Download or read book Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum A K v 2 L Z and First supplement written by British Museum. Department of Printed Books and published by . This book was released on 1912 with total page 788 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Songs from the Dramatists written by Robert Bell and published by . This book was released on 1854 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Metamorphoses of Ovid written by Ovid and published by Castrovilli Giuseppe. This book was released on 1858 with total page 588 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ovid was a major Roman poet during the reign of Augustus. Ovid, along with Horace and Virgil, helped form Latin literature as the world came to know it. Ovid's most famous works are The Metamorphoses and his collections of love poetry.The Metamorphoses of Ovid is an epic poem of fifteen books that contain over 250 myths. The stories of The Metamorphoses cover the history of the world from its creation all the way through the time of Julius Caesar. This book has influenced other great authors such as Shakespeare, Dante, and Chaucer.
Download or read book Songs from the Dramatist written by Robert Bell and published by . This book was released on 1885 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Songs from the Dramatists 2 Ed written by Robert Bell and published by . This book was released on 1855 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Californian Hymn to Homer written by Timothy Pepper and published by Harvard University Press. This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Timothy Pepper is a Ph.D. Candidate at the University of California, Berkeley. --Book Jacket.
Download or read book Catalogue of Printed Books written by British Museum. Department of Printed Books and published by . This book was released on 1883 with total page 682 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book British Museum Catalogue of printed Books written by and published by . This book was released on 1881 with total page 782 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Daphne written by Will Boast and published by National Geographic Books. This book was released on 2019-02-01 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this “elegant meditation on modern-day emotion” (San Francisco Chronicle), best-selling, prize-winning author Will Boast reimagines the myth of Daphne and Apollo. Will Boast’s long-anticipated first novel is an “outright marvelous debut [that] breathes fresh vigor into timeless questions of love and risk” (Laura van den Berg). Born with a rare condition in which she suffers degrees of paralysis when faced with intense emotion, Daphne has had few close friends and fewer lovers. Like her mythic namesake, one touch can freeze her. But when Daphne meets shy, charming Ollie, her well-honed defenses falter, and she’s faced with a critical choice: cling to her protective isolation or risk the recklessness of real intimacy. Set against the backdrop of a San Francisco flush with money and pulsing with protest, Daphne is “an amiable exploration of how humans might come to manage their raucous hearts” (NewYorker.com).
Download or read book Operas in English written by Margaret Ross Griffel and published by Scarecrow Press. This book was released on 2012-12-21 with total page 1015 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
Download or read book Century Readings for a Course in English Literature written by John William Cunliffe and published by . This book was released on 1910 with total page 672 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Studies in Music Words and Imagery in Early Modern Europe written by Barbara Russano Hanning and published by Taylor & Francis. This book was released on 2024-08-20 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Characterized by an interdisciplinary approach, these essays highlight the relationship between music and poetry in Italian secular works of the late sixteenth and early seventeenth centuries, examine the role of images in shedding light on the cultural context in which these and other works came into being (music iconography), and explore the binaries and similarities of the arts in this period. Insights about early opera are complemented by discussions of accompanied solo song, or monody, both genres new to Italian music at the turn of the seventeenth century. Many chapters focus on specific images, ranging from the figure of Apollo and his significance as the earliest operatic protagonist, to an early eighteenth-century representation of a salon concert and its “ensemblisation” of events that likely occurred serially. Others include discussions and analyses of musical poetics, from Tasso’s influence on the Italian madrigal to Rinuccini’s authorship of the earliest opera libretti. Another focuses on history while narrating the circumstances under which opera came into being in late Renaissance Florence. Addressed in large measure to teachers and students, Studies in Music, Words, and Imagery in Early Modern Europe presents a range of subjects that broaden our perspective on the era. Certain essays take a specifically pedagogical approach, while others are more apt to interest music historians or those familiar with Italian versification. All are presented with a view toward making more accessible essays that do not fit neatly into one subject area but cross boundary lines between music, words, and images.
Download or read book Rival Praises written by Celia Campbell and published by University of Wisconsin Pres. This book was released on 2024 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Metamorphoses, written by the Roman poet Ovid, has fascinated readers ever since it was written in the first century CE, and here Celia M. Campbell offers a bold new interpretive approach. Reasserting the significance of the ancient hymnic tradition, she argues that the first pentad of Ovid's Metamorphoses draws a programmatic strain of influence from hymns to the gods, in particular conversation--and competition--with the work of the Alexandrian poet Callimachus, a favored source of inspiration to Augustan writers. She suggests that Ovid read Callimachus' six hymns as a self-conscious set--and reading the first five books of the Metamorphoses through Callimachus' hymnic collection allows us to pierce the occasionally opaque and seemingly idiosyncratic mythology Ovid constructs. Through careful, innovative close readings, Campbell illustrates that Callimachus and the hymnic tradition provide a kind of interpretative key to unlocking the dynamic landscape of divine power in Ovid's poetic cosmos.
Download or read book Singing for Themselves written by Patricia Spence Rudden and published by Cambridge Scholars Publishing. This book was released on 2009-03-26 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: Singing for Themselves: Essays on Women in Popular Music is a fresh look at a topic that has attracted increasing interest in recent years. In this collection, scholars from a number of disciplines look at various artists and movements and come to some new conclusions about the ways in which female artists have contributed to the past four decades of pop, rock, blues and punk. From new looks at major artists Etta James, Laura Nyro and Patti Smith to later figures Ferron, Bjørk, and Melissa Etheridge, these chapters suggest new ways to view—and hear—music that is already part of our culture. Essays on the Indigo Girls, Dixie Chicks and Destiny’s Child prove that the girl-groups tradition is alive and well, but with additional new dimensions, and a three-essay section on Joan Jett and the Riot Grrrls phenomenon sheds new light on their implications for feminist artistic expression. The final piece, an annotated bibliography of academic writing on women in rock, helps make this collection a useful addition to the library of students of popular music, while the solid research and accessibility of the text make this a good choice for the general reader as well as the seasoned scholar. "If you think that adoration of certain pop music is a guilty pleasure, not worthy of higher intellectual aspirations, then Singing For Themselves offers absolution. It's far from trivial to ponder the Tao of Canadian singer Ferron, the classical allusions of Laura Nyro's lyrics, the postfeminist booty-shaking of Destiny's Child, or the historical milieu that turned Jamesetta Hawkins into blues great Etta James. Reading these essays made me want to go right back to the music - feeling wiser, yes, but also validated in the desire to go as deep as any song or singer can take me." Michele Kort, author of Soul Picnic: The Music and Passion of Laura Nyro, and senior editor at Ms. magazine "I've read Singing for Themselves: Essays on Women in Popular Music, and am happy to provide an endorsement. Singing for Themselves is a consistently interesting collection of new essays on women and popular music. The collection is all the more welcome for being so current. It mixes essays on recent phenomena (such as electronic/punk group Le Tigre and the Dixie Chicks' stirring of political controversy) with new perspectives on canonical figures like Patti Smith or Etta James. The essays gathered here are written with clear commitments, but all are marked by care and scholarly rigour. I found the interdisciplinary breadth of Singing for Themselves refreshing; new avenues for research are opened up here, and new theoretical paradigms are explored." Will Straw, PhD, Acting Director, McGill Institute for the Study of Canada Associate Professor, Department of Art History and Communication Studies "Opening this book was like opening the door onto a surprise party. Everyone I've ever wanted to meet was in there, including myself!" Ferron
Download or read book Hughes Sheffield Prior Congreve Blackmore Fenton Gay written by Alexander Chalmers and published by . This book was released on 1810 with total page 584 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Rest Is Noise written by Alex Ross and published by Macmillan. This book was released on 2007-10-16 with total page 729 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ross, music critic for "The New Yorker," journeys from Vienna before the First World War to New York in the 1970s and 80s. The result is not so much a history of 20th-century music as it is a history of the 20th century through its music.
Download or read book The Incomparable Hester Santlow written by Moira Goff and published by Routledge. This book was released on 2017-03-02 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the first full-length study of the English dancer-actress Hester Santlow, Moira Goff focuses on her unusual career at Drury Lane between 1706 and 1733. Goff charts Santlow's repertoire and makes extensive use of archival resources to investigate both her dancing and acting skills. Santlow made a unique contribution to the development of dance on the London stage, through her dancing roles in dance dramas by John Weaver and pantomimes by John Thurmond and Roger, as well as the virtuoso dances created for her by Mr. Isaac and Anthony L'Abbé. Goff examines Santlow's fascinating personal life, including her relationships with the politician James Craggs the Younger and the Drury Lane actor-manager Barton Booth. Santlow was unusual in making the transition from successful dancer-actress to independent and respectable widow. Goff also traces her life after retirement as her daughter's family rose from the gentry towards the aristocracy. This book will be of interest to dance and theatre historians, to women's studies scholars, and to all who are engaged with ongoing debates on the lives and careers of women on the seventeenth- and eighteenth-century stage.
