Download or read book Art and the Early Third Republic written by Miriam R. Levin and published by . This book was released on 1985 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Art of the Actual written by Richard Thomson and published by . This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work examines the use of naturalism in the 19th century. It explores how pictures byt artists such as Roll, Lhermitte, and Friant could be read as egalitarian and republican, assesses how well-known painters situated their painting vis-à-vis the dominant naturalism, and opens up new arguments about caricatural and popular style.
Download or read book The House of Fragile Things written by James McAuley and published by Yale University Press. This book was released on 2021-03-23 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: A powerful history of Jewish art collectors in France, and how an embrace of art and beauty was met with hatred and destruction In the dramatic years between 1870 and the end of World War II, a number of prominent French Jews—pillars of an embattled community—invested their fortunes in France’s cultural artifacts, sacrificed their sons to the country’s army, and were ultimately rewarded by seeing their collections plundered and their families deported to Nazi concentration camps. In this rich, evocative account, James McAuley explores the central role that art and material culture played in the assimilation and identity of French Jews in the fin-de-siècle. Weaving together narratives of various figures, some familiar from the works of Marcel Proust and the diaries of Jules and Edmond Goncourt—the Camondos, the Rothschilds, the Ephrussis, the Cahens d'Anvers—McAuley shows how Jewish art collectors contended with a powerful strain of anti-Semitism: they were often accused of “invading” France’s cultural patrimony. The collections these families left behind—many ultimately donated to the French state—were their response, tragic attempts to celebrate a nation that later betrayed them.
Download or read book The Cambridge Companion to the Roman Republic written by Harriet I. Flower and published by Cambridge University Press. This book was released on 2014-06-23 with total page 519 pages. Available in PDF, EPUB and Kindle. Book excerpt: This second edition examines all aspects of Roman history, and contains a new introduction, three new chapters and updated bibliographies.
Download or read book Art and the Academy in the Nineteenth Century written by Rafael Cardoso Denis and published by Manchester University Press. This book was released on 2000 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout the nineteenth century, academies functioned as the main venues for the teaching, promotion, and display of art. Contemporary scholars have, for the most part, denigrated academic art, calling it formulaic, unoriginal, and repetitious. The contributors to Art and the Academy in the Nineteenth Century challenge this entrenched notion and consider how academies worldwide have represented an important system of artistic preservation and transmission. Their essays eschew easy binaries that have reigned in academia for more than half a century and that simply oppose the avant-garde to academicism.
Download or read book Art Criticism and Its Institutions in Nineteenth century France written by Michael R. Orwicz and published by Manchester University Press. This book was released on 1994 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores a range of social, institutional and discursive conditions in and through which criticism emerged and functioned in 19th-century France, and goes on to develop broader theoretical questions drawn from historical case studies.
Download or read book The Collapse of the Third Republic written by William L. Shirer and published by Rosetta Books. This book was released on 2014-10-22 with total page 1948 pages. Available in PDF, EPUB and Kindle. Book excerpt: The National Book Award–winning historian’s “vivid and moving” eyewitness account of the fall of France to Hitler’s Third Reich at the outset of WWII (The New York Times). As an international war correspondent and radio commentator during World War II, William L. Shirer didn’t just research the fall of France. He was there. In just six weeks, he watched the Third Reich topple one of the world’s oldest military powers—and institute a rule of terror and paranoia. Based on in-person conversations with the leaders, diplomats, generals, and ordinary citizens who both shaped the events and lived through them, Shirer constructs a compelling account of historical events without losing sight of the human experience. From the heroic efforts of the Freedom Fighters to the tactical military misjudgments that caused the fall and the daily realities of life for French citizens under Nazi rule, this fascinating and exhaustively documented account brings this significant episode of history to life. “This is a companion effort to Shirer’s The Rise and Fall of the Third Reich, also voluminous but very readable, reflecting once again both Shirer’s own experience and an enormous mass of historical material well digested and assimilated.” —Kirkus Reviews (starred review)
Download or read book The French Republic written by Edward G. Berenson and published by Cornell University Press. This book was released on 2011-10-15 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this invaluable reference work, the world’s foremost authorities on France’s political, social, cultural, and intellectual history explore the history and meaning of the French Republic and the challenges it has faced. Founded in 1792, the French Republic has been defined and redefined by a succession of regimes and institutions, a multiplicity of symbols, and a plurality of meanings, ideas, and values. Although constantly in flux, the Republic has nonetheless produced a set of core ideals and practices fundamental to modern France's political culture and democratic life. Based on the influential Dictionnaire critique de la république, published in France in 2002, The French Republic provides an encyclopedic survey of French republicanism since the Enlightenment. Divided into three sections—Time and History, Principles and Values, and Dilemmas and Debates—The French Republic begins by examining each of France’s five Republics and its two authoritarian interludes, the Second Empire and Vichy. It then offers thematic essays on such topics as Liberty, Equality, and Fraternity; laicity; citizenship; the press; immigration; decolonization; anti-Semitism; gender; the family; cultural policy; and the Muslim headscarf debates. Each essay includes a brief guide to further reading. This volume features updated translations of some of the most important essays from the French edition, as well as twenty-two newly commissioned English-language essays, for a total of forty entries. Taken together, they provide a state-of-the art appraisal of French republicanism and its role in shaping contemporary France’s public and private life.
Download or read book Debating the Woman Question in the French Third Republic 1870 1920 written by Karen Offen and published by Cambridge University Press. This book was released on 2018-01-11 with total page 711 pages. Available in PDF, EPUB and Kindle. Book excerpt: A magisterial reconstruction and analysis of the heated debates around the 'woman question' during the French Third Republic.
Download or read book Composing the Citizen written by Jann Pasler and published by Univ of California Press. This book was released on 2009 with total page 812 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Jann Pasler's remarkable Composing the Citizen reaches well beyond what any book concerned with music in society has ever attempted. Concentrating on France of the Third Republic, from the 1870s through the early 1900s, she demonstrates convincingly how music--whether new, old, popular, or élite, whether performed at institutions of state (such as the Opéra), the Folies Bergère, concert halls, or the zoo--helped to redefine what it meant to be French under evolving political circumstances. Equally adept in the languages of history, sociology, political science, reception history, and music analysis, Pasler establishes music's cultural significance and implicitly illuminates the role it can still play in countries like the United States."--Philip Gossett, The University of Chicago and University of Rome, La Sapienza "Composing the Citizen offers nothing less than a new paradigm for the study of musical cultures. Rather than forcing French music into the moulds developed for the Austro-German canon, Pasler simply studies the social uses of music in fin-de-siècle France. Her painstaking archival research allows her to present an astonishingly detailed account of musical practices, tastes, and activities; new names and genres come to the fore to engage in a variety of dynamic artistic scenes most of us never knew--or only thought we did by virtue of having read Proust. A masterwork of a scholar at the very peak of her career."--Susan McClary, MacArthur Fellow 1995 and author of Georges Bizet: Carmen and Modal Subjectivities: Self-Fashioning in the Italian Madgrigal "Utilité publique: a common-sense republican notion of sweeping consequence. In this greatly anticipated volume Jann Pasler uses it as touchstone, showing how and why musical life so mattered in Third-Republic France: layer after layer of it, in a journey that takes us past the Opéra and Conservatoire to the pops concerts, department stores, the zoo, the world's fairs, the overseas colonies. Companionable as a well-worn Baedeker, seductive as Roger Shattuck's The Banquet Years, this exquisitely styled and paced achievement is also a compelling read."--D. Kern Holoman, author of Berlioz and The Société des Concerts du Conservatoire, 1828-1967
Download or read book The Presence of the Past in French Art 1870 1905 written by Richard Thomson and published by . This book was released on 2021-11-09 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: This innovative book introduces a vivid new reading of French art and society at a crucial period of history The study of late nineteenth- and early twentieth-century French art tends to focus on a search for the modern. Richard Thomson presents an innovative approach to a popular period of art history, instead investigating how art in early Third Republic France adapted styles from the past. The classical is the predominant theme, punctuated by other stylistic currents, notably the Rubensian and the Botticellian. It asks, how did these styles--all three derived from foreign art--come to be adapted into French visual culture? How did the Republic customise classicism to its ideological ends? How was classicism manipulated by progressive painters for radical and reactionary readings? The Presence of the Past in French Art 1870-1905 considers artists of very different character and type--from Degas to Henner, Cézanne to Besnard, Roty to Seurat, Dalou to Maillol--as well as a variety of media, including painting, sculpture, medals and celebrity photographs, to open up new vistas of interpretation in this fascinating field.
Download or read book Art Money Parties written by Jonathan Harris and published by Liverpool University Press. This book was released on 2004-01-01 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the phenomenally successful new Tate Modern to the Dia:Beacon and Liverpool Biennial, contemporary visual art seems more than ever enmeshed in prominent public institutions and new forms of patronage, whether public commissions or corporate sponsorships. InArt, Money, Parties,renowned figures from the art world—including artists, dealers, and gallery owners—join scholars to consider these new institutional faces of contemporary art, their influence on art and artists, and how they affect the future of art. The essays in this collection, which originated at a conference organized by Tate Liverpool and the University of Liverpool, offer frequently contentious positions on the role of new institutions and patronage in the world of contemporary art. For example, while Liverpool Biennial director Lewis Biggs delivers a fairly optimistic assessment of the state of contemporary art, scholar Paul Usherwood unleashes a scathing critique of recent public art commissions. From opposing perspectives, gallery owner Sadie Coles reviews the history of her own involvement in the art world during the 1990s, and artist Stewart Home offers a sharply contrasting view of the value of the art produced in that decade. Rather than an attempt to craft a consensus, though, Art, Money, Parties is instead an effort to map out the position of—and possibilities for—contemporary art in a period of growing public sponsorship and attention. The vibrant, growing interest in contemporary art—evidenced by the success of the institutions under consideration—makesArt, Money, Partiesa timely and indispensable contribution to any debate on the present and future of art.
Download or read book Painting by Numbers written by Diana Seave Greenwald and published by Princeton University Press. This book was released on 2021-02-16 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: A pathbreaking history of art that uses digital research and economic tools to reveal enduring inequities in the formation of the art historical canon Painting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production. With new quantitative evidence for more than five hundred thousand works of art, Diana Seave Greenwald provides fresh insights into the nineteenth century, and the extent to which art historians have focused on a limited—and potentially biased—sample of artwork from that time. She addresses long-standing questions about the effects of industrialization, gender, and empire on the art world, and she models more expansive approaches for studying art history in the age of the digital humanities. Examining art in France, the United States, and the United Kingdom, Greenwald features datasets created from indices and exhibition catalogs that—to date—have been used primarily as finding aids. From this body of information, she reveals the importance of access to the countryside for painters showing images of nature at the Paris Salon, the ways in which time-consuming domestic responsibilities pushed women artists in the United States to work in lower-prestige genres, and how images of empire were largely absent from the walls of London’s Royal Academy at the height of British imperial power. Ultimately, Greenwald considers how many works may have been excluded from art historical inquiry and shows how data can help reintegrate them into the history of art, even after such pieces have disappeared or faded into obscurity. Upending traditional perspectives on the art historical canon, Painting by Numbers offers an innovative look at the nineteenth-century art world and its legacy.
Download or read book Primitivism Cubism Abstraction written by Charles Harrison and published by Yale University Press. This book was released on 1993-01-01 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: On art in the early 20th century
Download or read book Historical Modernisms written by Jean-Michel Rabaté and published by Bloomsbury Publishing. This book was released on 2021-10-21 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining the ways in which modernism is created within specific historical contexts, as well as how it redefines the concept of history itself, this book sheds new light on the historical-mindedness of modernism and the artistic avant-gardes. Cutting across Anglophone and less explored European traditions and featuring work from a variety of eminent scholars, it deals with issues as diverse as artistic medium, modernist print culture, autobiography as history writing, avant-garde experimentations and modernism's futurity. Contributors examine both literary and artistic modernism, combining theoretical overviews and archival research with case studies of Anglophone as well as European modernism, which speak to the current historicizing trend in modernist and literary studies.
Download or read book Th odore Rousseau and the Rise of the Modern Art Market written by Simon Kelly and published by Bloomsbury Publishing USA. This book was released on 2021-03-25 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 19th century in France witnessed the emergence of the structures of the modern art market that remain until this day. This book examines the relationship between the avant-garde Barbizon landscape painter, Théodore Rousseau (1812-1867), and this market, exploring the constellation of patrons, art dealers and critics who surrounded the artist. It argues for the pioneering role of Rousseau, his patrons and his public in the origins of the modern art market, and, in so doing, shifts attention away from the more traditional focus on the novel careers of the Impressionists and their supporters. Drawing on extensive archival research, the book provides new insight into the role of the modern artist as professional. It provides a new understanding of the complex iconographical and formal choices within Rousseau's work, rediscovering the original radical charge that once surrounded the artist's work and led to extensive and peculiarly modern tensions with the market place.
Download or read book Gustave Caillebotte as Worker Collector Painter written by Samuel Raybone and published by Bloomsbury Publishing USA. This book was released on 2020-09-17 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gustave Caillebotte was more than a painter: he collected and researched postage stamps; designed and built yachts; administered and participated in the sport of yachting; collected paintings; cultivated and collected rare orchids; designed and tended his gardens; and engaged in local politics. Gustave Caillebotte as Worker, Collector, Painter presents the first comprehensive account of Caillebotte's manifold activities. It presents a completely new critical interpretation of Caillebotte's broad career that highlights the singular salience of 'work', and which intersects histories and theories of visual culture, ideology, and psychoanalysis. Where the recent art historical 'rediscovery' of Caillebotte offers multiple narratives of his identification with working men, this book goes beyond them towards excavating what his work was in its own terms. Born to an haut bourgeois milieu in which he was never completely comfortable and assailed by traumatic familial bereavements, Caillebotte adopted and adapted the ideologically normative category of work for his own purposes, deconstructing its ostensibly class-determinate parameters in order to bridge the chasm of his social alienation.
