Download or read book Challenging the Traditions of American Musical Theatre written by Adriana Cristina Fernandez and published by . This book was released on 2015 with total page 30 pages. Available in PDF, EPUB and Kindle. Book excerpt: This thesis is documentation and analysis of the stage management process working on the 2014 production of Striking 12 at the University of Iowa's Department of Theatre Arts. In this thesis, the author analyzes the challenges and successes of Striking 12 from a stage management perspective as well as reflects upon the process and its influence on her as a stage manager.
Download or read book Troubling Traditions written by Lindsey Mantoan and published by Routledge. This book was released on 2021-11-29 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: Troubling Traditions takes up a 21st century, field-specific conversation between scholars, educators, and artists from varying generational, geographical, and identity positions that speak to the wide array of debates around dramatic canons. Unlike Literature and other fields in the humanities, Theatre and Performance Studies has not yet fully grappled with the problems of its canon. Troubling Traditions stages that conversation in relation to the canon in the United States. It investigates the possibilities for multiplying canons, methodologies for challenging canon formation, and the role of adaptation and practice in rethinking the field’s relation to established texts. The conversations put forward by this book on the canon interrogate the field’s fundamental values, and ask how to expand the voices, forms, and bodies that constitute this discipline. This is a vital text for anyone considering the role, construction, and impact of canons in the US and beyond.
Download or read book The Musical written by Richard Kislan and published by Hal Leonard Corporation. This book was released on 1995 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Applause Books). This revised and expanded edition of Kislan's acclaimed study of America's musical theater includes a new section on "Recent Musical Theater: Issues and Problems." "The ancient union of drama and song, known as musical theater, comes in many forms vaudeville, burlesque, comic opera, minstrels, etc. The author reviews these and other highlights of American musicals ... with a fascinating background on the elements that contribute to the success of a Showboat ." King Features * "Worth study by anyone who still thinks that the musical is a collection of songs." The Stage
Download or read book Stephen Sondheim and the Reinvention of the American Musical written by Robert L. McLaughlin and published by Univ. Press of Mississippi. This book was released on 2016-08-11 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: From West Side Story in 1957 to Road Show in 2008, the musicals of Stephen Sondheim (1930–2021) and his collaborators have challenged the conventions of American musical theater and expanded the possibilities of what musical plays can do, how they work, and what they mean. Sondheim's brilliant array of work, including such musicals as Company, Follies, Sweeney Todd, Sunday in the Park with George, and Into the Woods, established him as the preeminent composer/lyricist of his, if not all, time. Stephen Sondheim and the Reinvention of the American Musical places Sondheim's work in two contexts: the exhaustion of the musical play and the postmodernism that, by the 1960s, deeply influenced all the American arts. Sondheim's musicals are central to the transition from the Rodgers and Hammerstein-style musical that had dominated Broadway stages for twenty years to a new postmodern musical. This new style reclaimed many of the self-aware, performative techniques of the 1930s musical comedy to develop its themes of the breakdown of narrative knowledge and the fragmentation of identity. In his most recent work, Sondheim, who was famously mentored by Oscar Hammerstein II, stretches toward a twenty-first-century musical that seeks to break out of the self-referring web of language. Stephen Sondheim and the Reinvention of the American Musical offers close readings of all of Sondheim's musicals and finds in them critiques of the operation of power, questioning of conventional systems of knowledge, and explorations of contemporary identity.
Download or read book Our Musicals Ourselves written by John Bush Jones and published by Brandeis University Press. This book was released on 2011-04-17 with total page 650 pages. Available in PDF, EPUB and Kindle. Book excerpt: Our Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture. Organized chronologically, with some liberties taken to keep together similarly themed musicals, Jones examines dozens of Broadway shows from the beginning of the twentieth century to the present that demonstrate numerous links between what played on Broadway and what played on newspapersÕ front pages across our nation. He reviews the productions, lyrics, staging, and casts from the lesser-known early musicals (the ÒgunboatÓ musicals of the Teddy Roosevelt era and the ÒCinderella showsÓ and Òleisure time musicalsÓ of the 1920s) and continues his analysis with better-known shows including Showboat, Porgy and Bess, Oklahoma, South Pacific, West Side Story, Cabaret, Hair, Company, A Chorus Line, and many others. While most examinations of the American musical focus on specific shows or emphasize the development of the musical as an art form, JonesÕs book uses musicals as a way of illuminating broader social and cultural themes of the times. With six appendixes detailing the long-running diversionary musicals and a foreword by Sheldon Harnick, the lyricist of Fiddler on the Roof, JonesÕs comprehensive social history will appeal to both students and fans of Broadway.
Download or read book The American Musical Stage as a Site of Utopian Possibilities written by Brett Douglas Johnson and published by . This book was released on 2012 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: When considering American musicals as social barometers that both reflect and shape the national zeitgeist, two major traditions have been identified: the mid-twentieth-century Golden Age model, which champions the mainstream ideology, and the "anti-musical," or "countermythology," which challenges the social and aesthetic status quo. The latter, which originated in West Side Story (1957) but proliferated in the musicals of Stephen Sondheim, often include outsider characters who challenge the hegemonic structures of racism, sexism, and middle-class privilege. This study draws upon a range of theories from theatre, history, musicology, sociology, critical race theory, feminist theory, religious studies, and cultural studies to investigate how two contemporary musicals - Violet (1997), an adaptation of Doris Betts' short story "The Ugliest Pilgrim," which tells the story of a disfigured Southern woman's journey of spiritual healing, and Caroline, or Change (2003), an original musical about a middle-aged African American maid, emotionally scarred by racism and sexism, working for a Jewish family in Lake Charles, Louisiana, circa 1963 - function as social documents and in relation to these two traditions in American musical theatre. This study also examines how the works were created, with special attention to the relationship between convention and subversion within the creative process. The study concludes that both female protagonists challenge essentialist cultural representations of race and gender, and both musicals create a site of utopian possibilities within a dystopic social reality.
Download or read book Harold Prince and the American Musical Theater written by Foster Hirsch and published by CUP Archive. This book was released on 1989-04-06 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: A complete look at the career of one of Broadway's most influential producer/directors. The elements of Prince's signature--his convention-challenging subject matter and use of music, the revitalizing theatricality of his production designs--are discussed in detail. Illustrated with photos from the hit shows which show his innovative concepts in decor and state movement.
Download or read book Musical Theater and American Culture written by David Walsh and published by Praeger. This book was released on 2003-10-30 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Though there have been many histories of the theater and specifically the theatrical musical, none has done quite what Musical Theater and American Culture achieves: it explores how the musical emerged in the late-18th and 19th centuries as a specifically American form of entertainment and went on to become a powerful medium of popular and political collective expression, articulating the tensions and reconciliations of everyday relations between individuals and society. Intimately related to the forging of social, cultural, and political American identities, the musical—often dismissed as merely entertainment—is tied inextricably to America's sense of itself as a New World, a land of opportunity, and above all, the emblem of modern culture. Including material on genres ranging from minstrel shows to melodrama to the development of the contemporary book musical and the megamusical, Musical Theater and American Culture delves into such important shows as Anything Goes, West Side Story, Evita, and Rent; it represents the first sustained analysis of this medium as a social and political vehicle. Authors David F. Walsh and Len Platt further consider how the current condition of the musical, the emergence of specialist musicals, revivals, and blockbuster musicals intended for a globalized audience relate both aesthetically and culturally to their Broadway progenitors. Tackling the much broader question of what the fragmentation of this popular culture now indicates about contemporary America, they forge a new and unique study sure to appeal to both scholars of the theater and fans of its ongoing and always -fascinating new forms.
Download or read book A History of the American Musical Theatre written by Nathan Hurwitz and published by Routledge. This book was released on 2014-06-27 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the diverse proto-theatres of the mid-1800s, though the revues of the ‘20s, the ‘true musicals’ of the ‘40s, the politicisation of the ‘60s and the ‘mega-musicals’ of the ‘80s, every era in American musical theatre reflected a unique set of socio-cultural factors. Nathan Hurwitz uses these factors to explain the output of each decade in turn, showing how the most popular productions spoke directly to the audiences of the time. He explores the function of musical theatre as commerce, tying each big success to the social and economic realities in which it flourished. This study spans from the earliest spectacles and minstrel shows to contemporary musicals such as Avenue Q and Spiderman. It traces the trends of this most commercial of art forms from the perspective of its audiences, explaining how staying in touch with writers and producers strove to stay in touch with these changing moods. Each chapter deals with a specific decade, introducing the main players, the key productions and the major developments in musical theatre during that period.
Download or read book Media and Performance in the Musical written by Raymond Knapp and published by Oxford University Press. This book was released on 2018-09-04 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: For the past several years, the American musical has continued to thrive by reflecting and shaping cultural values and social norms, and even commenting on politics, whether directly and on a national scale (Hamilton) or somewhat more obliquely and on a more intimate scale (Fun Home). New stage musicals, such as Come from Away and The Band's Visit, open on Broadway every season, challenging conventions of form and content, and revivals offer audiences a different perspective on extant shows (Carousel; My Fair Lady). Television musicals broadcast live hearken back to 1950s television's affection for musical theatre and aim to attract new audiences through the accessibility of television. Film musicals, including Les Misérables and Into the Woods, capitalize on the medium's technical capabilities of perspective and point of view, as well as visual spectacle. Television has embraced the genre anew, and with unexpected gusto, not only devising musical episodes for countless dramatic and comedy series, but also generating musical series such as Galavant and Crazy Ex-Girlfriend. And animated musicals, such as Disney's Moana, hail child and adult audiences with their dual messages, vibrant visual vocabulary, and hummable music. The chapters gathered in this book, Volume II of the reissued Oxford Handbook, explore the American musical from the various media in which musicals have been created to the different components of a musical and the people who do the work to bring a musical to life.
Download or read book The American Musical Theater written by Lehman Engel and published by New York : Macmillan. This book was released on 1975 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book American Musical Theatre written by Gerald Martin Bordman and published by . This book was released on 2010 with total page 1033 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hailed as "absolutely the best reference book on its subject" by Newsweek, American Musical Theatre: A Chronicle covers more than 250 years of musical theatre in the United States, from a 1735 South Carolina production of Flora, or Hob in the Well to The Addams Family in 2010. Authors Gerald Bordman and Richard Norton write an engaging narrative blending history, critical analysis, and lively description to illustrate the transformation of American musical theatre through such incarnations as the ballad opera, revue, Golden Age musical, rock musical, Disney musical, and, with 2010's American Idiot, even the punk musical. The Chronicle is arranged chronologically and is fully indexed according to names of shows, songs, and people involved, for easy searching and browsing. Chapters range from the "Prologue," which traces the origins of American musical theater to 1866, through several "intermissions" (for instance, "Broadway's Response to the Swing Era, 1937-1942") and up to "Act Seven," the theatre of the twenty-first century. This last chapter covers the dramatic changes in musical theatre since the last edition published-whereas Fosse, a choreography-heavy revue, won the 1999 Tony for Best Musical, the 2008 award went to In the Heights, which combines hip-hop, rap, meringue and salsa unlike any musical before it. Other groundbreaking and/or box-office-breaking shows covered for the first time include Avenue Q, The Producers, Billy Elliot, Jersey Boys, Monty Python's Spamalot, Wicked, Hairspray, Urinetown the Musical, and Spring Awakening. Discussion of these shows incorporates plot synopses, names of principal players, descriptions of scenery and costumes, and critical reactions. In addition, short biographies interspersed throughout the text colorfully depict the creative minds that shaped the most influential musicals. Collectively, these elements create the most comprehensive, authoritative history of musical theatre in this country and make this an essential resource for students, scholars, performers, dramaturges, and musical enthusiasts.
Download or read book The American Musical written by Marc Bauch and published by Tectum Verlag DE. This book was released on 2003 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although almost neglected in research and studies on American Literature, the American Musical is certainly the most interesting and the most popular genre of American theater and drama. It has been influenced by the necessities of a self-funding commercial theater system of a democratic country. The fact that it has developed in a country of democracy means that it should be a genre for everyone: the intellectual and the common man. Broadway has provided all these. In his study, Marc Bauch analyzes three American Musicals, namely South Pacific (1949) by Richard Rodgers and Oscar Hammerstein, West Side Story (1957) by Leonard Bernstein, Arthur Laurents and Stephen Sondheim as well as Sunday in the Park with George (1984) by Stephen Sondheim and James Lapine. Special attention is paid to the themes and topics, the literary means and the dramatic dodges of the aforementioned American Musicals. The three analyses are extended with historical overviews of the American Musical. Marc Bauch is also the author of Themes and Topics of the American Musical after World War II (2001) also published by Tectum Verlag.
Download or read book The American Musical written by Peter Riddle and published by Oakville, Ont. : Mosaic Press. This book was released on 2003 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the origins of music theatre from its 18th century European roots through its transformation in 19th century America, and its relation to American popular forms of entertainment as the minstrel show, burlesque and the revue. The flowering of the true musical comedy is documented, as represented by the Princess Musical of Jerome Kern and P G Wodehouse, which then gave birth to the first enduring masterpieces of American music drama -- Kern and Hammerstein's 'Show Boat'. Includes section on Stephen Sondheim, Andrew Lloyd Webber and the development of music theatre through the sixties and beyond.
Download or read book The American Musical and the Formation of National Identity written by Raymond Knapp and published by Princeton University Press. This book was released on 2018-06-05 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: The American musical has achieved and maintained relevance to more people in America than any other performance-based art. This thoughtful history of the genre, intended for readers of all stripes, offers probing discussions of how American musicals, especially through their musical numbers, advance themes related to American national identity. Written by a musicologist and supported by a wealth of illustrative audio examples (on the book's website), the book examines key historical antecedents to the musical, including the Gilbert and Sullivan operetta, nineteenth and early twentieth-century American burlesque and vaudeville, Tin Pan Alley, and other song types. It then proceeds thematically, focusing primarily on fifteen mainstream shows from the twentieth century, with discussions of such notable productions as Show Boat (1927), Porgy and Bess (1935), Oklahoma! (1943), West Side Story (1957), Hair (1967), Pacific Overtures (1976), and Assassins (1991). The shows are grouped according to their treatment of themes that include defining America, mythologies, counter-mythologies, race and ethnicity, dealing with World War II, and exoticism. Each chapter concludes with a brief consideration of available scholarship on related subjects; an extensive appendix provides information on each show discussed, including plot summaries and song lists, and a listing of important films, videos, audio recordings, published scores, and libretti associated with each musical.
Download or read book The Oxford Handbook of The American Musical written by Raymond Knapp and published by Oxford University Press. This book was released on 2011-11-04 with total page 481 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of The American Musical offers new and cutting-edge essays on the most important and compelling issues and topics in the growing, interdisciplinary field of musical-theater and film-musical studies. Taking the form of a "keywords" book, it introduces readers to the concepts and terms that define the history of the musical as a genre and that offer ways to reflect on the specific creative choices that shape musicals and their performance on stage and screen. The handbook offers a cross-section of essays written by leading experts in the field, organized within broad conceptual groups, which together capture the breadth, direction, and tone of musicals studies today. Each essay traces the genealogy of the term or issue it addresses, including related issues and controversies, positions and problematizes those issues within larger bodies of scholarship, and provides specific examples drawn from shows and films. Essays both re-examine traditional topics and introduce underexplored areas. Reflecting the concerns of scholars and students alike, the authors emphasize critical and accessible perspectives, and supplement theory with concrete examples that may be accessed through links to the handbook's website. Taking into account issues of composition, performance, and reception, the book's contributors bring a wide range of practical and theoretical perspectives to bear on their considerations of one of America's most lively, enduring artistic traditions. The Oxford Handbook of The American Musical will engage all readers interested in the form, from students to scholars to fans and aficionados, as it analyses the complex relationships among the creators, performers, and audiences who sustain the genre.
Download or read book Race in American Musical Theater written by Josephine Lee and published by Bloomsbury Publishing. This book was released on 2023-06-29 with total page 121 pages. Available in PDF, EPUB and Kindle. Book excerpt: While most discussions of race in American theater emphasize the representation of race mainly in terms of character, plot, and action, Race in American Musical Theater highlights elements of theatrical production and reception that are particular to musical theater. Examining how race functions through the recurrence of particular racial stereotypes and storylines, this introductory volume also looks at casting practices, the history of the chorus line, and the popularity of recent shows such as Hamilton. Moving from key examples such as Show Boat! and South Pacific through to all-Black musicals such as Dreamgirls, Bring in 'da Noise, Bring in 'da Funk, and Jelly's Last Jam, this concise study serves as a critical survey of how race is presented in the American musical theater canon. Providing readers with historical background, a range of case studies and models of critical analysis, this foundational book prompts questions from how stereotypes persist to who tells your story?
