Download or read book British Landscape Drawings and Watercolors 1750 1850 written by Henry E. Huntington Library and Art Gallery and published by Huntington Library Press. This book was released on 1981 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt: The twenty-four examples presented in this book illustrate the variety, quality, and quantity of landscape art produced in England from the mid-eighteenth to the mid-nineteenth centuries, to be found in the Huntington collections.

Download or read book British Landscape Watercolors 1750 1850 written by Jane Munro and published by New Amsterdam Books. This book was released on 1994 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rarely exhibited and in superb condition, the watercolor collection in the Fitzwilliam Museum, Cambridge is one of the finest in the world. This book contains the gems of that collection--approximately 150, all of them reproduced large and in color, mostly for the first time. The most famous artists of this, the 'Golden Age' of British watercolor art, are all represented (Turner, Cotman, DeWint, Cox, Cozens, Girtin, Palmer, Constable, Ruskin, Sandby, Towne, Varley) together with some less well known, or better known for work in other media--Wilson, Wright of Derby, Romney, Gainsborough, Holland, for example. But the collection is most remarkable for the outstanding quality of the individual paintings, and Jane Munro (Senior Assistant Keeper at the Museum) emphasizes this in a text that closely examines each particular work and locates it in the artist's career.

Download or read book Places of the Mind written by Kim Sloan and published by Thames & Hudson. This book was released on 2023 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fresh perspective on British landscape drawing in the Victorian and Modern eras. The attempts by artists of the Victorian and early Modern period to convey not merely the physical properties of a landscape but also its emotional and spiritual impact - landscape as 'places of the mind', as the critic Geoffrey Grigson put it - is the focus of this fascinating new study of British watercolours produced between 1850 and 1950. Drawing on the British Museum's impressive collection, this book explores artists' spiritual quests to capture the essence of landscape and convey a sense of place. Artists of the later nineteenth and early twentieth centuries drew on earlier traditions but developed and extended the genre through their imaginative, personal responses to the artistic, cultural and social upheavals of the time. The book includes works by Victorian artists Edward Burne-Jones, Dante Gabriel Rossetti and Edward Poynter and by many well known twentieth-century artists, such as John and Paul Nash, Ben Nicholson and Henry Moore, some of which have never previously been published.

Download or read book Glorious Nature written by Katharine Baetjer and published by . This book was released on 1993 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: This aptly named volume brings together 91 masterpieces in oil and watercolor by 44 artists, the zenith of England's sublime landscape tradition. These beautiful, innovative works represent the most talented artists of the genre -- including Gainsborough, Wright of Derby, Turner, and Constable.

Download or read book Great British Watercolors written by Matthew Hargraves and published by Yale University Press. This book was released on 2007-01-01 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Paul Mellon (1907--1999) assembled one of the world’s greatest collections of British drawings and watercolors. In his memoirs he wrote of their “beauty and freshness… their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” This catalogue celebrating the centenary of Mellon's birth features eighty-eight outstanding watercolors from the fifty thousand works of art on paper with which he endowed the Yale Center for British Art. The selection spans the emergence of watercolor painting in the mid-18th century to its apogee in the mid-19th. These works highlight the diversity of British watercolors, showcasing both landscape and figurative works by some of the principal artists working in the medium, including Thomas Gainsborough, Thomas Rowlandson, William Blake, and J. M.W. Turner.

Download or read book BRITISH LANDSCAPE DRAWINGS AND WATERCOLORS 1750 1850 written by and published by . This book was released on 1981 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book British Landscape Drawings and Watercolors 1750 1850 written by Henry E. Huntington Library and Art Gallery and published by Huntington Library Press. This book was released on 1981 with total page 60 pages. Available in PDF, EPUB and Kindle. Book excerpt: The twenty-four examples presented in this book illustrate the variety, quality, and quantity of landscape art produced in England from the mid-eighteenth to the mid-nineteenth centuries, to be found in the Huntington collections.

Download or read book British Paintings in the Metropolitan Museum of Art 1575 1875 written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 2009 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Covering the period between the late 16th century through to the third quarter of the 19th century, this book features paintings by English, Scottish, Welsh and Irish artists which are part of the collection of the Metropolitan Museum of Art.

Download or read book The Grove Encyclopedia of Materials and Techniques in Art written by Gerald W. R. Ward and published by . This book was released on 2008 with total page 848 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Grove Encyclopedia of Materials and Techniques deals with all aspects of materials, techniques, conservation, and restoration in both traditional and nontraditional media, including ceramics, sculpture, metalwork, painting, works on paper, textiles, video, digital art, and more. Drawing upon the expansive scholarship in The Dictionary of Art and adding new entries, this work is a comprehensive reference resource for artists, art dealers, collectors, curators, conservators, students, researchers, and scholars." "Similar in design to The Grove Encyclopedia of Decorative Arts, this one-volume reference work contains articles of various lengths in alphabetical order. The shorter, more factual articles are combined with larger, multi-section articles tracing the development of materials and techniques in various geographical locations. The Encyclopedia provides unparalleled scope and depth, and it offers fully updated articles and bibliography as well as over 150 illustrations and color plates." "The Grove Encyclopedia of Materials and Techniques offers scholarly information on materials and techniques in art for anyone who studies, creates, collects, or deals in works of art. The entries are written to be accessible to a wide range of readers, and the work is designed as a reliable and convenient resource covering this essential area in the visual arts."

Download or read book British Watercolours from the Opp Collection written by Tate Gallery and published by . This book was released on 1997 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published to accompany exhibition held at the Tate Gallery 10/9 - 30/11 1997.

Download or read book British Watercolors 1750 1950 written by Katherine Coombs and published by Victoria & Albert Museum. This book was released on 2012-10 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: British Watercolours explores the many ways in which British artists have employed this versatile medium.

Download or read book The Great Age of British Watercolours 1750 1880 written by Andrew Wilton and published by Te Neues Publishing Company. This book was released on 1993 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The revolution in watercolours of the later eighteenth century and its Victorian aftermath is acknowledged to be one of the greatest triumphs of British art. Its effect was to transform the modest tinted drawing of the topographer into a powerful and highly flexible means of expression for some of the Romantic era's greatest artists, among them Thomas Girtin, J.M.W. Turner and John Constable. The painters of the next generation were no less ambitious, and the range of subject-matter and technical inventiveness that was sustained for much of the Victorian period was to set a standard in watercolour painting that was without equal abroad." "In this magnificently illustrated survey of the great age of British watercolours, Andrew Wilton and Anne Lyles trace the development of attitudes to landscape and to the human figure in the landscape from 1750 to 1880. They show how once the traditional pen and ink drawing and its augmented washes of colour had been abandoned in order to paint directly in watercolours without pen outlines, the way was open for the powerful Romantic landscapes of the following decade and beyond, many of which were painted in the wild mountainous regions of Wales and Scotland." "During the nineteenth century, as the gilt-framed exhibition watercolour began to challenge the long-established oil painting in terms of size and in brilliance of colour and effect, the range of subject-matter was broadened to include scenes of country and town life from every part of Britain and, increasingly, from the Continent too. By mid-century the Near East was attracting many of the greatest Victorian watercolourists, including J. E. Lewis, David Roberts and Edward Lear. Other leading Victorians who regularly worked in watercolour include the Pre-Raphaelite painters John Everett Millais and William Holman Hunt, and the American-born James McNeill Whistler, all of whom are included in this book."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Download or read book Common Land in English Painting 1700 1850 written by Ian Waites and published by Boydell Press. This book was released on 2012 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: An examination of the treatment of common land in the work of English painters, at a time when much of it was to disappear forever. A most elegantly written book that calmly knocked many entrenched but erroneous notions about British landscape painting firmly on the head. Longlisted and commended by the judges of the 2013 William M. B. Berger prize forBritish art history. During the eighteenth and nineteenth centuries, much of England's common land was eradicated by the processes of parliamentary enclosure. However, despite the fact that the landscape was frequentlyviewed as unproductive, outmoded and unsightly, many British landscape painters of the time - including Constable, Gainsborough and Turner - resolutely continued to depict it. This book is the first full study of how they did so, using evidence drawn not only from art-historical picture analysis, but from contemporary poems and novels, and the contemporary pamphlets, essays and reports that advanced the rhetoric of both agricultural improvement and new theories on landscape aesthetics. It highlights a deep-rooted social and cultural attachment to the common field landscape, and demonstrates that common land played a significant but - until now - underestimated role in both the history of English art and of the formation of an English national identity, reflecting what are still highly sensitive issues of progress, nostalgia and loss within the English countryside. Recasting common land as a recurrentfacet of English culture in the modern period, the numerous paintings, drawings and prints featured in this book give the reader a comprehensive and evocative sense of what this now almost wholly lost landscape looked like in itshey-day. Ian Waites is Senior Lecturer in History of Art and Design at the University of Lincoln.

Download or read book British Art 1740 1820 written by Robert R. Wark and published by Huntington Library Press. This book was released on 1992 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book marks the retirement of Robert Wark as Curator of the Huntington Art Collections and reflects his wide interests in the field of British art. Contributors include Shelley Bennett, David Bindman, Martin Butlin, Patricia Crown, Robert Essick, John Hayes, Ronald Paulson, Jules Prown, Graham Reynolds, and Duncan Robinson. Topics covered in this volume include the connection between the political and the aesthetic in Hogarth's art, verbal/visual relationships in British book illustration, Blake's illustrations to Paradise Lost, late-eighteenth-century portrait miniatures, Cotes's double portrait of the Crathornes, the French Revolution in English graphic art of the 1790s, comic art and the rococo, a study of a Reynolds portrait, and a tribute by John Hayes to Robert Wark's thirty-five years of curatorship of the Huntington Art Collections. The essays are accompanied by 122 color and black and white illustrations of items from leading British and American art collections.

Download or read book The Emergence of the Professional Watercolourist written by Greg Smith and published by Routledge. This book was released on 2018-01-12 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title was first published in 2002: Draw ing on extensive primary research, Greg Smith describes the shifting cultural identities of the English watercolour, and the English watercolourist, at the end of the eighteenth and the beginning of the nineteenth century. His convincing narrative of the conflicts and alliances that marked the history of the medium and its practitioners during this period includes careful detail about the broader artistic context within which watercolours were produced, acquired and discussed. Smith calls into question many of the received assumptions about the history of watercolour painting. His account exposes the unsatisfactory nature of the traditional narrative of watercolour painting’s development into a ’high’ art form, which has tended to offer a celebratory focus on the innovations and genius of individual practitioners such as Turner and Girtin, rather than detailing the anxieties and aspirations that characterized the ambivalent status of the watercolourist. The Emergence of the Professional Watercolourist is published with the assistance of the Paul Mellon Foundation.

Download or read book New York Magazine written by and published by . This book was released on 1992-06-15 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt: New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Download or read book Spatial Imaginings in the Age of Colonial Cartographic Reason written by Nilanjana Mukherjee and published by Taylor & Francis. This book was released on 2020-05-18 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores how India as a geographical space was constructed by the British colonial regime in visual and material terms. It demonstrates the instrumentalisation of cultural artefacts such as landscape paintings, travel literature and cartography, as spatial practices overtly carrying scientific truth claims, to materially produce artificial spaces that reinforced power relations. It sheds light on the primary dominance of cartographic reason in the age of European Enlightenment which framed aesthetic and scientific modes of representation and imagination. The author cross-examines this imperial gaze as a visual perspective which bore the material inscriptions of a will to assert, possess and control. The distinguishing theme in this study is the production of India as a new geography sourced from Britain's own interaction with its rural outskirts and domination in its fringes. This book: Addresses the concept of "production of space" to study the formulation of a colonial geography which resulted in the birth of a new place, later a nation; Investigates a generative period in the formation of British India c. 1750–1850 as a colonial territory vis-à-vis its representation and reiteration in British maps, landscape paintings and travel writings; Brings Great Britain and British India together on one plane not only in terms of the physical geo-spaces but also in the excavation of critical domains by alluding to critics from both spaces; Seeks to understand the pictorial grammar that legitimised the expansive British imperial cartographic gaze as the dominant narrative which marginalised all other existing local ideas of space and inhabitation. Rethinking colonial constructions of modern India, this volume will be of immense interest to scholars and researchers of modern history, cultural geography, colonial studies, English literature, cultural studies, art, visual studies and area studies.