Download or read book Aref el Rayess written by Andrée Sfeir-Semler and published by Hatje Cantz Verlag. This book was released on 2024-04-22 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Der libanesische Künstler Aref el Rayess (1928–2005) schuf ein beeindruckendes, bis heute wenig erforschtes Œuvre aus Malerei, Zeichnung, Collage und Skulptur. Rayess war ein Reisender. Er lebte in vielen Ländern, saugte den Geist dieser Orte in sich auf. Seine Arbeiten spiegeln den Zeitgeist jener Epochen und Kunstszenen wider. Er war ein unabhängiger Denker, ein politischer Mensch, ein Freigeist. Zu seinen Sujets gehören die Menschen, die Gesellschaft, die Abstraktion und die Natur. Seine Handschrift und sein Malstil wandeln sich dabei ständig, bleiben aber immer eigenständig und unverwechselbar. Diese erste Monografie widmet sich der vielseitigen künstlerischen Praxis von Rayess, vor allem seiner Malerei zwischen den Jahren 1949 und 2005.
Download or read book Commitment in the Artistic Practice of Aref El Rayess written by Natasha Gasparian and published by Anthem Press. This book was released on 2020-11-13 with total page 94 pages. Available in PDF, EPUB and Kindle. Book excerpt: In April 1968, ten months after the Arab defeat of the 1967 June War, Aref El-Rayess’s Dimaʾ wa Hurriyya (Blood and Freedom) opened to the public in the exhibition hall of the L’Orient newspaper headquarters in Beirut, Lebanon. The 5th of June, or, The Changing of Horses, a realist mural painting on canvas, was the exhibition’s centerpiece. With this artwork, El-Rayess declared his commitment to national liberation and socialist revolution. The Changing of Horses was presented and received as an allegory of political commitment, but the slips, silences, and repetitions in the public reception point to its excessive, disturbing, and fundamentally uncanny character. In Commitment in the Artistic Practice of Aref El-Rayess, the first comprehensive study of the work, Natasha Gasparian weaves together a social art history from the artist’s writings, exhibition reviews, guestbook comments, personal correspondences and testimonies, as well as social, political, and aesthetic shifts, particularly as they related to the debates on commitment (iltizam) in the aftermath of the June 1967 war. By attempting to reconstruct this history of the artwork and tracing the caesuras in the discourse around it, Gasparian exposes the social antagonism that is repressed and obfuscated in the idealized narrative sustained by El-Rayess and his audiences. She argues that the oversight in the reception—the critics’ and audiences’ inability to see—attests to the delay in grasping the work historically and signals its avant-gardism.
Download or read book Commitment in the Artistic Practice of Aref el Rayess written by Natasha Gasparian and published by Anthem Press. This book was released on 2020-11-13 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt: In April 1968, ten months after the Arab defeat of the 1967 June War, Aref El-Rayess’s Dimaʾ wa Hurriyya (Blood and Freedom) opened to the public in the exhibition hall of the L’Orient newspaper headquarters in Beirut, Lebanon. The 5th of June, or, The Changing of Horses, a realist mural painting on canvas, was the exhibition’s centerpiece. With this artwork, El-Rayess declared his commitment to national liberation and socialist revolution. The Changing of Horses was presented and received as an allegory of political commitment, but the slips, silences, and repetitions in the public reception point to its excessive, disturbing, and fundamentally uncanny character. In Commitment in the Artistic Practice of Aref El-Rayess, the first comprehensive study of the work, Natasha Gasparian weaves together a social art history from the artist’s writings, exhibition reviews, guestbook comments, personal correspondences and testimonies, as well as social, political, and aesthetic shifts, particularly as they related to the debates on commitment (iltizam) in the aftermath of the June 1967 war. By attempting to reconstruct this history of the artwork and tracing the caesuras in the discourse around it, Gasparian exposes the social antagonism that is repressed and obfuscated in the idealized narrative sustained by El-Rayess and his audiences. She argues that the oversight in the reception—the critics’ and audiences’ inability to see—attests to the delay in grasping the work historically and signals its avant-gardism.
Download or read book Lebanon and the Split of Life written by Meriam Soltan and published by Anthem Press. This book was released on 2024-05-14 with total page 72 pages. Available in PDF, EPUB and Kindle. Book excerpt: This scholarly biography traces the life and art of Lebanese-American neo-expressionist, Nabil Kanso (1940–2019). It explores key moments across the artist’s transnational career by foregrounding his longest-running, internationally toured exhibition, the Journey of Art for Peace (1985–1993). More specifically, it traces the historical trajectory of his 10 × 28 mural-scale painting, Lebanon, from the circumstances of its production at the height of the Lebanese Civil War in 1983, through its short-lived exhibition history with the Split of Life series in the few years that followed. The book scaffolds an understanding of the artist as an activist and works toward offering distinctly spatial readings of his painterly practice, of which the act of bearing witness is highlighted as permeating the entirety of his oeuvre. It concludes with a contemporary recontextualization of Lebanon in the country’s current social, political, and cultural climate, and emphasizes the artist’s work as essential to the theorization of larger traditions of political and protest art. The first of its kind and the result of a research fellowship wherein the author was invited to be the first to work through the artist’s unpublished archive, this book lays the groundwork for scholarship on the art of Nabil Kanso—an essential yet hitherto unstudied pioneer of the neo-expressionist art movement of the 1960s. It draws extensively on primary source material, including personal notes, diaries, sketchbooks, correspondences, paintings, watercolors, photographs, recorded interviews, and the like. To best animate that source material within the context of this publication, each chapter is prefaced with short narrative anecdotes inspired by the artist’s personal notes to better ground the subsequent research and scholarship in the artist’s own terms and experiences. Born in Beirut, Kanso, like many of his generation, would seek sought refuge abroad from political instability in his home country. It is through this intrinsic proximity to, yet physical distance from, the cycles of violence and corruption in Lebanon that Kanso would go on to create his grandest greatest mural-scale series. This book, more than anything, explores the artist’s oeuvre as an attempt to bear witness and offer testimony to those moments, an inclination that would see the artist grapple with some of the most ferocious crimes against humanity committed throughout his lifetime. As such, this book pairs close readings of Kanso’s art and personal practice with both historical and contemporary context meant to animate the relevance of his vast yet never-before-seen artistic archive.
Download or read book Jeddah City of Art written by Hani M. S. Farsi and published by Stacey International Publishers. This book was released on 1991 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: Describes the activities of Mohamed Said Farsi from 1972 to 1986 as city planner and later mayor of Jeddah to turn Jeddah into an open air art museum.
Download or read book Kulliyah written by and published by . This book was released on 1970 with total page 976 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Whites of Their Eyes written by Jill Lepore and published by Princeton University Press. This book was released on 2011-08-08 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Americans have always put the past to political ends. The Union laid claim to the Revolution--so did the Confederacy. Civil rights leaders said they were the true sons of liberty--so did Southern segregationists. This book tells the story of the centuries-long struggle over the meaning of the nation's founding, including the battle waged by the Tea Party, Glenn Beck, Sarah Palin, and evangelical Christians to "take back America." Jill Lepore, Harvard historian and New Yorker staff writer, offers a careful and concerned look at American history according to the far right, from the "rant heard round the world," which launched the Tea Party, to the Texas School Board's adoption of a social-studies curriculum that teaches that the United States was established as a Christian nation. Along the way, she provides rare insight into the eighteenth-century struggle for independence--a history of the Revolution, from the archives. Lepore traces the roots of the far right's reactionary history to the bicentennial in the 1970s, when no one could agree on what story a divided nation should tell about its unruly beginnings. Behind the Tea Party's Revolution, she argues, lies a nostalgic and even heartbreaking yearning for an imagined past--a time less troubled by ambiguity, strife, and uncertainty--a yearning for an America that never was. The Whites of Their Eyes reveals that the far right has embraced a narrative about America's founding that is not only a fable but is also, finally, a variety of fundamentalism--anti-intellectual, antihistorical, and dangerously antipluralist. In a new afterword, Lepore addresses both the recent shift in Tea Party rhetoric from the Revolution to the Constitution and the diminished role of scholars as political commentators over the last half century of public debate.
Download or read book Etel Adnan The Uprising of Colors written by and published by . This book was released on 2021 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Taking Shape written by Suheyla Takesh and published by Hirmer Verlag GmbH. This book was released on 2020 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Taking Shape: Abstraction from the Arab World, 1950s-1980s explores the development of abstraction in the Arab world via paintings, sculpture, and works on paper dating from the 1950s through the 1980s. By looking critically at the history and historiography of mid-20th century abstraction, the exhibition considers art from North Africa and West Asia as integral to the discourse on global modernism. At its heart, the project raises a fundamental art historical question: How do we study abstraction across different contexts and what models of analysis do we use? Examining how and why artists investigated the expressive capacities of line, color, and texture, Taking Shape highlights a number of abstract movements that developed in the Middle East, North Africa, and West Asia, as well as the Arab diaspora."--Artsy website (accessed 18/2/20).
Download or read book Who s who in the Arab World written by and published by . This book was released on 1967 with total page 1156 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Middle East Newsletter written by and published by . This book was released on 1973 with total page 116 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Druze and Their Faith in Tawhid written by Anis Obeid and published by . This book was released on 2006-07-06 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: As a small sect that emerged from Islam over a thousand years ago, the Druze religion and society has long been cloaked in a tradition of secrecy. Veiled from the outside world, the religious tenets have been vulnerable to distortion, misunderstanding, and misrepresentation. In this book Dr. Anis Obeid, a Druze layman, provides a penetrating analysis of Druze scriptures and beliefs (Tawhid). Presenting a chronological narrative of the foundation and development of the faith, he explains the historical conditions and religious rationale behind this closed religion. The Druze faith is the product of Abrahamic monotheism as it coalesced with other philosophies, belief systems, and political structures of the West and the East and, as Obeid maintains, should be recognized for its core monotheism, and not fundamentally different from Judaism, Christianity, or Islam. He argues convincingly, with examples and translations from the Druze scriptures, only now accessible to a non-initiate public, that Tawhid is a progressive and dynamic spiritual process based on freedom of choice. This rich exploration of their faith, the author’s appeal for a sincere cultural dialogue will resonate with a wide audience in the West and in the Middle East.
Download or read book Middle East Forum written by and published by . This book was released on 1971 with total page 692 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Cosmopolitan Radicalism written by Zeina Maasri and published by Cambridge University Press. This book was released on 2020-08-06 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring visual culture, design and politics in 1960s Beirut, this compelling interdisciplinary study examines a critical period in Lebanon's history.
Download or read book The Cat I Never Named written by Amra Sabic-El-Rayess and published by Bloomsbury Publishing USA. This book was released on 2020-09-15 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: The stunning memoir of a Muslim teen struggling to survive in the midst of the Bosnian genocide--and the stray cat who protected her family through it all. *Six Starred Reviews* A YALSA Excellence in Nonfiction Finalist A Capitol Choices Remarkable Book A Mighty Girl Best Book A Malala Fund Favorite Book Selection In 1992, Amra was a teen in Bihac, Bosnia, when her best friend said they couldn't speak anymore. Her friend didn't say why, but Amra knew the reason: Amra was Muslim. It was the first sign her world was changing. Then Muslim refugees from other Bosnian cities started arriving, fleeing Serbian persecution. When the tanks rolled into Bihac, bringing her own city under seige, Amra's happy life in her peaceful city vanished. But there is light even in the darkest of times, and she discovered that light in the warm, bonfire eyes of a stray cat. The little calico had followed the refugees into the city and lost her own family. At first, Amra doesn't want to bother with a stray; her family doesn't have the money to keep a pet. But with gentle charm this kitty finds her way into everyone's heart, and after a few near miracles when she seems to save the family, how could they turn her away? Here is the stunning true story of a teen who, even in the brutality of war, never wavered in her determination to obtain an education, maintain friendships, and even find a first love-and the cat who gave comfort, hope, and maybe even served as the family's guardian spirit.
Download or read book Off the Wall written by Zeina Maasri and published by I.B. Tauris. This book was released on 2008-12-15 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this illustrated work, Zeina Maasri tells the tumultuous story of the struggle for Lebanon through the poster wars which raged on its streets. From 1975 to 1990, different factions in Lebanon's civil conflict flooded the streets with posters to mobilize their constituencies, undermine their enemies, and create public sympathy for their cause. Showcased here for the first time, the posters display a dramatic clash of cultures, ideologies and meanings. Maasri shows how the iconography of the posters changed over time, and links this to changing political identities and communities as the war progressed. She looks at the aesthetic influences of different groups, from modern Arab visual culture to as far afield as Latin America and revolutionary Iran. She urges a radical rethink of the idea and function of political posters in civil war contexts, too often dismissed as mere 'propaganda', arguing instead that they should be seen as symbolic sites of struggle, every bit as fiercely --
