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Book Autobiographical Cultures in Post War Italy

Download or read book Autobiographical Cultures in Post War Italy written by Walter S. Baroni and published by Bloomsbury Publishing. This book was released on 2021-01-14 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: After the Second World War, two contrasting political movements became increasingly active in Italy - the communist and feminist movements. In this book, Walter Baroni uses autobiographical life-writing from both movements key protagonists to shed new light on the history of these movements and more broadly the similarities and differences between political activists in post-war Italy.

Book Transmissions of Memory

Download or read book Transmissions of Memory written by Patrizia Sambuco and published by Rowman & Littlefield. This book was released on 2018-03-19 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: Transmissions of Memory: Echoes, Traumas and Nostalgia in Post-World War II Italian Culture discusses cultural products—films, poetry, fiction, architectural buildings, autobiographical writing, and social media—to individuate through them the dynamics of memory. The field of analysis is Italian culture from World War II to the contemporary times, and the volume has in a gendered approach one of its focuses, offering an encompassing view on cultural memory and highlighting the similarities between gendered revisitation and revisitation of the past. The volume is divided into three sections: cultural transmissions, fractured memories, and nostalgia. In the chapters herewith the study of memory through these forms hints at a sense of transformation and often enrichment or resilience, individual or collective, that values more the present and the future rather than the past.

Book Biographies and Autobiographies in Modern Italy

Download or read book Biographies and Autobiographies in Modern Italy written by Peter Hainsworth and published by MHRA. This book was released on 2007 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: Critical interest in biography and autobiography has never been higher. However, while life-writing flourishes in the UK, in Italy it is a less prominent genre. The twelve essays collected here are written against this backdrop, and address issues in biographical and autobiographical writing in Italy from the later nineteenth century to the present, with a particular emphasis on the interplay between individual lives and life-writing and the wider social and political history of Italy. The majority of essays focus on well-known writers (D'Annunzio, Svevo, Bontempelli, Montale, Levi, Calvino, Eco and Fallaci), and their varying anxieties about autobiographical writing in their work. This picture is rounded out by a series of studies of similar themes in lesser known figures: the critic Enrico Nencioni, the Welsh-Italian painter Llewellyn Lloyd and Italian writers and journalists covering the Spanish Civil War. The contributors, all specialists in their fields, are Antonella Braida, Charles Burdett, Jane Everson, John Gatt Rutter, Robert Gordon, Gwyn Griffith, Peter Hainsworth, Martin McLaughlin, Gianni Oliva, Giuliana Pieri, and Jon Usher. The volume is dedicated to John Woodhouse, on his seventieth birthday, and concludes with a bibliography of his writings.

Book Autobiography of a Generation

Download or read book Autobiography of a Generation written by Luisa Passerini and published by Wesleyan University Press. This book was released on 1996-10-25 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: The year 1968 is symbolic in Italy of a decade of struggles by students, women, workers, intellectuals, and technicians. This work documents the intricate web of individual and communal experiences in the political movements of the 1960s. Passerini alternates chapters based on her diaries with interviews of other participants.

Book Tadeusz R    ewicz and Modern Identity in Poland since the Second World War

Download or read book Tadeusz R ewicz and Modern Identity in Poland since the Second World War written by Wojciech Browarny and published by Projekt Nauka. Fundacja na rzecz promocji nauki polskiej. This book was released on 2019-04-10 with total page 626 pages. Available in PDF, EPUB and Kindle. Book excerpt: As Andrzej Mencwel observed, “as a result of fundamental historical changes” the need arises for “restructuring of the whole present memory and tradition system” (Rodzinna Europa po raz pierwszy). Changes of such significance took place in Poland during the Second World War and several following decades. Collective experience of that time was made up of – apart from political antagonisms – social and cultural phenomena such as change of elites, reinterpretation of their grand narratives (or symbolic world), the ultimate inclusion of the masses into the national project based on the post-gentry tradition and national history, the intensive development of urban lifestyle and the expansion of popular culture, industrialization and the process of forming a single-nationality state that diverted from the politics of domination over eastern neighbors and, instead, focused on developing the so-called Polish Western and Northern Lands. Tadeusz Różewicz’s work referred to these experiences on both the intellectual and biographical level. Comparing Juliusz Mieroszewski’s political journalism with Tadeusz Różewicz’s works, Andrzej Mencwel stressed its unique relationship of the author of Niepokój. According to him, both writers were writing as though “they had truly experienced the end of the world” (Przedwiośnie czy potop. Studium postaw polskich w XX wieku). In the afterword to the German anthology of Różewicz’s works, Karl Dedecius mentioned “Stunde Null” (“hour zero”) as the founding experience of his writing. It was this experience that induced him to undertake the challenge of attempting a new collective and national as well as individual self-identification, searching for a radically new way of thinking and writing about man, and verifying the essential components of his identity. Andrzej Walicki called this urge “the catastrophism after a catastrophe”, explaining that “once the catastrophe took place, a ca- tastrophist acknowledging its inevitability must think about ‘a new beginning’, about determining his own place in a new world” (Zniewolony umysł po latach). Hanna Gosk specifies that “it gave rise to situations when the necessity of discovering one’s place in new geographical, social, axiological and world-view-related environment urged self-identification” (Bohater swoich czasów. Postać literacka w powojennej prozie polskiej o tematyce współczesnej). It must be stressed that the need for re-establishing the sense of identity, resulting from a major crisis, was by no means limited to the postwar artistic and political elites. On the contrary, due to social changes and democratization of the access to national culture, it concerned more than ever in the past the “everyman” who did not belong to one class solely: the intelligentsia, bourgeoisie, peasantry, or proletariat but, most often, represented multiple social rooting. Tadeusz Różewicz, alongside with writers such as Tadeusz Borowski, Marek Hłasko or Miron Białoszewski, made the “Polish everyman” (Tadeusz Drewnowski) the central figure of his work. This study discusses the modern identity of an individual in Poland in two variants: a cultured man with traditions and an ordinary, transitional, temporal, or “new”, man. By adopting the narrativist approach, identity can be described through its articulations in culture, for example in literary texts. Analyzing methods of modern identification and self-awareness throughout this book, I try to prove that prose works of the author of Śmierć w starych dekoracjach present an extensive, interesting and diverse material in the matter. When necessary, I refer also to his dramatic works and poetry, especially to some longer poems published after 1989. The author’s most important prose works have so far been written in the first 30-year period starting from his debut volume of partisan novellas, notes and humorous sketches Echa leśne mimeographed in 1944. While focusing on this period, I also analyze later works published in collections Nasz starszy brat and Matka odchodzi published in the last decade of the 20th century, although written at an earlier date. Różewicz’s prose works analyzed here were published predominantly in the threevolume edition of Utwory zebrane in 2003/2004, in the reportage collection entitled Kartki z Węgier (1953) as well as in the collection of newspapers features, letters and notes – written in the 60s. and 70s. in most cases – entitled Margines, ale… (2010). I also make use of the earlier editions of his works, containing prose works not included in Utwory zebrane, for example, from the volume Opadły liście z drzew, as well as of some narratives published in journals and anthologies. Conversations with the writer published in Wbrew sobie. Rozmowy z Tadeuszem Różewiczem (2011) and his letters to Jerzy and Zofia Nowosielscy included in Korespondencja comprise an auxiliary material. What specifically draws my attention in Tadeusz Różewicz’s prose? I read his works in the context of identity narratives manifest in culture and historical-biographical stories. The questions then arise about their formative influence on an individual: what within them presents a reference for the “self ” seeking identification? When and how does individual experience take on an intersubjective meaning? Under what circumstances is it expressed in the public sphere? Have new identification patterns emerged in the Polish modernity, and if so, then what fields and phenomena of the 20th century culture or history have taken on such model significance? How and where were boundaries drawn be tween what is individual in an identity of a person speaking and thinking in Polish on the one hand, and, on the other, what is collective? What has been considered native in this identity, and what alien – for exam­ple Western, bourgeois, communist, German, Jewish, non-normative in terms of religion or sexuality – and in what way has cultural “otherness” been constructed at that time? Trying to answer these questions, I refer to categories of cultural anthropology such as symbolic universe, collective memory, autobiographical identity, body and space in culture, as well as to notions from the social sciences – interpersonal relationship, public discourse and communicative community. To put it simply, using these categories I try to describe the most important narrative forms and topics of Różewicz’s prose that allow the writer to address and express in a liter­ary form identity problems faced by an individual and the community. I also attempt to analyze the very proces through which Różewicz devel­ops his own unique identity narratives as well as the evolution of narra­tive conventions of his literary work. Reading Różewicz’s works in this manner and organizing chapters of this book from the ones presenting public identity (displayed publicly and codified in ideology or aesthetic) to the ones presenting private identity, I put an especial emphasis on some issues related to cultural studies and social communication. Ac­cording to the reconstruction model, I assume that even private experi­ences shape one’s identity through culture and language. In Różewicz’s narratives I describe and compare both more collective and more indi­vidual premises for constructing identity. The criterion for differentiating between these premises is determined by the narrativist approach adopt­ed in this book. An individual’s identity (even autobiographical one) is created and expressed within the existing culture and public sphere, and for this reason I am interested in history of ideas, in social relationships, symbols and role models, changes of customs and everyday life which left a distinct impression on literary, political or historical narratives. Reading these narratives, I make use of the following authors: Jan Assmann, Jean Baudrillard, Zygmunt Bauman, Ernst Cassirer, Michel Foucault, Marc Fumaroli, Hans-Georg Gadamer, Jerzy Jedlicki, Anthony Giddens, Iz­abela Kowalczyk, Philippe Lejeune, Maurice Merleau-Ponty, Stanisław Ossowski, Ewa Rewers, Paul Ricoeur, Richard Rorty, Elżbieta Rybicka, Richard Shusterman, Georg Simmel, Jerzy Szacki, Magdalena Środa, Charles Taylor, Nikodem Bończa Tomaszewski, Christian Vandendorpe, Anna Wieczorkiewicz. I rely on their reconstruction of social-historical background of modern identity presented by these authors as well as on language used by them. The book structure results from the overlapping, or even conflict, of two research objectives. My task is to analyze the most important prem­ises and forms of identity in Różewicz’s prose, and I describe them in separate chapters as problems of culture, literature and history of ideas as well as models and social projects. It is my wish that all these perspectives make up a coherent identity narrative of man of the second half of the 20th century – a “biographical” case study. The study covers the pro­cess of political empowerment of an individual; his/her participation in democratized mass culture; his/her attitude towards collective memory, towards Polish and European cultural community; experiencing of body, sexuality and everyday existence; emotional and social relationship with space; and, finally, an autobiographical identity which I reconstruct as a transitional and provisional “whole”. One of the most significant issues covered in the book is the western orientation of Polish collective identity in the 20th century, related to the modernization of Central Europe and the postwar division of the continent by the Iron Curtain, which created in Poland a phantom idea of the West, as well as to the shifted borders of the Polish state to the territories by the Odra river and the Baltic Sea, to polonization of former German lands, and, finally, to historical and polit­ical discourse legitimizing this transfer of territories. Tadeusz Różewicz as a travelling writer and journalist has relentlessly problematized the relationship between Europe and its Polish idea; as a resident in Gliwice and Wrocław, not only has he described – since the trip down the Odra river on a fishing boat from Koźle to Szczecin in 1947 – symbolic colonization of the post- German Nadodrze, but also artistically diagnosed the birth of the new individual and social identity of the inhabitants of this border area, with its clashing narratives of history, biography and national literature alongside the overlapping traces of different cultures and traditions. Writing about Różewicz’s man in this book, I clearly do not mean the writer himself. It is obvious that among many convictions and attitudes that the author of Sobowtór manifests, there are some of which he is fond, and there are others of which he is not. I do not disregard his views voiced in non-fiction narratives and public speeches, yet I am mostly interested in experience, world view and self-comprehension of his literary persona and literary hero presented or partially derived from an idea of man and of community in his texts. Analyzing Różewicz’s works, I therefore distinguish between his self-evident journalistic approach and his humanistic reflection which is a result of a philosophical or literary presentation of identity problems an individual faces. I read his prose as an element of a public discourse and at the same time as an indirect – formulated in fictional, intimate or notebook narratives – criticism of social reality and European culture in the 20th century. In most cases, I leave open questions such as whether or not Różewicz was or is committed to a specific political project; whether or not he is a modern man in different meanings of this notion; whether or not his personal identity coincides with identity narratives in his books. Finding an answer to these questions is not a purpose of this book. It is, distinctively, the problem of Tadeusz Różewicz’s intellectual commitment to modern culture, literature and history and a problem of the writer’s role in creative and critical understanding of them that I find more interesting and important.

Book Memories of Growing Up in Little Italy  Ny

Download or read book Memories of Growing Up in Little Italy Ny written by Gus Petruzzelli and published by Xlibris Corporation. This book was released on 2010-08 with total page 84 pages. Available in PDF, EPUB and Kindle. Book excerpt: Memories of Growing Up in Little Italy, NY This is a memoir of childhood friends growing up together in the 40's and 50's in Little Italy NY. It tells the story of the culture of living in a poor neighborhood with Italian Immigrants. The old neighborhood, as it is still referred to by its past residents, was full of life with Italians that immigrated from different areas of Italy bringing with them all their different foods, cultures, superstitions and most of all their dreams to raise their children to become good, honest and successful American Citizens. Growing up in Little Italy was difficult, yet rewarding. We were considered poor in terms of material wealth, but many of us grew up richer in mind, body and soul. Most of all we had our imaginations to dream up games that gave us something to do all day long. In our own way we were entrepreneurs, as we did anything to make money like selling newspapers, shining shoes, running errands and more. Looking back, the Good Times Were Rolling Along.

Book Italian Women and Autobiography

Download or read book Italian Women and Autobiography written by Fabiana Cecchini and published by Cambridge Scholars Publishing. This book was released on 2011-01-18 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays included in this collection examine issues such as identity and ideology which are at play in the female autobiography practice, along with the problematicity that these trigger in terms of self-representation and traditional formal boundaries. The women writers analyzed here through mainly historical, literary, feminist and psychoanalytic lenses cover a long period in the history of Italy, spanning from the Fascist era to our time. In an attempt to organize and connect these texts which are chronologically far apart, we have divided our contributions into two main parts. The first, “Shapes of Ideology,” includes authors interacting primarily with political ideology in a way that eventually entails the challenge of the official “technologies of gender” (De Lauretis, 1987) and implicitly, a reflection on the gendered identity. In the second part, “Reconsidering ideology, negotiating autobiography,” while the political ideology is not completely excluded, it becomes however something more internalized and relevant to the writers’ quest for identity. Such process bears consequences with respect to the canon of autobiography, as authors experiment with new forms of autobiographical narratives and readers become more and more an integral component of this personal endeavor.

Book Italians in Wales and their Cultural Representations  1920s 2010s

Download or read book Italians in Wales and their Cultural Representations 1920s 2010s written by Bruna Chezzi and published by Cambridge Scholars Publishing. This book was released on 2015-11-25 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt: Italian immigrants began to settle in Wales at the turn of the 19th century, opening hundreds of coffee shops, particularly in the South Wales Valleys. Despite this, such immigrants remain a largely unexplored case study in the history of Italian immigration to the UK. This book uses a variety of unexplored sources, and engages with the broader academic debate on migration, identity, and the trans-generational transmission of memory, to describe the emergence of Welsh-Italian narratives and the formation of a distinctive, yet complex, Welsh-Italian identity. It follows a chronological journey, moving from the interwar period, a time in which Italians in Wales were generally regarded as fully established and integrated, through to the Second World War, a time when Italian identity became problematic and resulted in nearly seventy years of ‘silencing’, up until the first decade of the 21st century, where a mixture of commemorative events and cultural initiatives prompted the emergence of Welsh-Italian narratives. The book begins by studying photographic representations of Italians in Wales during the interwar period, using photographs available in local history books, private collections and history books. The analysis of the photographic material draws from the work of scholars such as Sontag, Noble, Hirsh and Bate on photo-textual analysis, to show how photographs can reveal understudied, yet important, aspects of Italian migrant identity and of the relationship with the host community in the period that preceded the Second World War. The book then examines how the events of the Second World War destabilised the images of family, sociability and integration suggested by these photographs, and how such events aggravated tensions between host and migrant cultures. It continues by investigating recent Welsh-Italian texts where, in revisiting the past and the experience of their ancestors, the authors bring different circumstances and personal factors into play determining the degree to which they reconcile their dual identity. It concludes with a comparison between these ‘narratives of belonging’ and the representation of the Italian migrant experience in Anglo-Welsh literature.

Book Suffer the Children

Download or read book Suffer the Children written by Donato De Simone and published by Xlibris Corporation. This book was released on 2007 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: Donato De Simone WORLD WAR II EVENTS NARRATED FROM THE PERSPECTIVE OF THE CHILDREN CAUGHT IN THE WEB OF ADULT INSANITY A young boy . . . a beautiful town . . . stalked by the Nazis bombed by the Allies . . . hiding Jewish refugees Abruzzo´s mini-holocaust . . . meeting Padre Pio escape to a new life in America Growing up in the tranquility of the Abruzzo region of Italy, Donato De Simone, Danny to his friends, was abruptly plunged into the violence of war as the Germans and Allies contested for the Sangro River in a major World War II battle. Now, after decades of pondering the meaning of these events, Danny recalls the drama of his times. Mixing humorous touches with his graphic descriptions, he creates for his readers a vivid picture of life in wartime: the nomadic journeys trying to escape the Nazis; the drama of a downed British airman sheltered by his grandfather in a barn; the little-known story of Jewish refugees hidden from the exterminators by sympathetic Italians; watching Allied bombers shot down by German antiaircraft batteries and sent crashing into the Adriatic Sea; finally finding his home destroyed. These are the circumstances under which Danny grew up. His shrewd mother's planning enabling her family to escape German terror, the family's hardships as they slept in a hastily-constructed air raid shelter, titanic efforts to avoid stepping on personnel or anti-car mines, praying that bombs from both sides would miss them all are created anew by this masterful story-teller. The normal educational patterns having been disrupted by war, Danny struggled to learn in makeshift classrooms. After finally succeeding in rejoining his father to America, Danny faced further challenges trying to adjust to a new life, a new culture and a new language. Finally returning to Italy, he married Anna Maria, his childhood sweetheart and fellow war survivor. Returning to America at the urging of Anna Maria's father, former U.S. Army private Ernesto Fantini, Danny sailed the Andrea Doria the trip before she sank! Danny and Anna Maria raised their family in Norristown, Pa., and on June 2, 2006, they celebrated their fiftieth wedding anniversary. "We must have done something wrong," Danny quips. "In fifty years we never even had a serious argument!" Danny met Padre Pio da Pietrelcina, now Saint Pio, twice as a teenager before coming to America, and once in 1956 together with Anna Maria on their honeymoon. It was an unforgettable experience for both to go to confession and receive Holy Communion from the sainted man who bore on his body the signs of the crucifixion. De Simone does a superb job personalizing the historical record, for his account teaches us what it means to suffer the concrete effects of the abstract decisions made by the generals and dictators and kings - what it means to be the family member whose home is bombed, to be the farmer whose field is mined, to be the child who has seen too much death. Prof. Millicent Marcus Yale University His narrative is most interesting and disturbing at the same time as we realize that so many innocent people, especially the children, were caught in the middle of such insane violence. This is a book for all to read, especially the young. Most Rev. Louis A. De Simone, D. D. Auxiliary Bishop Emeritus Archdiocese of Philadelphia . . . fascinatingly human, fast-reading, well-written. Prof. James T. McDonough St. Joseph´s University Philadelphia

Book My Father Il Duce

Download or read book My Father Il Duce written by Romano Mussolini and published by National Geographic Books. This book was released on 2006-11-14 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Breaking a lifelong silence, the last surviving child of Benito Mussolini opens the floodgates about his father. In this historical, revisionist memoir, Romano Mussolini (September 26, 1927-February 3, 2006), the last surviving child of dictator Benito Mussolini, contributes his unique perspective to the growing body of work that portrays Il Duce's era. Through Romano's portrait of never before publicly shared memories and feelings, My Father Il Duce brings alive the domestic scenes of his childhood particularly when they intersected with his father's public role. He also relates in detail the memories of his mother, Donna Rachele, who lived until 1979 and often spoke with Romano about his father. Romano's memories, sorted by chapter, but not presented chronologically, shift between his own recollections of time spent with his father to the years after Mussolini's death in 1945. The prose lingers and then artistically moves forward, melancholy to fierce to vulnerable, like the notes of the jazz music played by Romano during his acclaimed musical career. Mussolini is presented here as a man who was supremely convinced that he was the master of his life: "'Everything happening around me,'" my father used to say, "'leaves me indifferent. I consciously choose 'Live dangerously' as my life's motto. As an old soldier, I say, 'If I advance, follow me. If I retreat, kill me. If they kill me, vindicate me.'" He saw his existence in scenes of high drama, envisioning in the end, Romano tells us, that he would be placed in front of throngs at New York City's Madison Square Garden and then executed in a macabre spectacle. In this memoir, Romano does not truly ponder the consequences of his father's alliances and dictatorship, though with at least one notable exception that he gave considerable thought to his personal anger toward Hitler for "stabbing my father in the back at his darkest hour." Instead, he seeks to render concrete the memories that he held silent over a lifetime before they were lost to history. The fascist order that Mussolini created and imposed upon Italy is one that Italians and students of history the world over are still interpreting. Indeed, his legacy was centerstage in the May 2006 Italian national elections, and one of the deputies in the Italian parliament today who represents his alliances is Alessandra Mussolini, Romano's daughter and defender of her infamous grandfather. As the trend of historical revisionism in Italy continues, in particular regarding the role of fascism, some of this kinder, gentler Mussolini is already widely accepted. Thus, My Father Il Duce (in Italian Il Duce Mio Padre) was published to great attention and controversy in Italy in 2004 and quickly became a bestseller. Romano often appeared on Italian national television and in newspaper interviews. In part, this illuminates that fascist supporters are alive and well, while also confirms even among non-supporters, the ongoing attraction to the cult of personality Mussolini masterminded. In Italy, this public discourse about Mussolini is common. However, for others it is important to establish a context for Romano's memoir. This is accomplished here through an accompanying masterful twenty-one page introductory essay by one of the world's foremost authorities on Italian political culture, Alexander Stille: writing the introductory essay to My Father Il Duce is a bit like writing the warning label on a powerful drug that has its uses but must be taken with care and knowledge of its possible side effects. Romano reached his goal of living to see the first publication of his memoir in Italian. As for this English-language edition, he earlier expressed approval of the front cover design. On January 1, 2006, he received the translated English language manuscript of his writing. During the last month of his life, he approved it. Romano Mussolini died on February 3, 2006, at age seventy-nine in a Rome hospital soon after heart surgery. Romano's death made international news. The New York Times obituary reported: "In the 1950's and 60's he was in the vanguard of Italian jazz with his group the Romano Mussolini All Stars, and he played with American greats like Dizzy Gillespie, Duke Ellington and Chet Baker. Mr. Mussolini gained even greater international fame with his first marriage, to Anna Maria Scicolone, the sister of the actress Sophia Loren....Despite his own scrupulous avoidance of politics, politicians from Italy's right wing-parties widely lauded Mr. Mussolini and his family name in statements they released: 'Romano knew how to make us love him for his humanity, his art, but also for the dignity and coherence with which he defended his family from attacks and demonizations.'" Through Romano's worldwide celebrity and well-regarded nature, his words in defense of Il Duce, albeit ones he no doubt wrote as a son who loved his father, offer a rare insider's perspective that can help us better understand, and therefore more readily defeat tyranny. This memoir's account of history further reminds us of the continuing need for our vigilance in the pursuit of truth.

Book Politics and Culture in Post war Italy

Download or read book Politics and Culture in Post war Italy written by Linda Risso and published by Cambridge Scholars Publishing. This book was released on 2006 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Features articles by British, Irish and Italian young researchers working on various aspects of Italian Studies defined since the end of World War II. This volume offers insights into several aspects of post-war Italian culture and introduces perspectives on literature, women's studies, cinema, history and politics.

Book The Many Meanings of Mina

    Book Details:
  • Author : Rachel Haworth
  • Publisher :
  • Release : 2022-07-22
  • ISBN : 9781789385601
  • Pages : 272 pages

Download or read book The Many Meanings of Mina written by Rachel Haworth and published by . This book was released on 2022-07-22 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: What the stardom of Mina says about contemporary Italian society. Mina--or Anna Maria Mazzini--is an Italian popular music icon whose sixty-year career has come to represent a range of diverse meanings. She is one of the best-loved popular music stars in Italy and abroad, with a large fan base across Europe, Asia, and South America. Her career began in the late 1950s and reached its peak in the 1960s and 1970s. Despite having retired from public appearances in the late 1970s, Mina remains iconic to this day. Her star status is exemplary of how stardom is constructed and what it reveals about the society from which it springs. This book explores Mina's star image and iconic status, tracing the process by which she has come to embody a revelation of the values and ideals of contemporary Italian society.

Book Guido Culture and Italian American Youth

Download or read book Guido Culture and Italian American Youth written by Donald Tricarico and published by Springer. This book was released on 2018-12-24 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Saturday Night Fever to Jersey Shore, Italian American youth in New York City have appropriated—and been appropriated by—popular American culture. Here, Donald Tricarico investigates how Italian ethnicity has been used to fashion Guido as a distinct youth style that signals inclusion in popular American culture and, simultaneously, the making of a new ethnic subject. Emerging from a wave of Italian immigration after World War II in outer borough neighborhoods such as Bensonhurst, the story of the Guido is an Italian American story, symbolizing the negotiation of a negatively privileged ethnicity within American society. Tricarico takes up questions about the definition of Guido, the role of disco, and the identity politics of Jersey Shore in order to reconsider the significance of Guido for the study of Italian American ethnicity.

Book Mussolini s Dream Factory

Download or read book Mussolini s Dream Factory written by Stephen Gundle and published by Berghahn Books. This book was released on 2013-12-01 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: The intersection between film stardom and politics is an understudied phenomenon of Fascist Italy, despite the fact that the Mussolini regime deemed stardom important enough to warrant sustained attention and interference. Focused on the period from the start of sound cinema to the final end of Fascism in 1945, this book examines the development of an Italian star system and evaluates its place in film production and distribution. The performances and careers of several major stars, including Isa Miranda, Vittorio De Sica, Amedeo Nazzari, and Alida Valli, are closely analyzed in terms of their relationships to the political sphere and broader commercial culture, with consideration of their fates in the aftermath of Fascism. A final chapter explores the place of the stars in popular memory and representations of the Fascist film world in postwar cinema.

Book The Penguin Book of Italian Short Stories

Download or read book The Penguin Book of Italian Short Stories written by Jhumpa Lahiri and published by Penguin UK. This book was released on 2019-03-07 with total page 528 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Rich. . . eclectic. . . a feast' Telegraph This landmark collection brings together forty writers that reflect over a hundred years of Italy's vibrant and diverse short story tradition, from the birth of the modern nation to the end of the twentieth century. Poets, journalists, visual artists, musicians, editors, critics, teachers, scientists, politicians, translators: the writers that inhabit these pages represent a dynamic cross section of Italian society, their powerful voices resonating through regional landscapes, private passions and dramatic political events. This wide-ranging selection curated by Jhumpa Lahiri includes well known authors such as Italo Calvino, Elsa Morante and Luigi Pirandello alongside many captivating new discoveries. More than a third of the stories featured in this volume have been translated into English for the first time, several of them by Lahiri herself.

Book Images of Colonialism and Decolonisation in the Italian Media

Download or read book Images of Colonialism and Decolonisation in the Italian Media written by Paolo Bertella Farnetti and published by Cambridge Scholars Publishing. This book was released on 2017-11-06 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: The twentieth century saw a proliferation of media discourses on colonialism and, later, decolonisation. Newspapers, periodicals, films, radio and TV broadcasts contributed to the construction of the image of the African “Other” across the colonial world. In recent years, a growing body of literature has explored the role of these media in many colonial societies. As regards the Italian context, however, although several works have been published about the links between colonial culture and national identity, none have addressed the specific role of the media and their impact on collective memory (or lack thereof). This book fills that gap, providing a review of images and themes that have surfaced and resurfaced over time. The volume is divided into two sections, each organised around an underlying theme: while the first deals with visual memory and images from the cinema, radio, television and new media, the second addresses the role of the printed press, graphic novels and comics, photography and trading cards.

Book Sociological Abstracts

Download or read book Sociological Abstracts written by and published by . This book was released on 2003 with total page 534 pages. Available in PDF, EPUB and Kindle. Book excerpt: CSA Sociological Abstracts abstracts and indexes the international literature in sociology and related disciplines in the social and behavioral sciences. The database provides abstracts of journal articles and citations to book reviews drawn from over 1,800+ serials publications, and also provides abstracts of books, book chapters, dissertations, and conference papers.