Download or read book Art of Italian Renaissance Courts Time Pk written by ANONIMO and published by Addison Wesley Longman. This book was released on 2005-04-01 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Italian Renaissance Courts written by Alison Cole and published by . This book was released on 2016 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: This fascinating study of Renaissance courtly art and culture in fifteenth and early sixteenth-century Italy encompasses the most recent scholarship on the courts, court art and noble values. Alison Cole not only considers the role of artists, but explores the distinctive uses to which art was put at the courts, from the smaller duchies and princely courts of Ferrara, Mantua and Urbino to the larger courts of Naples and Milan. The social, intellectual and artistic milieu of each court is brought vividly to life, along with the complex personalities of the rulers, their relationships with the civic and ecclesiastical authorities, and the role of court women as patrons of the arts. Drawing on a wide range of contemporary texts and visual material, Cole paints a rich picture of the these extraordinary courts in the moment of their greatest brilliance.
Download or read book Courts and Courtly Arts in Renaissance Italy written by Marco Folin and published by Antique Collectors Club Dist. This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A complete overview of the Italian Renaissance courts covering all areas influenced by them: art, music, literature etc.
Download or read book Italian Renaissance Courts written by Alison Cole and published by Laurence King Publishing. This book was released on 2016-01-15 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this authoritative study, Alison Cole explores the distinctive uses of art at the five great secular courts of Naples, Urbino, Ferrara, Mantua and Milan. The princes who ruled these city-states, vying with each other and with the great European courts, relied on artistic patronage to promote their legitimacy and authority. Major artists and architects, from Mantegna and Pisanello to Bramante and Leonardo da Vinci, were commissioned to design, paint and sculpt, but also to oversee the court’s building projects and entertainments. Bronze medallions, illuminated manuscripts and rich tapestries, inspired by sources as varied as Roman coins, Byzantine ivories and French chivalric romances, were treasured and traded. Palaces were decorated, extravagant public spectacles were staged and whole cities were redesigned, to bring honour, but also solace and pleasure. The ‘courtly’ styles that emerged from this intricate landscape are examined in detail, as are the complex motivations of ruling lords, consorts, nobles and their artists. Drawing on the most recent scholarship, Cole presents a vivid picture of the art of this extraordinary period.
Download or read book Art of the Italian Renaissance Courts written by Alison Cole and published by Prentice Hall Art History. This book was released on 2005-03-17 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Alison Cole reveals to us another side of the Renaissance, that of the individual patrons and their world. This unique book is both a scholarly discussion in the tradition of Jakob Burckhardt and a tour through Renaissance Italy, described with charm and filled with detail."--BOOK JACKET.
Download or read book Art of the Italian Renaissance Courts written by Alison Cole and published by Weidenfeld & Nicolson. This book was released on 1995 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first major paperback original books on art in almost two decades, aimed at the general reader and students and reflecting the most recent developments in art history.
Download or read book ART OF THE ITALIAN RENAISSANCE COURTS DT written by Alison Cole and published by . This book was released on 1996 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Court Artist in Seventeenth Century Italy written by Elena Fumagalli and published by Viella Libreria Editrice. This book was released on 2015-05-08T00:00:00+02:00 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Up to now the theme of the artist in the service of Italian courts has been examined in various studies focused mostly on the High Renaissance, as though the phenomenon was relevant only to the XV and XVI centuries. It actually lasted much longer, spanning the whole longue durée of the lives of the courts of the ancient regime. The present volume intends to fill this gap, presenting for the first time a comprehensive examination of the subject of the court artist from sixteenth to seventeenth century and the transformations of this role. “Court artist” is here defined as one who received a regular salary, and was therefore attached to the court by a more or less exclusive service relationship. The book is divided in six chapters: each of them examines the position of the court artist in the service of the most important ruling families in Italy (the Savoy in Turin, the Gonzaga in Mantua, the Este in Modena, the Della Rovere in Pesaro and Urbino, the Medici in Florence) and in papal Rome, a particular and unique center of power.
Download or read book Italian Renaissance Art written by Laurie Schneider Adams and published by Routledge. This book was released on 2018-05-04 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The chronology of the Italian Renaissance, its character, and context have long been a topic of discussion among scholars. Some date its beginnings to the fourteenthcentury work of Giotto, others to the generation of Masaccio, Brunelleschi, and Donatello that fl ourished from around 1400. The close of the Renaissance has also proved elusive. Mannerism, for example, is variously considered to be an independent (but subsidiary) late aspect of Renaissance style or a distinct style in its own right."
Download or read book Virtue and Magnificence written by Alison Cole and published by Prentice Hall. This book was released on 1995 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between the two splendid poles of Naples and Milan - the two great rival powers of Italy - were a cluster of duchies and princely courts, each with its own desire for fame. Like small jewels, these isolated towns and palaces glittered with artworks of the greatest virtuosity and remarkably innovative literature, music, and the sciences. In the service of their own magnificence, these great cities and tiny duchies gathered to themselves a remarkable collection of brilliant artists, poets, and scholars. The courts were the personal possessions of princes (including at least one woman); their task in the game of Italian politics was to maintain their status, wealth, and independence through skillful marriages, force of arms, strength of personality, and cultural power. Their aim as patrons of the arts and sciences was to enhance their prestige, their honor, and their glory. Alison Cole explores these extraordinary courts, large and small, in the moment of their greatest brilliance, seeing them as the inheritors of a medieval courtly tradition, in contrast to Florence and Venice, whose model was ancient Rome.
Download or read book Art in Renaissance Italy written by John T. Paoletti and published by Laurence King Publishing. This book was released on 2005 with total page 575 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Art in Renaissance Italy' sets the art of that time in its context, exploring why it was created and in particular looking at who commissioned the palaces and cathedrals, the paintings and the sculptures.
Download or read book Dosso s Fate written by Dosso Dossi and published by Getty Publications. This book was released on 1998 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dosso Dossi has long been considered one of Renaissance Italy's most intriguing artists. Although a wealth of documents chronicles his life, he remains, in many ways, an enigma, and his art continues to be as elusive as it is compelling. In Dosso's Fate, leading scholars from a wide range of disciplines examine the social, intellectual, and historical contexts of his art, focusing on the development of new genres of painting, questions of style and chronology, the influence of courtly culture, and the work of his collaborators, as well as his visual and literary sources and his painting technique. The result is an important and original contribution not only to literature on Dosso Dossi but also to the study of cultural history in early modern Italy.
Download or read book Courts and Courtly Arts in Renaissance Italy written by and published by . This book was released on 2010 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book History of Italian Renaissance Art written by Frederick Hartt and published by Upper Saddle River, N.J. : Pearson. This book was released on 2003 with total page 776 pages. Available in PDF, EPUB and Kindle. Book excerpt: Frederick Hartt's unrivaled classic is a dazzling journey through four centuries of Italian Renaissance painting, sculpture, and architecture. Its sumptuous color illustrations, fine writing, and in-depth scholarship bring into focus all the elements of this extraordinarily creative period and the remarkable personalities who gave it life. Highlights of this Fifth Edition include: * a striking new design with more than half the artworks illustrated in full color * new views of frescoes and sculptures photographed in their original locations that offer a dynamic insight into the way the art was originally experienced * fresh views of great works of art that have been restored since the last edition * extended captions that identify Renaissance patrons and provide details about historical context, emphasizing how the art was created and why
Download or read book Low and High Style in Italian Renaissance Art written by Patricia Emison and published by Routledge. This book was released on 2013-10-28 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the later 15th and in the 16th centuries pictures began to be made without action, without place for heroism, pictures more rueful than celebratory. In part, Renaissance art adjusted to the social and economic pressures with an art we may be hard pressed to recognize under that same rubric-an art not so much of perfected nature as simply artless. Granted, the heroic and epic mode of the Renaissance was that practiced most self-consciously and proudly. Yet it is one of the accomplishments of Renaissance art that heroic and epic subjects and style occasionally made way for less affirmative subjects and compositional norms, for improvisation away from the Vitruvian ideal. The limits of idealizing art, during the very period denominated as High Renaissance, is a topic that involves us in the history of class prejudice, of gender stereotypes, of the conceptualization of the present, of attitudes toward the ordinary, and of scruples about the power of sight Exploring the low style leads us particularly to works of art intended for display in private settings as personally owned objects, potentially as signs of quite personal emotions rather than as subscriptions to publicly vaunted ideologies. Not all of them show shepherds or peasants; none of them-not even Giorgione's La tempesta -is a classic pastoral idyll. The rosso stile is to be understood as more comprehensive than that. The issue is not only who is represented, but whether the work can or cannot be fit into the mold of a basically affirmative art.
Download or read book The Art of the Italian Renaissance written by Heinrich Wölfflin and published by . This book was released on 1903 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Only Connect written by John K.G. Shearman and published by Princeton University Press. This book was released on 2019-08-06 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: John Shearman makes the plea for a more engaged reading of art works of the Italian Renaissance, one that will recognize the presuppositions of Renaissance artists about their viewers. His book is the first attempt to construct a history of those Renaissance paintings and sculptures that are by design completed outside themselves in or by the spectator, that embrace the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space. He takes the lead from texts and artists of the period, for these artists reveal themselves as spectators. Among modern historiographical techniques, Reception Theory is closest to the author's method, but Shearman's concern is mostly with anterior relationships with the viewer--that is, relationships conceived and constructed as part of the work's design, making, and positioning. Shearman proposes unconventional ways in which works of art may be distinguished one from another, and in which spectators may be distinguished, too, and enlarges the accepted field of artistic invention. Furthermore, His argument reflects on the Renaissance itself. What is created in this period tends to be regarded as conventional, or inherent in the nature of painting and sculpture: he maintains that this is a careless, disengaged view that has overlooked the process of discovery by immensely inventive and visually intelllectual artists. John Shearman is William Door Boardman Professor of Fine Arts at Harvard University. Among his works are Mannerism (Hardmondsworth/Penguin), Raphael's Cartoons in the Collection of Her Majesty the Queen and the Tapestries for the Sistine Chapel (Phaidon), The Early Italian Paintings in teh Collection of Her Majesty the Queen (Cambridge). and Funzione e Illusione (il Saggiatore). The A.W. Mellon Lectures in the Fine Arts, 1988 Bollingen Series XXXV: 37 Originally Publsihed in 1992 The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
