Download or read book Black Popular Music in America written by Arnold Shaw and published by Simon & Schuster Books For Young Readers. This book was released on 1986 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: As Shaw correctly states, no single volume covers the history of black popular music in its entirety, and most studies have focused on the white mainstream. American pop music is in fact a blend of black and white musical influences that can be better understood if explored from a black perspective. Shaw examines five key black stylesminstrelsy, spirituals, ragtime, jazz, and bluesanalyzing the origins and developments of each, profiling important artists and songs, and exploring the "white synthesis." Often the "synthesis" has amounted to little more than a soulless white imitation of inspired black stylistic innovations.
Download or read book Black Music in America written by James Haskins and published by T.Y. Crowell Junior Books. This book was released on 1987 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Surveys the history of black music in America, from early slave songs through jazz and the blues to soul, classical music, and current trends.
Download or read book Race Music written by Guthrie P. Ramsey and published by Univ of California Press. This book was released on 2004-11-22 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music.
Download or read book The Story of African American Music written by Andrew Pina and published by Greenhaven Publishing LLC. This book was released on 2017-07-15 with total page 106 pages. Available in PDF, EPUB and Kindle. Book excerpt: The influence of African Americans on music in the United States cannot be overstated. A large variety of musical genres owe their beginnings to black musicians. Jazz, rap, funk, R&B, and even techno have roots in African American culture. This volume chronicles the history of African American music, with spotlights on influential black musicians of the past and present. Historical and contemporary photographs, including primary sources, contribute to an in-depth look at this essential part of American musical history.
Download or read book Digging written by Amiri Baraka and published by Univ of California Press. This book was released on 2009-05-26 with total page 425 pages. Available in PDF, EPUB and Kindle. Book excerpt: For almost half a century, Amiri Baraka has ranked among the most important commentators on African American music and culture. In this brilliant assemblage of his writings on music, the first such collection in nearly twenty years, Baraka blends autobiography, history, musical analysis, and political commentary to recall the sounds, people, times, and places he's encountered. As in his earlier classics, Blues People and Black Music, Baraka offers essays on the famous—Max Roach, Charlie Parker, Miles Davis, John Coltrane—and on those whose names are known mainly by jazz aficionados—Alan Shorter, Jon Jang, and Malachi Thompson. Baraka's literary style, with its deep roots in poetry, makes palpable his love and respect for his jazz musician friends. His energy and enthusiasm show us again how much Coltrane, Albert Ayler, and the others he lovingly considers mattered. He brings home to us how music itself matters, and how musicians carry and extend that knowledge from generation to generation, providing us, their listeners, with a sense of meaning and belonging.
Download or read book The Music of Black Americans written by Eileen Southern and published by W. W. Norton & Company. This book was released on 1997 with total page 710 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beginning with the arrival of the first Africans in the English colonies, Eileen Southern weaves a fascinating narrative of intense musical activity. As singers, players, and composers, black American musicians are fully chronicled in this landmark book. Now in the third edition, the author has brought the entire text up to date and has added a wealth of new material covering the latest developments in gospel, blues, jazz, classical, crossover, Broadway, and rap as they relate to African American music.
Download or read book Black Music in America written by James Haskins and published by T.Y. Crowell Junior Books. This book was released on 1987 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Surveys the history of black music in America, from early slave songs through jazz and the blues to soul, classical music, and current trends.
Download or read book Blues People written by Leroi Jones and published by Harper Collins. This book was released on 1999-01-20 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The path the slave took to 'citizenship' is what I want to look at. And I make my analogy through the slave citizen's music -- through the music that is most closely associated with him: blues and a later, but parallel development, jazz... [If] the Negro represents, or is symbolic of, something in and about the nature of American culture, this certainly should be revealed by his characteristic music." So says Amiri Baraka in the Introduction to Blues People, his classic work on the place of jazz and blues in American social, musical, economic, and cultural history. From the music of African slaves in the United States through the music scene of the 1960's, Baraka traces the influence of what he calls "negro music" on white America -- not only in the context of music and pop culture but also in terms of the values and perspectives passed on through the music. In tracing the music, he brilliantly illuminates the influence of African Americans on American culture and history.
Download or read book Black Noise written by Tricia Rose and published by Wesleyan. This book was released on 1994-04-24 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: From its beginnings in hip hop culture, the dense rhythms and aggressive lyrics of rap music have made it a provocative fixture on the American cultural landscape. In Black Noise: Rap Music and Black Culture in Contemporary America, Tricia Rose, described by the New York Times as a "hip hop theorist," takes a comprehensive look at the lyrics, music, cultures, themes, and styles of this highly rhythmic, rhymed storytelling and grapples with the most salient issues and debates that surround it. Assistant Professor of Africana Studies and History at New York University, Tricia Rose sorts through rap's multiple voices by exploring its underlying urban cultural politics, particularly the influential New York City rap scene, and discusses rap as a unique musical form in which traditional African-based oral traditions fuse with cutting-edge music technologies. Next she takes up rap's racial politics, its sharp criticisms of the police and the government, and the responses of those institutions. Finally, she explores the complex sexual politics of rap, including questions of misogyny, sexual domination, and female rappers' critiques of men. But these debates do not overshadow rappers' own words and thoughts. Rose also closely examines the lyrics and videos for songs by artists such as Public Enemy, KRS-One, Salt N' Pepa, MC Lyte, and L. L. Cool J. and draws on candid interviews with Queen Latifah, music producer Eric "Vietnam" Sadler, dancer Crazy Legs, and others to paint the full range of rap's political and aesthetic spectrum. In the end, Rose observes, rap music remains a vibrant force with its own aesthetic, "a noisy and powerful element of contemporary American popular culture which continues to draw a great deal of attention to itself."
Download or read book Lift Every Voice written by Burton William Peretti and published by Rowman & Littlefield. This book was released on 2009 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Looks at the history of African American music from its roots in Africa and slavery to the present day and examines its place within African American communities and the nation as a whole.
Download or read book What the Music Said written by Mark Anthony Neal and published by Routledge. This book was released on 2013-09-13 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1999. In What the Music Said, Mark Anthony Neal provides a timely study of from be-bop to Hip Hop. This book looks at the last fifty years of black popular music and provides an intriguing portrait of the existential and social forces that drove black communities to make music in protest, reaction and to fulfil their material and spiritual needs.
Download or read book The Black Musician and the White City written by Amy Absher and published by University of Michigan Press. This book was released on 2014-06-16 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of the history of African American musicians in Chicago during the mid-20th century
Download or read book Music of the Common Tongue written by Christopher Small and published by Wesleyan University Press. This book was released on 2012-01-01 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt: In clear and elegant prose, Music of the Common Tongue, first published in 1987, argues that by any reasonable reckoning of the function of music in human life the African American tradition, that which stems from the collision between African and European ways of doing music which occurred in the Americas and the Caribbean during and after slavery, is the major western music of the twentieth century. In showing why this is so, the author presents not only an account of African American music from its origins but also a more general consideration of the nature of the music act and of its function in human life. The two streams of discussion occupy alternate chapters so that each casts light on the other. The author offers also an answer to what the Musical Times called the "seldom posed though glaringly obtrusive" question: "why is it that the music of an alienated, oppressed, often persecuted black minority should have made so powerful an impact on the entire industrialized world, whatever the color of its skin or economic status?"
Download or read book Issues in African American Music written by Portia K. Maultsby and published by Routledge. This book was released on 2016-10-26 with total page 521 pages. Available in PDF, EPUB and Kindle. Book excerpt: Issues in African American Music: Power, Gender, Race, Representation is a collection of twenty-one essays by leading scholars, surveying vital themes in the history of African American music. Bringing together the viewpoints of ethnomusicologists, historians, and performers, these essays cover topics including the music industry, women and gender, and music as resistance, and explore the stories of music creators and their communities. Revised and expanded to reflect the latest scholarship, with six all-new essays, this book both complements the previously published volume African American Music: An Introduction and stands on its own. Each chapter features a discography of recommended listening for further study. From the antebellum period to the present, and from classical music to hip hop, this wide-ranging volume provides a nuanced introduction for students and anyone seeking to understand the history, social context, and cultural impact of African American music.
Download or read book Country Soul written by Charles L. Hughes and published by UNC Press Books. This book was released on 2015-03-23 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same songwriters, musicians, and producers in the recording studios of Memphis and Nashville, Tennessee, and Muscle Shoals, Alabama--what Charles L. Hughes calls the "country-soul triangle." In legendary studios like Stax and FAME, integrated groups of musicians like Booker T. and the MGs and the Muscle Shoals Rhythm Section produced music that both challenged and reconfirmed racial divisions in the United States. Working with artists from Aretha Franklin to Willie Nelson, these musicians became crucial contributors to the era's popular music and internationally recognized symbols of American racial politics in the turbulent years of civil rights protests, Black Power, and white backlash. Hughes offers a provocative reinterpretation of this key moment in American popular music and challenges the conventional wisdom about the racial politics of southern studios and the music that emerged from them. Drawing on interviews and rarely used archives, Hughes brings to life the daily world of session musicians, producers, and songwriters at the heart of the country and soul scenes. In doing so, he shows how the country-soul triangle gave birth to new ways of thinking about music, race, labor, and the South in this pivotal period.
Download or read book Soundtrack to a Movement written by Richard Brent Turner and published by NYU Press. This book was released on 2021-04-27 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: **FINALIST for the 2022 PROSE Award in Music & the Performing Arts** **Certificate of Merit, Best Historical Research on Recorded Jazz, given by the 2022 Association for Recorded Sounds Collection Awards for Excellence in Historical Sound Research** Explores how jazz helped propel the rise of African American Islam during the era of global Black liberation Amid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X’s emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp’s sentiment, recognizing that Coltrane’s music represented the very passion, rage, rebellion, and love that Malcolm X preached. Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and ’50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared—Black affirmation, freedom, and self-determination—were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic “cool” that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa.
Download or read book Music and Black Ethnicity written by Gerard Béhague and published by . This book was released on 1993-12-31 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: On music and Black ethnicity
