Download or read book Sounding the Dance Moving the Music written by Mohd Anis Md Nor and published by Routledge. This book was released on 2016-07-01 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performing arts in most parts of Maritime Southeast Asia are seen as an entity, where music and dance, sound and movement, acoustic and tactile elements intermingle and complement each other. Although this fact is widely known and referenced, most scholarly works in the performing arts so far have either focused on "music" or "dance" rather than treating the two in combination. The authors in this book look at both aspects in performance, moreover, they focus explicitly on the interrelation between the two, on both descriptive-analytical and metaphorical levels. The book includes diverse examples of regional performing art genres from Indonesia, Malaysia and the Philippines. All case studies are composed from the perspective of the relatively new approach and field of ethno-choreomusicology. This particular compilation gives an exemplary overview of various phenomena in movement-sound relations, and offers for the first time a thorough study of the phenomenon that is considered essential for the performing arts in Maritime Southeast Asia - the inseparability of movement and sound.
Download or read book Dance of Life written by Craig Lockard and published by University of Hawaii Press. This book was released on 1998-04-01 with total page 413 pages. Available in PDF, EPUB and Kindle. Book excerpt: The rock era is over, according to one pop music expert. Another laments that rock music is "metamorphosed into the musical wallpaper of ten thousand lifts, hotel foyers, shopping centers, airport lounges, and television advertisements that await us in the 1990s." Whatever its current role and significance in Anglo-American society, popular music has been and remains a tremendous social and cultural force in many parts of the world. This book explores the connections between popular music genres and politics in Southeast Asia, with particular emphasis on Indonesia, the Philippines, Thailand, Malaysia, and Singapore.
Download or read book Dis Orienting Rhythms written by Sanjay Sharma and published by Zed Books. This book was released on 1996-11 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aims to produce a new understanding of the world significance of South Asian culture in multi-racist societies. It focuses on the role that contemporary South Asian dance music has played in the formation of a new urban cultural politics.
Download or read book Music and Dance As Everyday South Asia written by Zoe C. Sherinian and published by Oxford University Press. This book was released on 2024 with total page 545 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers an inclusive lens through which to study the music and dance of South Asia, its diasporas, and the people who produce and use these cultural expressions. Each chapter's central argument ties into a participatory exercise that provides active ways to understand and engage with cultural meaning.
Download or read book Contemporary Directions in Asian American Dance written by Yutian Wong and published by University of Wisconsin Pres. This book was released on 2016-05-11 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Original essays and interviews by artists and scholars who are making, defining, questioning, and theorizing Asian American dance in all its variety.
Download or read book Choreographing Asian America written by Yutian Wong and published by Wesleyan University Press. This book was released on 2011-07-21 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Poised at the intersection of Asian American studies and dance studies, Choreographing Asian America is the first book-length examination of the role of Orientalist discourse in shaping Asian Americanist entanglements with U.S. modern dance history. Moving beyond the acknowledgement that modern dance has its roots in Orientalist appropriation, Yutian Wong considers the effect that invisible Orientalism has on the reception of work by Asian American choreographers and the conceptualization of Asian American performance as a category. Drawing on ethnographic and choreographic research methods, the author follows the work of Club O' Noodles—a Vietnamese American performance ensemble—to understand how Asian American artists respond to competing narratives of representation, aesthetics, and social activism that often frame the production of Asian American performance.
Download or read book The Classical Theatre of China written by A.C. Scott and published by Routledge. This book was released on 2013-11-05 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1957. Besides tracing the history and development of the Peking Theatre, this volume explains acting techniques, stage costume and symbolism, musical forms and the various types of plays.
Download or read book The Garland Handbook of Southeast Asian Music written by Terry Miller and published by Routledge. This book was released on 2011-03-17 with total page 517 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Garland Handbook of Southeast Asian Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 4, Southeast Asia (1998). Largely revised and updated, the essays offer detailed, regional studies of the different musical cultures of Southeast Asia and examine the ways in which music helps to define the identity of this particular area. Part one provides an in-depth introduction to the area of Southeast Asia and explores a series of issues and processes, such as colonialism, mass media, spirituality, and war. The articles in this section are important in gaining historical, political, and social perspective. Part two focuses on mainland Southeast Asia, with essays representing Cambodia, Thailand, Laos, Burma, Peninsular Malaysia, Vietnam, Singapore, and the minority peoples of mainland Southeast Asia. Part three focuses on island Southeast Asia, dividing the area into three sections: Indonesia, the Philippines, and Borneo. In addition to offering a detailed study of the music of each area, it also offers recent perspectives on the gamelan and theater traditions of Indonesia. Questions for Critical Thinking at the end of each major section guide and focus attention on what issues – musical and cultural – arise when one studies the music of Southeast Asia – issues that might not occur in the study of other musics of the world. An accompanying compact disc offers musical examples from Southeast Asia.
Download or read book Zapin Folk Dance of the Malay World written by Mohd. Anis Md. Nor and published by Oxford University Press, USA. This book was released on 1993 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: In contrast to the scholarly attention given to the research of dance and music in other South-East Asian countries such as Thailand, Indonesia, and the Philippines, Malaysian performance traditions are rarely the focus of academic studies. Indeed, this is the first book to have been published on zapin, a Malaysian performing art which extends to Singapore and East Sumatra. The syncretic combination of Arab and Malay performance elements in this dance is explained in detail with the extensive use of dance notations and music transcriptions. The book argues that the transposition of zapin from a communal level to a national one involved not only a change in the context in which the dance is performed but also a change in its structure and cultural meaning. Finally, the book traces the historical evolution of the Malay dance form from a participatory art to one that is passively observed, and investigates the music and dance structure of the genre.
Download or read book Vamping the Stage written by Andrew N. Weintraub and published by University of Hawaii Press. This book was released on 2017-07-31 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: The emergence of modernity has typically focused on Western male actors and privileged politics and economy over culture. The contributors to this volume successfully unsettle such perspectives by emphasizing the social history, artistic practices, and symbolic meanings of female performers in popular music of Asia. Women surfaced as popular icons in different guises in different Asian countries through different routes of circulation. Often, these women established prominent careers within colonial conditions, which saw Asian societies in rapid transition and the vernacular and familiar articulated with the novel and the foreign. These female performers were not merely symbols of times that were rapidly changing. Nor were they simply the personification of global historical changes. Female entertainers, positioned at the margins of intersecting fields of activities, created something hitherto unknown: they were artistic pioneers of new music, new cinema, new forms of dance and theater, and new behavior, lifestyles, and morals. They were active agents in the creation of local performance cultures, of a newly emerging mass culture, and the rise of a region-wide and globally oriented entertainment industry. Vamping the Stage is the first book-length study of women, modernity, and popular music in Asia, showcasing cutting-edge research conducted by scholars whose methods and perspectives draw from such diverse fields as anthropology, Asian studies, cultural studies, ethnomusicology, and film studies. Led by an impressive introduction written by Weintraub and Barendregt, fourteen contributors analyze the many ways that women performers supported, challenged, and transgressed representations of existing gendered norms in the entertainment industries of China, Japan, India, Indonesia, Iran, Korea, Malaysia, and the Philippines. Placing women’s voices in social and historical contexts, the essays explore salient discourses, representations, meanings, and politics of “voice” in Asian popular music. Historicizing the artistic sounds, lyrical texts, and visual images of female performers, the essays reveal how women used popular music to shape the ideas, practices, and meanings of modernity in various Asian contexts and time frames. The ascendency of women as performers paralleled, and in some cases generated, developments in wider society such as suffrage, social and sexual liberation, women as business entrepreneurs and independent income earners, and particularly as models for new life styles. Women’s voices, mediated through new technologies of film and the phonograph, changed the soundscape of global popular music and resonate today in all spheres of modern life.
Download or read book The Garland Handbook of Southeast Asian Music written by and published by Routledge. This book was released on with total page 517 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Garland Encyclopedia of World Music written by Alison Arnold and published by Routledge. This book was released on 2017-09-25 with total page 1126 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this volume, sixty-eight of the world's leading authorities explore and describe the wide range of musics of India, Pakistan, Bangladesh, Sri Lanka, Kashmir, Nepal and Afghanistan. Important information about history, religion, dance, theater, the visual arts and philosophy as well as their relationship to music is highlighted in seventy-six in-depth articles.
Download or read book Perspectives on Asian Music written by Fritz A. Kuttner and published by Theodore Front Music. This book was released on 1975 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Mongolian Music Dance Oral Narrative written by Carole Pegg and published by University of Washington Press. This book was released on 2001 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book celebrates the power of music, dance, and oral narrative to create identities by imaginatively connecting performers and audiences with ethnic and political groupings, global and sacred landscapes, histories and heroes, spirits and gods.Three distinct cultural eras of Mongolian society are represented. Many Mongolsare now performing publicly the diverse traditions of Old Mongolia that they practised in private following the communist revolution of 1921; some are perpetuating the Soviet transformations of those traditions introduced prior to 1990; and yet others are dipping their curly-toed boots into new performance arts as they revel in musical encounters on the global stage. By highlighting the sheer variety ofrepertories, this book illustrates the rich diversity of Mongolia's peoples andperformance arts.An accompanying compact disc contains musical examples linked to the text.Carole Pegg is ethnomusicology editor for the New Grove Dictionary of Musicand Musicians and associate lecturer in social anthropology at the University of Cambridge, England. As an ethno-musicologist and musician she has been working with nomadic groups in remote areas of Mongolia and Inner Mongolia, China, and with urban Mongols in both countries since 1987. She has also toured with Mongol musicians in England and Hong Kong.
Download or read book The Snake Dance of Asian American Activism written by Michael Liu and published by Lexington Books. This book was released on 2008 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chronicles Asian Americans' fight for equality and political inclusion in the United States during the late twentieth century, exploring how the movement brought about surprising social change in ethnic neighborhoods across the country and how it influenced Asian American art, literature, and culture.
Download or read book Routledge Handbook of Asian Music Cultural Intersections written by Tong Soon Lee and published by Routledge. This book was released on 2021-04-15 with total page 411 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Handbook of Asian Music: Cultural Intersections introduces Asian music as a way to ask questions about what happens when cultures converge and how readers may evaluate cultural junctures through expressive forms. The volume’s thirteen original chapters cover musical practices in historical and modern contexts from Central Asia, East Asia, South Asia, and Southeast Asia, including art music traditions, folk music and composition, religious and ritual music, as well as popular music. These chapters showcase the diversity of Asian music, requiring readers to constantly reconsider their understanding of this vibrant and complex area. The book is divided into three sections: Locating meanings Boundaries and difference Cultural flows Contributors to the book offer a multidisciplinary portfolio of methods, ranging from archival research and field ethnography to biographical studies and music analysis. In addition to rich illustrations, numerous samples of notation and sheet music are featured as insightful study resources. Readers are invited to study individuals, music-makers, listeners, and viewers to learn about their concerns, their musical choices, and their lives through a combination of humanistic and social-scientific approaches. Demonstrating how transformative cultural differences can become in intercultural encounters, this book will appeal to students and scholars of musicology, ethnomusicology, and anthropology.
Download or read book The Garland Encyclopedia of World Music South Asia the Indian subcontinent written by Bruno Nettl and published by Taylor & Francis. This book was released on 1998 with total page 1126 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
