Download or read book Caricature and Other Comic Art in All Times and Many Lands written by James Parton and published by . This book was released on 1877 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Caricature written by James Parton and published by CreateSpace. This book was released on 2015-11-13 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Caricature and Other Comic Art In all Times and Many Lands By James Parton With 203 Illustrations In this volume there is, I believe, a greater variety of pictures of a comic and satirical cast than was ever before presented at one view. Many nations, ancient and modern, pagan and Christian, are represented in it, as well as most of the names identified with art of this nature. The extraordinary liberality of the publishers, and the skill of their corps of engravers, have seconded my own industrious researches, and the result is a volume unique, at least, in the character of its illustrations. A large portion of its contents appeared in Harper's Monthly Magazine during the year 1875; but many of the most curious and interesting of the pictures are given here for the first time; notably, those exhibiting the present or recent caricature of Germany, Spain, Italy, China, and Japan, several of which did not arrive in time for use in the periodical. Generally speaking, articles contributed to a Magazine may as well be left in their natural tomb of "back numbers," or "bound volumes;" for the better they serve a temporary purpose, the less adapted they are for permanent utility. Among the exceptions are such series as the present, which had no reference whatever to the passing months, and in the preparation of which a great expenditure was directed to a single class of objects of special interest. I am, indeed, amazed at the cost of producing such articles as these. So very great is the expense, that many subjects could not be adequately treated, with all desirable illustration, unless the publishers could offer the work to the public in portions. Among the Romans Among the Greeks Among the Ancient Egyptians Among the Hindoos Religious Caricature in the Middle Ages Secular Caricature in the Middle Ages Caricatures preceding the Reformation Comic Art and the Reformation In the Puritan Period Later Puritan Caricature Preceding Hogarth Hogarth and his Time English Caricature in the Revolutionary Period During the French Revolution Caricatures of Women and Matrimony Among the Chinese Comic Art in Japan French Caricature Later French Caricature Comic Art in Germany Comic Art in Spain Italian Caricature English Caricature of the Present Century Comic Art in Punch Early American Caricature Later American Caricature
Download or read book Comics Art in China written by John A. Lent and published by Univ. Press of Mississippi. This book was released on 2017-07-20 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: International Convention of Asia Scholars 2019 Book Prize – Best Art Publication In the most comprehensive and authoritative source on this subject, Comics Art in China covers almost all comics art forms in mainland China, providing the history from the nineteenth century to the present as well as perspectives on both the industry and the art form. This volume encompasses political, social, and gag cartoons, lianhuanhua (picture books), comic books, humorous drawings, cartoon and humor periodicals, and donghua (animation) while exploring topics ranging from the earliest Western-influenced cartoons and the popular, often salacious, 1930s humor magazines to cartoons as wartime propaganda and comics art in the reform. Coupling a comprehensive review of secondary materials (histories, anthologies, biographies, memoirs, and more) in English and Chinese with the artists’ actual works, the result spans more than two centuries of Chinese animation. Structured chronologically, the study begins with precursors in early China and proceeds through the Republican, wartime, Communist, and market economy periods. Based primarily on interviews senior scholar John A. Lent and Xu Ying conducted with over one hundred cartoonists, animators, and other comics art figures, Comics Art in China sheds light on tumult and triumphs. Meticulously, Lent and Xu describe the evolution of Chinese comics within a global context, probing the often-tense relationship between expression and government, as well as proving that art can be a powerful force for revolution. Indeed, the authors explore Chinese comics art as it continues to grow and adapt in the twenty-first century. Enhanced with over one hundred black-and-white and color illustrations, this book stands out as not only the first such survey in English, but perhaps the most complete one in any language.
Download or read book Rebirth of the English Comic Strip written by David Kunzle and published by Univ. Press of Mississippi. This book was released on 2021-07-29 with total page 650 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rebirth of the English Comic Strip: A Kaleidoscope, 1847–1870 enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a “rebirth” because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c.1780–c.1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-Töpffer comic strip sparks to life in Britain, mostly in periodicals, and especially in Punch, where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John Leech, Charles Keene, and George Du Maurier. Until now, this aspect of the extensive oeuvre of the well-known masters of the new journal cartoon in Punch has been almost completely ignored. Exceptionally, George Cruikshank revived just once in The Bottle, independently, the whole serious, contrasting Hogarthian picture story. Numerous comic strips and picture stories appeared in periodicals other than Punch by artists who were likewise largely ignored. Like the Punch luminaries, they adopt in semirealistic style sociopolitical subject matter easily accessible to their (lower-)middle-class readership. The topics covered in and out of Punch by these strips and graphic novels range from French enemies King Louis-Philippe and Emperor Napoleon III to farcical treatment of major historical events: the Bayeux tapestry (1848), the Great Exhibition of 1851, and the Franco-Prussian War in 1870. Artists explore a great variety of social types, occupations, and situations such as the emigrant, the tourist, fox hunting and Indian big game hunting, dueling, the forlorn lover, the student, the artist, the toothache, the burglar, the paramilitary volunteer, Darwinian animal metamorphoses, and even nightmares. In Rebirth of the English Comic Strip, Kunzle analyzes these much-neglected works down to the precocious modernist and absurdist scribbles of Marie Duval, Europe’s first female professional cartoonist.
Download or read book English Caricature and Comic Art from the Collection of Draper Hill Jr written by and published by . This book was released on 1964* with total page 11 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Baudelaire and Caricature From the Comic to an Art of Modernity written by and published by Penn State Press. This book was released on with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Baudelaire's essays on caricature offered the first sustained defense of the value of caricature as a serious art, worthy of study in its own right. This book argues for the crucial importance of the essays for his conception of modernity, so fundamental to the subsequent history of modernism. From the theory of the comic formulated in De l'essence du rire to his discussions of Daumier, Goya, Hogarth, Cruikshank, Bruegel, Grandville, Gavarni, Charlet, and many others, Baudelaire develops not only an aesthetic of caricature but also a caricatural aesthetic--dual and contradictory, grotesque, ironic, violent, farcical, fantastic, and fleeting--that defines an art of modern life. In particular, Baudelaire's insistence on the dualism and ambiguity of laughter has radical implications for such emblems of modernity as the city and the flâneur who roams the streets. The modern city is the space of the comic, a kind of caricature, presenting the flâneur with an image of dualism, one's position as subject and object, implicated in the same urban experiences one seems to control. The theory of the comic invests the idea of modernity with reciprocity, one's status as laughter and object of laughter, thus preventing the subjective construction and appropriation of the world that has so often been linked with the project of modernism. Comic art reflects what Walter Benjamin later defined as Baudelairean allegory, at once representing and revealing the alienation of modern experience. But Baudelaire also transforms the dualism of the comic into a peculiarly modern unity-- the doubling of the comic artist enacted for the benefit of the audience, the self-generating and self-reflexive experience of the flâneur in a "communion" with the crowd. This study examines his views in the context of the history of comic theory and contemporary accounts of the individual artists. Complete with illustrations of the many works discussed, it illuminates the history and theory of caricature, the comic, and the grotesque, and adds to our understanding of modernism in literature and the visual arts.
Download or read book Caricature and Other Comic Art in All Times and Many Lands written by James Parton and published by . This book was released on 1969 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book How to Draw Cartoons for Comic Strips written by Christopher Hart and published by Watson-Guptill. This book was released on 1988 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shows how to draw cartoon people, dogs, cats, and birds, explains how to make animals act like people, and discusses composition, dialogue balloons, and layout
Download or read book English Caricaturists and Graphic Humourists of the Nineteeth Century written by Graham Everitt and published by Forgotten Books. This book was released on 2018-07-31 with total page 546 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from English Caricaturists and Graphic Humourists of the Nineteeth Century: How They Illustrated and Interpreted Their Times The only works which, so far as I know, profess to deal with English caricaturists and comic artists of the nineteenth century are two in number. The first is a work by the late Robert William Buss, embodying the substance of certain lectures delivered by the accomplished author many years ago. Mr. Buss's book, which was published for private cir culation only, deals more especially with the work of James Gillray, his predecessors and contemporaries, treating only briefly and incidentally of a few of his successors of our own day. The second is a work by Mr. James Parton, an American author, whose book (published by Harper Brothers, of New York) treats of Caricature, and other Comic Art in all Times and many Lands. It is obviously no part of my duty (even if I felt disposed to do so) to criticise the work of a brother scribe, and that scribe an American gentleman. Covering an area so boundless in extent, it is scarcely sur prising that Mr. Parton should devote only thirty of his pages to the consideration of English caricaturists and graphic humourists of the nineteenth century. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Download or read book English Caricature and Comic Art from the Collection of Draper Hill Jr written by Albert H. Wiggin Collection (Boston Public Library) and published by . This book was released on 1964* with total page 11 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Richard Newton and English Caricature in the 1790s written by David S. Alexander and published by St. Martin's Press. This book was released on 1998 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book marks the rediscovery, in the bicentenary year of his death in 1798, of a master of the burlesque, the caricaturist Richard Newton, who was soon forgotten, in part because of the bawdy nature of many of his prints. From the age of fourteen until his early death at twenty-one, this young Londoner etched a stream of hilarious satires of royalty, politicians, greedy churchmen, actresses and courtesans. Most of his prints were published by William Holland, a man of literary tastes who wrote the clever dialogues on many of the prints; some of Newton's most fascinating prints are those of Holland and fellow prisoners in Newgate where Holland was imprisoned for his radical activities in 1793-4. The book contains a checklist of three hundred single sheet prints by Newton; sixty are illustrated in colour, together with four of his watercolours.
Download or read book Father of the Comic Strip written by David Kunzle and published by Univ. Press of Mississippi. This book was released on 2010-12-01 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sixty years before the comics entered the American newspaper press, Rodolphe Töpffer of Geneva (1799–1846), schoolmaster, university professor, polemical journalist, art critic, landscape draftsman, and writer of fiction, travel tales, and social criticism, invented a new art form: the comic strip, or “picture story,” that is now the graphic novel. At first he resisted publishing what he called his “little follies.” When he did, they became instantly popular, plagiarized, and imitated throughout Europe and the United States. Töpffer developed a graphic style suited to his poor eyesight: the doodle, which he systematized and also theorized. The drawings, with their “modernist” spontaneous, flickering, broken lines, forming figures in mad hyperactivity, run above deft, ironic captions and propel narratives of surreal absurdity. The artist's maniacal protagonists mix social satire with myth. By the mid-nineteenth century, Messrs. Jabot, Festus, Cryptogame, and other members of the crazy family, comprising eight picture stories in all, were instant folk heroes. In a biographical framework, Kunzle situates the comic strips in the Genevan and European culture of the time as well as in relation to Töpffer's other work, notably his hilarious travel tales, and recounts their curious genesis (with an initial imprimatur from Goethe, no less) and their controversial success. Kunzle's study, the first in English on the writer-artist, accompanies Rodolphe Töpffer: The Complete Comic Strips, a facsimile edition of the strips themselves, with the first-ever translation of these into English.
Download or read book Caricature and Other Comic Art written by James Parton and published by Forgotten Books. This book was released on 2016-08-27 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Caricature and Other Comic Art: In All Times and Many Lands N this volume there is, I believe, a greater variety of pictures of a comic and satirical cast than was ever before presented at one view. Many nations, ancient and modern, pagan and Christian, are represented in it, as well as most of the names identified with art of this nature. The extraordinary liberality of the publishers, and the skill of their corps of engravers, have seconded my own industrious researches, and the result is a volume unique, at least, in the character of its illustrations. A large portion of its contents appeared in Har per's Monthly Magazine during the year 1875 but many of the most curious and interesting of the pictures are given here for the first time; notably, those exhibiting the present or recent caricature of Germany, Spain, Italy, China, and Japan, several of which did not arrive in time for use in the periodical. Generally speaking, articles contributed to a Magazine may as well be left in their natural tomb of back numbers, or bound volumes for the better they serve a temporary purpose, the less adapted they are for permanent utili ty. Among the exceptions are such series as the present, which had no refer ence whatever to the passing months, and in the preparation of which a great expenditure was directed to a single class of objects of special interest. I am, indeed, amazed at the cost of producing such articles as these. So very great is the expense, that many subjects could not be adequately treated, with all de sirable illustration, unless the publishers could offer the work to the public in portions. There is not much to be said upon the subject treated in this volume. When I was invited by the learned and urbane editor of Harper's Monthly to furnish a number of articles upon caricature, I supposed that the work pro posed would be a relief after labors too arduous, too long continued, and of a more serious character. On the contrary, no subject that I ever attempted presented such baf ing difficulties. After ransacking the world for specimens. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Download or read book A History of Caricature and Grotesque in Literature and Art written by Thomas Wright and published by . This book was released on 1875 with total page 562 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume contains a history written in the 19th century of comic and satirical literature and art.
Download or read book Gustave Dor written by David Kunzle and published by Univ. Press of Mississippi. This book was released on 2015-07-02 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Among the masters of the nineteenth-century comic strip, Gustave Doré has been much neglected. For his illustrations to literary classics, he earned an unsurpassed reputation and corresponding scholarly attention. Doré himself repudiated his early work, and similarly critics and biographers have given short shrift to his beginnings as a caricaturist. These caricatures are herein rescued entirely for the first time in English by the renowned comics scholar David Kunzle. Doré's caricature is known to a few specialists, but virtually no one has pointed out that his mastery of the comic strip particularly marks him as an entirely original figure in the post-Töpffer era of revolutionary, mid-century France. Doré, remarkably, created these comic strips when he was between fifteen and twenty-two years old, for Charles Philipon's Journal pour Rire (The Laughter Journal), virtually dominating its seven-year (1848-55) history. He also did three fairly long, separately published albums, which show him at his very best. They are consistently funny, often ludicrous, and illustrate a graphic inventiveness unmatched until the twentieth century. In these graphic stories, Doré parodies an ancient fable, the discomforts of life in the country, the perils of artistic ambition, the absurdities of mountaineering and travel, as well as the antics of schoolboys. This book provides a context for Doré's caricatures, focusing on his comic strips in the Journal pour Rire, the character of the journal, and the three comic strip albums he created while he worked there. Kunzle's analysis reveals Doré's debts to his predecessors, Töpffer, Cham, and Nadar. None of Doré's Journal strips has ever been republished. Some of the albums were republished, reduced and incomplete, in German and French. This edition includes facsimiles of the twelve most significant comic strips and the first translation into English of the captions.
Download or read book Animation Caricature and Gag and Political Cartoons in the United States and Canada written by John A. Lent and published by Greenwood. This book was released on 1994-07-21 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of four volumes dealing with the world of comic art, this volume is a comprehensive, international bibliography dealing with animation, caricature, gag, illustrative, magazine, and political cartoons in the United States and Canada. Reflecting the substantial growth of comic art literature in recent years, it is representative of various types of publications, writing formats and styles, and languages from all over the world. The four volumes attempt for the first time to pull together the massive amount of comic art literature worldwide. Organized with meticulous detail, the work consists of numerous resources, including an annotated directory of 66 comic art-related periodicals; a section of comic art functions, activities, and relationships with various socio-cultural phenomena, such as education, eroticism, ethnicity, race, social consciousness, and violence; as well as historical and contemporary parts on animation, caricature, gag cartoons, and political cartoons. At least 224 animators, caricaturists, and cartoonists are singled out for special prominence. Business, legal, and technical aspects of each genre make up other categories. The book is enhanced by Maurice Horn's foreword, retracing the pioneer work he and others did in the field of comic art studies. To further help the user, the indices are systematically broken down by authors, cartoonists, characters and titles, periodicals, and subjects.
Download or read book English Caricaturists and Graphic Humourists of the Nineteenth Century written by Graham Everitt and published by . This book was released on 1893 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt:
