Download or read book Bernard Shaw and Gabriel Pascal written by Bernard Shaw and published by University of Toronto Press. This book was released on 1996-01-01 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of The Selected Correspondence of Bernard Shaw focuses on film: a behind-the-scenes view of the film industry's day-to-day workings from the unique perspectives of Shaw and his favourite director, Gabriel Pascal.
Download or read book The Disciple and His Devil written by Valerie Pascal and published by iUniverse. This book was released on 2004-12 with total page 367 pages. Available in PDF, EPUB and Kindle. Book excerpt: "One of the most shattering and upsetting stories I have read for a long time. I certainly finished it feeling as if I had watched and earthquake. The final irony is that Pascal's last mad idea was a musical based on PYGMALION. He broke himself--and several others--keeping up the option payments on it. One day Pascal looked at his wife's hand and said with amazement, 'I am going to leave you with millions, ' Nothing seemed less likely. He died penniless and deep in debt. "But the book ends with the first night of MY FAIR LADY." --Colin Wilson
Download or read book Meeting at the Sphinx written by and published by . This book was released on 1978 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Meeting at the Sphinx written by Marjorie Dean and published by . This book was released on 1950 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Meeting at the Sphinx written by Marjorie Deans and published by London : Macdonald. This book was released on 1946 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bernard Shaw on Cinema written by Bernard Shaw and published by SIU Press. This book was released on 1997 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: When an interviewer asked Bernard Shaw whether, "speaking personally", he would prefer to see the English and Americans "become drama and variety fans as of old, rather than movie fans", Shaw replied, "Speaking personally, I should prefer to see them become Shaw fans". With his customary wit and quite often with remarkable prescience, Shaw began a dialogue on cinema that ran almost from the infancy of the industry in 1908 until his death in 1950. Bernard F. Dukore presents the first collection of Bernard Shaw's writings and oral statements about cinema. Of the more than one hundred comments Dukore has selected, fifty-nine -- more than half -- are new to today's readers. Twelve are previously unpublished, one is published in full for the first time, and forty-six appear in a collected edition of Shaw's writings for the first time since their publication in newspapers and magazines. Very early in the life of cinema, Shaw perceived that as an invention, movies would be more momentous than the printing press because they appealed to the illiterate as well as the literate, to the manual laborer at the end of an exhausting day as well as to the person with more leisure. He predicted that cinema would form people's minds and shape their conduct. He recognized that cinema's "colossal proportions make mediocrity compulsory" by leveling art and life down to the blandest morality and to the lowest common denominator of potential audiences throughout the world. By 1908, Shaw was familiar with experiments synchronizing movies and sound. When talkies arrived, he discerned that they would precipitate major changes in acting, writing, and economics. He also saw how they would affect live theatre:"The theatre may survive as a place where people are taught to act", he said in 1930, "but apart from that there will be nothing but 'talkies' soon". At that time, few people in the theatrical profession were making such prophecies, at least not in public.
Download or read book Bernard Shaw and His Publishers written by Bernard Shaw and published by University of Toronto Press. This book was released on 2009-01-01 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: This rich selection of Shaw's correspondence with his US and UK publishers proves how much the dramatist lived up to his own words by providing the details of his steady involvement in the publication of his works.
Download or read book Shaw written by Fred D. Crawford and published by Penn State Press. This book was released on 1998 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: SHAW 18 offers fourteen articles that illuminate aspects of Shaw's family history, relations with contemporaries, evolving reputation, and dramatic works. Dan H. Laurence presents an authoritative genealogy of the Shaw and Gurly sides of Shaw's family. Among discoveries that have long eluded Shaw's biographers is the birthdate of Elinor Agnes "Yuppy" Shaw, Shaw's sister. Michael W. Pharand assesses Shaw's intense dislike of Sarah Bernhardt. Stanley Weintraub analyzes Shaw's presence in the plays of Eugene O'Neill. Shaw's Advice to Irishmen, a newspaper account of Shaw's 1918 Dublin lecture "Literature in Ireland," records Shaw's comments on George Moore, J. M. Synge, and James Joyce. Robert G. Everding surveys Shaw festivals from 1916 in Ireland to the present-day Shaw festivals in Ontario and Milwaukee. In a review of Frank Harris on Bernard Shaw (1931), Richard Aldington dismisses Shaw as human being, thinker, and dramatist: "You must be a Shavian to admire and love Shaw the artist." In an interview with Leon Hugo, biographer Michael Holroyd discusses his biography of G.B.S., responses to his biography, and future work involving G.B.S. Jeffrey M. Wallmann argues that alienation in Shaw's plays enhances their contemporary value. Bernard F. Dukore investigates Shaw's reasons for discarding the original final act of The Philanderer. Rodelle Weintraub argues persuasively that You Never Can Tell requires the audience to choose between "Crampton's reality" and "Crampton's dream." Mark H. Sterner, weighing the various charges against Ann Whitefield's character in Man and Superman, concludes that Shaw's treatment of her and Tanner "as significantly different, but nevertheless equal . . . in itself was a revolutionary change in the status of sexual power relationships." Julie A. Sparks identifies W. W. Henley's sonnet "'Liza" as a likely source not only for some of Eliza's traits in Pygmalion but also for images in Man and Superman and Major Barbara. Charles A. Carpenter considers Buoyant Billions and Farfetched Fables in the context of Shaw's response to the birth of the atomic age. Paul Bauschatz, evaluating the differences between My Fair Lady and Pygmalion, illustrates why the film can reflect Shaw's play "only uneasily." SHAW 18 includes five reviews of recent additions to Shavian scholarship as well as John R. Pfeiffer's "Continuing Checklist of Shaviana."
Download or read book The Disciple and His Devil written by Valerie Pascal and published by Michael Joseph. This book was released on 1971 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bernard Shaw and Barry Jackson written by Past President Barry Jackson and published by University of Toronto Press. This book was released on 2002-01-01 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of 183 letters, all but two of which are previously unpublished, sheds new light on a partnership that for Shaw was the most important of his later playwriting career.
Download or read book George Bernard Shaw in Context written by Brad Kent and published by Cambridge University Press. This book was released on 2015-10-14 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: When George Bernard Shaw died in 1950, the world lost one of its most well-known authors, a revolutionary who was as renowned for his personality as he was for his humour, humanity, and rebellious thinking. He remains a compelling figure who deserves attention not only for how influential he was in his time, but for how relevant he is to ours. This collection sets Shaw's life and achievements in context, with forty-two scholarly essays devoted to subjects that interested him and defined his work. Contributors explore a wide range of themes, moving from factors that were formative in Shaw's life, to the artistic work that made him most famous and the institutions with which he worked, to the political and social issues that consumed much of his attention, and, finally, to his influence and reception. Presenting fresh material and arguments, this collection will point to new directions of research for future scholars.
Download or read book G B S and the Lunatic written by Lawrence Langner and published by New York, Athenuem. This book was released on 1963 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Shaw and History written by Gale K. Larson and published by Penn State Press. This book was released on 1999 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: This special issue of Shaw offers ten articles that focus on the theme of "Shaw and History." That focus illuminates Shaw's concept of history as art and its uses for dramatic purposes. It is a focus that is broadly applied to the historical perspective. Views range from Shaw's uses of historical sources in the Shavianizing of history, his uses of historical, geographical, and political places and events in his work, to views that place selected Shavian works within a historical context. Stanley Weintraub discusses Shaw's references to Cetewayo, Zulu chieftain, in Cashel Byron's Profession as the first incorporation of a contemporary historical figure into his work. John Allett explores the liberal, socialist, and radical feminist views of prostitution in nineteenth-century England and demonstrates how those political views are developed within the unfolding action ofMrs Warren's Profession. Sidney P. Albert studies the Utopian movement, "The Garden City," to determine the extent to which that movement influenced Shaw's conception of Perivale St. Andres inMajor Barbara. He also narrates his personal attempt to identify the Ballycorus smelting works and its surroundings as well as the campanile, or Folly, at Faringdon as sites that provided the scenic sources for Perivale St. Andres inMajor Barbara. Gale K. Larson has edited a partially unpublished Shavian manuscript that addresses Shaw's relationship with Frank Harris and, among other matters, sets the historical record right as to who deserves the credit for attributing the identity of the Dark Lady of the Sonnets to Mary Fitton. He also examines the historical sources that influenced Shaw's views on Charles II, the "Merry Monarch," in"In Good King Charles's Golden Days" and demonstrates Shaw's reclamation of yet another historical figure from the traditional historians. David Gunby examines the first-night performance of O'Flaherty, V.C. for purposes of setting the historical record straight as to the facts of that production. Wendi Chen presents the stage history of the production of Mrs Warren's Professionin China during the early 1920s and argues its central role in shaping modern Chinese drama. Rodelle Weintraub assesses Too True to Be Good as a dream play within the context of the nightmarish times of World War I. Michael M. O'Hara surveys the Federal Theatre's productions of Androcles and the Lionin the 1930s to reveal the political and religious repressions that those productions underscore. Shaw 19 also includes three reviews of recent additions to Shavian scholarship as well as John R. Pfeiffer's "Continuing Checklist of Shaviana."
Download or read book Show Me Shaw written by Ernest Esdaile and published by . This book was released on 1973 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Bernard Shaw Chronology written by A. Gibbs and published by Springer. This book was released on 2001-02-14 with total page 435 pages. Available in PDF, EPUB and Kindle. Book excerpt: A.M. Gibbs provides an authoritative and comprehensive account of the life, career and associations of George Bernard Shaw (1856-1950), one of the most eminent and influential literary figures of the modern age. Drawing on a wide range of published and unpublished material, this work illuminates the complex fabric of Shaw's extraordinary career as playwright, novelist, critic, orator, political activist, social commentator, avant-garde thinker and controversialist. Images of Shaw's daily private life, and of his tangled love affairs, flirtations and friendships, are intertwined with the records of his prodigiously productive career as public figure and creative writer, in a fully documented study which is both a scholarly resource and a lively biographical portrait. An introductory chapter explores theoretical issues in biography raised by the chronology form; and a chapter on Shaw's ancestry and family supplies new evidence about his Irish background. A Who's Who section contains thumbnail sketches of over two hundred contemporaries of Shaw who had significant associations with him.
Download or read book Selected Correspondence of Bernard Shaw written by Bernard Shaw and published by . This book was released on 1995 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: V. 1. In his introduction Dan H. Laurence notes that 'theatrics' connotes not only activities of a theatrical character but behaviour that manifests itself as theatricality. All the correspondence selected for this volume - most of it hitherto unpublished - relates to Bernard Shaw's theatre dealings and theatrical interest, at the same time attesting to the 'histrionic instinct' and 'theatrified imagination' (his own phrases) of the man who penned them. More than one hundred letters are represented, starting from mid-1889, when Shaw had not yet completed his first play and was known instead as a music critic, journalist, socialist organizer, and street orator. The letters reveal a consummate man of the theatre: a dramatist, director, actor, designer, publicist, financial backer, translator, and critic concerned with such varied issues as censorship, theatre politics, prying journalists, and wireless and television performance. The letters are shaded with histrionic tones of assumed anger, irritation, and anguish. The style invariably is colloquial, free-flowing, ebullient - and personal. v. 2. Bernard Shaw and H.G. Wells are among the best-known and most controversial literary figures of the twentieth century. Both were rebelliously critical of the social and political, familial and sexual conventions and structures of their time. They shared broadly similar interests, but their lifestyles differed sharply - as did their views on many subjects, including those discussed in their correspondence: religion, socialism, science, war and world history, the theatre, the profession of authorship, and more. The letters are always forthright, often abusive and quarrelsome, sometimes suggesting that the relationship cannot last. They are also often warm, good-natured, playful, and generous - reflecting a fundamental mutual respect and similarity of outlook, however contrasting the temperament and style. The great majority of the two writers' correspondence is published here for the first time. v. 3. After movie-makers in England bungled film versions of Bernard Shaw's How He Lied to Her Husband and Arms and the Man, producers and directors in Germany and Holland botched those based on Pygmalion, and a Hollywood screenplay desecrated The Devil's Disciple, Shaw took a chance on Gabriel Pascal and gave him permission to produce a movie version of Pygmalion in England. The contract was signed on 13 December 1935 and Pascal, a charming, flamboyant Hungarian emigre with relatively little experience in cinema, did the playwright proud. Shaw's gamble paid off in this Pygmalion, which, to this day, is usually claimed to be the best film version of any of his plays. v. 4. Virtually ignored in histories of twentieth-century British theatre in favour of the more celebrated relationship of Bernard Shaw and Harley Granville Barker, the friendship of Bernard Shaw and Sir Barry Jackson is given prominence in this new book by L.W. Conolly. The collection of 183 letters, all but two of which are previously unpublished, sheds new light on a partnership that for Shaw was the most important of his later playwriting career, and for Jackson was central to his pioneering and acclaimed work in British regional theatre in both Birmingham and Stratford-upon-Avon. v. 5. Bernard Shaw was twenty-four and Sidney Webb twenty-one when they met in October 1880 at a gathering of a debating club called the Zetetical Society. Having sympathetic interests, both men decided, after some personal and joint exploration, to devote their lives to improving the human condition. This collection of 140 annotated letters, 74 of which have never been published, documents the subsequent friendship and collaboration shared by Shaw, Webb, and Webb's wife Beatrice, throughout their lives. v. 6. George Bernard Shaw and Nancy Lady Astor enjoyed a close friendship for over twenty years, from the late 1920s until Shaw's death in 1950. Although opposites in many matters - particularly politics - Shaw and Astor were irresistibly attracted to each other, both being unconventional firebrands with ready wits. This collection of nearly 250 letters between Shaw and Astor - as well as between Astor and Shaw's wife, Charlotte, and Shaw's secretary, Blanche Patch - illustrates the rewarding friendship the two shared and the numerous issues they debated. v. 7. George Bernard Shaw (1856-1950) once quipped that it is "up to the author to take care of himself." This rich selection of Shaw's correspondence with his US and UK publishers proves how much the dramatist lived up to his own words by providing the details of his steady involvement in the publication of his works. v. 8. Unlikely friends and collaborators, Bernard Shaw and Gilbert Murray carried on a lively and wide-ranging correspondence for more than fifty years. When they began exchanging letters in the late 1890s, Shaw was a renowned Fabian propagandist, reviewer, and author of anti-conventional plays. Murray was a classicist and translator of ancient Greek drama who would eventually become Regius Professor of Greek at Oxford. Beginning with their shared distaste for the popular "well-made plays" of the era, their correspondence quickly expanded into collaboration--Murray helped revise Shaw's Major Barbara, in which he appears as a character-and discussion of a vast range of issues ranging from alphabet reform and psychic phenomena to the League of Nations and international politics.
Download or read book Authors and Adaptation written by Annie Nissen and published by Springer Nature. This book was released on with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt:
