Download or read book Armenian Sacred and Folk Music written by Komitas Vardapet Komitas and published by Routledge. This book was released on 2013-11-05 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: Translated by E. Gulbekian, edited with introduction by N.V. Nersessian. Komitas Vardapet was the giant of Armenian sacred and folk music. Eight of Komitas's principal musicological studies have been selected from his Collected Works published in Yerevan in 1941.
Download or read book Armenian Sacred and Folk Music written by Komitas (Vardapet) and published by . This book was released on 1998 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Armenian Music written by Jonathan McCollum and published by Scarecrow Press. This book was released on 2004 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a comprehensive bibliography of Armenian music dealing with not only the music itself but also issues of context and culture that will be of interest to ethnomusicologists working in the area of Armenian music. It also includes a discography that spans from classical music to pop and folk.
Download or read book The Modal Systems of Armenian Sacred Music written by Hachig Kazarian and published by . This book was released on 1984 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music and the Armenian Diaspora written by Sylvia Angelique Alajaji and published by Indiana University Press. This book was released on 2015-09-07 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Survivors of the Armenian genocide of 1915 and their descendants have used music to adjust to a life in exile and counter fears of obscurity. In this nuanced and richly detailed study, Sylvia Angelique Alajaji shows how the boundaries of Armenian music and identity have been continually redrawn: from the identification of folk music with an emergent Armenian nationalism under Ottoman rule to the early postgenocide diaspora community of Armenian musicians in New York, a more self-consciously nationalist musical tradition that emerged in Armenian communities in Lebanon, and more recent clashes over music and politics in California. Alajaji offers a critical look at the complex and multilayered forces that shape identity within communities in exile, demonstrating that music is deeply enmeshed in these processes. Multimedia components available online include video and audio recordings to accompany each case study.
Download or read book Soviet Music and Society Under Lenin and Stalin written by Neil Edmunds and published by Routledge. This book was released on 2004-06 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates the place of music in Soviet society during the eras of Lenin and Stalin. It examines the different strategies adopted by composers and musicians in their attempts to carve out careers in a rapidly evolving society, discusses the role of music in Soviet society and people's lives, and shows how political ideology proved an inspiration as well as an inhibition. It explores how music and politics interacted in the lives of two of the twentieth century's greatest composers - Shostakovich and Prokofiev - and also in the lives of less well-known composers. In addition it considers the specialist composers of early Soviet musical propaganda, amateur music making, and musical life in the non-Russian republics. The book will appeal to specialists in Soviet music history, those with an interest in twentieth century music in general, and also to students of the history, culture and politics of the Soviet Union.
Download or read book Komitas written by Vrej Nerses Nersessian and published by . This book was released on 1998 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Armenian Diaspora and Stateless Power written by Talar Chahinian and published by Bloomsbury Publishing. This book was released on 2023-11-02 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: From genocide, forced displacement, and emigration, to the gradual establishment of sedentary and rooted global communities, how has the Armenian diaspora formed and maintained a sense of collective identity? This book explores the richness and magnitude of the Armenian experience through the 20th century to examine how Armenian diaspora elites and their institutions emerged in the post-genocide period and used stateless power to compose forms of social discipline. Historians, cultural theorists, literary critics, sociologists, political scientists, and anthropologists explore how national and transnational institutions were built in far-flung sites from Istanbul, Aleppo, Beirut and Jerusalem to Paris, Los Angeles, and the American mid-west. Exploring literary and cultural production as well as the role of religious institutions, the book probes the history and experience of the Armenian diaspora through the long 20th century, from the role of the fin-de-siècle émigré Armenian press to the experience of Syrian-Armenian asylum seekers in the 21st century. It shows that a diaspora's statelessness can not only be evidence of its power, but also how this stateless power acts as an alternative and complement to the nation-state.
Download or read book Armenian Neume System of Notation written by R. A. At'ayan and published by Routledge. This book was released on 2013-11-19 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: The study of the Armenian system of notation called Khazs (Neumes) is of significance both for Armenian and Byzantine music from a historical and aesthetic point of view. Over the centuries the Armenian people have created a musical culture which is largely inaccessible because of the fact that to this day the medieval notation of this music has not been deciphered. Prof. R.A. At'ayan's unique study based on the abundant manuscript sources of the Institute of Ancient Manuscripts (Erevan) not only traces the origin and development of this notation system convincingly, but also re-creates the tunes of the numerous chants and songs composed over the centuries.
Download or read book Musics Lost and Found written by Michael Church and published by Boydell & Brewer. This book was released on 2021 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: This ground-breaking book is the first-ever study of the role played in musical history by song collectors.This is the first-ever book about song collectors, music''s unsung heroes. They include the Armenian priest who sacrificed his life to preserve the folk music which the Turks were trying to erase in the 1915 Genocide; the prisoner in a Nazi concentration camp who secretly noted down the songs of doomed Jewish inmates; the British singer who went veiled into Afghanistan to learn, record and perform the music the Taliban wanted to silence. Some collectors have been fired by political idealism - Bartok championing Hungarian peasant music, the Lomaxes bringing the blues out of Mississippi penitentiaries, and transmitting them to the world. Many collectors have been priests - French Jesuits noting down labyrinthine forms in eighteenth-century Beijing, English vicars tracking songs in nineteenth-century Somerset. Others have been wonderfully colourful oddballs.Today''s collectors are striving heroically to preserve endangered musics, whether rare forms of Balinese gamelan, the wind-band music of Chinese villages, or the sophisticated polyphony of Central African Pygmies. With globalisation, urbanisation and Westernisation causing an irreversible erosion of the world''s musical diversity, Michael Church suggests we may be seeing folk music''s ''end of history''. Old forms are dying as the conditions for their survival - or replacement - disappear; the death of villages means the death of village musical culture.This ground-breaking book is the sequel to the author''s award-winning The Other Classical Musics, and it concludes with an inventory of the musics now under threat, or already lost for ever.rve endangered musics, whether rare forms of Balinese gamelan, the wind-band music of Chinese villages, or the sophisticated polyphony of Central African Pygmies. With globalisation, urbanisation and Westernisation causing an irreversible erosion of the world''s musical diversity, Michael Church suggests we may be seeing folk music''s ''end of history''. Old forms are dying as the conditions for their survival - or replacement - disappear; the death of villages means the death of village musical culture.This ground-breaking book is the sequel to the author''s award-winning The Other Classical Musics, and it concludes with an inventory of the musics now under threat, or already lost for ever.rve endangered musics, whether rare forms of Balinese gamelan, the wind-band music of Chinese villages, or the sophisticated polyphony of Central African Pygmies. With globalisation, urbanisation and Westernisation causing an irreversible erosion of the world''s musical diversity, Michael Church suggests we may be seeing folk music''s ''end of history''. Old forms are dying as the conditions for their survival - or replacement - disappear; the death of villages means the death of village musical culture.This ground-breaking book is the sequel to the author''s award-winning The Other Classical Musics, and it concludes with an inventory of the musics now under threat, or already lost for ever.rve endangered musics, whether rare forms of Balinese gamelan, the wind-band music of Chinese villages, or the sophisticated polyphony of Central African Pygmies. With globalisation, urbanisation and Westernisation causing an irreversible erosion of the world''s musical diversity, Michael Church suggests we may be seeing folk music''s ''end of history''. Old forms are dying as the conditions for their survival - or replacement - disappear; the death of villages means the death of village musical culture.This ground-breaking book is the sequel to the author''s award-winning The Other Classical Musics, and it concludes with an inventory of the musics now under threat, or already lost for ever.sic''s ''end of history''. Old forms are dying as the conditions for their survival - or replacement - disappear; the death of villages means the death of village musical culture.This ground-breaking book is the sequel to the author''s award-winning The Other Classical Musics, and it concludes with an inventory of the musics now under threat, or already lost for ever.
Download or read book The SAGE International Encyclopedia of Music and Culture written by Janet Sturman and published by SAGE Publications. This book was released on 2019-02-26 with total page 2730 pages. Available in PDF, EPUB and Kindle. Book excerpt: The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition
Download or read book Armenian Folk Songs written by Sirvart Poladian and published by Berkeley ; Los Angeles : University of California Press. This book was released on 1942 with total page 90 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Concise Garland Encyclopedia of World Music written by Garland Encyclopedia of World Music and published by Routledge. This book was released on 2013-02 with total page 651 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Concise Garland Encyclopedia of World Music comprises two volumes, and can only be purchased as the two-volume set.To purchase the set please go to:http://www.routledge.com/9780415972932.
Download or read book The Concise Garland Encyclopedia of World Music The Middle East South Asia East Asia Southeast Asia written by Ellen Koskoff and published by Routledge. This book was released on 2008 with total page 652 pages. Available in PDF, EPUB and Kindle. Book excerpt: The critical importance of past for the present--of music histories in local and global forms--asserts itself. The history of world music, as each chapter makes clear, is one of critical moments and paradigm shifts.
Download or read book Armenian Folk Music written by Komitas (Vardapet) and published by . This book was released on 1988 with total page 33 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Garland Encyclopedia of World Music written by Virginia Danielson and published by Routledge. This book was released on 2017-09-25 with total page 1212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Expert writers present the major traditions of North Africa, the Middle East, and Central Asia, together with personal accounts of performers, composers, teachers, and ceremonies. A special feature of this volume is the inclusion of dozens of brief snap-shot essays that offer "lifestories" of typical musicmakers and their art, as well as first-person descriptions of specific music performances and events. Also includes maps and music examples.
Download or read book Theory and Method in Historical Ethnomusicology written by Jonathan McCollum and published by Lexington Books. This book was released on 2014-09-11 with total page 431 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historical ethnomusicology is increasingly acknowledged as a significant emerging subfield of ethnomusicology due to the fact that historical research requires a different set of theories and methods than studies of contemporary practices and many historiographic techniques are rapidly transforming as a result of new technologies. In 2005, Bruno Nettl observed that “the term ‘historical ethnomusicology’ has begun to appear in programs of conferences and in publications” (Nettl 2005, 274), and as recently as 2012 scholars similarly noted “an increasing concern with the writing of musical histories in ethnomusicology” (Ruskin and Rice 2012, 318). Relevant positions recently advanced by other authors include that historical musicologists are “all ethnomusicologists now” and that “all ethnomusicology is historical” (Stobart, 2008), yet we sense that such arguments—while useful, and theoretically correct—may ultimately distract from careful consideration of the kinds of contemporary theories and rigorous methods uniquely suited to historical inquiry in the field of music. In Theory and Method in Historical Ethnomusicology, editors Jonathan McCollum and David Hebert, along with contributors Judah Cohen, Chris Goertzen, Keith Howard, Ann Lucas, Daniel Neuman, and Diane Thram systematically demonstrate various ways that new approaches to historiography––and the related application of new technologies––impact the work of ethnomusicologists who seek to meaningfully represent music traditions across barriers of both time and space. Contributors specializing in historical musics of Armenia, Iran, India, Japan, southern Africa, American Jews, and southern fiddling traditions of the United States describe the opening of new theoretical approaches and methodologies for research on global music history. In the Foreword, Keith Howard offers his perspective on historical ethnomusicology and the importance of reconsidering theories and methods applicable to this field for the enhancement of musical understandings in the present and future.
