Download or read book Blacks in Classical Music II written by John Gray and published by . This book was released on 2023-05 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: People of African descent have been active in Western art music since its inception. Black performers were valued members of court orchestras starting in the early 1500s, and since the 18th century have been acclaimed as both performers and composers in locales ranging from Europe and the United States to sub-Saharan Africa, the Caribbean and Latin America. However, this rich legacy remains little known. This monumental new work seeks to correct that oversight. A long-awaited sequel to John Gray¿s acclaimed Blacks in Classical Music it draws on more than three decades of research to survey the vast amount of print, digital and archival material that has emerged since the late 1980s. Fully annotated and cross-referenced it offers a comprehensive overview of all scholarly writings on the subject as well as a more selective representation of reportage from the mainstream and Black press.
Download or read book Blacks in Classical Music written by and published by Greenwood. This book was released on 1988-06-20 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first in a projected series of idiom-specific bibliographies in black music, this work treats classical music. It is a comprehensive index to newspaper and periodical indexes, biographical dictionaries, bibliographies, dissertations and theses, music collections, and published discographies. . . . Scholars, researchers, students, and reference librarians will find that this guide makes searching easier; bibliographers will welcome its detailed and helpful bibliographies. . . . A very fine addition for all music and academic libraries. Choice This comprehensive guide is the first to cover the full range of black activity in classical music, with more than 4,000 references to over 300 performers and ensembles. Compiler John Gray has organized a wealth of resources spanning from the mid-eighteenth century to the present, and ranging geographically from Europe and Africa to the United States, Latin America, and the Caribbean. Containing sections on composers, conductors, individual instrumentalists, symphony orchestras, opera singers and companies, the work builds on earlier research in this long-neglected subject, and brings the black musical legacy to new levels of prominence and accessibility.
Download or read book Blacks in Classical Music written by Raoul Abdul and published by Dodd Mead. This book was released on 1977 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the moment that Joseph Boulogne Saint-Georges poised his violin to play at the court of Louis XVI in eighteenth-century France, the Black presence has been felt in the world of classical music. Today, the names of Leontyne Price and Andre Watts are household words. These are only two of the hundreds of Blacks who have made important contributions to the concert and opera scene. For over a quarter of a century, the author's provocative and often witty review of musical events have appeared in the Black press. In this informal history, he uses some of these pieces as a point of departure for discussion of Blacks in classical music from the eighteenth century to the present day. Included are composers, singers, operas and opera companies, keyboard artists, instrumentalists, conductors, orchestras, choruses, and critics.
Download or read book Blacks in classical music written by and published by . This book was released on 1988 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Blacks in Classical Music written by Raoul Abdul and published by . This book was released on 1977 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book What Do You Know about Blacks in Classical Music written by Henry V. S. Thomas and published by . This book was released on 1989 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music of Sub Saharan Africa written by John Gray and published by . This book was released on 2018-03-26 with total page 1136 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dvorak s Prophecy And the Vexed Fate of Black Classical Music written by Joseph Horowitz and published by W. W. Norton & Company. This book was released on 2021-11-23 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”
Download or read book Digging written by Amiri Baraka and published by Univ of California Press. This book was released on 2009 with total page 438 pages. Available in PDF, EPUB and Kindle. Book excerpt: "As a commentator on American music, and African American music in particular, Baraka occupies a unique niche. His intelligence, critical sense, passion, strong political stances, involvement with musicians and in the musical world, as well as in his community, give his work a quality unlike any other. As a reviewer and as someone inside the movement, he writes powerfully about music as few others can or do."—Steven L. Isoardi, author of Central Avenue Sounds: Jazz in Los Angeles "Every jazz musician who has endured beyond changing fashions and warring cultures has had a signature sound. Amiri Baraka—from the very beginning of his challenging, fiery presence on the jazz scene—has brought probing light, between his off-putting thunderclaps, on what is indeed America's classical music. I sometimes disagree insistently with Amiri, and it's mutual; but when he gets past his parochial pyrotechnics, as in choruses in this book, he brings you into the life force of this music."—Nat Hentoff, author of The Jazz Life
Download or read book ITS OUR MUSIC TOO written by Earl Ofari Hutchinson and published by Middle Passage Press. This book was released on 2016-10-14 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: Groundbreaking Book Explores the Black Impact on Classical Music Earl Ofari Hutchinson meticulously details in his It's Our Music Too The Black Experience in Classical Music the black impact on classical music. Hutchinson notes that there are numerous books which have dissected and re-dissected every possible aspect of classical music-the composers, performers, their compositions, the musical structure, the history, and even the gossip and minutiae about the composers and performers. Yet, there are almost no books that focus on the significant part that black composers and performers played in influencing and in turn being influenced by classical music "The list of Africans, African-Americans and Afro-European composers, conductors, instrumental performers, and singers," says Hutchinson, "is and always has been, rich, varied, and deep. Sadly, the recognition of this has almost always come in relation to the work of a major European or white American composer." Hutchinson's aim in It's Our Music Too The Black Experience in Classical Music is not to update a book on blacks and classical music, or list the many notable individual breakthroughs of top flight black classical music performers and composers through the years. Instead he tells the story of how blacks have actually influenced the development, history and structure of classical music in its major varied forms; opera, chamber pieces, symphonies, and concertos. It's a story that's filled with tragedy and triumph, heart break and heroism. Hutchinson gives an exciting and entertaining glimpse into Mozart's "borrowing" a musical idea from the black violin virtuoso Chevalier Saint-Georges in the eighteenth century, Dvorak's basing a major part of his New World Symphony on Negro Spirituals in the nineteenth century, and composers such as Gershwin, Copeland. Stravinsky and Ravel, wildly embracing jazz and blues in some of their popular and acclaimed works in the twentieth century. It's Our Music Too The Black Experience in Classical Music is a fast paced, reader friendly, easy to understand look at just exactly what and how the greats in classical music have borrowed from and paid homage to jazz, blues, ragtime, boogie woogie and Negro spirituals. "Throughout I name and recommend many pieces to listen to by the greats of classical music," notes Hutchinson, "who were directly inspired by black musical forms as well as the works of black composers who have written exceptional works that have influenced the works of other classical composers." Hutchinson also tells how black performers such as Roland Hayes with his unique interpretations of German leider, and Marian Anderson and Jessye Norman with their distinctive tones and vibrant, fresh renderings of, and subsequent path breaking performances in the major works of opera giants, Giuseppi Verdi and Richard Wagner have greatly altered how these master's works are heard today. It's Our Music Too The Black Experience in Classical Music, takes the reader on an exciting, eye opening, and revealing journey through the world of classical music in which the major critics, composers and performers tell in their words their appreciation of the major contribution blacks made to classical music. "It is no exaggeration or overstatement to say that classical music does owe a debt to the black experience in classical music," says Hutchinson, "And the goal is to show music lovers and readers how that debt continues to be paid in concert halls everywhere."
Download or read book Black Classical Musicians in Philadelphia written by Elaine Mack and published by . This book was released on 2009 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In over 45 personal interviews, 4 generations of classically trained Black musicians, ranging in age from 17 to 95, tell their peronal stories. Most of these musicians were born, bred, educated, and in all cases, contributed significantly to the musical life of the great city of Philadelphia, a city with a well established and vital Black community"--Jacket.
Download or read book Singing Like Germans written by Kira Thurman and published by Cornell University Press. This book was released on 2021-10-15 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Singing Like Germans, Kira Thurman tells the sweeping story of Black musicians in German-speaking Europe over more than a century. Thurman brings to life the incredible musical interactions and transnational collaborations among people of African descent and white Germans and Austrians. Through this compelling history, she explores how people reinforced or challenged racial identities in the concert hall. Throughout the nineteenth and twentieth centuries, audiences assumed the categories of Blackness and Germanness were mutually exclusive. Yet on attending a performance of German music by a Black musician, many listeners were surprised to discover that German identity is not a biological marker but something that could be learned, performed, and mastered. While Germans and Austrians located their national identity in music, championing composers such as Bach, Beethoven, and Brahms as national heroes, the performance of their works by Black musicians complicated the public's understanding of who had the right to play them. Audiences wavered between seeing these musicians as the rightful heirs of Austro-German musical culture and dangerous outsiders to it. Thurman explores the tension between the supposedly transcendental powers of classical music and the global conversations that developed about who could perform it. An interdisciplinary and transatlantic history, Singing Like Germans suggests that listening to music is not a passive experience, but an active process where racial and gendered categories are constantly made and unmade.
Download or read book Carnival Calypso and Steel Pan written by John Gray and published by . This book was released on 2015-04-10 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Seeing Race Again written by Kimberlé Williams Crenshaw and published by Univ of California Press. This book was released on 2019-02-05 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: Every academic discipline has an origin story complicit with white supremacy. Racial hierarchy and colonialism structured the very foundations of most disciplines’ research and teaching paradigms. In the early twentieth century, the academy faced rising opposition and correction, evident in the intervention of scholars including W. E. B. Du Bois, Zora Neale Hurston, Carter G. Woodson, and others. By the mid-twentieth century, education itself became a center in the struggle for social justice. Scholars mounted insurgent efforts to discredit some of the most odious intellectual defenses of white supremacy in academia, but the disciplines and their keepers remained unwilling to interrogate many of the racist foundations of their fields, instead embracing a framework of racial colorblindness as their default position. This book challenges scholars and students to see race again. Examining the racial histories and colorblindness in fields as diverse as social psychology, the law, musicology, literary studies, sociology, and gender studies, Seeing Race Again documents the profoundly contradictory role of the academy in constructing, naturalizing, and reproducing racial hierarchy. It shows how colorblindness compromises the capacity of disciplines to effectively respond to the wide set of contemporary political, economic, and social crises marking public life today.
Download or read book Blackness in Opera written by Naomi Andre and published by University of Illinois Press. This book was released on 2012-03-01 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley. Contributors are Naomi André, Melinda Boyd, Gwynne Kuhner Brown, Karen M. Bryan, Melissa J. de Graaf, Christopher R. Gauthier, Jennifer McFarlane-Harris, Gayle Murchison, Guthrie P. Ramsey Jr., Eric Saylor, Sarah Schmalenberger, Ann Sears, George Shirley, and Jonathan O. Wipplinger.
Download or read book Anton n Dvo r k s New World Symphony written by Douglas W. Shadle and published by Oxford University Press, USA. This book was released on 2021 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Prologue. The Big Problem -- The Welcome Arrival -- The Symphonic Premiere -- The Aesthetic Conflict -- The National Question -- The Brewing Storm -- The Fiery Debate -- The Racial Challenge -- The Spiritual Aftermath -- Epilogue. The New World -- Appendix. The Musical Tornado.
Download or read book Lift Every Voice written by Burton William Peretti and published by Rowman & Littlefield. This book was released on 2009 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Looks at the history of African American music from its roots in Africa and slavery to the present day and examines its place within African American communities and the nation as a whole.
