Download or read book Catalogo della Pinacoteca Vaticana written by Wolfgang Fritz Volbach and published by . This book was released on 1987 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogo della Pinacoteca Vaticana written by and published by . This book was released on 1987 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogo Della Pinacoteca Vaticana Vol II Il Trecento Firenze e Siena written by Wolfgang Fritz Volbach and published by . This book was released on 1987 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Il Trecento written by Wolfgang Fritz Volbach and published by . This book was released on 1987 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A Critical and Historical Corpus of Florentine Painting written by Richard Offner and published by . This book was released on 1984 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Painting and Illumination in Early Renaissance Florence 1300 1450 written by Laurence B. Kanter and published by Metropolitan Museum of Art. This book was released on 1994 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: . By way of introduction to the objects themselves are three essays. The first, by Laurence B. Kanter, presents an overview of Florentine illumination between 1300 and 1450 and thumbnail sketches of the artists featured in this volume. The second essay, by Barbara Drake Boehm, focuses on the types of books illuminators helped to create. As most of them were liturgical, her contribution limns for the modern reader the medieval religious ceremonies in which the manuscripts were utilized. Carl Brandon Strehlke here publishes important new material about Fra Angelico's early years and patrons - the result of the author's recent archival research in Florence.

Download or read book The Fourteenth Century written by Richard Offner and published by . This book was released on 1989 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: Section 3, Vol. 3.

Download or read book A Critical and Historical Corpus of Florentine Painting written by Richard Offner and published by . This book was released on 2011 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Making of the Magdalen written by Katherine Ludwig Jansen and published by Princeton University Press. This book was released on 2001-07-22 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Best known during the Middle Ages as the prostitute who became a faithful follower of Christ, Mary Magdalen was the most beloved female saint after the Virgin Mary. Why the Magdalen became so popular, what meanings she conveyed, and how her story evolved over the centuries are the focus of this compelling exploration of late medieval religious culture." "Through the lens of medieval preaching, as well as the responses of those who heard the sermons preached, Katherine Jansen brings to light previously unpublished sermons to show how and why the mendicant friars transformed Mary Magdalen, a shadowy gospel figure, into an emblem of action and contemplation, a symbol of vanity and lust, a model of perfect penance, and the embodiment of hope and salvation. Jansen also draws on a variety of historical sources - from saints' lives to patronage patterns - to examine the laity's reception of the saint. She reveals that the laity's devotion to Mary Magdalen departed in significant ways from the friars' image of the saint, signaling a major development in popular religious practice and personal piety." "The making of the Magdalen will appeal to readers of medieval history and religion, to those with an interest in the study of women, sexuality, and gender, and to those who are interested in saints throughout the ages."--Jacket.

Download or read book Sense and the Senses in Early Modern Art and Cultural Practice written by SivToveKulbrandstad Walker and published by Routledge. This book was released on 2017-07-05 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Employing a wide range of approaches from various disciplines, contributors to this volume explore the diverse ways in which European art and cultural practice from the fourteenth through the seventeenth centuries confronted, interpreted, represented and evoked the realm of the sensual. Sense and the Senses in Early Modern Art and Cultural Practice investigates how the faculties of sight, hearing, touch, taste and smell were made to perform in a range of guises in early modern cultural practice: as agents of indulgence and pleasure, as bearers of information on material reality, as mediators between the mind and the outer world, and even as intercessors between humans and the divine. The volume examines not only aspects of the arts of painting and sculpture but also extends into other spheres: philosophy, music and poetry, gardens, food, relics and rituals. Collectively, the essays gathered here form a survey of key debates and practices attached to the theme of the senses in Renaissance and Baroque art and cultural practice.

Download or read book Widowhood and Visual Culture in Early Modern Europe written by Allison Levy and published by Routledge. This book was released on 2017-07-28 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: Whereas recent studies of early modern widowhood by social, economic and cultural historians have called attention to the often ambiguous, yet also often empowering, experience and position of widows within society, Widowhood and Visual Culture in Early Modern Europe is the first book to consider the distinct and important relationship between ritual and representation. The fifteen new interdisciplinary essays assembled here read widowhood as a catalyst for the production of a significant body of visual material-representations of, for and by widows, whether through traditional media, such as painting, sculpture and architecture, or through the so-called 'minor arts,' including popular print culture, medals, religious and secular furnishings and ornament, costume and gift objects, in early modern Austria, England, France, Germany, Italy and Spain. Arranged thematically, this unique collection allows the reader to recognize and appreciate the complexity and contradiction, iconicity and mutability, and timelessness and timeliness of widowhood and representation.

Download or read book A Critical and Historical Corpus of Florentine Painting The fourteenth century v 1 The St Cecilia Master and his circle written by Richard Offner and published by . This book was released on 2000 with total page 652 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Grove Encyclopedia of Medieval Art and Architecture written by Colum Hourihane and published by . This book was released on 2012 with total page 4064 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.

Download or read book Sexualities Textualities Art and Music in Early Modern Italy written by LindaL. Carroll and published by Routledge. This book was released on 2017-07-05 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking as axiomatic the concept that artistic output does not simply reflect culture but also shapes it, the essays in this interdisciplinary collection take a holistic approach to the cultural fashioning of sexualities, drawing on visual art, theatre, music, and literature, in sacred and secular contexts. Although there is diversity in disciplinary approach, the interpretations and readings offered in each essay have a historical basis. Approaching the topic from the point of view of both visual and auditory media, this volume paints a comprehensive picture of artists? challenges to erotic boundaries, and contributes to new historicizing thinking on sexualities. Collectively, the essays demonstrate the role played by artistic production-visual arts, literature, theatre and music-in fashioning, policing, and challenging early modern sexual boundaries, and thus help to identify the ways in which the arts contributed to both the disciplining and the exploration of a range of sexualities.

Download or read book Imago Musicae written by Tilman Seebass and published by Duke University Press. This book was released on 1985-06-30 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: Each volume in this series for the study of pictorial documents on musical subjects contains articles, a catalog (published in installments) devoted to the complete documentation of specific sources, and an annual bibliography that bridges the gap between the bibliographies in art history and musicology.

Download or read book Italian Painting C 1330 1550 written by Olga Pujmanová and published by . This book was released on 2008 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Vatican Museums written by Carlo Pietrangeli and published by Edizioni Quasar Di Severino Tognon. This book was released on 1993 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: A great museum is not only a collection of works of art or artefacts of various interest and various importance: it is also a living organism which has its own history to tell. And if the museum is of ancient origin, this can be of great fascination in itself. It is enough to think of a collections formation; of its progressive development which, over the centuries, takes account of, and is shaped by, the cultural interests of the time. Or of the acquisition, sometimes fortuitous, of the various works. Or of the changing tastes reflected in their display, and the various methods used in their restoration; or of the political developments or doctrinal implications in which the museum may find itself involved. The Vatican Museums, whose origins go back to the early 16th century, exemplify all these concerns in a particularly comprehensive and fascinating way. Their initial formation, almost in the character of a private collection; their threatened dispersal in the Counter-Reformation; their recovery under the impetus of the intellectual revival in the 18th century; their development, also in defence of the artistic patrimony of the State threatened by exports, at the end of the same century; their subsequent enlargement up to more recent times, thanks to the distinguished patronage of the various Popes; and lastly their incorporation, at times exemplary, in the context of the Vatican Palaces, first with Simonettis Museo Pio-Clementino, then with Sterns Braccio Nuovo and more recently with Beltramis Pinacoteca and Passarellis Museo Paolino: all this constitutes not only a field of study, comparison, and reflection, but also at times an example which others have followed. The present book, ideally, would have required a far more extensive archival documentation than the author has been able to consult. It is to be hoped that the systematic exploration of the huge, but very scattered, archival sources available may make it possible in future to update, or to amplify, those parts of the book that were unable to benefit from this irreplaceable support. It may be claimed, nonetheless, that it has proved possible to reconstruct the history of the Vatican Museums in sufficient detail, and that this book may prove useful at a time when the history of collecting is arousing increasing interest. Contents: Foreword. I. The Antiquario delle Statue from Julius II to Paul III (1503-1549). II. The first Vatican collection of antiquities from Julius III to Sixtus V (1550-1590). III. From Clement XI to Clement XIII: the Museo Ecclesiastico and the Museums of the Vatican Library (1700-1769). IV. Clement XIV and the foundation of the Museum Clementinum (1769-1774). V. A great season for the Vatican Museums: the pontificate of Pius VI (1775-1799). VI. The works of art of the Papal State in Paris. VII. Reconstitution and growth of the Vatican Museums from Pius VII to Pius VIII (1800-1831). VIII. The foundation of new museums in the Vatican and at the Lateran by Gregory XVI (1831-1846). IX. The Vatican Museums from Pius IX to Pius X: the Museo Pio-Cristiano and the new Pinacoteca Vaticana (1846-1914). X. Reorganization and growth of the collections from Benedict XV to Pius XII: the building of a special gallery fro the Pinacoteca and the foundation of the Museo Missio-nario Etnologico (1914-1958). XI. From John XXIII to Paul VI: amalgamation of all the Papal Museums within the Vatican. Foundation of the Collection of Modern Religious Art and of the Museo Storico (1958-1978). XII. The Vatican Museums today. Bibliography: Abbreviations; Archival sources; Periodicals; General bibliography. Indexes: Topographical index of the works of art in the Vatican cited in the text; Analytical index.