Download or read book Anti Heimat Cinema written by Ofer Ashkenazi and published by University of Michigan Press. This book was released on 2020-09-08 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: Anti-Heimat Cinema: The Jewish Invention of the German Landscape studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers’ contemplations of “Heimat”—a provincial German landscape associated with belonging and authenticity—it analyzes their distinctive contribution to the German identity discourse between 1918 and 1968. In its emphasis on rootedness and homogeneity Heimat seemed to challenge the validity and significance of Jewish emancipation. Several acculturation-seeking Jewish artists and intellectuals, however, endeavored to conceive a notion of Heimat that would rather substantiate their belonging. This book considers Jewish filmmakers’ contribution to this endeavor. It shows how they devised the landscapes of the German “Homeland” as Jews, namely, as acculturated “outsiders within.” Through appropriation of generic Heimat imagery, the films discussed in the book integrate criticism of national chauvinism into German mainstream culture from World War I to the Cold War. Consequently, these Jewish filmmakers anticipated the anti-Heimat film of the ensuing decades, and functioned as an uncredited inspiration for the critical New German Cinema.
Download or read book No Place Like Home written by Johannes von Moltke and published by Univ of California Press. This book was released on 2005-09-06 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Charting the development of the 'Heimatfilm', Johannes von Moltke focuses on its heyday in the 1950s. Questions of what it could mean to call the German nation 'home' after World War II are present in these films and Moltke uses them as a lens to view contemporary discourses on German national identity.
Download or read book Generic Histories of German Cinema written by Jaimey Fisher and published by Boydell & Brewer. This book was released on 2013 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offers a fresh approach to German film studies by tracing key genres -- including horror, the thriller, Heimat films, and war films -- over the course of German cinema history
Download or read book From Hitler to Heimat written by Anton Kaes and published by Harvard University Press. This book was released on 1989 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines changing attitudes among Germans as evident in films of the modern German era, leading away from guilt and atonement and seeking national identity.
Download or read book Ozu s Anti cinema written by Yoshishige Yoshida and published by U of M Center for Japanese Studies. This book was released on 2003 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: A luminous exploration of one filmmaker's work by another, an artist's personal journey, a manifesto
Download or read book Nation and Identity in the New German Cinema written by Inga Scharf and published by Routledge. This book was released on 2008-06-30 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates the construction of national identity in films of the New German Cinema using – for the first time – an explicitly cultural studies methodology.
Download or read book Between Heimat and Hatred written by Philipp Nielsen and published by Oxford University Press. This book was released on 2019-04-15 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the decades between German unification and the demise of the Weimar Republic, German Jewry negotiated their collective and individual identity under the impression of legal emancipation, continued antisemitism, the emergence of Zionism and Socialism, the First World, and revolution and the republic. For many German Jews liberalism and also increasingly Socialism became attractive propositions. Yet conservative parties and political positions right-of-center also held appeal for some German Jews. Between Heimat and Hatred studies German Jews involved in ventures that were from the beginning, or became increasingly, of the Right. Jewish agricultural settlement, Jews' participation in the so-called "Defense of Germandom in the East", their place in military and veteran circles and finally right-of-center politics form the core of this book. These topics created a web of social activities and political persuasions neither entirely conservative nor entirely liberal. For those German Jews engaging with these issues, their motivation came from sincere love of their German Heimat-a term for home imbued with a deep sense of belonging-and from their middle-class environment, as well as to repudiate antisemitic stereotypes of rootlessness, intellectualism or cosmopolitanism. This tension stands at the heart of the book. The book also asks when did the need for self-defense start to outweigh motivations of patriotism and class? Until when could German Jews espouse views to the right of the political spectrum without appearing extreme to either Jews or non-Jews? In an exploration of identity and exclusion, Philipp Nielsen locates the moments when active Jewish members of conservative projects became the radical other. He notes that the decisive stage of the transformation of the German Right occurred precisely during a period of republican stabilization, when even mainstream right-of-center politics abandoned the state-centric, Volk-based ethnic concepts of the Weimar republic. The book builds on recent studies of Jews' relation to German nationalism, the experience of German Jews away from the large cities, and the increasing interest in Germans' obsession with regional roots and the East. The study follows these lines of inquiry to investigate the participation of some German Jews in projects dedicated to originally, or increasingly, illiberal projects. As such it shines light on an area in which Jewish participation has thus far only been treated as an afterthought and illuminates both Jewish and German history afresh.
Download or read book Edgar Reitz s Heimat written by Rachel Palfreyman and published by Peter Lang Publishing. This book was released on 2000 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study of Edgar Reitz's 1984 film saga Heimat explores the cultural contexts of the Heimat tradition and examines the political debate surrounding the film's reception. Responses were largely supportive but some critics were disturbed by an apparent tendency to induce a sense of uncritical nostalgia in viewers. Reitz, by contrast, had wanted to make a film which would help people confront their memories of the Third Reich. The author tests hostile critiques not only against the film's elliptical narrative but also against Reitz's filmic techniques. She examines the interplay of realism and authenticity, and shows how Reitz dramatizes the confrontation between modernity and rural communities, while consciously alluding to the problematic and much-derided Heimat genre.
Download or read book The BFI Companion to German Cinema written by Thomas Elsaesser and published by British Film Institute. This book was released on 1999 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Over two hundred entries on film actors, directors, producers, cinematographers, critics, film industry, film movements and festivals cover the entire spectrum of German-speaking cinema from the 1890s to the popular comedies of the 1990s. In-depth articles consider the artistic peaks of Weimer cinema, the emigre directors, film politics, and the star system of Nazi cinema, women and film, the New German Cinema and the revival of genre cinema since. Entries evaluate such notables as Fritz Lang, Marlene Dietrich, Leni Riefenstahl, Erich Pommer, Conrad Veidt, Wim Wenders and R.W. Fassbinder, as well as popular genres (the "Heimat" film, literary adaptations, musicals) alongside the major studios (UFA and DEFA) and international personalities such as Klaus Kinski, Wolfgang Petersen, and Michael Ballhaus. Leading international scholar Thomas Elsaesser also contributes an introductory essay on developments in post-unification German cinema, placing it in the context of its recent history and of general relations between Hollywood and European cinema."--Publisher description.
Download or read book German National Cinema written by Sabine Hake and published by Routledge. This book was released on 2013-01-11 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: German National Cinema is the first comprehensive history of German film from its origins to the present. In this new edition, Sabine Hake discusses film-making in economic, political, social, and cultural terms, and considers the contribution of Germany's most popular films to changing definitions of genre, authorship, and film form. The book traces the central role of cinema in the nation’s turbulent history from the Wilhelmine Empire to the Berlin Republic, with special attention paid to the competing demands of film as art, entertainment, and propaganda. Hake also explores the centrality of genre films and the star system to the development of a filmic imaginary. This fully revised and updated new edition will be required reading for everyone interested in German film and the history of modern Germany.
Download or read book DEFA written by Seán Allan and published by Berghahn Books. This book was released on 1999 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: The state-sponsored Deutsche Film Anstalt (DEFA) was responsible for film production in the former GDR from 1946 until 1992. This volume traces the development of DEFA and East German cinema.
Download or read book Heimat A German Dream written by Elizabeth Boa and published by OUP Oxford. This book was released on 2000-09-21 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: The discourse of Heimat, meaning homeland or roots, has been a medium of debate on German identity between region and nation for at least a century. Four phases parallel Germany's discontinuous history: Heimat literature as a response to modernization and to regional tensions before the First World War; the inter-war period when Heimat divided into racist ideology, left-wing opposition, and inner resistance to the Third Reich; a post-war dialectic between escapist 1950s Heimat films and right-wing claims to the lost lands in the East to which anti-Heimat theatre and films in the 1960s and 1970s were a response, with the urban Heimat in GDR films adding a socialist twist; regionalism and green politics in the 1980s and German identity beyond Cold War divisions. A key point of reference in current debates on German history, Heimat looks likely to continue in postmodern and multicultural mode.
Download or read book The German Cinema Book written by Tim Bergfelder and published by Bloomsbury Publishing. This book was released on 2020-02-20 with total page 625 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensively revised, updated and significantly extended edition introduces German film history from its beginnings to the present day, covering key periods and movements including early and silent cinema, Weimar cinema, Nazi cinema, the New German Cinema, the Berlin School, the cinema of migration, and moving images in the digital era. Contributions by leading international scholars are grouped into sections that focus on genre; stars; authorship; film production, distribution and exhibition; theory and politics, including women's and queer cinema; and transnational connections. Spotlight articles within each section offer key case studies, including of individual films that illuminate larger histories (Heimat, Downfall, The Lives of Others, The Edge of Heaven and many more); stars from Ossi Oswalda and Hans Albers, to Hanna Schygulla and Nina Hoss; directors including F.W. Murnau, Walter Ruttmann, Wim Wenders and Helke Sander; and film theorists including Siegfried Kracauer and Béla Balázs. The volume provides a methodological template for the study of a national cinema in a transnational horizon.
Download or read book Constructing Heimat in Postwar Germany written by Chris Wickham and published by Edwin Mellen Press. This book was released on 1999 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: The subject of this study is not the traditional mythology, folklore, and song of particular tribes, but the literary uses of this material, particularly in the latter half of this century and particularly by Indian writers. It considers such questions as: what is an Indian writer? What are the legitimate literary uses of Indians and their culture? Can an American Indian tradition be defined? What is the relation of writing by Indians to American literature as a whole? Besides several non-Indian writers (Edwin Cole, Frank Hamilton Cushing, Jerome Rothenberg) the book deals with several representative Indian writers (Lance Henson, Maurice Kenny, Peter Blue Cloud, James Welch) and also cites Paula Duane Niatum, Simon Ortiz and Wendy Rose.
Download or read book Cinema in Democratizing Germany written by Heide Fehrenbach and published by Univ of North Carolina Press. This book was released on 1995 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Heide Fehrenbach analyzes the important role cinema played in the reconstruction of German cultural and political identity between 1945 and 1962. Concentrating on the former West Germany, she explores the complex political uses of film--and the meanings a
Download or read book The Counter cinema of the Berlin School written by Marco Abel and published by Boydell & Brewer. This book was released on 2013 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: The contemporary German directors collectively known as the "Berlin School" constitute the most significant filmmaking movement to come out of Germany since the New German Cinema of the 1970s, not least because their films mark the emergence of a new film language. The Berlin School filmmakers, including Christian Petzold, Thomas Arslan, Angela Schanelec, Christoph Hochhäusler, Ulrich Köhler, Benjamin Heisenberg, Maren Ade, and Valeska Grisebach, are reminiscent of the directors of the New German Autorenkino and of French cinéma des auteurs of the 1960s. This is the first book-length study of the Berlin School in any language. Its central thesis - that the movement should be regarded as a "counter-cinema" - is built around the unusual style of realism employed in its films, a realism that presents images of a Germany that does not yet exist. Abel concludes that it is precisely how these films' images and sounds work that renders them political: they are political not because they are message-driven films but because they are made politically, thus performing a "redistribution of the sensible" - a direct artistic intervention in the way politics partitions ways of doing and making, saying and seeing. Marco Abel is Professor of English and Film Studies at the University of Nebraska, Lincoln.
Download or read book Ministry of Illusion written by Eric Rentschler and published by Harvard University Press. This book was released on 1996-10-01 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: German cinema of the Third Reich, even a half-century after Hitler's demise, still provokes extreme reactions. "Never before and in no other country," observes director Wim Wenders, "have images and language been abused so unscrupulously as here, never before and nowhere else have they been debased so deeply as vehicles to transmit lies." More than a thousand German feature films that premiered during the reign of National Socialism survive as mementoes of what many regard as film history's darkest hour. As Eric Rentschler argues, however, cinema in the Third Reich emanated from a Ministry of Illusion and not from a Ministry of Fear. Party vehicles such as Hitler Youth Quex and anti-Semitic hate films such as Jew Süss may warrant the epithet "Nazi propaganda," but they amount to a mere fraction of the productions from this era. The vast majority of the epoch's films seemed to be "unpolitical"--melodramas, biopix, and frothy entertainments set in cozy urbane surroundings, places where one rarely sees a swastika or hears a "Sieg Heil." Minister of propaganda Joseph Goebbels, Rentschler shows, endeavored to maximize film's seductive potential, to cloak party priorities in alluring cinematic shapes. Hitler and Goebbels were master showmen enamored of their media images, the Third Reich was a grand production, the Second World War a continuing movie of the week. The Nazis were movie mad, and the Third Reich was movie made. Rentschler's analysis of the sophisticated media culture of this period demonstrates in an unprecedented way the potent and destructive powers of fascination and fantasy. Nazi feature films--both as entities that unreeled in moviehouses during the regime and as productions that continue to enjoy wide attention today--show that entertainment is often much more than innocent pleasure.
