Download or read book An English Medieval and Renaissance Song Book written by Noah Greenberg and published by Courier Corporation. This book was released on 2000-01-01 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: "An elegant anthology. The specialist will not miss the quiet sophistication with which the music has been selected and prepared. Some of it is printed here for the first time, and much of it has been edited anew." "Notes" This treasury of 47 vocal works edited by Noah Greenberg, founder and former director of the New York Pro Musica Antiqua will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods, from the hearty "Blow Thy Horne Thou Jolly Hunter" by William Cornysh to the reflective and elegiac "Cease Mine Eyes" by Thomas Morley. Of the religious works, nine were written for church services, including "Sanctus" by Henry IV and "Angus Dei" from a beautiful four-part mass by Thomas Tallis. Other religious songs in the collection come from England's rich tradition of popular religious lyric poetry, and include William Byrd's "Susanna Farye," the anonymously written "Deo Gracias Anglia" (The Agincort Carol), and Thomas Ravenscroft's "O Lord, Turne Now Away Thy Face" and "Remember O Thou Man." Approximately half of the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs as Henry VIII who himself is represented in this collection with two charming songs, "With Owt Dyscorde" and "O My Hart." Among the notable composers of Tudor and Elizabethan England represented here are Orlando Gibbons, John Dowland, and Thomas Weelkes. "
Download or read book A Medieval Songbook written by Elizabeth Eva Leach and published by Boydell & Brewer. This book was released on 2022 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: Detailed exploration of an enigmatic manuscript containing the texts to hundreds of songs, but no musical notation. The medieval songbook known variously as trouvère manuscript C or the "Bern Chansonnier" (Bern, Burgerbibliothek, Cod. 389) is one of the most important witnesses to musical life in thirteenth-century France. Almost certainly copied in Metz, it provides the texts to over five hundred Old French songs, and is a unique insight into cultures of song-making and copying on the linguistic and political borders between French and German-speaking lands in the Middle Ages. Notably, the names of trouvères, including several female poet-musicians, are found in its margins, names which would be unknown today without this evidence. However, the manuscript has received relatively little scholarly attention, partly because the songs' musical staves remained empty for reasons now unknown, and partly because of where it was copied. This collection of essays is the first to consider C on its own terms and from a range of disciplinary perspectives, including philology, art history, literary studies, and musicology. The contributors explore the process of creating the complex object that is a music manuscript, examining the work of the scribes and artists who worked on C, and questioning how scribes acquired and organised exemplars for copying. The peculiarly Messine flavour of the repertoire and authors is also discussed, with contributors showing that C frames the tradition of Old French song from a unique perspective. As a whole, the volume demonstrates how in this eastern hub of music and poetry, poet-composers, readers, and scribes interacted with the courtly song tradition in fascinating and unusual ways.
Download or read book Companion to Medieval and Renaissance Music written by Tess Knighton and published by Univ of California Press. This book was released on 1997 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: With contributions from a range of internationally known early music scholars and performers, Tess Knighton and David Fallows provide a lively new survey of music and culture in Europe from the beginning of the Christian era to 1600. Fifty essays comment on the social, historical, theoretical, and performance contexts of the music and musicians of the period to offer fresh perspectives on musical styles, research sources, and performance practices of the medieval and Renaissance periods.
Download or read book An English Medieval and Renaissance Song Book written by Noah Greenberg and published by Courier Corporation. This book was released on 2013-04-10 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Forty-seven vocal works from the 12th to the 17th centuries, including songs by Henry IV and Henry VIII as well as Thomas Tallis, William Byrd, Thomas Ravenscroft, Thomas Morley, and Thomas Weelkes.
Download or read book The Flower of Paradise written by David J. Rothenberg and published by OUP USA. This book was released on 2011-10-05 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: In spite of their widely disparate uses, Marian prayers and courtly love songs from the Middle Ages and Renaissance often show a stylistic similarity. This book examines the convergence of these two styles in polyphonic music and its broader poetic, artistic, and devotional context from c.1200-c.1500.
Download or read book Medieval and Renaissance Music for Recorder Bancalari written by ROBERT BANCALARI and published by Mel Bay Publications. This book was released on 2010-10-07 with total page 32 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique assortment of 40 short pieces written for soprano recorder with suggested guitar chords. Selection include: Trouvere (Or la Truix); Estampie; La Rotta; Saltarello; Der Neve Villancico; Basse Dance (La Volunte'); Hoboeckentanz; Der Heiligen Drei Konige Aufzug; Polnischer Tanz; and more. A glossary and brief performance notes are provided.
Download or read book Angel Song Medieval English Music in History written by Lisa Colton and published by Taylor & Francis. This book was released on 2016-12-08 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although medieval English music has been relatively neglected in comparison with repertoire from France and Italy, there are few classical musicians today who have not listened to the thirteenth-century song ‘Sumer is icumen in’, or read of the achievements and fame of fifteenth-century composer John Dunstaple. Similarly, the identification of a distinctively English musical style (sometimes understood as the contenance angloise) has been made on numerous occasions by writers exploring the extent to which English ideas influenced polyphonic composition abroad. Angel song: Medieval English music in history examines the ways in which the standard narratives of English musical history have been crafted, from the Middle Ages to the present. Colton challenges the way in which the concept of a canon of English music has been built around a handful of pieces, composers and practices, each of which offers opportunities for a reappraisal of English musical and devotional cultures between 1250 and 1460.
Download or read book A Collection of Medieval Songs written by Sarah Berry and published by . This book was released on 2021-06 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Eight medieval era songs transcribed and arranged for the piano. Includes sheet music, history and musical theory.
Download or read book Manuscripts and Medieval Song written by Helen Deeming and published by Cambridge University Press. This book was released on 2015-05-28 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: This in-depth exploration of key manuscript sources reveals new information about medieval songs and sets them in their original contexts.
Download or read book Medieval Song in Romance Languages written by John Dickinson Haines and published by Cambridge University Press. This book was released on 2010-11-18 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ranging from 500 to 1200, this book considers the neglected vernacular music of this period, performed mainly by women.
Download or read book Medieval Music and the Art of Memory written by Anna Maria Busse Berger and published by University of California Press. This book was released on 2019-10-08 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the ASCAP Deems Taylor Award and Society of Music Theory's Wallace Berry Award This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of memory on the composition and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind, it did not make memorization redundant but allowed for new ways to commit material to memory. Since some of the polyphonic music from the twelfth century and later was written down, scholars have long assumed that it was all composed and transmitted in written form. Our understanding of medieval music has been profoundly shaped by German philologists from the beginning of the last century who approached medieval music as if it were no different from music of the nineteenth century. But Medieval Music and the Art of Memory deftly demonstrates that the fact that a piece was written down does not necessarily mean that it was conceived and transmitted in writing. Busse Berger's new model, one that emphasizes the interplay of literate and oral composition and transmission, deepens and enriches current understandings of medieval music and opens the field for fresh interpretations.
Download or read book Complete Anthology of Medieval Renaissance Music for Guitar written by JOHN RENBOURN and published by Mel Bay Publications. This book was released on 2011-02-25 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of 28 fingerstyle guitar solos and duets by fingerstyle guitarist John Renbourn. These solos are drawn from Medieval and Renaissance lute dance tunes and solos. All solos are in notation and tablature. the online audio contains 17 of the solos from the book.
Download or read book Citation and Authority in Medieval and Renaissance Musical Culture written by Suzannah Clark and published by Boydell & Brewer Ltd. This book was released on 2005 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays - collected in honour of Margaret Bent - examining how medieval and Renaissance composers responded to the tradition in which they worked through a process of citation of and commentary on earlier authors.
Download or read book Music in the Art of Renaissance Italy 1420 1540 written by Tim Shephard and published by Harvey Miller. This book was released on 2020 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first detailed survey of the representation of music in the art of Renaissance Italy, opening up new vistas within the social and culture history of Italian music and art in the fifteenth and early sixteenth centuries.
Download or read book After the Heavenly Tune written by Marc Berley and published by Duquesne. This book was released on 2000 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: After the Heavenly Tune offers an expansive answer to the basic question central to the history of poetry and poetics: what do poets mean when they write "I sing?" Berley's chapters on Shakespeare and Milton unfold the remarkable development of these two "speculative musical poetics" who are central to the history of English poetry. And in his last two chapters on romanticism and modernism, he draws an intriguing line from Wordsworth to Stevens, in which the aspiration to song becomes a dazzling means of exploring, scrutinizing, and redefining the burdens and achievements--poetic, philosophical, social, and personal--for individual poets in their times. After the Heavenly Tune offers not only groundbreaking studies of The Merchant of Venice and Milton's theory of prophecy, but also compelling new readings of classical and medieval literary theory, the burdens of romanticism, and the resolutions of modernism. This work will appeal to a broad audience: Renaissance, classical, and romantic literary scholars; philosophers; musicologists; theologians; and general readers interested in English poetry and Literary Studies.
Download or read book Singing Early Music written by Timothy J. McGee and published by Indiana University Press. This book was released on 1996 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Accompanying CD includes readings of most of the sample texts found in the book. The CD is intended to assist in interpreting the phonetic symbols, which are truncated in IPA (International Phonetic Alphabet).
Download or read book Cantiga s Renaissance Festival Favorites written by ROBERT BIELEFELD and published by Mel Bay Publications. This book was released on 2011-12-06 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: Players of all kinds of instruments including flute, fiddle, mandolin, recorder, whistle, guitar, harp and more can use this collection of music which is popular at modern renaissance festivals. the music is presented simply, with melody lines and chord symbols, allowing for a wide range of interpretation. In addition to many period dance tunes, the book contains a selection of vocal numbers with lyrics included. Each selection is accompanied by text to suggest ideas for performance, place the music in a modern festival context and provide useful information to those interested in studying historical sources of early music. Cantiga's arrangements of some of the tunes in this book can be heard on the companion recording. They are played at a listening tempo by the ensemble: Wooden flute or recorder, fiddle, cello, harp and percussion.
