and published by Metropolitan Museum of Art. This book was released on 2001 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: China's entry into the modern era was shaped by unprecedented internal turmoil and external pressures, which brought a forceful end to two millennia of imperial rule and cultural insularity. The essays in this volume offer a variety of perspectives on the impact of the West on indigenous literature, architecture, painting, and calligraphy during this period (ca. 1860-1980). This book is published in conjunction with the exhibition "Nineteenth- and Twentieth-Century Chinese Paintings from the Robert H. Ellsworth Collection in The Metropolitan Museum of Art", held at the museum from 30th January-19th August 2001.
Download or read book Chinese Graphic Design in Twentieth Centure written by Scott Minick and published by Thames and Hudson. This book was released on 2010-04-27 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: An astonishing collection of graphics, uncovered from long- forgotten sources, mostly in China itself. From posters and advertisements to book covers and magazines, this book presents a dazzling panoply of modern graphic design in China. Beginning with the basic traditions of Chinese graphics, the authors show how the writer and artist Lu Xun became the center of cultural revival in the new China. We see Art Deco coming to China in the Shanghai Style, and the birth of a dynamic national design style, born of Russian Constructivism and China’s own drive for new technology. The Socialist Realist art of Mao in turn adopted folk art traditions to fuel the Revolutionary machine, while the continuing search for a new identity can be seen in the graphic images of protest from the summer of 1989.
Download or read book Wu Guanzhong written by Anne Farrer and published by . This book was released on 1992 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Contemporary Chinese Art Primary Documents written by Wu Hung and published by The Museum of Modern Art. This book was released on 2010 with total page 474 pages. Available in PDF, EPUB and Kindle. Book excerpt: Invaluable resource for anyone who wants to understand contemporary Chinese art, one of the most fascinating art scenes of the late 20th and early 21st centuries.
Download or read book Art in China written by Craig Clunas and published by Oxford University Press, USA. This book was released on 1997 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: China can boast a history of art lasting 5,000 years and embracing a huge diversity of images and objects - jade tablets, painted silk handscrolls and fans, ink and lacquer painting, porcelain-ware, sculptures, and calligraphy. They range in scale from the vast 'terracotta army' with its 7,000or so life-size figures, to the exquisitely delicate writing of fourth-century masters such as Wang Xizhin and his teacher, 'Lady Wei'. But this rich tradition has not, until now, been fully appreciated in the West where scholars have focused their attention on sculpture, downplaying art more highlyprized by the Chinese themselves such as calligraphy. Art in China marks a breakthrough in the study of the subject. Drawing on recent innovative scholarship and on newly-accessible studies in China itself Craig Clunas surveys the full spectrum of the visual arts in China. He ranges from the Neolithic period to the art scene of the 1980s and 1990s,examining art in a variety of contexts as it has been designed for tombs, commissioned by rulers, displayed in temples, created for the men and women of the educated ilite, and bought and sold in the marketplace. Many of the objects illustrated in this book have previously been known only to a fewspecialists, and will be totally new to a general audience.
