Download or read book A Short History of Cahiers du Cinema written by Emilie Bickerton and published by Verso Books. This book was released on 2014-04-15 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cahiers du Cinéma was the single most influential project in the history of film. Founded in 1951, it was responsible for establishing film as the ‘seventh art,’ equal to literature, painting or music, and it revolutionized film-making and writing. Its contributors would put their words into action: the likes of Godard, Truffaut, Rivette, Rohmer were to become some of the greatest directors of the age, their films part of the internationally celebrated nouvelle vague. In this authoritative new history, Emilie Bickerton explores the evolution and impact of Cahiers du Cinéma, from its early years, to its late-sixties radicalization, its internationalization, and its response to the television age of the seventies and eighties. Showing how the story of Cahiers continues to resonate with critics, practitioners and the film-going public, A Short History of Cahiers du Cinéma is a testimony to the extraordinary legacy and archive these ‘collected pages of a notebook’ have provided for the world of cinema.
Download or read book Cahiers Du Cin ma the 1950s written by Jim Hillier and published by Harvard University Press. This book was released on 1985 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cahiers du Cinéma has played a major role in establishing film theory and criticism as an essential part of the late 20th century culture. This volume contains articles from the 1950s.
Download or read book Cahiers Du Cinema written by Jim Hillier and published by Psychology Press. This book was released on 1985-03-21 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'With admirable clarity, Mrs Peters sums up what determines competence in spelling and the traditional and new approaches to its teaching.' -Times Literary Supplement
Download or read book Cahiers Du Cin ma written by Jim Hillier and published by Harvard Film Studies. This book was released on 1992 with total page 363 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Cahiers du Cinema is the most prestigious and influential film journal ever published. An anthology devoted entirely to its writings, in English translation, is long overdue. The selections in this volume are drawn from the colorful first decade of Cahiers, 1951-1959, when a group of young iconoclasts racked the world of film criticism with their provocative views an international cinema - American, Italian, and French in particular. They challenged long-established Anglo-Saxon attitudes by championing American popular movies, addressing genres such as the Western and the thriller and the aesthetics of technological developments like CinemaScope, emphasizing mise en scéne as much as thematic content, and assessing the work of individual filmmakers such as Hawks, Hitchcock, and Nicholas Ray in terms of a new theory of the director as author, auteur, a revolutionary concept at the time. Italian film, especially the work of Rossellini, prompted sharp debates about realism that helped shift the focus of critical discussion from content toward style. The critiques of French cinema have special interest because many of the journal's major contributors and theorists Godard, Truffaut, Rohmer, Rivette, Chabrol were to become same of France's most important film directors and leaders of the New Wave. Translated under the supervision of the British Film Institute, the selections have far the most part never appeared in English until now. Jim Hillier has organized them into topical groupings and has provided introductions to the parts as well as the whole. Together these essays, reviews, discussions, and polemics reveal the central ideas of the Cahiers of the 1950s not as fixed doctrines but as provocative, productive, often contradictory contributions to crucial debates that were to overturn critical thinking about film". --Publisher.
Download or read book Everything Is Cinema written by Richard Brody and published by Macmillan. This book was released on 2008-05-13 with total page 732 pages. Available in PDF, EPUB and Kindle. Book excerpt: "When Jean-Luc Godard, exemplary director of the French New Wave, wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Among the greatest cinematic innovations, Godard's films shift fluidly from fiction to documentary, from criticism to art. Similarly, his persona projects shifting images - cultural hero, impassioned loner, shrewd businessman. Hailed by filmmakers as a - if not the - key influence, Godard has entered the modern canon, a figure as mysterious as he is indispensable." "In Everything is Cinema, critic Richard Brody has amassed hundreds of interviews with friends, family, and collaborators to demystify the elusive director and paint the fullest picture yet of his life and work. Paying as much attention to Godard's revolutionary technical inventions as to the political and emotional forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless and Contempt, to the grand vision of his later years. He vividly depicts Godard's wealthy, conservative family, his fluid and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women."--Jacket.
Download or read book Early Film Criticism of Francois Truffaut written by Wheeler Winston Dixon and published by Indiana University Press. This book was released on 1993-02-22 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Before turning to filmmaking, Francois Truffaut was a film critic writing for Cahiers du Cinema during the 1950s. The Early film Criticism of Francois Truffaut makes available, for the first time in English, articles that originally appeared in French journals such as Cahiers du Cinema and Arts. Truffaut discusses films by such acknowledged masters as Hitchcock, Huston, Dymytryk, and Lang, but also examines the work of such lesser-known directors as Robert Wise, Don Weis, and Roger Vadim.
Download or read book The Solaris Effect written by Steven Dillon and published by University of Texas Press. This book was released on 2010-01-01 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: What do contemporary American movies and directors have to say about the relationship between nature and art? How do science fiction films like Steven Spielberg's A.I. and Darren Aronofsky's π represent the apparent oppositions between nature and culture, wild and tame? Steven Dillon's intriguing new volume surveys American cinema from 1990 to 2002 with substantial descriptions of sixty films, emphasizing small-budget independent American film. Directors studied include Steven Soderbergh, Darren Aronofsky, Todd Haynes, Harmony Korine, and Gus Van Sant, as well as more canonical figures like Martin Scorcese, Robert Altman, David Lynch, and Steven Spielberg. The book takes its title and inspiration from Andrei Tarkovsky's 1972 film Solaris, a science fiction ghost story that relentlessly explores the relationship between the powers of nature and art. The author argues that American film has the best chance of aesthetic success when it acknowledges that a film is actually a film. The best American movies tell an endless ghost story, as they perform the agonizing nearness and distance of the cinematic image. This groundbreaking commentary examines the rarely seen bridge between select American film directors and their typically more adventurous European counterparts. Filmmakers such as Lynch and Soderbergh are cross-cut together with Tarkovsky and the great French director, Jean-Luc Godard, in order to test the limits and possibilities of American film. Both enthusiastically cinephilic and fiercely critical, this book puts a decade of U.S. film in its global place, as part of an ongoing conversation on nature and art.
Download or read book ric Rohmer written by Antoine de Baecque and published by Columbia University Press. This book was released on 2016-06-14 with total page 670 pages. Available in PDF, EPUB and Kindle. Book excerpt: The director of twenty-five films, including My Night at Maud's (1969), which was nominated for a Best Picture Academy Award, and the editor in chief of Cahiers du cinéma from 1957 to 1963, Éric Rohmer set the terms by which people watched, made, and thought about cinema for decades. Such brilliance does not develop in a vacuum, and Rohmer cultivated a fascinating network of friends, colleagues, and industry contacts that kept his outlook sharp and propelled his work forward. Despite his privacy, he cared deeply about politics, religion, culture, and fostering a public appreciation of the medium he loved. This exhaustive biography uses personal archives and interviews to enrich our knowledge of Rohmer's public achievements and lesser known interests and relations. The filmmaker kept in close communication with his contemporaries and competitors: François Truffaut, Jean-Luc Godard, Claude Chabrol, and Jacques Rivette. He held a paradoxical fascination with royalist politics, the fate of the environment, Catholicism, classical music, and the French nightclub scene, and his films were regularly featured at New York and Los Angeles film festivals. Despite an austere approach to life, Rohmer had a voracious appetite for art, culture, and intellectual debate captured vividly in this definitive volume.
Download or read book The Films in My Life written by François Truffaut and published by Diversion Books. This book was released on 2014-08-24 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: From a cinematic grand master, “one of the most readable books of movie criticism, and one of the most instructive” (American Film Institute). An icon. A rebel. A legend. The films of François Truffaut defined an exhilarating new form of cinema for moviegoers the world over. But before Truffaut became a great director, he was a critic who stood at the vanguard, pioneering an innovative way to view movies and to write about the cinematic arts. Now, for the first time in eBook, the legendary director shares his own words, as one of the most influential filmmakers of all time examines the art of movie-making through engaging and deeply personal reviews about the movies he loves. Truffaut writes extensively about his heroes, from Hitchcock to Welles, Chaplin to Renoir, Buñuel to Bergman, Clouzot to Cocteau, Capra to Hawks, Guitry to Fellini, sharing analysis and insight as to what made them film legends, and how their work led Truffaut and his fellow directors into classics like The 400 Blows, Jules and Jim, and the French New Wave movement. Articulate and candid, The Films in My Life is for everyone who has sat in a dark movie theater and dreamed. “Truffaut brings the same intelligence and grace to the printed page that he projects onto the screen. The Films in My Life provides a rare knowledgeable look at movies and moviemaking.” —Newsday
Download or read book Cahiers Du Cin ma 1969 1972 written by Nick Browne and published by . This book was released on 1990 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Writing National Cinema written by Jeffrey Middents and published by UPNE. This book was released on 2009-07-15 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of Peruvian Cinema and the role of criticism in forming a national cinematic vision
Download or read book Honor Among Thieves The Cinema of Jean Pierre Melville written by Andrew Dickos and published by Contra Mundum Press. This book was released on 2021-06-23 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Honor Among Thieves profiles Melville's eventful life & discusses his cinema as an essential body of work in our reckoning of postwar European cinema.
Download or read book Cahiers Du Cin ma written by Jim Hillier and published by Psychology Press. This book was released on 2000 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new volume in this influential series of anthologies covers the vibrant and turbulent period in which the editorial make-up and policy of the journal changed radically, and theory, history and politics dominated critical debate.
Download or read book Movie Wars written by Jonathan Rosenbaum and published by Chicago Review Press. This book was released on 2002-07-01 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is the cinema, as writers from David Denby to Susan Sontag have claimed, really dead? Contrary to what we have been led to believe, films are better than ever—we just can't see the good ones. Movie Wars cogently explains how movies are packaged, distributed, and promoted, and how, at every stage of the process, the potential moviegoer is treated with contempt. Using examples ranging from the New York Times's coverage of the Cannes film festival to the anticommercial practices of Orson Welles, Movie Wars details the workings of the powerful forces that are in the process of ruining our precious cinematic culture and heritage, and the counterforces that have begun to fight back.
Download or read book Orson Wells at Work written by Jean-Piere Berthomé and published by Phaidon Press Limited. This book was released on 2008 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: An in-depth, behind-the-camera survey of the entire career of Orson Welles
Download or read book Cinema written by Jean-Luc Godard and published by . This book was released on 2005-02 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema is quite simply a unique book from one of the most influential film-makers in the history of cinema. Here, Jean-Luc Godard looks back on a century of film as well as his own work and career. Born with the twentieth century, cinema became not just the century's dominant art form but its best historian. Godard argues that - after Chaplin and Pol Pot, Monroe and Hitler, Stalin and Mae West, Mao and the Marx Brothers - film and history are inextricably intertwined. Godard presents his thoughts on film theory, cinematic technique, film histories, as well as the recent video revolution. He expounds on his central concerns - how film can "resurrect the past," the role of rhythm in film, and how cinema can be an "art that thinks." Here Godard comes closest to defining a lifetime's obsession with cinema and cinema's lifelong obsession with history. --
Download or read book Cahiers du Cinema written by James R Russo and published by Liverpool University Press. This book was released on 2023-04-17 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cahiers du Cinema: Interviews with Film Directors, 19531970 brings together eighteen directorsOtto Preminger, Roberto Rossellini, John Ford, Howard Hawks, Max Ophuls, Nicholas Ray, Orson Welles, Fritz Lang, Alain Resnais, Jean-Luc Godard, Francois Truffaut, Michelangelo Antonioni, Carl-Theodor Dreyer, Federico Fellini, Robert Bresson, Joseph L. Mankiewicz, Jean Renoir, and Eric Rohmer -- who are among the leading auteurs in the history of the cinema. The interviews were all commissioned for the legendary movie journal Cahiers du Cinema (the oldest such French-language magazine in continuous publication), the first critical enterprise to treat films, particularly Hollywood films, as a serious art form. Co-founded in 1951 by Andre Bazin, Jacques Doniol-Valcroze, and Joseph-Marie Lo Duca, Cahiers was edited, after 1957, by Rohmer himself, including among its writers (and interviewers) Jacques Rivette, Godard, Claude Chabrol, and Truffaut -- all of whom went on to become highly influential filmmakers. Conducted in Cahiers famously in-depth, critical and engaged style, the interviews in this volume catch each director at a crucial juncture in his development as an artist, and stand as a historical record of the dominance of the Euro-American tradition in cinematic art. This is the first such collection of its kind in English, edited with a contextualizing introduction, critical biographies, career filmographies, and a comprehensive index by the American scholar James R. Russo.
