Download or read book Broadcasting Modernity written by Yeidy M. Rivero and published by Duke University Press. This book was released on 2015-04-19 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: The birth and development of commercial television in Cuba in the 1950s occurred alongside political and social turmoil. In this period of dramatic swings encompassing democracy, a coup, a dictatorship, and a revolution, television functioned as a beacon and promoter of Cuba’s identity as a modern nation. In Broadcasting Modernity, television historian Yeidy M. Rivero shows how television owners, regulatory entities, critics, and the state produced Cuban modernity for television. The Cuban television industry enabled different institutions to convey the nation's progress, democracy, economic abundance, high culture, education, morality, and decency. After nationalizing Cuban television, the state used it to advance Fidel Castro's project of creating a modern socialist country. As Cuba changed, television changed with it. Rivero not only demonstrates television's importance to Cuban cultural identity formation, she explains how the medium functions in society during times of radical political and social transformation.

Download or read book Broadcasting in the Modernist Era written by Matthew Feldman and published by A&C Black. This book was released on 2014-05-22 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: The era of literary modernism coincided with a dramatic expansion of broadcast media throughout Europe, which challenged avant-garde writers with new modes of writing and provided them with a global audience for their work. Historicizing these developments and drawing on new sources for research – including the BBC archives and other important collections - Broadcasting in the Modernist Era explores the ways in which canonical writers engaged with the new media of radio and television. Considering the interlinked areas of broadcasting 'culture' and politics' in this period, the book engages the radio writing and broadcasts of such writers as Virginia Woolf, W. B. Yeats, Ezra Pound, T. S. Eliot, James Joyce, George Orwell, E. M. Forster, J. B. Priestley, Dorothy L. Sayers, David Jones and Jean-Paul Sartre. With chapters by leading international scholars, the volume's empirical-based approach aims to open up new avenues for understandings of radiogenic writing in the mass-media age.

Download or read book Broadcasting Modernity written by Yeidy M. Rivero and published by Duke University Press Books. This book was released on 2015-03-31 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The birth and development of commercial television in Cuba in the 1950s occurred alongside political and social turmoil. In this period of dramatic swings encompassing democracy, a coup, a dictatorship, and a revolution, television functioned as a beacon and promoter of Cuba’s identity as a modern nation. In Broadcasting Modernity, television historian Yeidy M. Rivero shows how television owners, regulatory entities, critics, and the state produced Cuban modernity for television. The Cuban television industry enabled different institutions to convey the nation's progress, democracy, economic abundance, high culture, education, morality, and decency. After nationalizing Cuban television, the state used it to advance Fidel Castro's project of creating a modern socialist country. As Cuba changed, television changed with it. Rivero not only demonstrates television's importance to Cuban cultural identity formation, she explains how the medium functions in society during times of radical political and social transformation.

Download or read book Broadcasting in the Modernist Era written by Matthew Feldman and published by A&C Black. This book was released on 2014-05-22 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: The era of literary modernism coincided with a dramatic expansion of broadcast media throughout Europe, which challenged avant-garde writers with new modes of writing and provided them with a global audience for their work. Historicizing these developments and drawing on new sources for research – including the BBC archives and other important collections - Broadcasting in the Modernist Era explores the ways in which canonical writers engaged with the new media of radio and television. Considering the interlinked areas of broadcasting 'culture' and politics' in this period, the book engages the radio writing and broadcasts of such writers as Virginia Woolf, W. B. Yeats, Ezra Pound, T. S. Eliot, James Joyce, George Orwell, E. M. Forster, J. B. Priestley, Dorothy L. Sayers, David Jones and Jean-Paul Sartre. With chapters by leading international scholars, the volume's empirical-based approach aims to open up new avenues for understandings of radiogenic writing in the mass-media age.

Download or read book Television in the Age of Radio written by Philip W. Sewell and published by Rutgers University Press. This book was released on 2014-02-13 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: Television existed for a long time before it became commonplace in American homes. Even as cars, jazz, film, and radio heralded the modern age, television haunted the modern imagination. During the 1920s and 1930s, U.S. television was a topic of conversation and speculation. Was it technically feasible? Could it be commercially viable? What would it look like? How might it serve the public interest? And what was its place in the modern future? These questions were not just asked by the American public, but also posed by the people intimately involved in television’s creation. Their answers may have been self-serving, but they were also statements of aspiration. Idealistic imaginations of the medium and its impact on social relations became a de facto plan for moving beyond film and radio into a new era. In Television in the Age of Radio, Philip W. Sewell offers a unique account of how television came to be—not just from technical innovations or institutional struggles, but from cultural concerns that were central to the rise of industrial modernity. This book provides sustained investigations of the values of early television amateurs and enthusiasts, the fervors and worries about competing technologies, and the ambitions for programming that together helped mold the medium. Sewell presents a major revision of the history of television, telling us about the nature of new media and how hopes for the future pull together diverse perspectives that shape technologies, industries, and audiences.

Download or read book The Radio Hobby Private Associations and the Challenge of Modernity in Germany written by Bruce B. Campbell and published by Springer Nature. This book was released on 2019-10-18 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the early twentieth century, the magic of radio was new, revolutionary, and poorly understood. A powerful symbol of modernity, radio was a site where individuals wrestled and came to terms with an often frightening wave of new mass technologies. Radio was the object of scientific investigation, but more importantly, it was the domain of tinkerers, “hackers,” citizen scientists, and hobbyists. This book shows how this wild and mysterious technology was appropriated by ordinary individuals in Germany in the first half of the twentieth century as a leisure activity. Clubs and hobby organizations became the locus of this process, providing many of the social structures within which individuals could come to grips with radio, apart from any media institution or government framework. In so doing, this book uncovers the vital but often overlooked social context in which technological revolutions unfold.

Download or read book Colonial Modernity in Korea written by Gi-Wook Shin and published by BRILL. This book was released on 2020-03-23 with total page 491 pages. Available in PDF, EPUB and Kindle. Book excerpt: The twelve chapters in this volume seek to overcome the nationalist paradigm of Japanese repression and exploitation versus Korean resistance that has dominated the study of Korea’s colonial period (1910–1945) by adopting a more inclusive, pluralistic approach that stresses the complex relations among colonialism, modernity, and nationalism. By addressing such diverse subjects as the colonial legal system, radio, telecommunications, the rural economy, and industrialization and the formation of industrial labor, one group of essays analyzes how various aspects of modernity emerged in the colonial context and how they were mobilized by the Japanese for colonial domination, with often unexpected results. A second group examines the development of various forms of identity from nation to gender to class, particularly how aspects of colonial modernity facilitated their formation through negotiation, contestation, and redefinition.

Download or read book Broadcasting Modernism written by Debra Rae Cohen and published by . This book was released on 2013-01-30 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The contributors argue that radio led to changes in textual and generic forms. Modernist authors embraced the emerging medium, creating texts that were to be heard but not read, incorporating the device into their stories, and using it to publicize their work. They saw in radio the same spirit of experimentation that animated modernism itself.

Download or read book Radio s Legacy in Popular Culture written by Martin Cooper and published by Bloomsbury Publishing USA. This book was released on 2022-01-27 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining work by novelists, filmmakers, TV producers and songwriters, this book uncovers the manner in which the radio – and the act of listening – has been written about for the past 100 years. Ever since the first public wireless broadcasts, people have been writing about the radio: often negatively, sometimes full of praise, but always with an eye and an ear to explain and offer an opinion about what they think they have heard. Novelists including Graham Greene, Agatha Christie, Evelyn Waugh, and James Joyce wrote about characters listening to this new medium with mixtures of delight, frustration, and despair. Clint Eastwood frightened moviegoers half to death in Play Misty for Me, but Lou Reed's 'Rock & Roll' said listening to a New York station had saved Jenny's life. Frasier showed the urbane side of broadcasting, whilst Good Morning, Vietnam exploded from the cinema screen with a raw energy all of its own. Queen thought that all the audience heard was 'ga ga', even as The Buggles said video had killed the radio star and Tom Petty and the Heartbreakers lamented 'The Last DJ'. This book explores the cultural fascination with radio; the act of listening as a cultural expression – focusing on fiction, films and songs about radio. Martin Cooper, a broadcaster and academic, uses these movies, TV shows, songs, novels and more to tell a story of listening to the radio – as created by these contemporary writers, filmmakers, and musicians.

Download or read book Broadcasting Fidelity written by Myles W. Jackson and published by Princeton University Press. This book was released on 2024-09-17 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: A landmark history of early radio in Germany and the quest for broadcast fidelity When we turn on a radio or stream a playlist, we can usually recognize the instrument we hear, whether it’s a cello, a guitar, or an operatic voice. Such fidelity was not always true of radio. Broadcasting Fidelity shows how the problem of broadcast fidelity pushed German scientists beyond the traditional bounds of their disciplines and led to the creation of one of the most important electronic instruments of the twentieth century. In the early days of radio, acoustical distortions made it hard for even the most discerning musical ears to differentiate instruments and voices. The physicists and engineers of interwar Germany, with the assistance of leading composers and musicians, tackled this daunting technical challenge. Research led to the invention in 1930 of the trautonium, an early electronic instrument capable of imitating the timbres of numerous acoustical instruments and generating novel sounds for many musical genres. Myles Jackson charts the broader political and artistic trajectories of this instrument, tracing how it was embraced by the Nazis and subsequently used to subvert Nazi aesthetics after the war and describing how Alfred Hitchcock commissioned a later version of the trautonium to provide the sounds of birds squawking and flapping their wings in his 1963 thriller The Birds. A splendid work of scholarship by an acclaimed historian of science, Broadcasting Fidelity reveals how the interplay of science, technology, politics, and culture gave rise to new aesthetic concepts, innovative musical genres, and the modern discipline of electroacoustics.

Download or read book Third World Mass Media and Their Search for Modernity written by John A. Lent and published by Bucknell University Press. This book was released on 1977 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: Emphasizes the contemporary mass media of the Commonwealth Caribbean and the societies in which they function, explaining their characteristics and practices in terms of the history of the region and the media themselves and relating these traits, wherever applicable, to theories of communication and national development. Illustrated.

Download or read book Music Modernity and Locality in Prewar Japan Osaka and Beyond written by Alison Tokita and published by Routledge. This book was released on 2016-12-05 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology addresses the modern musical culture of interwar Osaka and its surrounding Hanshin region. Modernity as experienced in this locale, with its particular historical, geographic and demographic character, and its established traditions of music and performance, gave rise to configurations of the new, the traditional and the hybrid that were distinct from their Tokyo counterparts. The Taisho and early Showa periods, from 1912 to the early 1940s, saw profound changes in Japanese musical life. Consumption of both traditional Japanese and Western music was transformed as public concert performances, music journalism, and music marketing permeated daily life. The new bourgeoisie saw Western music, particularly the piano and its repertoire, as the symbol of a desirable and increasingly affordable modernity. Orchestras and opera troupes were established, which in turn created a need for professional conductors, and both jazz and a range of hybrid popular music styles became viable bases for musical livelihood. Recording technology proliferated; by the early 1930s, record players and SP discs were no longer luxury commodities, radio broadcasts reached all levels of society, and ’talkies’ with music soundtracks were avidly consumed. With the perceived need for music that suited 'modern life', the seeds for the pre-eminent position of Euro-American music in post-Second-World war Japan were sown. At the same time many indigenous musical genres continued to thrive, but were hardly immune to the effects of modernization; in exploring new musical media and techniques drawn from Western music, performer-composers initiated profound changes in composition and performance practice within traditional genres. This volume is the first to draw together research on the interwar musical culture of the Osaka region and addresses comprehensively both Western and non-Western musical practices and genres, questions the common perception of their being wholly separate domains

Download or read book Barcelona An Urban History of Science and Modernity 1888 1929 written by Oliver Hochadel and published by Routledge. This book was released on 2016-04-14 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: The four decades between the two Universal Exhibitions of 1888 and 1929 were formative in the creation of modern Barcelona. Architecture and art blossomed in the work of Antoni Gaudi­ and many others. At the same time, social unrest tore the city apart. Topics such as art nouveau and anarchism have attracted the attention of numerous historians. Yet the crucial role of science, technology and medicine in the cultural makeup of the city has been largely ignored. The ten articles of this book recover the richness and complexity of the scientific culture of end of the century Barcelona. The authors explore a broad range of topics: zoological gardens, natural history museums, amusement parks, new medical specialities, the scientific practices of anarchists and spiritists, the medical geography of the urban underworld, early mass media, domestic electricity and astronomical observatories. They pay attention to the agenda of the bourgeois elites but also to hitherto neglected actors: users of electric technologies and radio amateurs, patients in clinics and dispensaries, collectors and visitors of museums, working class audiences of public talks and female mediums. Science, technology and medicine served to exert social control but also to voice social critique. Barcelona: An urban history of science and modernity (1888-1929) shows that the city around 1900 was both a creator and facilitator of knowledge but also a space substantially transformed by the appropriation of this knowledge by its unruly citizens.

Download or read book Broadcasting Modernity written by Jane A. Lewty and published by . This book was released on 2002 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Woody Guthrie s Modern World Blues written by Will Kaufman and published by University of Oklahoma Press. This book was released on 2017-10-12 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mention Woody Guthrie, and people who know the name are likely to think of the “Okie Bard,” dust storms behind him, riding a boxcar or walking a red-dirt road, a battered guitar strapped to his back. But unlock Guthrie from the confines of rural folk and Hollywood mythology, as Will Kaufman does here, and you’ll find an abstract painter and sculptor who wrote about atomic energy and Ingrid Bergman and developed advanced theories of dialectical materialism and human engineering—in short, a folk singer who was deeply engaged with the art, ideas, and issues of his time. Guthrie may have been born in the Oklahoma hills, but his most productive years were spent in the metropolitan centers of Los Angeles and New York. Machines and their physics were among his favorite metaphors, fast cars were his passion, and airplanes and even flying saucers were his frequent subjects. His career-long immersion in radio, recording, and film inspired trenchant observations concerning mass media and communication, and he contributed to modern art as a prolific abstract painter, graphic artist, and sculptor. This book explores how, through multiple artistic forms, Guthrie thought and felt about the scientific method, atomic power, and war technology, as well as the shifting dynamics of gender and race. Drawing on previously unpublished archival sources, Kaufman brings to the fore what Guthrie’s insistently folksy popular image obscures: the essays, visual art, letters, verse, fiction, and voluminous notebook entries that reveal his profoundly modern sensibilities. Woody Guthrie emerges from these pages as a figure whose immense artistic output reflects the nation’s conflicted engagement with modernity. Capturing the breathtaking social and technological changes that took place during his extraordinarily productive career, Woody Guthrie’s Modern World Blues offers a unique and much-needed new perspective on a musical icon.

Download or read book Modernist Communities across Cultures and Media written by Caroline Pollentier and published by University Press of Florida. This book was released on 2019-02-01 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: Marked by a rejection of traditional affiliations such as nation, family, and religion, modernism is often thought to privilege the individual over the community. The contributors to this volume question this assumption, uncovering the communal impulses of the modernist period across genres, cultures, and media. Contributors show how modernist artists and intellectuals reconfigured relations between the individual and the collective. They examine Dada art practices that involve games and play; shared reactions to the post–World War I rhetoric of Woodrow Wilson; the reception of James Joyce’s Ulysses in Harlem Renaissance circles; the publishing platform of the Bengali literary review Parichay; popular radio shows and news broadcasts; and the universal aspects of film-viewing. They also explore radical reimaginings of community as seen in the collective cohabiting envisioned by Virginia Woolf, the utopian experiment of Black Mountain College, and the communal autobiographies of Gertrude Stein. The essays demonstrate that these pluralist ecosystems based on participation were open to paradox, dissent, and multiple perspectives. Through a transnational and transmedial lens, this volume argues that the modernist period was a breakthrough in a rethinking of community that continues in the postmodern era. Contributors: Hélène Aji | Jessica Berman | Jeremy Braddock | Supriya Chaudhuri | Debra Rae Cohen | Melba Cuddy-Keane | Claire Davison | Irene Gammel

Download or read book Bright Signals written by Susan Murray and published by Duke University Press. This book was released on 2018-07-26 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: First demonstrated in 1928, color television remained little more than a novelty for decades as the industry struggled with the considerable technical, regulatory, commercial, and cultural complications posed by the medium. Only fully adopted by all three networks in the 1960s, color television was imagined as a new way of seeing that was distinct from both monochrome television and other forms of color media. It also inspired compelling popular, scientific, and industry conversations about the use and meaning of color and its effects on emotions, vision, and desire. In Bright Signals Susan Murray traces these wide-ranging debates within and beyond the television industry, positioning the story of color television, which was replete with false starts, failure, and ingenuity, as central to the broader history of twentieth-century visual culture. In so doing, she shows how color television disrupted and reframed the very idea of television while it simultaneously revealed the tensions about technology's relationship to consumerism, human sight, and the natural world.