Download or read book Annual Exhibition of the Art Association of New Orleans written by and published by . This book was released on 1946 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book American Art Annual written by and published by . This book was released on 1914 with total page 650 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book American Art Annual written by and published by . This book was released on 1936 with total page 612 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Index to a Collection of Americana written by Thomas Payne Thompson and published by New Orleans : Press of Perry & Buckley Company. This book was released on 1912 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Art Digest written by and published by . This book was released on 1926 with total page 872 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes section "The great calender of American exhibitions."
Download or read book Arts Digest written by and published by . This book was released on 1926 with total page 708 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book John Clemmer written by David Clemmer and published by Historic New Orleans Collections. This book was released on 2021 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Created to accompany a 2021 exhibition commemorating the centennial of John Clemmer's birth, this catalog includes three essays that offer insight into Clemmer's life and art, as well as full-color plates of numerous works and an exhibition checklist"--
Download or read book Ida Kohlmeyer written by Michael Plante and published by Hudson Hills. This book was released on 2004 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ida Kohlmeyer's unique talent evolved from her student years under Hans Hoffmann in the 50's abstract expressionist movement to the cluster series in the 1970s. This beautifully illustrated monograph is the first collection of her paintings and sculpture since her death in 1997. 104 colour plates
Download or read book The Complete Catalogue of Known and Documented Work by William Merritt Chase 1849 1916 written by Ronald G. Pisano and published by Yale University Press. This book was released on 2006-01-01 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first in a beautiful four-volume complete catalogue of all known works by the beloved American artist William Merritt Chase A perennial favorite of museum visitors, the works of William Merritt Chase (1849-1916) embody the quintessential characteristics of American Impressionism: outdoor landscapes, a colorful palette, and an energetic brushstroke. He was also a portrait painter of the first rank, a master of still life, a renowned teacher, and a leader of artists' societies. This gorgeous book, the first of a four-volume definitive catalogue, features Chase's stunning paintings in pastel, which constitute a major and previously understudied body of work by the artist; monotypes; painted tiles and plates; watercolors; and prints. Reconstructing Chase's oeuvre is a daunting task, as the artist left few records of any kind, and no documentation of his individual works exists. Furthermore, Chase's paintings and pastels have been forged in great numbers throughout the years, and many of these works still surface on the art market. Making this long-awaited volume even more valuable is a list of every known exhibition of Chase's work during the artist's lifetime, selected examples of major post-1917 exhibitions, and an essay on Chase's innovative pastel technique.
Download or read book Collection of Exhibition Catalogs written by Archives of American Art and published by Boston : G. K. Hall. This book was released on 1979 with total page 876 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book William Merritt Chase Portraits in oil written by Ronald G. Pisano and published by Yale University Press. This book was released on 2006-01-01 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: V. 1. "This gorgeous book, the first of a four-volume definitive catalogue, features Chase's stunning paintings in pastel, which constitute a major and previously understudied body of work by the artist; monotypes; painted tiles and plates; watercolors; and prints. Reconstructing Chase's oeuvre is a daunting task, as the artist left few records of any kind, and no documentation of his individual works exists. Furthermore, Chase's paintings and pastels have been forged in great numbers throughout the years, and many of these works still surface on the art market. Making this long-awaited volume even more valuable is a list of every known exhibition of Chase's work during the artist's lifetime, selected examples of major post-1917 exhibitions, and an essay on Chase's innovative pastel technique"--Jacket.
Download or read book The American Magazine of Art written by and published by . This book was released on 1925 with total page 738 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Magazine of Art written by and published by . This book was released on 1927 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Visual Art and the Urban Evolution of the New South written by Deborah C. Pollack and published by Univ of South Carolina Press. This book was released on 2015-01-18 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: Visual Art and the Urban Evolution of the New South recounts the enormous influence of artists in the evolution of six southern cities—Atlanta, Charleston, New Orleans, Louisville, Austin, and Miami—from 1865 to 1950. In the decades following the Civil War, painters, sculptors, photographers, and illustrators in these municipalities employed their talents to articulate concepts of the New South, aestheticism, and Gilded Age opulence and to construct a visual culture far beyond providing pretty pictures in public buildings and statues in city squares. As Deborah C. Pollack investigates New South proponents such as Henry W. Grady of Atlanta and other regional leaders, she identifies "cultural strivers"—philanthropists, women's organizations, entrepreneurs, writers, architects, politicians, and dreamers—who united with visual artists to champion the arts both as a means of cultural preservation and as mechanisms of civic progress. Aestheticism, made popular by Oscar Wilde's southern tours during the Gilded Age, was another driving force in art creation and urban improvement. Specific art works occasionally precipitated controversy and incited public anger, yet for the most part artists of all kinds were recognized as providing inspirational incentives for self-improvement, civic enhancement and tourism, art appreciation, and personal fulfillment through the love of beauty. Each of the six New South cities entered the late nineteenth century with fractured artistic heritages. Charleston and Atlanta had to recover from wartime devastation. The infrastructures of New Orleans and Louisville were barely damaged by war, but their social underpinnings were shattered by the end of slavery and postwar economic depression. Austin was not vitalized until after the Civil War and Miami was a post-Civil War creation. Pollack surveys these New South cities with an eye to understanding how each locale shaped its artistic and aesthetic self-perception across a spectrum of economic, political, gender, and race issues. She also discusses Lost Cause imagery, present in all the studied municipalities. While many art history volumes concerning the South focus on sultry landscapes outside the urban grid, Visual Art and the Urban Evolution of the New South explores the art belonging to its cities, whether exhibited in its museums, expositions, and galleries, or reflective of its parks, plazas, marketplaces, industrial areas, gardens, and universities. It also identifies and celebrates the creative urban humanity who helped build the cultural and social framework for the modern southern city.
Download or read book Central to Their Lives written by Lynne Blackman and published by Univ of South Carolina Press. This book was released on 2018-06-20 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
Download or read book William Woodward written by Robert Hinckley and published by Univ. Press of Mississippi. This book was released on 2011-07-05 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: William Woodward (1859-1939) was a force in New Orleans and the art world, and his legacy endures. In this first compilation of examples of Woodward's work spanning his career, essayists offer unique perspectives on the artist and his art. Woodward was a graduate of the Rhode Island School of Design and the Massachusetts Normal Art School. He started the School of Art and organized the Department of Architecture at Tulane University, and he taught evening art classes to citizens of New Orleans. His oil crayon paintings of the French Quarter were instrumental in preserving the French Quarter buildings from destruction, and he was a leader in the Arts and Crafts movement in New Orleans. He was a member of the American Institute of Architects. Woodward also organized the Art Association of New Orleans and the Decorative Art League for Women, which founded the manufacture of art pottery in New Orleans. Woodward was a prolific artist and pioneered new techniques with his use of the Rafaelli oil crayon and the fiberloid dry etching process. Upon his retirement from Tulane in 1922, Woodward moved to Biloxi, Mississippi, where his paintings of the Mississippi Gulf Coast provide a historical record of an area now almost entirely changed by development and natural disasters. Woodward also traveled extensively and chronicled his travels in his art.
