Download or read book Catalog of Copyright Entries written by Library of Congress. Copyright Office and published by . This book was released on 1966 with total page 1274 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The National Union Catalog written by and published by . This book was released on 1963 with total page 880 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book National Union Catalog written by and published by . This book was released on 1963 with total page 858 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Cadenza for the keyboard concerto in B flat major opus 4 no 6 by G F Handel written by Wanda Landowska and published by . This book was released on 1959 with total page 10 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Cadenzas and ornamentation for the piano concerto no 26 written by Wanda Landowska and published by . This book was released on 1963 with total page 14 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Music Library Association Catalog of Cards for Printed Music 1953 1972 written by Music Library Association and published by . This book was released on 1974 with total page 576 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Inside Early Music written by Bernard D. Sherman and published by Oxford University Press. This book was released on 2003-10-09 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: The attempt to play music with the styles and instruments of its era--commonly referred to as the early music movement--has become immensely popular in recent years. For instance, Billboard's "Top Classical Albums" of 1993 and 1994 featured Anonymous 4, who sing medieval music, and the best-selling Beethoven recording of 1995 was a period-instruments symphony cycle led by John Eliot Gardiner, who is Deutsche Grammophon's top-selling living conductor. But the movement has generated as much controversy as it has best-selling records, not only about the merits of its results, but also about the validity of its approach. To what degree can we recreate long-lost performing styles? How important are historical period instruments for the performance of a piece? Why should musicians bother with historical information? Are they sacrificing art to scholarship? Now, in Inside Early Music, Bernard D. Sherman has invited many of the leading practitioners to speak out about their passion for early music--why they are attracted to this movement and how it shapes their work. Readers listen in on conversations with conductors Gardiner, William Christie, and Roger Norrington, Peter Phillips of the Tallis Scholars, vocalists Susan Hellauer of Anonymous 4, forte pianist Robert Levin, cellist Anner Bylsma, and many other leading artists. The book is divided into musical eras--Medieval, Renaissance, Baroque, and Classic and Romantic--with each interview focusing on particular composers or styles, touching on heated topics such as the debate over what is "authentic," the value of playing on period instruments, and how to interpret the composer's intentions. Whether debating how to perform Monteverdi's madrigals or comparing Andrew Lawrence-King's Renaissance harp playing to jazz, the performers convey not only a devotion to the spirit of period performance, but the joy of discovery as they struggle to bring the music most truthfully to life. Spurred on by Sherman's probing questions and immense knowledge of the subject, these conversations movingly document the aspirations, growing pains, and emerging maturity of the most exciting movement in contemporary classical performance, allowing each artist's personality and love for his or her craft to shine through. From medieval plainchant to Brahms' orchestral works, Inside Early Music takes readers-whether enthusiasts or detractors-behind the scenes to provide a masterful portrait of early music's controversies, challenges, and rewards.

Download or read book Library of Congress Catalog written by Library of Congress and published by . This book was released on 1963 with total page 890 pages. Available in PDF, EPUB and Kindle. Book excerpt: A cumulative list of works represented by Library of Congress printed cards.

Download or read book The Catalogue of Printed Music in the British Library to 1980 written by British Library. Department of Printed Books and published by . This book was released on 1981 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalog of Copyright Entries Third Series written by Library of Congress. Copyright Office and published by . This book was released on 1964 with total page 1264 pages. Available in PDF, EPUB and Kindle. Book excerpt: The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.).

Download or read book Catalog of Copyright Entries written by Library of Congress. Copyright Office and published by . This book was released on 1964 with total page 1282 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalog of Copyright Entries Fourth Series written by Library of Congress. Copyright Office and published by . This book was released on 1964 with total page 1284 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Cambridge Companion to the Concerto written by Simon P. Keefe and published by Cambridge University Press. This book was released on 2005-10-27 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: A rare volume dedicated entirely to scholarship on the genre of the concerto.

Download or read book A History of the Concerto written by Michael Thomas Roeder and published by Hal Leonard Corporation. This book was released on 1994 with total page 487 pages. Available in PDF, EPUB and Kindle. Book excerpt: A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.

Download or read book The Pianist s Resource Guide written by Joseph Rezits and published by . This book was released on 1978 with total page 1524 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Dictionary Catalog of the Music Collection written by Boston Public Library and published by Boston : G. K. Hall. This book was released on 1972 with total page 808 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Mozart s Piano Concertos written by John Irving and published by Routledge. This book was released on 2017-07-05 with total page 507 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mozart's piano concertos stand alongside his operas and symphonies as his most frequently performed and best loved music. They have attracted the attention of generations of musicologists who have explored their manifold meanings from a variety of viewpoints. In this study, John Irving brings together the various strands of scholarship surrounding Mozart's concertos including analytical approaches, aspects of performance practice and issues of compositional genesis based on investigation of manuscript and early printed editions. Treating the concertos collectively as a repertoire, rather than as individual works, the first section of the book tackles broad thematic issues such as the role of the piano concerto in Mozart's quasi-freelance life in late eighteenth-century Vienna, the origin of his concertos in earlier traditions of concerto writing; eighteenth-century theoretical frameworks for the understanding of movement forms, subsequent historical shifts in the perception of the concerto's form, listening strategies and performance practices. This is followed by a 'documentary register' which proceeds through all 23 original works, drawing together information on the source materials. Accounts of the concertos' compositional genesis, early performance history and reception are also included here, drawing extensively on the Mozart family correspondence and other contemporary reports. Drawing together and synthesizing this wealth of material, Irving provides an invaluable reference source for those already familiar with this repertoire.