Download or read book Beijing Opera Costumes written by Alexandra B Bonds and published by Routledge. This book was released on 2019-01-17 with total page 632 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beijing Opera Costumes: The Visual Communication of Character and Culture illuminates the links between theatrical attire and social customs and aesthetics of China, covering both the theory and practice of stage dress. Distinguishing attributes include an introduction to the performance style, the delineation of the costume conventions, an analysis of the costumes through their historical precedents and theatrical modifications, and the use of garment shape, color, and embroidery for symbolic effect. Practical information covers dressing the performers and a costume plot, the design and creation of the make-up and hairstyles, and pattern drafts of the major garments. Photographs from live performances, as well as details of embroidery, and close-up photographs of the headdresses thoroughly portray the stunning beauty of this incomparable performance style. Presenting the brilliant colors of the elaborately embroidered silk costumes together with the intricate makeup and glittering headdresses, this volume embodies the elegance of the Beijing opera.
Download or read book Beijing Opera Costumes written by Alexandra B. Bonds and published by University of Hawaii Press. This book was released on 2008-01-01 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on the costumes of Beijing opera, this comprehensive volume provides both theory and analysis of the costumes and the method of selection for the roles as well as technical information on embroidery, patterns and construction.
Download or read book Beijing Opera Costumes written by Alexandra B. Bonds and published by University of Hawaii Press. This book was released on 2008-04-28 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beijing Opera Costumes is the first in-depth English-language book focused exclusively on the costumes of Jingju, the highest form of stage arts in China. This comprehensive volume provides both theory and analysis of the costumes and the method of their selection for the roles as well as technical information on embroidery, patterns, and construction. Extensive descriptions illuminate the use of colors and surface images derived from historical dress and modified for the stage. Details on makeup, hairstyles, and dressing techniques present a complete view of the Jingju performer from head to toe. Meticulously researched in Taipei and Beijing, this definitive work begins with an outline of the rich and complex history of Beijing opera and significant developments in design over the past millennium. Chapters on costume theory and design elements and their modification to create a wide variety of images are followed by presentations of individual costumes together with their historical background and use of color and pattern. A survey of the accessories and headdresses, makeup and hairstyles, accompanies the discussion of each costume. The intricacies of choosing costumes for a production and dressing actors are also discussed. Lavishly illustrated with more than 250 color and black-and-white photographs and pattern drafts, Beijing Opera Costumes is an indispensable record of and resource for Jingju as it is performed in China today. Textile artists will appreciate the beauty of the colors and designs as well as the information on embroidery techniques and symbolism of the images. China scholars will value the contextual analysis and theater specialists the explication of costumes in relation to performance. Finally, costume designers will relish the opportunity to examine in detail their art in another cultural setting and theatrical style.
Download or read book The Visual Language of Attiring written by Sasiporn Petcharapiruch and published by . This book was released on 2012 with total page 58 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Chinese Opera Makeup and Costumes 1644 1911 written by Manon Bertrand and published by . This book was released on 2021-02-20 with total page 48 pages. Available in PDF, EPUB and Kindle. Book excerpt: This album of pictures shows makeup for characters in the Peking opera. It is the work of a court painter in or after the Tongzhi reign (1851-74). In the Qing dynasty, an Office of Great Peace was established to manage the court dramatic troupe. When seasonal command performances and congratulatory ceremonies were held, this office was responsible for putting on plays. The makeup of the characters in the plays generally followed a set repertoire of faces and colors. The paintings in this book show makeup for nine different kinds of plays. The illustrations are skillfully done, the colors are fresh, and both the silk ground and the pigments are of the highest quality. In all likelihood, the album was an "object for the enjoyment of his or her majesty." The album is highly valued for its art and for the information it contains and constitutes a precious historical resource for the study of clothing and makeup in the early Peking opera. (1644 - 1911)World Digital Library (wdl.org)
Download or read book Chinese Opera Costumes Paper Dolls written by Ming-Ju Sun and published by Courier Corporation. This book was released on 1998-06-01 with total page 38 pages. Available in PDF, EPUB and Kindle. Book excerpt: Splendid collection of 2 figures and 16 dazzling costumes designed for traditional characters in Chinese opera. Lavishly embroidered robes, elegant headdresses, and painted faces for male and female characters.
Download or read book Listening to Theatre written by Elizabeth Wichmann and published by University of Hawaii Press. This book was released on 1991-01-01 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: "[Wichmann's] writing has authority rarely encountered.... Not only a comprehensive study but [a] study of Beijing theater. A marvelous overview, a virtual encyclopedia." --Choice "Overall, this is a pathbreaking book in terms of contributing to our understanding of the important Chinese art form that is the Beijing opera. It is a model of production. Its wealth of detail does not prevent it from being eminently readable. The author has unparallelled mastery of knowledge, understanding, and appreciation of her subject. The book will certainly help not only to make Beijing opera better understood in the West but also to make it more widely performed and appreciated." --China Review International, Spring 1994
Download or read book Staging Revolution written by Xing Fan and published by Hong Kong University Press. This book was released on 2018-01-11 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: Staging Revolution refutes the deep-rooted notion that art overtly in the service of politics is by definition devoid of artistic merits. As a prominent component shaping the culture of the Cultural Revolution, model Beijing Opera (jingju) is the epitome of art used for political ends. Arguing against commonly accepted interpretations, Xing Fan demonstrates that in a performance of model jingju, political messages could only be realized through the most rigorously formulated artistic choices and conveyed by performers possessing exceptional techniques. Fan contextualizes model jingju at the intersection of history, artistry, and aesthetics. Integral to jingju’s interactions with politics are the practitioners’ constant artistic experimentations to accommodate the modern stories and characters within the jingju framework and the eventual formation of a new sense of beauty. Therefore, a thorough understanding of model jingju demands close attention to how the artists resolved actual production problems, which is a critical perspective missing in earlier studies. This book provides exactly this much-needed dimension of analysis by scrutinizing the decisions made in the real, practical context of bringing dramatic characters to life on stage, and by examining how major artistic elements interacted with each other, sometimes harmoniously, sometimes antagonistically. Such an approach necessarily places jingju artists center stage. Making use of first person accounts of the creative process, including numerous interviews conducted by the author, Fan presents a new appreciation of a lived experience that, on a harrowing journey of coping with political interference, was also filled with inspiration and excitement. “This fascinating study is ground-breaking and timely. Xing Fan masterfully demonstrates how the creative choices made by playwrights, directors, musicians, actors, and designers intersected with one another in creating an aesthetics of the model theater during the Cultural Revolution. A must-read for anyone interested in Chinese literature and drama, theater studies, and comparative literature.” —Xiaomei Chen, University of California, Davis “Though no longer in fashion, the model revolutionary operas of the Cultural Revolution are still occasionally performed. Xing Fan has done us a great service by analyzing them in detail and reminding us of their merits. I thoroughly enjoyed this engaging book and learned a lot from it. I recommend it strongly.” —Colin Mackerras, Griffith University
Download or read book Peking Opera written by Chengbei Xu and published by Cambridge University Press. This book was released on 2012-03-09 with total page 139 pages. Available in PDF, EPUB and Kindle. Book excerpt: Peking Opera provides a comprehensive illustrated introduction to the origins and development of this unique performance art.
Download or read book Peking Opera written by Chengbei Xu and published by . This book was released on 2017 with total page 130 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Soul of Beijing Opera The written by Ruru Li and published by Hong Kong University Press. This book was released on 2010-05-01 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book will act as a powerful introduction to the story of Beijing Opera over the course of the twentieth century with a particularly strong emphasis on the Communist period and its influence on contemporary performance. Using excellent oral history research and with a strong focus on practice and performance techniques, Li Ruru places the genre in both its historical and global context: not a timeless Chinese tradition, but a product of China's turbulent twentieth century and the global interactions that were a key part of that history." Henrietta Harrison, Harvard University "This meticulously researched and colourful account of the highly complex performance form, jingju, will be of interest to a wide constituency of theatre scholars and cultural historians. Writing from the unique dual perspective of`insider/practitioner' and academic, Li Ruru deftly weaves oral and cultural histories together with detailed performance analyses, including a fascinating chapter on the secrets of jingju training. This book promises to raise significantly the profile of this Chinese total theatre for English-speaking audiences."Jonathan Pitches, founding co-editor of Theatre, Dance and Performance Training "Li Ruru's unique and valuable perspective combines the critical eye of the imaginative researcher with the intimate perspective of a true jingju insider-the daughter of one of the twentieth century's leading female performers. Impeccably researched, passionate and personal, this aptly titled book provides readers with an exciting and thought provoking look at jingju history and performance practice through its focus on the lives and work of six controversial leading artists." Elizabeth Wichmann-Walczak, University of Hawai'i at Manoa Any traditional theatre has to engage the changing world to avoid becoming a living fossil. How has Beijing Opera --- a highly stylized theatre with breath-taking acrobatics and martial arts, fabulous costumes and striking makeup --- survived into the new millennium while coping with a century of great upheavals and competition from new entertainment forms? Li Ruru's The Soul of Beijing Opera answers that question, looking at the evolution of singing and performance styles, make-up and costume, audience demands, as well as stage and street presentation modes amid tumultuous social and political changes. Li's study follows a number of major artists' careers in mainland China and Taiwan, drawing on extensive primary print sources as well as personal interviews with performers and their cultural peers. One chapter focuses on the illustrious career of Li's own mother and how she adapted to changes in Communist ideology. In addition, she explores how performers as social beings have responded to conflicts between tradition and modernity, and between convention and innovation. Through performers' negotiation and compromises. Beijing Opera has undergone constant re-examination of its inner artistic logic and adjusted to the demands of the external world.
Download or read book Chinese Opera written by Wang-Ngai Siu and published by Hong Kong University Press. This book was released on 2013-12-01 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chinese opera embraces over 360 different styles of theatre that make one of the richest performance arts in the world. It combines music, speech, poetry, mime, acrobatics, stage fighting, vivid face-painting and exquisite costumes. First experiences of Chinese opera can be baffling because its vocabulary of stagecraft is familiar only to the seasoned aficionado. Chinese Opera: The Actor’s Craft makes the experience more accessible for everyone. This book uses breath-taking images of Chinese opera in performance by Hong Kong photographer Siu Wang-Ngai to illustrate and explain Chinese opera stage technique. The book explores costumes, gestures, mime, acrobatics, props and stage techniques. Each explanation is accompanied by an example of its use in an opera and is illustrated by in-performance photographs. Chinese Opera: The Actor’s Craft provides the reader with a basic grammar for understanding uniquely Chinese solutions to staging drama.
Download or read book Designs on Chinese Opera Costumes written by and published by . This book was released on 1957 with total page 10 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Peking Opera written by Colin Mackerras and published by Oxford University Press, USA. This book was released on 1997 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt: Born in the grandeur of the Qing dynasty, Peking Opera is known the world over for its lively music, colourful costumes, and thrilling displays of acrobatic prowess. Although reflective of the many changes that have occurred in Chinese society, Peking Opera today retains the drama and action that have charmed generations of audiences. Peking Opera's success rests on a fine integration of performance, plotting, and music. This illustrated introduction traces the developments of the genre from its roots in Chinese folk and high-art dramas to its situation in the present day. It features explanations of the opera's common character types, short descriptions of selected pieces, and discussions of the common stage settings and music that support the performance art.
Download or read book Inscribing Jingju Peking Opera written by David Rolston and published by BRILL. This book was released on 2021-08-09 with total page 817 pages. Available in PDF, EPUB and Kindle. Book excerpt: What was the most influential mass medium in China before the internet reaching both literate and illiterate audiences? The answer may surprise you...it’s Jingju (Peking opera). This book traces the tradition’s increasing textualization and the changes in authorship, copyright, performance rights, and textual fixation that accompanied those changes.
Download or read book Staging for the Emperors written by Liana Chen (Assistant professor) and published by . This book was released on 2021 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Theatrical performance occupied a central place in the emotional and political life of the Qing dynasty imperial household. For over two centuries, the Qing court poured a tremendous amount of human and material resources into institutionalizing the theatrical arts for the purposes of entertainment and edification. The emperors and empresses were ardent patrons and key players in establishing an artistic form that the court theatre called its own. They went to great lengths to cultivate a discerning taste in theatre and oversaw the artistic and managerial aspects of court theatrical activities. In the imperial theatrical spaces within and outside the Forbidden City, which were designed and built with the capacity to produce stunning visual effects, theatrical productions were staged to entertain imperial family members and to impress obeisance-paying guests from near and afar. Treating Qing dynasty court theatre as a unique site in which to examine important but uncharted realms of Chinese theatrical experience, Staging for the Emperor examines two distinct and interlocking dimensions of the Qing court theatre-the vicissitudes of the palace troupe and the multifaceted functions of court-commissioned ceremonial dramas-to highlight the diverse array of views held by individual rulers as they used theatrical means to promote their personal and political agendas. Drawing on recently discovered materials from a variety of court administrative bureaus, memoirs, diaries, and play scripts written for court ceremonial occasions, this study places the history of Qing court theatre in the broader context of Qing cultural and political history. Staging for the Emperors would appeal to readers interested in China studies and performance studies. It would also appeal to those outside the field of China studies who are interested in developing a cross-cultural perspective on the interplay between state rituals, power, identity formation, and theatrical experiences"--
Download or read book Oriental Costume written by Jacqueline Ayer and published by London : Studio Vista. This book was released on 1974 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt:
