Download or read book A History of Japanese Colour prints written by Woldemar von Seidlitz and published by . This book was released on 1920 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Japanese Prints written by Chris Uhlenbeck and published by . This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the winter of 1886-87, during his stay in Paris, Vincent van Gogh bought 660 Japanese prints at the art gallery of Siegfried Bing. His aim was to start dealing in them, but the exhibition he organized in the café-restaurant Le Tambourin was a total failure. However, he was now able to study his collection at ease and in close-up, and he gradually became captivated by their colourful, cheerful and unusual imagery. When he left for Arles, he took some prints with him, but the core remained in Paris with his brother Theo. Although some prints were later given away, the collection did not disperse. This book reveals new analyses of the collection, now held in the Van Gogh Museum, given as a long-term loan from the Vincent van Gogh Foundation. The authors delve into its history, and the role the prints played in Van Gogh's creative output. The book is illustrated with over 100 striking highlights from the collection.

Download or read book The Sakai Collection written by Nobuo Sakai and published by . This book was released on 1978 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Color Woodcut International written by Chazen Museum of Art and published by Chazen Museum of Art. This book was released on 2006 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt: Color woodcut printmaking was not new to Britain, America, or Japan in the late eighteenth century. Yet after Japan was opened to the West in 1854 and deeper cultural exchange began, Japanese prints captured the European and American imagination. The fresh colors, simplicity of materials, and departure from traditional compositions entranced western artists and the public alike. Likewise, Japanese audiences and artists were intrigued by the styles and techniques of western art, which was broadly available in Japan by the end of the nineteenth century. Artists there created images of the strange foreigners and imagined what American cities looked like. By the beginning of the twentieth century, artists were not content to merely imagine what the other side of the world looked like. As prints traveled around the globe for study so did artists, and with them spread the tricks and techniques of color woodblock printmaking as well as appreciation for the prints. Woodblock printmakers in the West started to investigate Japanese processes, and Japanese publishers began to seriously seek out the print market outside of Japan. Important themes began to emerge; scenes of nature and old-fashioned architecture outnumbered modern city views, and images of animals were nearly as popular as those of human figures. Imagery was often idyllic and beautiful, attractive to an international audience. Twentieth-century art, however, moves at a furious pace, and the ferment of the international woodcut style quickly ran its course. Artists appropriated what they needed from the color woodcut, then developed techniques, subjects, and styles in their own ways. An ever-expanding range of prints became indebted to the artists of the previous generation who had reinvigorated woodblock printmaking styles and practices around the world. This full-color catalogue includes many prints from this colorful exhibition and shows how the progression of styles became more similar as international artists learned from and competed with each other, then stylistically diverged as artists of each country took what they learned in new directions. The three essays each focus on the influences and contributions made to the international style by three countries: Japan, Britain, and America.

Download or read book Catalogue written by Bernard Quaritch (Firm) and published by . This book was released on 1920 with total page 556 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Sakai Collection Ukiyo e gaku written by Gankow Sakai and published by . This book was released on 1978 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Handbook of the Museum of Fine Arts Boston written by Museum of Fine Arts, Boston and published by . This book was released on 1911 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Japanese Color Prints Paintings written by Sotheby's (Firm) and published by . This book was released on 1986 with total page 802 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Japanese Art Books relating to Japanese art in the National Art Library South Kensington Museum written by National Art Library (Great Britain) and published by . This book was released on 1898 with total page 54 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A L A Catalog 1926 written by Isabella Mitchell Cooper and published by . This book was released on 1926 with total page 1302 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Who s who in Art written by Bernard Dolman and published by . This book was released on 1927 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Japanese Art written by National Art Library (Great Britain) and published by . This book was released on 1898 with total page 48 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Whistler and Artistic Exchange between Japan and the West written by Ayako Ono and published by Taylor & Francis. This book was released on 2023-04-28 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ono examines cross-cultural artistic exchange between the West and Japan from the late nineteenth century to the early twentieth century. Studies of Japonisme have been dominated by searching out relationships of influence between artworks–trying to identify which specific works influenced a particular artist. Ono argues that a more holistic understanding of 'spillover effects' is necessary in fully comprehending the nuances of these relationships. She bases this argument on documents and works of art in the context of globalisation, looking at the relationships between James McNeill Whistler and others with their contemporaries in the Japanese artistic and literary worlds. This was a more complex two-way exchange than is often appreciated, with Western artists taking inspiration from (to them) new Japanese styles, while Japanese artists and writers were trying to craft a 'modern', more western-influences style to reflect the modern nation of Japan emerging onto the world stage after centuries of relative isolation. A fascinating analysis of the role of globalisation and cultural exchange in the development of new and hybrid artforms, that will be essential reading for scholars of this fascinating period in international art history.

Download or read book Tr bner s Bibliographical Catalogues written by Kegan Paul, Trench, Trubner & Co and published by . This book was released on 1925 with total page 1236 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogues of Sales written by Sotheby Parke Bernet & Co and published by . This book was released on 1976 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Nippon Today and Tomorrow written by and published by . This book was released on 1927 with total page 680 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nos. 1- include section "Books on Japan."

Download or read book The Saturday Review of Politics Literature Science Art and Finance written by and published by . This book was released on 1911 with total page 814 pages. Available in PDF, EPUB and Kindle. Book excerpt: