Download or read book A History and Description of the Old French Fa ence written by Louis Marc Solon and published by London : Cassell. This book was released on 1903 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Imagining the Past in France written by Elizabeth Morrison and published by Getty Publications. This book was released on 2010-12-07 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: This exquisite volume beautifully reproduces and insightfully examines the most important illuminations found in French history manuscripts.
Download or read book Jules Michelet written by Michèle Hannoosh and published by Penn State University Press. This book was released on 2020-11-15 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Demonstrates the crucial role that art-writing played as a tool of historical analysis in the work of the Romantic historian Jules Michelet's work, decisively influencing his most important historical concepts, his idea of history, and his view of the practice of the historian.
Download or read book The Museum of French Monuments 1795 1816 written by Alexandra Stara and published by Routledge. This book was released on 2013 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first volume in two centuries on Alexandre Lenoir's Museum of French Monuments in Paris, this study presents a comprehensive picture of a seminal project of French Revolutionary cultural policy, one crucial to the development of the modern museum institution. The book offers a new critical perspective of the Museum's importance and continuing relevance to the history of material culture and collecting, through juxtaposition with its main opponent, the respected connoisseur and theorist Quatremère de Quincy. This innovative approach highlights the cultural and intellectual context of the debate, situating it in the dilemmas of emerging modernity, the idea of nationhood, and changing attitudes to art and its histories. Open only from 1795 to 1816, the Museum of French Monuments was at once popular and controversial. The salvaged sculptures and architectural fragments that formed its collection presented the first chronological panorama of French art, which drew the public; it also drew the ire of critics, who saw the Museum as an offense against the monuments' artistic integrity. Underlying this localized conflict were emerging ideas about the nature of art and its relationship to history, which still define our understanding of notions of heritage, monument, and the museum.
Download or read book Art in France 1900 1940 written by Christopher Green and published by Yale University Press. This book was released on 2000-01-01 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study sets developments within the frameworks both of their unstable social, political and intellectual world and of the official and independent institutions of art.
Download or read book Memorial Catalogue of the French and Dutch Loan Collection 1886 Classic Reprint written by Edinburgh International Exhibition and published by Forgotten Books. This book was released on 2018-02-04 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Memorial Catalogue of the French and Dutch Loan Collection, 1886 What, indeed, is called Romanticism - the change, that is to say, in the material, the treatment, and the technical methods and ideals of art which was operated in the France of Charles x. And louis-philippe - was the outcome of a generation rich, in strenuous and potent individualities. The great emotions of the Republic and the Empire had induced such an efflorescence of temperament and genius as the world has not often seen. It were beside my purpose to speak of its impact upon war and politics and science; I have but to consider it in its relation to the arts. The fact is one that might easily be driven to death but I may begin by noting, that the inspiration of the time was wholly Napoleon's, and that it might be argued with some Show of reason, that Romanticism was as much a part of his legacy as the Code itself, or the memory of Austerlitz and Montmirail. It is at any rate certain that the period of his ascendancy was a time of intense and peculiar suffering, that it was also a time of enormous enterprise and achievement, and that it was under the pressure of these conditions that the men and women of the Romantic revival - cette grande generation de mille-huit-cent-trente, says Gautier, with honourable pride, qui marquera dans l'avenir, et dont on parlera comme d'une des epoques climateriques de l'esprit humain -were engendered and conceived. It is only the few who date from earlier days. Chateaubriand, le Sachem du Romantisme en France, its archetype in insincerity of sentiment and splendour of style, was born in 1768, three years before Walter Scott; Beranger. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Download or read book A Kingdom of Images written by Peter Fuhring and published by Getty Publications. This book was released on 2015-06-18 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Once considered the golden age of French printmaking, Louis XIV’s reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture. This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliothèque nationale de France in Paris, whose print collection Louis XIV established in 1667. An esteemed international group of contributors investigates the ways that cultural policies affected printmaking; explains what constitutes a print; describes how one became a printmaker; studies how prints were collected; and considers their reception in the ensuing centuries. A Kingdom of Images is published to coincide with an exhibition on view at the Getty Research Institute from June 18 through September 6, 2015, and at the Bibliothèque nationale de France in Paris from November 2, 2015, through January 31, 2016.
Download or read book Catalogue of Pictures Drawings and Sculpture of the French School of the Last 100 Years written by Burlington Fine Arts Club and published by Wentworth Press. This book was released on 2019-03-03 with total page 22 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Download or read book First Proofs of the Universal Catalogue of Books on Art written by National Art Library (Great Britain) and published by . This book was released on 1870 with total page 1046 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Classified Catalogue written by Carnegie Library of Pittsburgh and published by . This book was released on 1907 with total page 1312 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A History of French Art 1100 1899 Classic Reprint written by Rose Georgina Kingsley and published by Forgotten Books. This book was released on 2016-11-04 with total page 572 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from A History of French Art, 1100-1899 In other nations we see that their Art has undoubtedly been affected by conditions of race, soil, and climate. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Download or read book The Idea of Art as Propaganda in France 1750 1799 written by James A Leith and published by University of Toronto Press. This book was released on 1964-12-15 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the most modern features of the French Revolution was its intention of shaping a new kind of citizen by exposing him from childhood to inspirational messages and behavioral models. In this effort to regenerate the masses the French Revolutionaries sought to employ not only schools, but newspapers, festivals, dramas, poems, songs, paintings, statues, and engravings as well. At the peak of the Terror, French leaders brough tthe West to the threshold of the totalitarian state in the fullest sense of the world: they established a single party state, directed a regimented economy, created a mass army, and sought to mobilize all the media capable of influencing the human mind. In was an interest in both art and the Revolution which led Professor Leith to explore the groth of the idea of using art as one instrument of propaganda. The idea proved to have deep roots in western civilization, going back to classical thinkers, medieval churchmen, and the art officials of such monarchs as Louis XIV. But following the hedonistic rococo art of the first half of the eighteenth century, this idea of didactic art took on a new lease of life, reaching a crescendo during the Terror. This book analyses the contribution of the philosophes, the Encyclopedists, royal officials, art critics, and revolutionary leaders to the resurgence of the idea; it also probes the peculiar psychological assumptions which led eighteeneth-century thinkers to believe in the efficacy of visual propaganda. The outcome of this idea of art as an ideological weapon was involved in the fate of the Revolution itself, yet it was also affected by certain curious tensions already evident in the minds of its advocates under the Old Régime. Lingering interest in purely aesthetic values,k affirmation of the need for creative freedom, and determination to maintain French cultural hegemony, all complicated the effort to turn art into a vehicle of civic instruction. The final chapter examines the rôle of these tensions in the dénouement of the idea in the closing phase of the Revolution. This book should appeal not only to those interested in French civilization, the age of Enlightment, and they French Revolution, but to those concerned with the rôle of art and the artist in modern society as well.
Download or read book Illustrated Catalogue of 100 Paintings of Old Masters of the Dutch Flemish Italian French and English Schools Belonging to the Sedelmeyer Gallery Which Contains About 1000 Original Paintings of Ancient and Modern Artists Volume 7 written by Charles Sedelmeyer and published by Legare Street Press. This book was released on 2023-07-18 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A stunning catalog of some of the world's most beautiful and important works of art, lovingly curated by one of the leading dealers of the 19th century. Sedelmeyer's insights into the paintings and their creators make this a must-have resource for art enthusiasts of all stripes. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Download or read book French and British Paintings from 1600 to 1800 in the Art Institute of Chicago written by Art Institute of Chicago and published by Princeton University Press. This book was released on 1996 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: The second in a series of scholarly catalogs on the permanent collections of The Art Institute of Chicago, this volume focuses on the museum's important holdings of French and British paintings of the seventeenth and eighteenth centuries. The catalog contains comprehensive entries on close to one hundred paintings, representing the full range of artistic production (portraiture, landscape, still life, genre, and history painting) in France and Britain during this period. Featured are major works by some of the most significant artists of the time: Jacques Louis David, Jean Honor Fragonard, Claude Lorrain, Nicolas Poussin, and Jean Antoine Watteau among the French; Henry Fuseli, Thomas Gainsborough, Sir Joshua Reynolds, and Benjamin West among the British. Each painting in the catalog is accompanied by complete and up-to-date documentation, including a detailed description of physical condition, a fully documented provenance, and a critical discussion of attribution, date, subject, and function, as well as a summary of earlier scholarship. Many of these works are little published and some are published here for the first time. Forty-one works are reproduced in color, the rest in duotone; there are also 101 comparative illustrations.
Download or read book Catalogue of the Reference Department written by Belfast (Northern Ireland). Public Libraries, Art Gallery and Museum and published by . This book was released on 1896 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Jules Michelet written by Michèle Hannoosh and published by Penn State Press. This book was released on 2020-01-16 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jules Michelet, one of France’s most influential historians and a founder of modern historical practice, was a passionate viewer and relentless interpreter of the visual arts. In this book, Michèle Hannoosh examines the crucial role that art writing played in Michelet’s work and shows how it decisively influenced his theory of history and his view of the practice of the historian. The visual arts were at the very center of Michelet’s conception of historiography. He filled his private notes, public lectures, and printed books with discussions of artworks, which, for him, embodied the character of particular historical moments. Michelet believed that painting, sculpture, architecture, and engraving bore witness to histories that frequently went untold; that they expressed key ideas standing behind events; and that they articulated concepts that would come to fruition only later. This groundbreaking reevaluation of Michelet’s approach to history elucidates how writing about art provided a model for the historian’s relation to, and interpretation of, the past, and thus for a new type of historiography—one that acknowledges and enacts the historian’s own implication in the history he or she tells.
Download or read book Illustrated Catalogue Of Paintings And Water Colors Of The Italian French Dutch And American Schools By Old And Modern Masters written by James S Inglis and published by Legare Street Press. This book was released on 2023-07-18 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This illustrated catalogue features a collection of paintings and watercolors from the Italian, French, Dutch, and American schools by old and modern masters, along with other art properties, that were owned by the late James S. Inglis. The catalogue was used for a public sale on March 11th and 12th in 1909. Art enthusiasts and collectors will be delighted to peruse the stunning visuals in this rare catalogue. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
