Download or read book The Cappella Giulia Chansonnier Transcriptions written by Allan W. Atlas and published by . This book was released on 1975 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Cappella Giulia Chansonnier Commentary written by Allan W. Atlas and published by . This book was released on 1975 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book MS 27 the Cappella Giulia Chansonnier Rome Biblioteca Apostolica Vaticana C G XIII 27 Part 1 Commentary by Allan Atlas written by Alan Atlas and published by Institute of Mediaeval Music. This book was released on 1975 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C.G. XIII.27). Part 1. Commentary. For more information, see http: //www.corpusmusicae.com/ms/ms27.htm
Download or read book MS 27 the Cappella Giulia Chansonnier Rome Biblioteca Apostolica Vaticana C G XIII 27 Part 2 Transcriptions by Allan Atlas written by Alan Atlas and published by Institute of Mediaeval Music. This book was released on 1976 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C.G. XIII.27). Part 2. Transcriptions of 35 chansons for 3-4 voices. For more information, see http: //www.corpusmusicae.com/ms/ms27.htm
Download or read book The Cappella Giulia Chansonnier Transcriptions written by Allan W. Atlas and published by . This book was released on 1975 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Combinative Chanson written by Maria Rika Maniates and published by A-R Editions, Inc.. This book was released on 1989-01-01 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Secular Renaissance Music written by Sean Gallagher and published by Routledge. This book was released on 2017-07-05 with total page 831 pages. Available in PDF, EPUB and Kindle. Book excerpt: Secular music of the fifteenth and sixteenth centuries encompasses an extraordinarily wide range of works and practices: courtly love songs, music for civic festivities, instrumental music, entertainments provided by minstrels, the unwritten traditions of solo singing, and much else. This collection of essays addresses many of these practices, with a focus on polyphonic settings of vernacular texts, examining their historical and stylistic contexts, their transmission in written and printed sources, questions of performance, and composers? approaches to text setting. Essays have been selected to reflect the wide range of topics that have occupied scholars in recent decades, and taken together, they point to the more general significance of secular music within a broad complex of cultural practices and institutions.
Download or read book Antoine Busnoys written by Paula Marie Higgins and published by Oxford University Press. This book was released on 1999 with total page 630 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together twenty original essays by distinguished scholars on the life, works, and cultural context of Antoine Busnoys (c.1430-1492), musician to Charles the Bold, duke of Burgundy, and one of the most celebrated composers of the fifteenth century. The chapters offer a wealth of new information about musical culture in the late middle ages.
Download or read book Music in Medieval and Early Modern Europe written by Iain Fenlon and published by Cambridge University Press. This book was released on 1981-05-29 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume consists of original papers first read at King's College, Cambridge, in 1979 at an international conference on medieval and Renaissance music. The contributors are distinguished in a wide variety of musicological interests but all are concerned in one way or another with pursuing the most urgent and promising directions for research in early music history. The result, far from being merely a further collection of essays applying well-tried approaches to familiar material, constantly seeks to expand the scope of musicology itself, and many of the contributions arc inter-disciplinary in method. The four main topics of the conference were carefully chosen, with some editorial control exercised for each session. This is reflected in four sections of closely related papers in the book. Two of these are concerned with the patronage of music: by the Church in fifteenth-century England, Italy and France, and in a broader context in Italy from 1450 to 1550. A group of essays on sixteenth-century instrumental music separates these, and the book concludes with five papers on theories of filiation as applied to music sources from the tenth to the sixteenth century.
Download or read book The Italian Madrigal in the Early Sixteenth Century written by Iain Fenlon and published by CUP Archive. This book was released on 1988 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: This 1988 book examines the genesis and dissemination of the Italian madrigal in its formative stages. Iain Fenlon and James Haar have analysed this vast repertoire as it is found in manuscript and print offer information concerning the date and provenance of many fundamental sources together with a view of the subject which differs radically from previous treatments. Their study is divided into two parts. The first covers the rise and early cultivation of the madrigal, chiefly in Florence and Rome. The second contains a detailed descriptive inventory of all known manuscripts and printed editions, finishing with lists of contents and concordances in each case. This important study will serve those with an interest in Renaissance music and the changing cultural ambience of early sixteenth-century Florence and Rome.
Download or read book The Maecenas and the Madrigalist written by Anthony M. Cummings and published by American Philosophical Society. This book was released on 2004 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musicologists are increasingly focusing upon less formal private "institutions" and traditions of patronage: informal acad. and soc, the activities of individuals, and convivial aristocratic co. Early 16th-cent. Florence was characterized by the practices of a series of these vital institutions. Such informal institutions had considerable virtues as agents of patronage; their less routinized practices freed them to engage in experimentation that the more formal institutions would not support. This study reconstructs the memberships, cultural activities, and musical exper. of these informal Florentine institutions and relates them to the emergence of the madrigal, the foremost musical genre of early-modern Europe. Richly illus. with visual materials and musical examples.
Download or read book The Rise of European Music 1380 1500 written by Reinhard Strohm and published by Cambridge University Press. This book was released on 2005-02-17 with total page 744 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a detailed and comprehensive survey of music in the late middle ages and early Renaissance. By limiting its scope to the 120 years which witnessed perhaps the most dramatic expansion of our musical heritage, the book responds, in the 1990s, to the tremendous increase in specialised research and public awareness of that period. Three of the four main Parts (I, II, IV) describe the development of polyphony and its cultural contexts in many European countries, from the successors of Machaut (d. 1377) to the achievements of Josquin des Prez and his contemporaries working in Renaissance Italy around 1500. Part III, by contrast, illustrates the musical life of the institutions, and musical practices outside the realm of composed polyphony that were traditional and common all over Europe. The book proposes fresh views in each chapter, discussing dozens of musical examples adducing well-known and hitherto unknown documents, and referring to and evaluating the most recent scholarship in the field.
Download or read book The Instrumental Consort Repertory of the Late Fifteenth Century written by Jon Banks and published by Routledge. This book was released on 2019-10-23 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Though individual pieces from the late fifteenth century are widely accepted as being written for instruments rather than voices, they are traditionally considered as exceptions within the context of a mainstream of vocal polyphony. After a rigorous examination of the criteria by which music of this period may be judged to be instrumental, Dr Jon Banks isolates all such pieces and establishes them as an explicit genre alongside the more commonly recognized vocal forms of the period. The distribution of these pieces in the manuscript and early printed sources of the time demonstrate how central instrumental consorts were to musical experience in Italy at this time. Banks also explores the social background to Italian music-making, and particularly the changing status of instrumentalists with respect to other musicians. Convincing evidence is put forward in particular for the lute ensemble to be a likely performance context for many of the surviving sources. The book is not intended to be a prescriptive account for the role of instruments in late medieval music, but instead restores an impressive but largely overlooked consort repertory to its rightful place in the history of music.
Download or read book Early Music History written by Iain Fenlon and published by Cambridge University Press. This book was released on 2009-03-19 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume six include: On the question of psalmody in the ancient synagogue; Music and grammar: imitation and analogy in Morales and the Spanish humanists; and a Florentine chansonnier of the early sixteenth century.
Download or read book Music Authorship and the Book in the First Century of Print written by Kate van Orden and published by Univ of California Press. This book was released on 2013-10-19 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western musicÕs adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.
Download or read book Studies in the Printing Publishing and Performance of Music in the 16th Century written by Stanley Boorman and published by Taylor & Francis. This book was released on 2023-07-28 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: The emergence of music printing and publishing in the early 16th century radically changed how music was circulated, and how the musical source (printed or manuscript) was perceived, and used in performance. This series of close studies of the structure and content of 16th-century and early 17th-century editions (and some manuscripts) of music draws conclusions in a number of areas - printing techniques for music; the habits of different type-setters and scribes, and their view of performing practice; publishers' approaches to the musical market and its abilities and interests; apparent changes of plan in preparing editions; questions of authorship; evidence in editions and manuscripts for interpreting different levels of notation; ways in which scribes could influence performers' decisions, and others by which composers could exploit unusual sonorities.
Download or read book Musica Ficta written by Karol Berger and published by Cambridge University Press. This book was released on 2004-01-05 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Clarifies the conventions governing the practice of implied accidentals in vocal polyphony from the fourteenth to sixteenth centuries.
