Download or read book Between Baudelaire and Mallarm written by Helen Abbott and published by Routledge. This book was released on 2016-04-15 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the status of poetry became less and less certain over the course of the nineteenth century, poets such as Baudelaire and Mallarmé began to explore ways to ensure that poetry would not be overtaken by music in the hierarchy of the arts. Helen Abbott examines the verse and prose poetry of these two important poets, together with their critical writings, to address how their attitudes towards the performance practice of poetry influenced the future of both poetry and music. Central to her analysis is the issue of 'voice', a term that remains elusive in spite of its broad application. Acknowledging that voice can be physical, textual and symbolic, Abbott explores the meaning of voice in terms of four categories: (1) rhetoric, specifically the rules governing the deployment of voice in poetry; (2) the human body and its effect on how voice is used in poetry; (3) exchange, that is, the way voices either interact or fail to interact; and (4) music, specifically the question of whether poetry should be sung. Abbott shows how Baudelaire and Mallarmé exploit the complexity and instability of the notion of voice to propose a new aesthetic that situates poetry between conversation and music. Voice thus becomes an important process of interaction and exchange rather than something stable or static; the implications of this for Baudelaire and Mallarmé are profoundly significant, since it maps out the possible future of poetry.
Download or read book Between Baudelaire and Mallarm written by Helen Abbott and published by Routledge. This book was released on 2016-04-15 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the status of poetry became less and less certain over the course of the nineteenth century, poets such as Baudelaire and Mallarmé began to explore ways to ensure that poetry would not be overtaken by music in the hierarchy of the arts. Helen Abbott examines the verse and prose poetry of these two important poets, together with their critical writings, to address how their attitudes towards the performance practice of poetry influenced the future of both poetry and music. Central to her analysis is the issue of 'voice', a term that remains elusive in spite of its broad application. Acknowledging that voice can be physical, textual and symbolic, Abbott explores the meaning of voice in terms of four categories: (1) rhetoric, specifically the rules governing the deployment of voice in poetry; (2) the human body and its effect on how voice is used in poetry; (3) exchange, that is, the way voices either interact or fail to interact; and (4) music, specifically the question of whether poetry should be sung. Abbott shows how Baudelaire and Mallarmé exploit the complexity and instability of the notion of voice to propose a new aesthetic that situates poetry between conversation and music. Voice thus becomes an important process of interaction and exchange rather than something stable or static; the implications of this for Baudelaire and Mallarmé are profoundly significant, since it maps out the possible future of poetry.
Download or read book Poetic Principles and Practice written by Lloyd Austin and published by Cambridge University Press. This book was released on 1987 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: The central theme here is the constant confrontation of theory and practice in the work of Baudelaire, Mallarmé and Valéry.
Download or read book Music and poetry in France from Charles Baudelaire to St phane Mallarm written by David Hillery and published by . This book was released on 1980 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Rhythm Illusion and the Poetic Idea Baudelaire Rimbaud Mallarm written by David Evans and published by BRILL. This book was released on 2004-01-01 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rhythm, Illusion and the Poetic Idea explores the concept of rhythm and its central yet problematic role in defining modern French poetry. Forging innovative lines of inquiry linking the detailed analysis of poetic form to the evolution of fundamental aesthetic principles, David Evans offers extensive new readings of the literary and critical writings of the three major poets at the centre of France’s most important poetic revolution. The volume is of interest to all students and readers of Baudelaire, Rimbaud and Mallarmé, since here is presented for the first time a thorough comparative study of developments in each writer’s poetic form and theory, focusing on the themes of illusion, deception and the musical metaphor. The book is also intended to stimulate wider critical debate on the interpretation of metrical verse, prose poetry and vers libre, and offers original analytical methods which facilitate the study of poetic form. The author proposes a radical shift in our understanding of the role and mechanisms of poetic rhythm, suggesting that its very resistance to definition and fixity provides a conveniently opaque veil over the difficulties of defining poetry in the nineteenth and twentieth centuries.
Download or read book Music and Poetry in France from Baudelaire to Mallarm written by David Hillery and published by Peter Lang Group Ag, International Academic Publishers. This book was released on 1980 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book assesses the influence of music on the ideas and poetic practice of a number of late nineteenth-century poets. Particular attention is paid to the effect that the musical model supposedly had on the traditional ways of writing poetry, especially in the key areas of rhythm, sound-repetition and imagery. The chapters on Baudelaire and Mallarme relate their ideas on music to their more general theories of art and poetry and at the same time provide a suitable framework for a critical and evaluative discussion of the Symbolist poets' contribution to the music-poetry debate in the 1880s and 1890s."
Download or read book The Development of Mallarm s Prose Style written by Norman Paxton and published by Librairie Droz. This book was released on 1968 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Resonant Gaps written by Margaret Miner and published by University of Georgia Press. This book was released on 1995 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Resonant Gaps examines the ways in which Charles Baudelaire exploited certain powers of figurative language while writing on music, particularly that of Richard Wagner. Unlike many recent music/literature studies, Margaret Miner focuses less on the possible convergences of text and music than on their productive distances and divergences. At the heart of this study is Baudelaire's 1861 essay Richard Wagner et Tannhauser à Paris, which is included in this volume in the French text of the 1861 Dentu edition. Called a "long-meditated work of circumstance" by its author, Richard Wagner is the only piece of music criticism that Baudelaire ever attempted, despite the prominence of music as a theme and a metaphor throughout his writings. In the essay, says Miner, Baudelaire strove to erase the distinction between reading about Wagner's music and listening to it. Continually sidestepping expectations and evading classification, Baudelaire makes connections among musical understanding, concrete or spatial distance, and the abstract or conceptual distance between different arts. Miner discusses such topics related to Baudelaire's project as his repertoire of textual and rhetorical maneuvers, including italicization, quotation, personification, digression, and metaphor; his assessment of the music's seductive ability to surround and suffuse the listener; and the misunderstandings about and prejudices against Wagner and his music that hampered its critical reception in France. Throughout her study, Miner also refers to similar literary undertakings by Liszt, Nietzsche, Mallarmé, and Proust, which involved the music of Wagner and Debussy. Miner argues that Baudelaire's aim in attempting to lessen or suppress various distances that he discovers between his text and the music is not to freeze movement entirely but to inscribe his writing on Wagner's music so that the two might travel together over an aesthetic landscape that shelters rather than separates them.
Download or read book An Anatomy of Poesis written by Ursula Franklin and published by . This book was released on 1976 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Stephane Mallarme Selected Poems written by Drewry Hampton Morris and published by Univ of California Press. This book was released on 1977 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Poems and Prose Poems of Charles Baudelaire written by Charles Baudelaire and published by Createspace Independent Publishing Platform. This book was released on 2018-03-23 with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of the poems and prose by the beloved writer, Charles Baudelaire. The writings include: The Flowers Of Evil, The Dance Of Death, The Beacons, The Sadness Of The Moon, Exotic Perfume, Beauty, The Balcony, The Sick Muse, The Venal Muse, The Evil Monk, The Temptation, The Irreparable, A Former Life, Don Juan In Hades, The Living Flame, Correspondences, The Flask, Reversibility, The Eyes Of Beauty, Sonnet Of Autumn, The Remorse Of The Dead, The Ghost, To A Madonna, The Sky, Spleen, The Owls, Bien Loin D'ici, Music, Contemplation, To A Brown Beggar-Maid, The Swan, The Seven Old Men, The Little Old Women, A Madrigal Of Sorrow, The Ideal, Mist And Rain, Sunset, The Corpse, An Allegory, The Accursed, La Beatrice, The Soul Of Wine, and The Wine Of Lovers. The Death Of Lovers, The Death Of The Poor, The Benediction, Gypsies Travelling, Franciscæ Meæ Laudes, Robed In A Silken Robe, A Landscape, The Voyage, Little Poems In Prose, The Stranger, Every Man His Chimæra, Venus And The Fool, Intoxication, The Gifts Of The Moon, The Invitation To The Voyage, What Is Truth?, Already!, The Double Chamber, At One O'clock In The Morning, The Confiteor Of The Artist, The Thyrsus, The Marksman, The Shooting-Range And The Cemetery, The Desire To Paint, The Glass-Vendor, The Widows, The Temptations; Or, Eros, Plutus, And Glory.
Download or read book Studies in Poetic Discourse written by Hans-Jost Frey and published by Stanford University Press. This book was released on 1996 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study of four major poets - Mallarme, Baudelaire, Rimbaud, and Holderlin - examines the self-reflexivity of modern poetry, exploring questions concerning what it means for a poem to be "about" its own process of saying. What does it mean to read and understand a text that is focused not on its content but on its saying? What kind of relation does a writer have to the language used in a text? How are we to think about the relation of content to the saying? In the chapter on Mallarme, the author uses several close readings to investigate the referentiality of literature in general and the concept of "undecidability" in Mallarme. For example, in "A la nue accablante tu" he shows the way undecidability operates in syntax, metaphorics, sounds, and plays on individual letters of the alphabet. The chapter on Rimbaud explores the significance of the poet's famous statement "JE est un autre" ("I is an other"), leading to a meditation on the question of the control of the author, the relationship between saying and that which is said, the way in which language overwhelms the speaker. In the Baudelaire chapter, the author analyzes the themes of memory and imagination in Baudelaire's writings on painting and Victor Hugo, showing how these themes reveal the writer's thoughts on artistic conception and execution. The author then reads Holderlin's hymn "Der Rhein" with the fifth of Rousseau's "Reveries du promeneur solitaire," showing how in Holderlin's poem and other texts the crucial issue is a paradoxical relationship between lack and fullness or perfection. The final Holderlin chapter presents a sustained critique of Heidegger's exegesis of Holderlin, opening new avenues in the discussions of both Holderlin and Heidegger.
Download or read book The Poetics of the Occasion written by Marian Zwerling Sugano and published by Stanford University Press. This book was released on 1992 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Although Mallarme is commonly viewed as the high priest of the autonomous work of art, by far the bulk of his actual poetic writing was occasional verse. With few exceptions the works written after 1873 manifest a reinvestment in the world subsequent to the metaphysical crises of the 1860's. In addition to the "Tombeaux," the toasts, and certain of the "Eventails," Mallarme composed the Vers de circonstance, more than 450 quatrains and distichs inscribed on envelopes, postcards, calling cards, Easter eggs, small stones, photographs, and jugs of Calvados. This is the first comprehensive reading and analysis of the neglected late poetry, heretofore dismissed as of marginal interest." "This book has a dual purpose. By exploring the occasional verse of Mallarme, which itself thematizes the problematics of the occasion, the author seeks to rehabilitate such writing for critical study. She does this not by proclaiming its high seriousness, but by insisting on its casual, amenable, public nature. Unlike previous critics, who have often apologized for straying into the fringes of the canon, the author delights in the marginal, insisting that in a poetics of the occasion, traditional oppositions such as center/margin become skewed and break down." "The author's second purpose is to come to a better understanding of Mallarme in light of what he actually wrote, rather than the work projected in his correspondence and prose articles, which has claimed so much critical attention. Each of the chapters of the book highlights one aspect of occasional poetry through an investigation of representative texts, both canonical and occasional. The author also discusses the relationship between Mallarme's poetics and the plastic arts, tracing the changing conception of the representation of the monument from the nineteenth to the twentieth century, as well as the correspondences between the more radical aspects of Mallarme's practice of writing and the contemporary arts." "Far more than a study of a single writer, this book is the first to propose a pragmatic definition of occasional literature, to undertake a broad study of the problem of occasion in literature, and to trace the historical trajectory of occasional writing as a specific discourse. The book is illustrated with 27 halftones."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Download or read book Mallarm in the Twentieth Century written by Robert Greer Cohn and published by Fairleigh Dickinson Univ Press. This book was released on 1998 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays on various aspects of the work of the French poet Stephane Mallarme on the centenary of his death (1998).
Download or read book Poison and Vision written by David Paul and published by Poetry Salzburg. This book was released on 1996 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Anthology of Modern French Poetry from Baudelaire to the Present Day written by Cecil Arthur Hackett and published by . This book was released on 1967 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt:
