Download or read book Atti del XIV congresso della Societ internazionale di musicologia Round tables written by International Musicological Society. Congress and published by EDT srl. This book was released on 1990 with total page 778 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Atti del XIV congresso della Societ internazionale di musicologia Free papers written by International Musicological Society. Congress and published by . This book was released on 1990 with total page 956 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Portrait of a Castrato written by Roger Freitas and published by Cambridge University Press. This book was released on 2009-05-14 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fascinating insight into the life and music-making of the most documented musician of the seventeenth century, castrato Atto Melani.

Download or read book Citation and Authority in Medieval and Renaissance Musical Culture written by Suzannah Clark and published by Boydell & Brewer Ltd. This book was released on 2005 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays - collected in honour of Margaret Bent - examining how medieval and Renaissance composers responded to the tradition in which they worked through a process of citation of and commentary on earlier authors.

Download or read book Atti del XIV congresso della Societ internazionale di musicologia Study sessions written by International Musicological Society. Congress and published by EDT srl. This book was released on 1990 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Motet in the Age of Du Fay written by Julie E. Cumming and published by Cambridge University Press. This book was released on 2003-10-16 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: A re-evaluation of the Latin-texted motet during the age of Du Fay.

Download or read book Thomas Morley written by Tessa Murray and published by Boydell & Brewer Ltd. This book was released on 2014 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: An essential book for scholars and students of renaissance music, as well as the history of music publishing and print. The Renaissance composer and organist Thomas Morley (c.1557-1602) is best known as a leading member of the English Madrigal School, but he also built a significant business as a music publisher. This book looks at Morley's pioneering contribution to music publishing in England, inspired by an established music printing culture in continental Europe. A student of William Byrd, Morley had a conventional education and early career as a cathedral musician both in Norwich and at St Paul's cathedral. Morley lived amongst the traders, artisans and gentry of England's major cities at a time when a market for recreational music was beginning to emerge. His entrepreneurial drive combinedwith an astute assessment of his market resulted in a successful and influential publishing business. The turning point came with a visit to the Low Countries in 1591, which gave him the opportunity to see a thriving music printpublication business at first hand. Contemporary records provide a detailed picture of the processes involved in early modern music publishing and enable the construction of a financial model of Morley's business. Morley died too young to reap the full rewards of his enterprise, but his success inspired the publication by his contemporaries of a significant corpus of readily available recreational music for the public. Critical to Morley's successwas his identification of the sort of music, notably the Italianate lighter style of madrigal, that would appeal to amateur musicians. Surviving copies of the original prints show that this music continued to be used for severalgenerations: new editions in modern notation started to appear from the mid eighteenth century onwards, suggesting that Morley truly had the measure of the market for recreational music. Thomas Morley: Elizabethan Music Publisher will be of particular interest to scholars and students of renaissance music, as well as the history of music publishing and print. Tessa Murray is an honorary research fellow at the University of Birmingham.

Download or read book National Traditions in Nineteenth Century Opera Volume I written by Steven Huebner and published by Routledge. This book was released on 2017-03-02 with total page 465 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume covers opera in Italy, France, England and the Americas during the long nineteenth century (1789-1914). The book is divided into four sections that are thematically, rather than geographically, conceived: Places-essays centering on contexts for operatic culture; Genres and Styles-studies dealing with the question of how operas in this period were put together; Critical Studies of individual works, exemplifying particular critical trends; and Performance.

Download or read book Music as Social and Cultural Practice written by Melania Bucciarelli and published by Boydell & Brewer. This book was released on 2007 with total page 465 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The linking theme of the essays collected here is the intersection of musical work with social and cultural practice. Inspired by Professor Strohm's ideas, as is fitting in a volume in his honour, leading scholars in the field explore diverse conceptualizations of the 'work' within the contexts of a specific repertory, over four main sections. Music in Theory and Practice studies the link between treatises and musical practice, and analyses how historical writings can reveal period views on the 'work' in music before 1800. Art and Social Process: Music in Court and Urban Societies looks at the social and cultural practices informing composition from the late Renaissance until the mid-eighteenth century, and interrogates current notions of canon formation and the exchange between local and foreign traditions. Creating an Opera Industry focuses on how genre and artistic autonomy were defined in operas from diverse eras and countries, explaining the role of literature and politics in this process. Finally, The Crisis of Modernity treats nineteenth-century music, offering new models for 'work' and 'context' to challenge reigning theories of the meaning of these terms."--Publisher's website.

Download or read book Music Theory in Ethnomusicology written by Stephen Blum and published by Oxford University Press. This book was released on 2023-04-28 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the 1960s and 70s some ethnomusicologists formed relationships with music-makers and ritual specialists in an attempt to interpret how they understood their musical actions. Subsequently ethnomusicologists have studied the respects in which explicit and implicit theory is involved in communication of musical knowledge. They have observed the production of music theory in institutions of modern nation-states and have sought out groups and individuals whose theorizing is not constrained by existing institutions. They are assessing the extent to which musical terminologies of diverse languages can be interpreted in relation to general concepts without imposing the assumptions and biases of one body of existing theory. That exercise is increasingly recognized as a necessary effort of decolonization. A thorough yet concise introduction to this field, Music Theory in Ethnomusicology outlines a conception of music theory suited to cross-cultural research on musical practices.

Download or read book On the Publishing and Dissemination of Music 1500 1850 written by Hans Lenneberg and published by Pendragon Press. This book was released on 2003 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: Here published for the first time, is the final book written by the late Hans Lenneberg, respected scholar and longtime head of the music library at the University of Chicago. In it, the author pursues the impact of printing technologies, methods of distribution, government regulations, and evolving business practices as they affect music and musical life. Written with insight and humor, this book surveys a changing industry, century by century, pulling together information from many specialized studies and pointing out previously unnoticed trends and remaining puzzles.

Download or read book The Triumph of Music written by Tim Blanning and published by Penguin UK. This book was released on 2013-03-07 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: Once musicians such as Mozart were little more than court servants; now they are multimillionaire superstars wielding more power than politicians. How did this extraordinary change come about? Tim Blanning's brilliantly enjoyable book examines how everything from the cult of the romantic to technology and travel all fed the inexorable rise of music in the West, making it the most dominant and ubiquitous of the art forms. Encompassing balladeers, the great composers, jazz legends and rock gods, this is an enthralling story of power, patronage, creativity and genius.

Download or read book Composers at Work written by Jessie Ann Owens and published by Oxford University Press, USA. This book was released on 1998 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using sketches and other documentary evidence, this study is an investigation of composition in Renaissance music. It sets out the indispensable background to an inquiry and into the fundamental processes of Renaissance composition.

Download or read book Music Theory in the Age of Romanticism written by Ian Bent and published by Cambridge University Press. This book was released on 1996-08-28 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Twelve brilliant historians of theory probe the mind of the Romantic era in its thinking about music.

Download or read book Guillaume de Machaut written by Lawrence Earp and published by Routledge. This book was released on 2013-08-21 with total page 696 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides an overview of the current state of research on Machaut, the major figure of 14th-century French music and poetry, giving fair representation to the many areas of Machaut research that are pursued in fields outside music.Coverage of the current state of knowledge on each of the manuscripts includes the newly discovered Aberystwyth manuscript, described in detail here for the first time. A section on the large narrative poems pulls together recent research of several scholars and offers new views. An up-to-date concordance of the miniatures in all of the illustrated Machaut manuscripts gives information on where published studies and facsimiles may be found. The discography is the most complete list of Machaut recordings yet compiled and provides critical evaluations of recordings most valuable for instruction, according to our latest conception of performance practice in the 14th-century.A biography section organizes the documentary material in a way that will facilitate further research. The bibliography of secondary works cites books, editions, articles, and dissertations (including forthcoming works) from 1740 to 1991, in French, English, the other western European languages, Polish, Russian, and Japanese. The volume is fully indexed.

Download or read book La th orie de la musique antique et m di vale written by Michel Huglo and published by Taylor & Francis. This book was released on 2023-07-28 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the final volume in the set of four collections of Michel Huglo's articles to be published in the Variorum series, and focuses on medieval music theory. The point of departure for Huglo's research was his doctoral dissertation on tonaries, published in 1971: as a consequence, he studied the manuscripts of music theory concerning plainchant, and, later, those with writings on music by authors of Late Antiquity as well as the Liber glossarum, with its many definitions of musical terms. In this volume, certain articles consider the interpretation or dissemination of texts, instruction in the art of plainchant, and musical instruction at the university. Others concern the manuscripts of St Augustine's De musica and of the writings of Calcidius, Macrobius, Helisachar, Hucbald, Gerbert of Aurillac, Abbo of Fleury, John of Afflighem, and Hieronymus de Moravia, amongst others. The volume closes with a bibliography of Michel Huglo complementing that published in 1993 and a summary list of his reviews of books on music and liturgy. Ce volume des articles de Michel Huglo termine la série de quatre dans la collection Variorum. Il est centré sur la théorie musicale médiévale. Le point de départ des recherches de Michel Huglo sur la théorie musicale du Moyen Âge est formé par sa thèse sur les tonaires, éditée en 1971: en consequence il etudia les manuscrits de theorie musicale concernant le plain-chant et, plus tard, les auteurs de l'Antiquité tardive et le Liber glossarum qui contient des définitions de nombreux termes musicaux. Dans ce volume, certains articles traitent de l'interprétation ou de la dissémination des textes, des instructions sur l'art du chant, et sur l'enseignement de la musique à l'Université. Ils concernent les manuscrits du De musica d'Augustin, de Calcidius, Macrobe, Helisachar, Hucbald, Gerbert d'Aurillac, Abbon de Fleury, Jean d'Afflighem, Hieronymus de Moravia, et d'autres auteurs. Le volume se termine par une bibliographie de Michel Huglo complétant celle publiée en 1993 et ​​une liste sommaire de ses recensions d'ouvrages sur la musique et la liturgie.

Download or read book Con Che Soavit written by Iain Fenlon and published by Oxford University Press. This book was released on 1995 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays by European, British, and American musicologists seeks to consolidate the recent growth of interest in seventeenth century studies. It includes discussions of leading composers, repertories, geographical issues, institutional contexts, and iconography.