Download or read book Archetypes Imprecators and Victims of Fate written by Femi Euba and published by Praeger. This book was released on 1989-12-11 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: In searching for a definitive concept of black theatre, Euba delves deeply into the Yoruba culture and gods, specifically the attributes and ritual of Esu-Elegbara. The resulting vision goes beyond the standard interpretations to place Esu, the fate god, squarely at the center of Yoruba ritual and drama, and by extension, at the center of the black writer's concept of character, actor, and audience as victims of fate and satire. The first section of the book explores the essence of man in the black world of survival. The second, and main section, seeks to develop a concept of drama in black theatre (in African and the New World experience) from the point of view of Esu-Elegbara. The text is highlighted by various illustrations. Three tables outline the Agents of Satire: Imprecator; Imprecator/Satirist; and Satirist/Agent. A bibliography, notes, and an index will help the scholar who wishes to further explore this rich and complex subject. The book is a sophisticated study that will be of great interest to students seeking to understand African influences on black culture today. Potential markets for the book include university-level black history, literature, or culture studies. A broader market might be found among theatre practitioners and students of modern drama.
Download or read book Archetypes Imprecators and Victims of Fate written by Femi Euba and published by Praeger. This book was released on 1989-12-11 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: In searching for a definitive concept of black theatre, Euba delves deeply into the Yoruba culture and gods, specifically the attributes and ritual of Esu-Elegbara. The resulting vision goes beyond the standard interpretations to place Esu, the fate god, squarely at the center of Yoruba ritual and drama, and by extension, at the center of the black writer's concept of character, actor, and audience as victims of fate and satire. The first section of the book explores the essence of man in the black world of survival. The second, and main section, seeks to develop a concept of drama in black theatre (in African and the New World experience) from the point of view of Esu-Elegbara. The text is highlighted by various illustrations. Three tables outline the Agents of Satire: Imprecator; Imprecator/Satirist; and Satirist/Agent. A bibliography, notes, and an index will help the scholar who wishes to further explore this rich and complex subject. The book is a sophisticated study that will be of great interest to students seeking to understand African influences on black culture today. Potential markets for the book include university-level black history, literature, or culture studies. A broader market might be found among theatre practitioners and students of modern drama.
Download or read book Postcolonial African Writers written by Siga Fatima Jagne and published by Routledge. This book was released on 2012-11-12 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt: This reference book surveys the richness of postcolonial African literature. The volume begins with an introductory essay on postcolonial criticism and African writing, then presents alphabetically arranged profiles of some 60 writers, including Chinua Achebe, Nadine Gordimer, Bessie Head, Doris Lessing, Tsitsi Dangarembga, Tahbar Ben Jelloun, among others. Each entry includes a brief biography, a discussion of major works and themes that appear in the author's writings, an overview of the critical response to the author's work, and a bibliography of primary and secondary sources. These profiles are written by expert contributors and reflect many different perspectives. The volume concludes with a selected general bibliography of the most important critical works on postcolonial African literature.
Download or read book The Amistad Revolt written by Iyunolu Folayan Osagie and published by University of Georgia Press. This book was released on 2010-07-01 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: From journalism and lectures to drama, visual art, and the Spielberg film, this study ranges across the varied cultural reactions--in America and Sierra Leone--engendered by the 1839 Amistad slave ship revolt. Iyunolu Folayan Osagie is a native of Sierra Leone, from where the Amistad's cargo of slaves originated. She digs deeply into the Amistad story to show the historical and contemporary relevance of the incident and its subsequent trials. At the same time, she shows how the incident has contributed to the construction of national and cultural identity both in Africa and the African diasporo in America--though in intriguingly different ways. This pioneering work of comparative African and American cultural criticism shows how creative arts have both confirmed and fostered the significance of the Amistad revolt in contemporary racial discourse and in the collective memories of both countries.
Download or read book A Masterclass in Dramatic Writing written by Janet Neipris and published by Routledge. This book was released on 2016-07-15 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Masterclass in Dramatic Writing addresses all three genres of dramatic writing - for theatre, film and TV - in a comprehensive, one-semester, 14-week masterclass for the dramatic writer. This book is tightly focused on the practical outcome of completing a first draft and first rewrite of a dramatic work, drawing on Professor Janet Neipris’ many years of experience as the head of Dramatic Writing at NYU Tisch. The fourteen chapters, organized like a semester, take the reader week-by-week and step-by-step through writing a first draft of an original play, screenplay, or TV pilot, while also teaching the core principles of dramatic writing. Chapters include Beginnings, Creating Complex Characters, Dialogue, Escalating Conflicts, Endings, Checkpoints, Comedy, and Adaptation, and there are Weekly Exercises and progressive Assignments. This book is perfect for professional writers, teachers, and students of dramatic writing, as well as anyone who wants to complete their first dramatic work. An award-winning playwright and Professor of Dramatic Writing at NYU, Janet Neipris has written for Screen and Television. She has also taught dramatic writers at UCLA and in China, Australia, Indonesia, South Africa, Italy, and in the UK at Oxford, CSSD, University of Birmingham, and the University of East Anglia. Previous publications include To Be A Playwright (Routledge 2006). Janet Neipris’s plays and letters are in the Theatre Collection of Harvard University’s Houghton Library. For more, see www.janetneipris.com.
Download or read book Wole Soyinka written by Biodun Jeyifo and published by Cambridge University Press. This book was released on 2003-11-13 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: Biodun Jeyifo examines the connections between the innovative and influential writings of Wole Soyinka and his radical political activism. Jeyifo carries out detailed analyses of Soyinka's most ambitious works, relating them to the controversies generated by Soyinka's use of literature and theatre for radical political purposes. He gives a fascinating account of the profound but paradoxical affinities and misgivings Soyinka has felt about the significance of the avant-garde movements of the twentieth century. Jeyifo also explores Soyinka's works with regard to the impact on his artistic sensibilities of the pervasiveness of representational ambiguity and linguistic exuberance in Yoruba culture. The analyses and evaluations of this study are presented in the context of Soyinka's sustained engagement with the violence of collective experience in post-independence, postcolonial Africa and the developing world. No existing study of Soyinka's works and career has attempted such a systematic investigation of their complex relationship to politics.
Download or read book Experiencing WS written by Femi Euba and published by Austin Macauley Publishers. This book was released on 2021-01-29 with total page 405 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Experiencing WS is a deeply engaging, exceedingly insightful, and well-written account of the experience and history of acting and directing since the mid-twentieth century. Its originality is manifested in every paragraph; its cumulative impact creates a revolutionary path to the understanding of acting in post-colonial Africa; its fabulous take on the mentor-mentee relationship is so compelling as to lead to an analytical framework on how to teach others. Euba has achieved what is hard to come by: a fact-based, rigorous, and sincere take on African theater situated within a rich historical context in order to understand the complexities of individual characters in their lived realities, along with the politics and culture of watershed moments. This fascinating book will certainly hold the interest of the reader from the very first page to the last.” > > — Toyin Falola, Jacob and Frances Sanger Mossiker Chair in the Humanities, University of Texas at Austin; author of Counting the Tiger’s Teeth: An African Teenager’s Story
Download or read book African Modernity and the Philosophy of Culture in the Works of Femi Euba written by Iyunolu Osagie and published by Lexington Books. This book was released on 2017-06-05 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a significant and original contribution to the ongoing conversation on modernity. It uses the creative and critical works of Nigerian playwright and novelist Femi Euba to demonstrate the place and function of African cultures in modernity and makes the case for the vibrancy of such cultures in the shaping and constitution of the modern world. In addition to a critique of Euba’s fifty-year artistic career, this book offers an account of Euba’s formative relationship with the 1986 Nobel Prize for Literature winner Wole Soyinka, during the promising days of the Nigerian theatre in the immediate post-independence period, and the effect of this relationship on Euba’s artistic choices and reflections. Euba contributes to our understanding of Africa’s negotiation of modernity in significant ways, especially in his sensitive reading of Esu, the Yoruba god of fate and chance, as an artistic consciousness whose historical and ideological mobility during New World slavery, during Africa’s colonial period, and in the manifestations in the black diaspora today emblematizes the process we call modernity. By using ritual, myth, and satire as avenues to the debate on modernity, Euba lays emphasis on the transformative possibilities at the crossroads of history. His works engage the psychological interconnections between old gods and new worlds and the dialogic relationship between tradition and modernity. Delineating the philosophical and literary debates that reject an easy division between a stereotypically traditional Africa and a modern West, the author shows how Euba’s plays and novel engage the entwined and intimate relationships between the modern and the traditional in contemporary Africa, and thereby she asserts the global resonance of Euba’s African, and specifically Yoruba, conception of the world. By meticulously collecting, cataloguing, and critiquing Euba’s works, Osagie models a new way of practicing African literary studies and invites us to glimpse narrative genius on the continent that she firmly believes African scholars should both promote and celebrate.
Download or read book Black Theatre written by Paul Carter Harrison and published by Temple University Press. This book was released on 2002-11-08 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: Generating a new understanding of the past—as well as a vision for the future—this path-breaking volume contains essays written by playwrights, scholars, and critics that analyze African American theatre as it is practiced today.Even as they acknowledge that Black experience is not monolithic, these contributors argue provocatively and persuasively for a Black consciousness that creates a culturally specific theatre. This theatre, rooted in an African mythos, offers ritual rather than realism; it transcends the specifics of social relations, reaching toward revelation. The ritual performance that is intrinsic to Black theatre renews the community; in Paul Carter Harrison's words, it "reveals the Form of Things Unknown" in a way that "binds, cleanses, and heals."
Download or read book Performativity and Performance written by Andrew Parker and published by Routledge. This book was released on 2013-11-05 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the age of Aristotle to the age of AIDS, writers, thinkers, performers and activists have wresteled with what "performance" is all about. At the same moment, "performativity"--a new concept in language theory--has become a ubiquitous term in literary studies. This volume grapples with the nature of these two key terms whose traces can be found everywhere: in the theatre, in the streets, in philosophy, in questions of race and gender, and in the sentences we speak.
Download or read book The Metaphor of the Monster written by Keith Moser and published by Bloomsbury Publishing USA. This book was released on 2020-10-15 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Metaphor of the Monster offers fresh perspectives and a variety of disciplinary approaches to the ever-broadening field of monster studies. The eclectic group of contributors to this volume represents areas of study not generally considered under the purview of monster studies, including world literature, classical studies, philosophy, ecocriticism, animal ethics, and gender studies. Combining historical overviews with contemporary and global outlooks, this volume recontextualizes the monstrous entities that have always haunted the human imagination in the age of the Anthropocene. It also invites reflection on new forms of monstrosity in an era epitomized by an unprecedented deluge of (mis)information. Uniting researchers from varied academic backgrounds in a common effort to challenge the monstrous labels that have historically been imposed upon "the Other," this book endeavors above all to bring the monster out of the shadows and into the light of moral consideration.
Download or read book Encyclopedia of African Religion written by Molefi Kete Asante and published by SAGE. This book was released on 2009 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: Collects almost five hundred entries that cover the African response to spirituality, taboos, ethics, sacred space, and objects.
Download or read book The African Diaspora and the Disciplines written by Tejumola Olaniyan and published by Indiana University Press. This book was released on 2010 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on the problems and conflicts of doing African diaspora research from various disciplinary perspectives, these essays situate, describe, and reflect on the current practice of diaspora scholarship. Tejumola Olaniyan, James H. Sweet, and the international group of contributors assembled here seek to enlarge understanding of how the diaspora is conceived and explore possibilities for the future of its study. With the aim of initiating interdisciplinary dialogue on the practice of African diaspora studies, they emphasize learning from new perspectives that take advantage of intersections between disciplines. Ultimately, they advocate a fuller sense of what it means to study the African diaspora in a truly global way.
Download or read book Gods of Noonday written by Elaine Neil Orr and published by University of Virginia Press. This book was released on 2003-08-29 with total page 469 pages. Available in PDF, EPUB and Kindle. Book excerpt: The daughter of medical missionaries, Elaine Neil Orr was born in Nigeria in 1954, in the midst of the national movement that would lead to independence from Great Britain. But as she tells it in her captivating new memoir, Orr did not grow up as a stranger abroad; she was a girl at home—only half American, the other half Nigerian. When she was sent alone to the United States for high school, she didn't realize how much leaving Africa would cost her. It was only in her forties, in the crisis of kidney failure, that she began to recover her African life. In writing Gods of Noonday she came to understand her double-rootedness: in the Christian church and the Yoruba shrine, the piano and the talking drum. Memory took her back from Duke Medical Center in North Carolina to the shores of West Africa and her hometown of Ogbomosho in the land of the Yoruba people. Hers was not the dysfunctional American family whose tensions are brought into high relief by the equatorial sun, but a mission girlhood is haunted nonetheless--by spiritual atmospheres and the limits of good intentions. Orr's father, Lloyd Neil, formerly a high school athlete and World War II pilot, and her mother, Anne, found in Nigeria the adventure that would have escaped them in 1950s America. Elaine identified with her strong, fun-loving father more than her reserved mother, but she herself was as introspective and solitary as her sister Becky was pretty and social. Lloyd acquired a Chevrolet station wagon which carried Elaine and her friends to the Ethiope River, where they swam much as they might have in the United States. But at night the roads were becoming dangerous, and soon the days were clouded by smoke from the coming Biafran War. Interweaving the lush mission compounds with Nigerian culture, furloughs in the American South with boarding school in Nigeria, and eventually Orr's failing health, the narrative builds in intensity as she recognizes that only through recovering her homeland can she find the strength to survive. Taking its place with classics such as Out of Africa and more recent works like The Poisonwood Bible and Don't Let's Go to the Dogs Tonight, Gods of Noonday is a deeply felt, courageous portrait of a woman's life.
Download or read book Ethnic American Literature written by Emmanuel S. Nelson and published by Bloomsbury Publishing USA. This book was released on 2015-02-17 with total page 595 pages. Available in PDF, EPUB and Kindle. Book excerpt: Unlike any other book of its kind, this volume celebrates published works from a broad range of American ethnic groups not often featured in the typical canon of literature. This culturally rich encyclopedia contains 160 alphabetically arranged entries on African American, Asian American, Latino/a, and Native American literary traditions, among others. The book introduces the uniquely American mosaic of multicultural literature by chronicling the achievements of American writers of non-European descent and highlighting the ethnic diversity of works from the colonial era to the present. The work features engaging topics like the civil rights movement, bilingualism, assimilation, and border narratives. Entries provide historical overviews of literary periods along with profiles of major authors and great works, including Toni Morrison, Maxine Hong Kingston, Maya Angelou, Sherman Alexie, A Raisin in the Sun, American Born Chinese, and The House on Mango Street. The book also provides concise overviews of genres not often featured in textbooks, like the Chinese American novel, African American young adult literature, Mexican American autobiography, and Cuban American poetry.
Download or read book Satire and the Postcolonial Novel written by John Clement Ball and published by Routledge. This book was released on 2003-06-12 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Satire plays a prominent and often controversial role in postcolonial fiction. Satire and the Postcolonial Novel offers the first study of this topic, employing the insights of postcolonial comparative theories to revisit Western formulations of "satire" and the "satiric."
Download or read book Teaching Performance Studies written by Nathan Stucky and published by SIU Press. This book was released on 2002 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Edited by Nathan Stucky and Cynthia Wimmer, Teaching Performance Studies is the first organized treatment of performance studies theory, practice, and pedagogy. This collection of eighteen essays by leading scholars and educators reflects the emergent and contested nature of performance studies, a field that looks at the broad range of human performance from everyday conversation to formal theatre and cultural ritual. The cross-disciplinary freedom enacted by the writers suggests a new vision of performance studies--a deliberate commerce between field and classroom.
