Download or read book Bernard Palissy written by Leonard N. Amico and published by Flammarion-Pere Castor. This book was released on 1996 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Palissy the Potter The life of Bernard Palissy with an outline of his philosophical doctrines and a translation of illustrative selections from his works written by Henry MORLEY (Professor of English Literature at University College, London.) and published by . This book was released on 1855 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Life of Bernard Palissy of Saintes written by Henry Morley and published by . This book was released on 1855 with total page 520 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Palissy Ware written by Marshall P. Katz and published by Burns & Oates. This book was released on 1996 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bernard Palissy, the great Renaissance potter, created a style of ceramic art which has remained popular for nearly four hundred years and which saw a considerable revival throughout Europe in the later nineteenth-century. The coiled vipers, the slinking lizards, the scaly fish - these are the characteristic Palissy creatures set in high relief and painted as in nature. Palissy ware is found in the world's great museums. This volume, fully illustrated in colour, provides the first comprehensive account of the work of Palissy's nineteenth-century followers in France. It aims to be regarded as the standard guide and work of reference for collectors, curators and all those concerned with the high achievements of ceramic art.
Download or read book Fortress of the Soul written by Neil Kamil and published by JHU Press. This book was released on 2020-03-03 with total page 1085 pages. Available in PDF, EPUB and Kindle. Book excerpt: French Huguenots made enormous contributions to the life and culture of colonial New York during the seventeenth and eighteenth centuries. Huguenot craftsmen were the city's most successful artisans, turning out unrivaled works of furniture which were distinguished by unique designs and arcane details. More than just decorative flourishes, however, the visual language employed by Huguenot artisans reflected a distinct belief system shaped during the religious wars of sixteenth-century France. In Fortress of the Soul, historian Neil Kamil traces the Huguenots' journey to New York from the Aunis-Saintonge region of southwestern France. There, in the sixteenth century, artisans had created a subterranean culture of clandestine workshops and meeting places inspired by the teachings of Bernard Palissy, a potter, alchemist, and philosopher who rejected the communal, militaristic ideology of the Huguenot majority which was centered in the walled city of La Rochelle. Palissy and his followers instead embraced a more fluid, portable, and discrete religious identity that encouraged members to practice their beliefs in secret while living safely—even prospering—as artisans in hostile communities. And when these artisans first fled France for England and Holland, then left Europe for America, they carried with them both their skills and their doctrine of artisanal security. Drawing on significant archival research and fresh interpretations of Huguenot material culture, Kamil offers an exhaustive and sophisticated study of the complex worldview of the Huguenot community. From the function of sacred violence and alchemy in the visual language of Huguenot artisans, to the impact among Protestants everywhere of the destruction of La Rochelle in 1628, to the ways in which New York's Huguenots interacted with each other and with other communities of religious dissenters and refugees, Fortress of the Soul brilliantly places American colonial history and material life firmly within the larger context of the early modern Atlantic world.
Download or read book Ceramic Literature written by Louis Marc Solon and published by . This book was released on 1910 with total page 686 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sculpture City St Louis written by George McCue and published by . This book was released on 1988 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a study of public sculpture in St. Louis from the 19th century. With the founding of Laumeier Sculpture Park, St. Louis has improved and expanded its holdings with highly acclaimed works, ranging from 19th century bust and equestrian monuments to modern classics by Henry Moore and the Falling Man of Ernest Trova. Included in the survey are the collections of the St. Louis Museum and the Washington University Gallery of Art.
Download or read book Res written by Francesco Pellizzi and published by Harvard University Press. This book was released on 2015-08-03 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: RES 65/66 includes Francesco Pellizzi, “Editorial: RES at 35”; Remo Bodei, “A constellation of words”; Mary Weismantel, “Encounters with dragons”; Z. S. Strother, “A terrifying mimesis”; Wyatt MacGaffey, “Franchising minkisi in Loango”; Karen Overbey, “Seeing through stone”; Noam Andrews, “The space of knowledge”; and other papers.
Download or read book Cultural Understanding of Soils written by Nikola Patzel and published by Springer Nature. This book was released on 2023-10-24 with total page 539 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cultural understandings of soil are diverse and often ambiguous. Cultural framing of soils is common worldwide and is highly consequential. The implications of what place the earth has in people's world view and everyday life can be in line with or in conflict with natural conditions, with scientific views, or with agricultural practices. The main assumption underlying this work is that soil is inescapably perceived in a cultural context by any human. This gives emergence to different significant webs of meaning influenced by religious, spiritual, or secular myths, and by a wide range of beliefs, values and ideas that people hold in all societies. These patterns and their dynamics inform the human-soil relationship and how soils are cared for, protected, or degraded. Therefore, there is need to deal inter-culturally with different sources and types of knowledge and experience regarding soil; a need to cultivate soil awareness and situationally appropriate care through inter- and intra-cultural dialogues and learning. This project focuses on the human and intangible dimensions of soil. To serve this aim, the International Union of Soil Sciences (IUSS) founded a working group on Cultural Patterns of Soil Understanding that has resulted in this book, which presents studies from almost all continents, written by soil scientists and experts from other disciplines. A major objective of this project is to promote intercultural literacy that gives readers the opportunity to appreciate soil across disciplinary and cultural boundaries in an increasingly globalized world. . .
Download or read book Promethean Ambitions written by William R. Newman and published by University of Chicago Press. This book was released on 2004 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: In an age when the nature of reality is complicated daily by advances in bioengineering, cloning, and artificial intelligence, it is easy to forget that the ever-evolving boundary between nature and technology has long been a source of ethical and scientific concern: modern anxieties about the possibility of artificial life and the dangers of tinkering with nature more generally were shared by opponents of alchemy long before genetic science delivered us a cloned sheep named Dolly. In Promethean Ambitions, William R. Newman ambitiously uses alchemy to investigate the thinning boundary between the natural and the artificial. Focusing primarily on the period between 1200 and 1700, Newman examines the labors of pioneering alchemists and the impassioned—and often negative—responses to their efforts. By the thirteenth century, Newman argues, alchemy had become a benchmark for determining the abilities of both men and demons, representing the epitome of creative power in the natural world. Newman frames the art-nature debate by contrasting the supposed transmutational power of alchemy with the merely representational abilities of the pictorial and plastic arts—a dispute which found artists such as Leonardo da Vinci and Bernard Palissy attacking alchemy as an irreligious fraud. The later assertion by the Paracelsian school that one could make an artificial human being—the homunculus—led to further disparagement of alchemy, but as Newman shows, the immense power over nature promised by the field contributed directly to the technological apologetics of Francis Bacon and his followers. By the mid-seventeenth century, the famous "father of modern chemistry," Robert Boyle, was employing the arguments of medieval alchemists to support the identity of naturally occurring substances with those manufactured by "chymical" means. In using history to highlight the art-nature debate, Newman here shows that alchemy was not an unformed and capricious precursor to chemistry; it was an art founded on coherent philosophical and empirical principles, with vocal supporters and even louder critics, that attracted individuals of first-rate intellect. The historical relationship that Newman charts between human creation and nature has innumerable implications today, and he ably links contemporary issues to alchemical debates on the natural versus the artificial.
Download or read book The Artist as Reader written by Heiko Damm and published by BRILL. This book was released on 2012-12-07 with total page 562 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on the history of knowledge, the contributions to this volume elucidate various aspects of how, in the early modern period, artists’ education, knowledge, reading and libraries were related to the ways in which they presented themselves
Download or read book Proceedings and Collections of the Wyoming Historical and Geological Society written by Wyoming Historical and Geological Society and published by . This book was released on 1914 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Body of the Artisan written by Pamela H. Smith and published by University of Chicago Press. This book was released on 2018-01-16 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the time of Aristotle, the making of knowledge and the making of objects have generally been considered separate enterprises. Yet during the late sixteenth and early seventeenth centuries, the two became linked through a "new" philosophy known as science. In The Body of the Artisan, Pamela H. Smith demonstrates how much early modern science owed to an unlikely source-artists and artisans. From goldsmiths to locksmiths and from carpenters to painters, artists and artisans were much sought after by the new scientists for their intimate, hands-on knowledge of natural materials and the ability to manipulate them. Drawing on a fascinating array of new evidence from northern Europe including artisans' objects and their writings, Smith shows how artisans saw all knowledge as rooted in matter and nature. With nearly two hundred images, The Body of the Artisan provides astonishingly vivid examples of this Renaissance synergy among art, craft, and science, and recovers a forgotten episode of the Scientific Revolution-an episode that forever altered the way we see the natural world.
Download or read book Promethean Ambitions written by William R. Newman and published by University of Chicago Press. This book was released on 2005-10-01 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: In an age when the nature of reality is complicated daily by advances in bioengineering, cloning, and artificial intelligence, it is easy to forget that the ever-evolving boundary between nature and technology has long been a source of ethical and scientific concern: modern anxieties about the possibility of artificial life and the dangers of tinkering with nature more generally were shared by opponents of alchemy long before genetic science delivered us a cloned sheep named Dolly. In Promethean Ambitions, William R. Newman ambitiously uses alchemy to investigate the thinning boundary between the natural and the artificial. Focusing primarily on the period between 1200 and 1700, Newman examines the labors of pioneering alchemists and the impassioned—and often negative—responses to their efforts. By the thirteenth century, Newman argues, alchemy had become a benchmark for determining the abilities of both men and demons, representing the epitome of creative power in the natural world. Newman frames the art-nature debate by contrasting the supposed transmutational power of alchemy with the merely representational abilities of the pictorial and plastic arts—a dispute which found artists such as Leonardo da Vinci and Bernard Palissy attacking alchemy as an irreligious fraud. The later assertion by the Paracelsian school that one could make an artificial human being—the homunculus—led to further disparagement of alchemy, but as Newman shows, the immense power over nature promised by the field contributed directly to the technological apologetics of Francis Bacon and his followers. By the mid-seventeenth century, the famous "father of modern chemistry," Robert Boyle, was employing the arguments of medieval alchemists to support the identity of naturally occurring substances with those manufactured by "chymical" means. In using history to highlight the art-nature debate, Newman here shows that alchemy was not an unformed and capricious precursor to chemistry; it was an art founded on coherent philosophical and empirical principles, with vocal supporters and even louder critics, that attracted individuals of first-rate intellect. The historical relationship that Newman charts between human creation and nature has innumerable implications today, and he ably links contemporary issues to alchemical debates on the natural versus the artificial.
Download or read book A History and Description of the Old French Fa ence written by Louis Marc Solon and published by London : Cassell. This book was released on 1903 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book House Garden written by and published by . This book was released on 1923 with total page 696 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ceramic Art and Civilisation written by Paul Greenhalgh and published by Bloomsbury Publishing. This book was released on 2020-12-24 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt: In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.
