Download or read book 21a Bienal Internacional de S o Paulo written by Fundação Bienal de São Paulo and published by . This book was released on 1991 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The S o Paulo Neo Avant Garde written by Mari Rodríguez Binnie and published by University of Texas Press. This book was released on 2024-09-17 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: How artists challenged a military dictatorship through mass print technologies in 1970s and 1980s São Paulo. Throughout the 1970s and into the 1980s, during Brazil's military dictatorship, artists shifted their practices to critique the government and its sanitized images of Brazil, its use of torture, and its targeted persecutions. Mari Rodríguez Binnie's The São Paulo Neo-Avant-Garde examines these artworks and their engagement with politics and mainstream art institutions and practices. As Binnie skillfully shows, artists appropriated processes like photocopy, offset lithography, and thermal and heliographic printing, making newly available technologies of mass production foundational to their work of resistance against both the dictatorship and the established art world. Often working collaboratively, these artists established alternative networks of exchange locally and internationally to circulate their work. As democracy was reestablished in Brazil, and in the decades that followed, their works largely fell out of sight. Here, in the first English-language book to focus entirely on conceptual practices in São Paulo in the 1970s and 1980s, Binnie unearths a scene critical to the development of contemporary Brazilian Art.
Download or read book Bienal Internacional de S o Paulo 22 written by Fundação Bienal de São Paulo and published by . This book was released on 1994 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bienal Internacional de S o Paulo written by Fundação Bienal de São Paulo and published by . This book was released on 1987 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bienal Internacional de S o Paulo written by Fundação Bienal de São Paulo and published by . This book was released on 1985 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bienal Internacional de S o Paulo written by and published by . This book was released on 2004 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Biennials Triennials and Documenta written by Anthony Gardner and published by John Wiley & Sons. This book was released on 2016-03-03 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: This innovative new history examines in-depth how the growing popularity of large-scale international survey exhibitions, or 'biennials', has influenced global contemporary art since the 1950s. Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s to the emergence of mega-exhibitions in Asia in the 1990s Introduces a global array of case studies to illustrate the trajectory of biennials and their growing influence on artistic expression, from the Biennale de la Méditerranée in Alexandria, Egypt in 1955, the second Havana Biennial of 1986, New York’s Whitney Biennial in 1993, and the 2002 Documenta11 in Kassel, to the Gwangju Biennale of 2014 Explores the evolving curatorial approaches to biennials, including analysis of the roles of sponsors, philanthropists and biennial directors and their re-shaping of the contemporary art scene Uses the history of biennials as a means of illustrating and inciting further discussions of globalization in contemporary art
Download or read book Possible Futures written by Ana Gonçalves Magalhães and published by Editora Peirópolis LTDA. This book was released on 2014-01-01 with total page 367 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book discusses strategies and methodologies for the storage and preservation of digital art and processes of collections digitization, also including studies on the new forms of organization and availability of information in data visualization systems. Furthermore, Possible Futures presents case studies and reflections on the rise of database aesthetics and the emerging field of information curatorship. The book was published in a copublishing agreement with Edusp.
Download or read book 20a Bienal Internacional de S o Paulo written by Bienal Internacional de São Paulo and published by . This book was released on 1989 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Time Out S o Paulo written by Editors of Time Out and published by Time Out Guides. This book was released on 2009 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Brazilian Art Under Dictatorship written by Claudia Calirman and published by Duke University Press. This book was released on 2012-05-28 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: Non la biennale de Sao Paulo -- Antonio Manuel: experimental exercise of freedom? -- Artur Barrio: a visual aesthetics for the third world -- Cildo Meireles: an explosive art -- Conclusion: Opening the wounds : longing for closure.
Download or read book Made in Brasil written by Arlindo Machado and published by Editora Iluminuras Ltda. This book was released on 2007 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt: Made in Brasil - três décadas do vídeo brasileiro reúne reflexões e depoimentos de artistas, realizadores e autores. O livro se destaca pela produção de conhecimento sobre o vídeo e suas relações com o cinema, a televisão, a literatura e as artes visuais, referentes aos principais momentos do vídeo no Brasil.
Download or read book Humanities written by Lawrence Boudon and published by University of Texas Press. This book was released on 2005-02-01 with total page 950 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The one source that sets reference collections on Latin American studies apart from all other geographic areas of the world.... The Handbook has provided scholars interested in Latin America with a bibliographical source of a quality unavailable to scholars in most other branches of area studies." —Latin American Research Review Beginning with volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 130 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research under way in specialized areas. The Handbook of Latin American Studies is the oldest continuing reference work in the field. Lawrence Boudon, of the Library of Congress Hispanic Division, has been the editor since 2000, and Katherine D. McCann has been assistant editor since 1999. The subject categories for Volume 60 are as follows: Art History (including ethnohistory) Literature (including translations from the Spanish and Portuguese) Music Philosophy: Latin American Thought
Download or read book 20a Bienal Internacional de S o Paolo 1989 written by Fundação Bienal de São Paulo and published by . This book was released on 1989 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The World Goes Pop written by Elsa Coustou and published by Yale University Press. This book was released on 2015-01-01 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: A global survey of Pop art that reassesses its roots, impact, and legacy This groundbreaking book surveys the concurrent engagements with the spirit of Pop throughout the world, from the frequently studied activity in the United States, England, and France to less well-known developments in Central and Eastern Europe, Latin America, Asia, Africa, and the Middle East. One of the first publications to examine Pop art with this global scope, The World Goes Pop explores the wide-ranging movements that developed on different continents, such as Nouveau Réalisme, Neo Dada, New Figuration, and Spiritual Pop. This unique presentation offers the opportunity to compare how Pop art around the world differed due to geography, local traditions, and different cultures' social and political underpinnings. Fascinating essays touch upon key themes that factored into various Pop movements, including feminism, political representation, sexual politics, and seriality. A bold design and 200 striking illustrations showcase pieces by more than 60 artists, many of whose works have never been exhibited outside their home nations. The book also features a combined interview with a number of the living artists featured within, giving important insight into the thoughts and processes of Pop's international practitioners.
Download or read book The Global Work of Art written by Caroline A. Jones and published by University of Chicago Press. This book was released on 2017-06-01 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: Global biennials have proliferated in the contemporary art world, but artists’ engagement with large-scale international exhibitions has a much longer history that has influenced the present in important ways. Going back to the earliest world’s fairs in the nineteenth century, this book argues that “globalism” was incubated in a century of international art contests and today constitutes an important tactic for artists. As world’s fairs brought millions of attendees into contact with foreign cultures, products, and processes, artworks became juxtaposed in a “theater of nations,” which challenged artists and critics to think outside their local academies. From Gustave Courbet’s rebel pavilion near the official art exhibit at the 1855 French World’s Fair to curator Beryl Madra’s choice of London-based Cypriot Hussein Chalayan for the off-site Turkish pavilion at the 2006 Venice Biennale, artists have used these exhibitions to reflect on contemporary art, speak to their own governments back home, and challenge the wider geopolitical realm—changing art and art history along the way. Ultimately, Caroline A. Jones argues, the modern appetite for experience and event structures, which were cultivated around the art at these earlier expositions, have now come to constitute contemporary art itself, producing encounters that transform the public and force us to reflect critically on the global condition.
Download or read book Fred Forest s Utopia written by Michael F. Leruth and published by MIT Press. This book was released on 2017-09-08 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: “France's most famous unknown artist,” the innovative media provocateur Fred Forest, precursor of Eduardo Kac, Jodi, the Yes Men, RT Mark, and the Guerilla Girls. The innovative French media artist and prankster-provocateur Fred Forest first gained notoriety in 1972 when he inserted a small blank space in Le Monde, called it 150 cm2 of Newspaper (150 cm2 de papier journal), and invited readers to fill in the space with their own work and mail their efforts to him. In 1977, he satirized speculation in both the art and real estate markets by offering the first parcel of officially registered “artistic square meters” of undeveloped rural land for sale at an art auction. Although praised by leading media theorists—Vilém Flusser lauded Forest as “the artist who pokes holes in media”—Forest's work has been largely ignored by the canon-making authorities. Forest calls himself “France's most famous unknown artist.” In this book, Michael Leruth offers the first book-length consideration of this iconoclastic artist, examining Forest's work from the 1960s to the present. Leruth shows that Forest chooses alternative platforms (newspapers, mock commercial ventures, video-based interactive social interventions, media hacks and hybrids, and, more recently, the Internet) that are outside the exclusive precincts of the art world. A fierce critic of the French contemporary art establishment, Forest famously sued the Centre Pompidou in 1994 over its opaque acquisition practices. After making foundational contributions to Sociological Art in the 1970s and the Aesthetics of Communication in the 1980s, the pioneering Forest saw the Internet as another way for artists to bypass the art establishment in the 1990s. Arguing that there is a strong utopian quality in Forest's work, Leruth sees this utopianism not as naive or conventional but as a reverse utopianism: rather than envisioning an impossible ideal, Forest reenvisions and probes the quasi-utopia of our media-augented everyday reality. The interface is the symbolic threshold to be crossed with an open mind.
