Download or read book Light Music in Britain since 1870 A Survey written by Geoffrey Self and published by Routledge. This book was released on 2017-07-05 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: In many ways the history of British light music knits together the social and economic history of the country with that of its general musical heritage. Numerous 'serious' composers from Elgar to Britten composed light music, and the genre adapted itself to incorporate the changing fashions heralded by the rise and fall of music hall, the drawing room ballad, ragtime, jazz and the revue. From the 1950s the recording and broadcasting industries provided a new home for light music as an accompaniment to radio programmes and films. Geoffrey Self deftly handles a wealth of information to illustrate the immense role that light music has played in British culture over the last 130 years. His insightful assessments of the best and the most shameful examples of the genre help to pinpoint its enduring qualities; qualities which enable it to maintain a presence in the face of today's domination by commercial popular music.
Download or read book British Light Music written by Philip L. Scowcroft and published by Dance Books Limited. This book was released on 2013-05 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eric Coates, Haydn Wood, Albert Ketelbey, Alfred Reynolds, Hubert Bath, Billy Mayerl, Richard Addinsell, and many more. British light music, immensely tuneful and always well crafted, was enormously popular in the early to mid-twentieth century. It has been largely ignored by music dictionaries and serious critics, yet for so long it played an important part in the lives of millions. This completely reset edition of a major work on the subject, containing a series of biographical and musical essays on some of the most celebrated.
Download or read book Light Music in Britain since 1870 A Survey written by Geoffrey Self and published by Routledge. This book was released on 2017-07-05 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: In many ways the history of British light music knits together the social and economic history of the country with that of its general musical heritage. Numerous 'serious' composers from Elgar to Britten composed light music, and the genre adapted itself to incorporate the changing fashions heralded by the rise and fall of music hall, the drawing room ballad, ragtime, jazz and the revue. From the 1950s the recording and broadcasting industries provided a new home for light music as an accompaniment to radio programmes and films. Geoffrey Self deftly handles a wealth of information to illustrate the immense role that light music has played in British culture over the last 130 years. His insightful assessments of the best and the most shameful examples of the genre help to pinpoint its enduring qualities; qualities which enable it to maintain a presence in the face of today's domination by commercial popular music.
Download or read book British Light Music written by Sidney Torch and published by . This book was released on 1997 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book British Light Music written by Ronald Binge and published by . This book was released on 1994 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book British light music written by Ron Goodwin and published by . This book was released on 1996 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book British Light Music Classics Vol 2 written by New London Orchestra (1988- ) and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Britpop and the English Music Tradition written by Jon Stratton and published by Routledge. This book was released on 2016-04-15 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Britpop and the English Music Tradition is the first study devoted exclusively to the Britpop phenomenon and its contexts. The genre of Britpop, with its assertion of Englishness, evolved at the same time that devolution was striking deep into the hegemonic claims of English culture to represent Britain. It is usually argued that Britpop, with its strident declarations of Englishness, was a response to the dominance of grunge. The contributors in this volume take a different point of view: that Britpop celebrated Englishness at a time when British culture, with its English hegemonic core, was being challenged and dismantled. It is now timely to look back on Britpop as a cultural phenomenon of the 1990s that can be set into the political context of its time, and into the cultural context of the last fifty years - a time of fundamental revision of what it means to be British and English. The book examines issues such as the historical antecedents of Britpop, the subjectivities governing the performative conventions of Britpop, the cultural context within which Britpop unfolded, and its influence on the post-Britpop music scene in the UK. While Britpop is central to the volume, discussion of this phenomenon is used as an opportunity to examine the particularities of English popular music since the turn of the twentieth century.
Download or read book The Life and Music of Eric Coates written by Michael Payne and published by Routledge. This book was released on 2016-03-03 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eric Coates (1886-1957) is perhaps the most familiar name associated with British light music. Sir Charles Groves said that 'his music crackled with enthusiasm and vitality. He could write tunes and clothe them in the most attractive musical colours'. Coates won a scholarship to the Royal Academy of Music, and from 1912 to 1919 he was principal viola of the Queen's Hall Orchestra under Sir Henry Wood. He also played under such conductors as Elgar, Delius, Richard Strauss, Debussy, and Beecham. It was, however, as a composer of orchestral music that he found his greatest success. Beginning with the Miniature Suite, written for the 1911 Promenade Concerts, he forged an enviable reputation as a composer. By the 1920s and 1930s, he was one of the most popular and highest-paid British composers, with a string of popular works flowing from his pen. Coates' music has become indelibly entwined with such popular radio programmes as the BBC's In Town Tonight, which was introduced by the 'Knightsbridge' March and Desert Island Discs whose signature tune for the past forty years has been By the Sleepy Lagoon. Perhaps his most memorable work was his march for the Dam Busters film. Michael Payne traces the changing fortunes of the career of the man who composed some of Britain's best-known music. In many ways, Coates' story is the story of British light music, and Payne's study offers a fascinating insight into the heyday and decline of the British light music tradition.
Download or read book Conductors and Composers of Popular Orchestral Music written by Naomi Musiker and published by Routledge. This book was released on 2014-02-25 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: World-wide in scope and focusing on the second half of the 20th century, this work provides biographies and discographies of some 500 composers and conductors of light and popular orchestral music, including film, show, theatre and mood music. The book is arranged in two sequences: 1) Biographies and select discographies, both arranged alphabetically, of the well-known and better-known conductors and composers. These entries also include a list of suggested reading for those wishing to further their studies; and 2) Select discographies of conductors about whom little or no biographical information is available. The bibliography at the end of the book covers discographical sources, popular music and film music. This is the first time that the lives and recordings of such artists as Kostelanetz, Faith, and Gould as well as the orchestral recordings of such great popular composers as Gershwin, Kern, Porter, Rodgers, Berlin and Coward have been documented and presented in an encyclopedic form.
Download or read book Twentieth Century Music Writers A Hyperlist written by Neil E. Clement and published by MTCC Publishing Company . This book was released on 2019-10-01 with total page 742 pages. Available in PDF, EPUB and Kindle. Book excerpt: How many composers, songwriters and lyricists wrote music in the twentieth century?? Who were they?? This first edition identifies more than 14,000 people who did so, and all are listed in this eBook alphabetically along with a hyperlink to their Wikipedia biographical data. Performers of blues, folk, jazz, rock & roll and R&B are included by default. PLEASE NOTE: THE HYPERLINKS IN THIS BOOK ONLY FUNCTION ON GOOGLE PLAY aka THE 'FLOWING' VERSION. The hyperlinks in this book DO NOT CURRENTLY FUNCTION on the GOOGLE BOOKS ' FIXED' version.
Download or read book My Musical World written by John Fox Arcm and published by Strategic Book Publishing. This book was released on 2009-12 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: John Fox's natural talents for composing, arranging and conducting were tenderly nurtured in London's Royal College of Music where he achieved ARCM (Associate of Royal College of Music). John's undeniable genius forged in the crucible of toil, study and unremitting search for perfection has long been recognised by his peers. This autobiography contains the ups and downs of a lifetime in music some sad times, emotional and happy and some tragic disasters. Millions of listeners in the USA, Great Britain, Japan, South Africa and Germany, plus many other countries throughout the world, have found much pleasure and exhilaration in John's wonderful music including radio networks, his many record albums and live performances. Determination and hard work have seen him through some hard times, but it proves that if you have a talent (not only in music) that with a lot of hard study and love, the world will be at your feet! --Chris Morgan, BBC Executive Producer
Download or read book The Land Without Music written by Andrew Blake and published by Manchester University Press. This book was released on 1997 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the trajectories, linearities and paradoxes which have constituted contemporary British music. Provides an account of how British music came to be what it is in the 1990s.
Download or read book Musical Style and Social Meaning written by DerekB. Scott and published by Routledge. This book was released on 2017-07-05 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why do we feel justified in using adjectives such as romantic, erotic, heroic, melancholic, and a hundred others when speaking about music? How do we locate these meanings within particular musical styles? These are questions that have occupied Derek Scott's thoughts and driven his critical musicological research for many years. In this selection of essays, dating from 1995-2010, he returns time and again to examining how conventions of representation arise and how they become established. Among the themes of the collection are social class, ideology, national identity, imperialism, Orientalism, race, the sacred and profane, modernity and postmodernity, and the vexed relationship of art and entertainment. A wide variety of musical styles is discussed, ranging from jazz and popular song to the symphonic repertoire and opera.
Download or read book The Sounds of the Silents in Britain written by Julie Brown and published by Oxford University Press. This book was released on 2013 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early cinemas were noisy places with pianos, organs, ensembles of all varieties and sometimes full orchestras accompanied films. Britain, a key cultural player in the entertainment world both at the time and now, has a different history than the US of musical cultures and film production.
Download or read book We Sang and Whistled Then written by John H Evans and published by Xlibris Corporation. This book was released on 2021-02-15 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: There is a magic to music—a feeling created that removes one from the humdrum constraints of everyday life to a wonderful make-believe world where, as famous lyricist E. Y. (Yip) Harburg put it in ‘Over the Rainbow’, troubles melt like lemon drops and dreams really do come true. In this book, you’ll meet the men of the early twentieth century who wrote the most wonderful creative music the world has ever known. Their music was matched by the brilliance of the lyricists, who were indeed the poets of the modern age. These men created a superb anthology of popular music, a canon that today is justifiably known as the Great American Songbook.
Download or read book Opera in the British Isles 1875 1918 written by Paul Rodmell and published by Routledge. This book was released on 2016-05-13 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: While the musical culture of the British Isles in the 'long nineteenth century' has been reclaimed from obscurity by musicologists in the last thirty years, appraisal of operatic culture in the latter part of this period has remained largely elusive. Paul Rodmell argues that there were far more opportunities for composers, performers and audiences than one might expect, an assertion demonstrated by the fact that over one hundred serious operas by British composers were premiered between 1875 and 1918. Rodmell examines the nature of operatic culture in the British Isles during this period, looking at the way in which opera was produced and 'consumed' by companies and audiences, the repertory performed, social attitudes to opera, the dominance of London's West End and the activities of touring companies in the provinces, and the position of British composers within this realm of activity. In doing so, he uncovers the undoubted challenges faced by opera in Britain in this period, and delves further into why it was especially difficult to make a breakthrough in this particular genre when other fields of compositional endeavour were enjoying a period of sustained growth. Whilst contemporaneous composers and commentators and later advocates of British music may have felt that the country's operatic life did not measure up to their aspirations or ambitions, there was still a great deal of activity and, even if this was not necessarily that which was always desired, it had a significant and lasting impact on musical culture in Britain.
