Download or read book The Art of Gandhara in the Metropolitan Museum of Art written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 2007 with total page 130 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Gandharan Buddhism written by Kurt Behrendt and published by UBC Press. This book was released on 2011-11-01 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: The ancient region of Gandhara, with its prominent Buddhist heritage, has long fascinated scholars of art history, archaeology, and textual studies. Discoveries of inscriptions, text fragments, sites, and artworks in the last decade have added new pieces to the Gandharan puzzle, redefining how we understand the region and its cultural complexity. The essays in this volume reassess Gandharan Buddhism in light of these findings, utilizing a multidisciplinary approach that illuminates the complex historical and cultural dynamics of the region. By integrating archaeology, art history, numismatics, epigraphy, and textual sources, the contributors articulate the nature of Gandharan Buddhism and its practices, along with the significance of the relic tradition. Contributions by several giants in the field, including Shoshin Kuwayama, John Rosenfield, and the late Maurizio Taddei, set the geographical, historical, and archaeological parameters for the collection. The result is a productive interdisciplinary conversation on the enigmatic nature of Gandharan Buddhism that joins together a number of significant pieces in a complex cultural mosaic. It will appeal to a large and diverse readership, including those interested in the early Buddhist religious tradition of Asia and its art, as well as specialists in the study of South and Central Asian Buddhist art, archaeology, and texts. A Buddha Dharma Kyokai Foundation Book on Buddhism and Comparative Religion.
Download or read book The Geography of Gandh ran Art written by Wannaporn Rienjang and published by Archaeopress. This book was released on 2019-03-15 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gandhāran art is usually regarded as a single phenomenon – a unified regional artistic tradition or 'school'. Indeed it has distinctive visual characteristics, materials, and functions, and is characterized by its extensive borrowings from the Graeco-Roman world. Yet this tradition is also highly varied. Even the superficial homogeneity of Gandhāran sculpture, which constitutes the bulk of documented artistic material from this region in the early centuries AD, belies a considerable range of styles, technical approaches, iconographic choices, and levels of artistic skill. The geographical variations in Gandhāran art have received less attention than they deserve. Many surviving Gandhāran artefacts are unprovenanced and the difficulty of tracing substantial assemblages of sculpture to particular sites has obscured the fine-grained picture of its artistic geography. Well documented modern excavations at particular sites and areas, such as the projects of the Italian Archaeological Mission in the Swat Valley, have demonstrated the value of looking at sculptures in context and considering distinctive aspects of their production, use, and reuse within a specific locality. However, insights of this kind have been harder to gain for other areas, including the Gandhāran heartland of the Peshawar basin. Even where large collections of artworks can be related to individual sites, the exercise of comparing material within and between these places is still at an early stage. The relationship between the Gandhāran artists or 'workshops', particular stone sources, and specific sites is still unclear. Addressing these and other questions, this second volume of the Gandhara Connections project at Oxford University’s Classical Art Research Centre presents the proceedings of a workshop held in March 2018. Its aim is to pick apart the regional geography of Gandhāran art, presenting new discoveries at particular sites, textual evidence, and the challenges and opportunities of exploring Gandhāra’s artistic geography.
Download or read book Gandharan Buddhist Reliquaries written by David Jongeward and published by Early Buddhist Manuscripts Project, Seattle. This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gandhara, the ancient name for the region around modern Peshawar in northern Pakistan, was of pivotal importance in the production of Buddhist texts and art in the first centuries CE. Since the mid-nineteenth century, excavations of Gandharan monastery sites have revolutionized the study of early Buddhism. Among the treasures unearthed are hundreds of reliquaries--containers housing relics of the Buddha. This volume combines art history, Buddhist history, ancient Indian history, archaeology, epigraphy, linguistics, and numismatics to clarify the significance and function of these reliquaries. The story begins with the Buddha's last days, his death and funerary arrangements, and the distribution of the cremated remains, which initiated a relic cult. Chapters describe Gandharan reliquary types and subgroups, the archaeological and historical significance of collections, and the paleographic and linguistic interpretation of the inscriptions on the reliquaries. The 400 reliquaries illustrated and surveyed are from museums and private collections in Pakistan, India, Japan, Europe, and North America. Stone is the primary material of construction, along with bronze, gold, and silver. Shapes range from spherical and cylindrical to miniature stupas, a configuration that provides valuable information about the history of this Buddhist monumental form. David Jongeward is a visiting scholar at the Asian Institute, Munk School of Global Affairs, University of Toronto. Elizabeth Errington is curator of the Charles Masson Project, British Museum Department of Coins and Medals. Richard Salomon is professor of Asian languages and literature at the University of Washington. Stefan Baums is assistant adjunct professor of South and Southeast Asian studies at the University of California, Berkeley, and a research fellow at the School of Asian Studies, Leiden University.
Download or read book The Global Connections of Gandha ran Art written by Wannaporn Rienjang and published by Classical Art Research Centre. This book was released on 2020-09-02 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gandhāran art is often regarded as the epitome of cultural exchange in antiquity. The ancient region of Gandhāra, centred on what is now the northern tip of Pakistan, has been called the ‘crossroads of Asia’. The Buddhist art produced in and around this area in the first few centuries AD exhibits extraordinary connections with other traditions across Asia and as far as the Mediterranean. Since the nineteenth century, the Graeco-Roman associations of Gandhāran art have attracted particular attention. Classically educated soldiers and administrators of that era were astonished by the uncanny resemblance of many works of Gandhāran sculpture to Greek and Roman art made thousands of miles to the west. More than a century later we can recognize that the Gandhāran artists’ appropriation of classical iconography and styles was diverse and extensive, but the explanation of this ‘influence’ remains puzzling and elusive. The Gandhāra Connections project at the University of Oxford’s Classical Art Research Centre was initiated principally to cast new light on this old problem. This volume is the third set of proceedings of the project’s annual workshop, and the first to address directly the question of cross-cultural influence on and by Gandhāran art. The contributors wrestle with old controversies, particularly the notion that Gandhāran art is a legacy of Hellenistic Greek rule in Central Asia and the growing consensus around the important role of the Roman Empire in shaping it. But they also seek to present a more complex and expansive view of the networks in which Gandhāra was embedded. Adopting a global perspective on the subject, they examine aspects of Gandhāra’s connections both within and beyond South Asia and Central Asia, including the profound influence which Gandhāran art itself had on the development of Buddhist art in China and India.
Download or read book Gandharan Art and the Classical World A Short Introduction written by Peter Stewart and published by Archaeopress Publishing Ltd. This book was released on 2023-12-21 with total page 94 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers an introduction to Gandharan art and the mystery of its relationship with the Graeco-Roman world of the Mediterranean. It presents an accessible explanation of the ancient and modern contexts of Gandharan art, the state of scholarship on the subject, and guidance for further, in-depth study.
Download or read book The Buddhist Heritage of Pakistan written by Adriana G. Proser and published by . This book was released on 2011 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Gandh ran Art in Pakistan written by Harald Ingholt and published by . This book was released on with total page 203 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Rediscovery and Reception of Gandh ran Art written by Wannaporn Rienjang and published by Archaeopress Publishing Ltd. This book was released on 2022-03-10 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the archaeologists and smugglers of the Raj to the museums of post-partition Pakistan and India, from coin-forgers and contraband to modern Buddhism and contemporary art, this fourth volume of the Gandhāra Connections project presents the most recent research on the factors that mediate our encounter with Gandhāran art.
Download or read book Gandharan Art in Context written by Frank Raymond Allchin and published by Regency Publications (India). This book was released on 1997 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Papers presented at a conference.
Download or read book The Buddhist Art of Gandhara written by Sir John Marshall and published by . This book was released on 1980 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Gandhara written by Bérénice Geoffroy and published by . This book was released on 2001 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gandhara was a historic region in the northwest of ancient India, currently Pakistan and Afghanistan, best known for its Greco-Buddhist school of sculpture. In its interpretation of Buddhist legends, the Gandhara school incorporated many motifs and techniques from classical Roman art while remaining Indian at its core. It depicted Buddha in human form for the first time, blending Hellenistic and Indian influences, often with features resembling the Greek god Apollo. Today, despite an international outcry, Afghanistan's ruling Taliban religious army has instituted a policy of demolishingall Gandhara statues, calling them "un-Islamic." Exquisitely illustrated, Gandhara: The Memory Of Afghanistan pays tribute to an art under siege, documenting its importance in world history.
Download or read book Problems of Chronology in Gandh ran Art written by Wannaporn Rienjang and published by Archaeopress. This book was released on 2018-03-14 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the beginning of Gandhāran studies in the nineteenth century, chronology has been one of the most significant challenges to the understanding of Gandhāran art. Many other ancient societies, including those of Greece and Rome, have left a wealth of textual sources which have put their fundamental chronological frameworks beyond doubt. In the absence of such sources on a similar scale, even the historical eras cited on inscribed Gandhāran works of art have been hard to place. Few sculptures have such inscriptions and the majority lack any record of find-spot or even general provenance. Those known to have been found at particular sites were sometimes moved and reused in antiquity. Consequently, the provisional dates assigned to extant Gandhāran sculptures have sometimes differed by centuries, while the narrative of artistic development remains doubtful and inconsistent. Building upon the most recent, cross-disciplinary research, debate and excavation, this volume reinforces a new consensus about the chronology of Gandhāra, bringing the history of Gandhāran art into sharper focus than ever. By considering this tradition in its wider context, alongside contemporary Indian art and subsequent developments in Central Asia, the authors also open up fresh questions and problems which a new phase of research will need to address. Problems of Chronology in Gandhāran Art is the first publication of the Gandhāra Connections project at the University of Oxford’s Classical Art Research Centre, which has been supported by the Bagri Foundation and the Neil Kreitman Foundation. It presents the proceedings of the first of three international workshops on fundamental questions in the study of Gandhāran art, held at Oxford in March 2017.
Download or read book Aspects of Indian Art written by Pratapaditya Pal and published by Brill Archive. This book was released on 1972 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Indian Sculpture Circa 500 B C A D 700 written by Los Angeles County Museum of Art and published by Univ of California Press. This book was released on 1986-01-01 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: The sheer wealth and dizzying diversity of Indian sculpture are celebrated in this second volume of the catalogue raisonne of the Los Angeles County Museum's collection. Nearly two hundred sculptures produced during eleven centuries are described. Of these, one-quarter of the pieces are part of the Nasli and Alice Heeramaneck Collection, while the remaining three-quarters have been acquired since 1970. This splendid collection, while not representing all the major styles of sculpture that flourished on the Indian subcontinent from 700-1900, is certainly one of the most comprehensive among American and European museums. Included are stone, metal, ivory, and wood sculptures from fourteen states and territories of India and from Pakistan and Afghanistan. Organized by regions--Central and Western, Eastern, and Southern India, and the Northwest--the catalogue contains detailed descriptions and illustrations of the 188 sculptures, many with details or multiple views, for a total of 259 illustrations--251 in duotone and halftone and 8 in color.
Download or read book Essays on Indian Art and Architecture written by Raj Kumar and published by Discovery Publishing House. This book was released on 2003 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contents: Introduction, Studies in Indian Architecture, Fort Architecture in Ancient and Medieval India, Art and Architecture: Northern India, Art and Architecture: South India, The Aspect and Orientation in Hindu Architecture, Kalinga Style of Architecture, Symbolism of the Dome, Art and Architecture, Muslim Architecture in India, A Plea for Indian Architecture.
Download or read book Buddhism and Gandhara written by Himanshu Prabha Ray and published by Taylor & Francis. This book was released on 2017-12-01 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gandhara is a name central to Buddhist heritage and iconography. It is the ancient name of a region in present-day Pakistan, bounded on the west by the Hindu Kush mountain range and to the north by the foothills of the Himalayas. ‘Gandhara’ is also the term given to this region’s sculptural and architectural features between the first and sixth centuries CE. This book re-examines the archaeological material excavated in the region in the nineteenth and early twentieth centuries and traces the link between archaeological work, histories of museum collections and related interpretations by art historians. The essays in the volume underscore the diverse cultural traditions of Gandhara – from a variety of sources and perspectives on language, ethnicity and material culture (including classical accounts, Chinese writings, coins and Sanskrit epics) – as well as interrogate the grand narrative of Hellenism of which Gandhara has been a part. The book explores the making of collections of what came to be described as Gandhara art and reviews the Buddhist artistic tradition through notions of mobility and dynamic networks of transmission. Wide ranging and rigorous, this volume will appeal to scholars and researchers of early South Asian history, archaeology, religion (especially Buddhist studies), art history and museums.
