Download or read book Buddhism and the Arts of Japan written by Richard B. Pilgrim and published by Columbia University Press. This book was released on 1998 with total page 92 pages. Available in PDF, EPUB and Kindle. Book excerpt: Few aspects of American military history have been as vigorously debated as Harry Truman's decision to use atomic bombs against Japan. In this carefully crafted volume, Michael Kort describes the wartime circumstances and thinking that form the context for the decision to use these weapons, surveys the major debates related to that decision, and provides a comprehensive collection of key primary source documents that illuminate the behavior of the United States and Japan during the closing days of World War II. Kort opens with a summary of the debate over Hiroshima as it has evolved since 1945. He then provides a historical overview of thye events in question, beginning with the decision and program to build the atomic bomb. Detailing the sequence of events leading to Japan's surrender, he revisits the decisive battles of the Pacific War and the motivations of American and Japanese leaders. Finally, Kort examines ten key issues in the discussion of Hiroshima and guides readers to relevant primary source documents, scholarly books, and articles.
Download or read book Faith and Power in Japanese Buddhist Art 1600 2005 written by Patricia J. Graham and published by University of Hawaii Press. This book was released on 2007-09-30 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Faith and Power in Japanese Buddhist Art explores the transformation of Buddhism from the premodern to the contemporary era in Japan and the central role its visual culture has played in this transformation. Although Buddhism is generally regarded as peripheral to modern Japanese society, this book demonstrates otherwise. Its chapters elucidate the thread of change over time in the practice of Buddhism as revealed in temple worship halls and other sites of devotion and in imagery representing the religion’s most popular deities and religious practices. It also introduces the work of modern and contemporary artists who are not generally associated with institutional Buddhism and its canonical visual requirements but whose faith inspires their art. The author makes a persuasive argument that the neglect of these materials by scholars results from erroneous presumptions about the aesthetic superiority of early Japanese Buddhist artifacts and an asserted decline in the institutional power of the religion after the sixteenth century. She demonstrates that recent works constitute a significant contribution to the history of Japanese art and architecture, providing evidence of Buddhism’s compelling presence at all levels of Japanese society and its evolution in response to the needs of new generations of supporters.
Download or read book Flowing Traces written by James H. Sanford and published by Princeton University Press. This book was released on 2014-07-14 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: According to the contributors to this volume, the relationship of Buddhism and the arts in Japan is less the rendering of Buddhist philosophical ideas through artistic imagery than it is the development of concepts and expressions in a virtually inseparable unity. By challenging those who consider religion to be the primary phenomenon and art the secondary arena for the apprehension of religious meanings, these essays reveal the collapse of other dichotomies as well. Touching on works produced at every social level, they explore a fascinating set of connections within Japanese culture and move to re-envision such usual distinctions as religion and art, sacred and secular, Buddhism and Shinto, theory and substance, elite and popular, and even audience and artist. The essays range from visual and literary hagiographies to No drama, to Sermon-Ballads, to a painting of the Nirvana of Vegetables. The contributors to the volume are James H. Foard, Elizabeth ten Grotenhuis, Frank Hoff, Laura S. Kaufman, William R. LaFleur, Susan Matisoff, Barbara Ruch, Yoshiaki Shimizu, and Royall Tyler. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Download or read book Enlightenment Embodied written by Hiromitsu Washizuka and published by Japan Society Gallery. This book was released on 1997 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalog of the first exhibition in the US to emphasize on the connection between the aesthetic considerations and construction techniques of Japanese Buddhist sculptors.
Download or read book History of Art in Japan written by Nobuo Tsuji and published by . This book was released on 2019-08-27 with total page 632 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book the leading authority on Japanese art history sheds light on how Japan has nurtured distinctive aesthetics, prominent artists, and movements that have achieved global influence and popularity. The History of Art in Japan discusses works ranging from earthenware figurines in 13,000 BCE to manga, anime, and modern subcultures.
Download or read book Mur ji written by Sherry Dianne Fowler and published by University of Hawaii Press. This book was released on 2005 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Muroji, a magnificent temple founded in the eighth century, is known both for its dramatic location and the exceptional quality of its ritual objects and art dating from the ninth and tenth centuries of the Heian period. Sherry Fowler makes extensive use of primary sources to explore the circumstances surrounding the creation and function of the temple's main images and considers why major works of early Heian sculpture were housed in such a remote mountain setting. Employing a multifaceted approach that looks at Muroji's art and architecture in socio-political context, she explores the establishment of the temple, its role in the religious life and power structure of the region, and the ways in which the temple reconfigured its early history to suit its later circumstances.
Download or read book The Karma of Words written by William R. LaFleur and published by Univ of California Press. This book was released on 2023-09-01 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A masterly book . . . will prove of great assistance to a student of Japanese literature and thought from the eleventh century onwards."--Times Literary Supplement "A major contribution to the fields of Japanese studies, comparative literature, and history of religions . . . a book that begs for classroom use."--The Eastern Buddhist "Innovative and provocative . . . will be of interest not only to specialists in Japanese religion and Japanese culture, but also to literary critics and cultural historians."--Religious Studies Review "Rich and stimulating material . . . an important help and influence to all concerned with understanding the tradition that has shaped Japanese culture and religion."--History of Religions "Thought provoking, finely written . . . one of the more original and creative contributions to the study of medieval culture and religion to be produced by a Western scholar. . . . Can be read with profit by all Western students of Japanese culture . . . one of those rare books that has something to offer Japanese specialists in medieval studies."--Journal of Japanese Studies "A very important contribution to Japanese studies . . . a paradigm of the genre."--Pacific Affairs "This is an exciting, ground-breaking book."--Chanoyu Quarterly "I have been most impressed and even excited by what I have read."--Donald Keene, Professor Emeritus and Shincho Professor Emeritus of Japanese Literature at Columbia University "This is one of the most important books in Japanese studies in a long time and will influence the entire field."--Robert Bellah, former Elliott Professor of Sociology, Professor Emeritus at the University of California, Berkeley
Download or read book Behold the Buddha written by James C. Dobbins and published by University of Hawaii Press. This book was released on 2020-03-31 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Images of the Buddha are everywhere—not just in temples but also in museums and homes and online—but what these images mean largely depends on the background and circumstance of those viewing them. In Behold the Buddha, James Dobbins invites readers to imagine how premodern Japanese Buddhists understood and experienced icons in temple settings long before the advent of museums and the internet. Although widely portrayed in the last century as visual emblems of great religious truths or as exquisite works of Asian art, Buddhist images were traditionally treated as the very embodiment of the Buddha, his palpable presence among people. Hence, Buddhists approached them as living entities in their own right—that is, as awakened icons with whom they could interact religiously. Dobbins begins by reflecting on art museums, where many non-Buddhists first encounter images of the Buddha, before outlining the complex Western response to them in previous centuries. He next elucidates images as visual representations of the story of the Buddha’s life followed by an overview of the physical attributes and symbolic gestures found in Buddhist iconography. A variety of Buddhas, Bodhisattvas, and other divinities commonly depicted in Japanese Buddhism is introduced, and their “living” quality discussed in the context of traditional temples and Buddhist rituals. Finally, other religious objects in Japanese Buddhism—relics, scriptures, inscriptions, portraits of masters, and sacred sites—are explained using the Buddhist icon as a model. Dobbins concludes by contemplating art museums further as potential sites for discerning the religious character of Buddhist images. Those interested in Buddhism generally who would like to learn more about its rich iconography—whether encountered in temples or museums—will find much in this concise, well-illustrated volume to help them “behold the Buddha.”
Download or read book Icons and Iconoclasm in Japanese Buddhism written by Pamela Winfield and published by Oxford University Press, USA. This book was released on 2013-03-07 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pamela D. Winfield offers a fascinating juxtaposition and comparison of the thoughts of two pre-modern Japanese Buddhist masters, Kukai (774-835) and Dogen (1200-1253) on the role of imagery in the enlightenment experience.
Download or read book Explaining Pictures written by Ikumi Kaminishi and published by University of Hawaii Press. This book was released on 2006-01-01 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beginning with the claim that the popularization of Buddhism in the medieval period was a phenomenon of visual culture, Explaining Pictures reexamines the history (and historiography) of medieval Japanese Buddhism. With theoretical sophistication and a full appreciation of the power of imagery to convey and control religious meaning, it investigates a range of aspects of etoki, including the particularly active role of itinerant nuns, whose performances were especially edifying to female audiences, as well as the visual hagiography of the reputed founder of Japanese Buddhism, the pictorial projections of Buddhist paradise and hell, and the explanation, through visual imagery, of sacred mountains. Explaining Pictures is the first book-length study in English devoted to the phenomenon of Buddhist art as religious propaganda and pictorial storytelling as a form of popular culture in medieval Japan. A truly interdisciplinary study, it suggests fruitful avenues of discussion between art historians and historians of Japanese Buddhism. Scholars and students with an interest in Japanese Buddhism, art, and social and cultural history will find its examination of significant issues fresh and stimulating. It will also find an appreciative audience among those concerned with the relationship between art and religion, the mechanics of proselytization, and Asian visual culture.
Download or read book Japanese Zen Buddhism and the Impossible Painting written by Yukio Lippit and published by Getty Publications. This book was released on 2017-02-28 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt: Zen art poses a conundrum. On the one hand, Zen Buddhism emphasizes the concept of emptiness, which among other things asserts that form is empty, that all phenomena in the world are illusory. On the other hand, a prodigious amount of artwork has been created in association with Zen thought and practice. A wide range of media, genres, expressive modes, and strategies of representation have been embraced to convey the idea of emptiness. Form has been used to express the essence of formlessness, and in Japan, this gave rise to a remarkable, highly diverse array of artworks and a tradition of self-negating art. In this volume, Yukio Lippit explores the painting The Gourd and the Catfish (ca. 1413), widely considered one of the most iconic works of Japanese Zen art today. Its subject matter appears straightforward enough: a man standing on a bank holds a gourd in both hands, attempting to capture or pin down the catfish swimming in the stream below. This is an impossible task, a nonsensical act underscored by the awkwardness with which the figure struggles even to hold his gourd. But this impossibility is precisely the point.
Download or read book Culture as Power written by Madhu Bhalla and published by Taylor & Francis. This book was released on 2020-12-28 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents new studies on intellectual and cultural interactions in the context of Buddhist heritage and Indo-Japanese dialogue in the late 19th and early 20th centuries on art, religion, and cultural politics. By revisiting Buddhist connections between India and Japan, it examines the pathways of communication on common aesthetic and religious heritage that emerged in the backdrop of colonial experiences and the rise of Asian nationalisms. The volume discusses themes such as Asian arts and crafts under colonialism, formation of East Asian art collections, development of Buddhist art history in Japan, Japanese encounters with Ajanta, India in the history of the Shinto tradition, Japan in India’s xenology, and Buddhism and world peace, and suggests paradigms of reconnecting cultural heritage within a global platform. With essays from experts across the world, this book will be an essential read for scholars and researchers of history, art history, ancient Indian history, colonial history, heritage and cultural studies, South Asian and East Asian history, visual and media studies, Asian studies, international relations and foreign policy, and the history of globalization.
Download or read book Pure Land Buddhism in Modern Japanese Culture written by Elisabetta Porcu and published by BRILL. This book was released on 2008-08-31 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite being one of the most influential forms of Japanese Buddhism, the Pure Land tradition, and notably its impact on the development of Japanese cultural history, has often been overlooked outside Japan. Taking into account recent scholarship on orientalism and occidentalism, this book, written from the perspective of the Study of Religions, provides an analysis of the impact that the Pure Land tradition, in particular Shin Buddhism, has exerted on mainstream forms of artistic expression (especially creative arts, literature and the tea ceremony) in modern and contemporary Japan.
Download or read book Buddhism and Modernity written by Orion Klautau and published by University of Hawaii Press. This book was released on 2021-03-31 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Japan was the first Asian nation to face the full impact of modernity. Like the rest of Japanese society, Buddhist institutions, individuals, and thought were drawn into the dynamics of confronting the modern age. Japanese Buddhism had to face multiple challenges, but it also contributed to modern Japanese society in numerous ways. Buddhism and Modernity: Sources from Nineteenth-Century Japan makes accessible the voices of Japanese Buddhists during the early phase of high modernity. The volume offers original translations of key texts—many available for the first time in English—by central actors in Japan’s transition to the modern era, including the works of Inoue Enryō, Gesshō, Hara Tanzan, Shimaji Mokurai, Kiyozawa Manshi, Murakami Senshō, Tanaka Chigaku, and Shaku Sōen. All of these writers are well recognized by Buddhist studies scholars and Japanese historians but have drawn little attention elsewhere; this stands in marked contrast to the reception of Japanese Buddhism since D. T. Suzuki, the towering figure of Japanese Zen in the first half of the twentieth century. The present book fills the chronological gap between the premodern era and the twentieth century by focusing on the crucial transition period of the nineteenth century. Issues central to the interaction of Japanese Buddhism with modernity inform the five major parts of the work: sectarian reform, the nation, science and philosophy, social reform, and Japan and Asia. Throughout the chapters, the globally entangled dimension—both in relation to the West, especially the direct and indirect impact of Christianity, and to Buddhist Asia—is of great importance. The Introduction emphasizes not only how Japanese Buddhism was part of a broader, globally shared reaction of religions to the specific challenges of modernity, but also goes into great detail in laying out the specifics of the Japanese case.
Download or read book Hiraizumi written by Mimi Hall Yiengpruksawan and published by BRILL. This book was released on 2020-03-31 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the twelfth century, along the borders of the Japanese state in northern Honshu, three generations of local rulers built a capital city at Hiraizumi that became a major military and commercial center. Known as the Hiraizumi Fujiwara, these rulers created a city filled with art, in an attempt to use the power of art and architecture to claim a religious and political mandate. In the first book-length study of Hiraizumi in English, the author studies the rise of the Hiraizumi Fujiwara and analyzes their remarkable construction program. She traces the strategies by which the Hiraizumi Fujiwara attempted to legitimate their rule and grounds the splendor of Hiraizumi in the desires, political and personal, of the men and women who sponsored and displayed that art.
Download or read book Living Images written by Robert H. Sharf and published by Stanford University Press. This book was released on 2001 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this volume focus on the historical, institutional, and ritual context of a number of Japanese Buddhist paintings, sculptures, calligraphies, and relics?some celebrated, others long overlooked.
Download or read book The Zen Arts written by Rupert Cox and published by Routledge. This book was released on 2013-11-05 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: The tea ceremony and the martial arts are intimately linked in the popular and historical imagination with Zen Buddhism, and Japanese culture. They are commonly interpreted as religio-aesthetic pursuits which express core spiritual values through bodily gesture and the creation of highly valued objects. Ideally, the experience of practising the Zen arts culminates in enlightenment. This book challenges that long-held view and proposes that the Zen arts should be understood as part of a literary and visual history of representing Japanese culture through the arts. Cox argues that these texts and images emerged fully as systems for representing the arts during the modern period, produced within Japan as a form of cultural nationalism and outside Japan as part of an orientalist discourse. Practitioners' experiences are in fact rarely referred to in terms of Zen or art, but instead are spatially and socially grounded. Combining anthropological description with historical criticism, Cox shows that the Zen arts are best understood in terms of a dynamic relationship between an aesthetic discourse on art and culture and the social and embodied experiences of those who participate in them.
