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Book  An Embarkment for Cythera   Literary and Social Aspects of the French Cantata

Download or read book An Embarkment for Cythera Literary and Social Aspects of the French Cantata written by David Tunley and published by . This book was released on 1967 with total page 12 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book French Baroque Music from Beaujoyeulx to Rameau

Download or read book French Baroque Music from Beaujoyeulx to Rameau written by James R. Anthony and published by Hal Leonard Corporation. This book was released on 1997 with total page 604 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1974, this landmark work quickly established itself as the definitive study of French music from 1581 to 1733, a period that included masters such as Marin Marais, Lully, Couperin, and Rameau. This expanded edition includes a bibliography of more than 1,300 works.

Book The Influence of Rhetoric on Jean Philippe Rameau s Solo Vocal Cantatas and Treatise of 1722

Download or read book The Influence of Rhetoric on Jean Philippe Rameau s Solo Vocal Cantatas and Treatise of 1722 written by Lucinda Heck Sloan and published by Peter Lang Incorporated, International Academic Publishers. This book was released on 1990 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book discusses the influence rhetoric had on Rameau's solo vocal cantatas and his treatise of 1722 and how the bond between rhetoric and music in France occurred. The effect that Cartesian methodology and the desire to add clarity and reason to rhetoric had on music is also studied. The French cantata is traced with reference to musical, poetic, social, and political ramifications. The book concludes that Rameau is at the same time revolutionary and conservative.

Book Concert Music  1630 1750

Download or read book Concert Music 1630 1750 written by Gerald Abraham and published by . This book was released on 1986 with total page 832 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume offers an overall view of a period which witnessed a proliferation of music in all genres, highlighting the musical landmarks and masterpieces of the age. It discusses the ode and oratorio in England, secular song in Europe, and the whole range of baroque instrumental music from keyboard music and the solo sonata to the orchestral suite and concerto grosso.

Book The Eighteenth Century French Cantata

Download or read book The Eighteenth Century French Cantata written by David Tunley and published by Oxford University Press. This book was released on 1997 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book, first published in 1974, has become the classic study of one of the most popular musical forms in early eighteenth-century France. It not only documents and examines a considerable repertoire for the first time, but it also places the genre in the wider context of both French and Italian baroque musical styles.

Book Freedom and Taste in Continuo Accompaniment

Download or read book Freedom and Taste in Continuo Accompaniment written by John Stephen Ashworth and published by . This book was released on 1977 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Studies in Music

Download or read book Studies in Music written by and published by . This book was released on 1967 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Australian Directory of Music Research

Download or read book Australian Directory of Music Research written by Philip J. Drummond and published by Sydney : Australia Music Centre. This book was released on 1978 with total page 438 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book New Oxford History of Music  Concert music  1630 1750

Download or read book New Oxford History of Music Concert music 1630 1750 written by and published by . This book was released on 1986 with total page 832 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Eighteenth Century French Cantata

Download or read book The Eighteenth Century French Cantata written by David ed TUNLEY and published by Garland Science. This book was released on 1942-07 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Aspects of the Secular Cantata in Late Baroque Italy

Download or read book Aspects of the Secular Cantata in Late Baroque Italy written by Michael Talbot and published by Routledge. This book was released on 2016-11-28 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: As shown by the ever-increasing volume of recordings, editions and performances of the vast repertory of secular cantatas for solo voice produced, primarily in Italy, in the second half of the seventeenth century and the first half of the eighteenth century, this long neglected genre has at last 'come of age'. However, scholarly interest is currently lagging behind musical practice: incredibly, there has been no general study of the Baroque cantata since Eugen Schmitz's handbook of 1914, and although many academic theses have examined microscopically the cantatas of individual composers, there has been little opportunity to view these against the broader canvas of the genre as a whole. The contributors in this volume choose aspects of the cantata relevant to their special interests in order to say new things about the works, whether historical, analytical, bibliographical, discographical or performance-based. The prime focus is on Italian-born composers working between 1650 and 1750 (thus not Handel), but the opportunity is also taken in one chapter (by Graham Sadler) to compare the French cantata tradition with its Italian parent in association with a startling new claim regarding the intended instrumentation. Many key figures are considered, among them Tomaso Albinoni, Giovanni Bononcini, Giovanni Legrenzi, Benedetto Marcello, Alessandro Scarlatti, Alessandro Stradella, Leonardo Vinci and Antonio Vivaldi. The poetic texts of the cantatas, all too often treated as being of little intrinsic interest, are given their due weight. Space is also found for discussions of the history of Baroque solo cantatas on disc and of the realization of the continuo in cantata arias - a topic more complex and contentious than may at first be apparent. The book aims to stimulate interest in, and to win converts to, this genre, which in its day equalled the instrumental sonata in importance, and in which more than a few composers invested a major part of their creativity.

Book Recherches sur la musique fran  aise classique

Download or read book Recherches sur la musique fran aise classique written by and published by . This book was released on 1970 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Studi musicali

    Book Details:
  • Author :
  • Publisher :
  • Release : 1996
  • ISBN :
  • Pages : 470 pages

Download or read book Studi musicali written by and published by . This book was released on 1996 with total page 470 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book French Vocal Literature

    Book Details:
  • Author : Georgine Resick
  • Publisher : Rowman & Littlefield
  • Release : 2017-12-22
  • ISBN : 1442258454
  • Pages : 343 pages

Download or read book French Vocal Literature written by Georgine Resick and published by Rowman & Littlefield. This book was released on 2017-12-22 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: French Vocal Literature: Repertoire in Context introduces singers to the history and performance concerns of a vast body of French songs from the twelfth century to the present, focusing on works for solo voice or small vocal ensembles with piano or organ accompaniment, suitable for recitals, concerts, and church performances. Georgine Resick presents vocal repertoire within the context of trends and movements of other artistic disciplines, such as poetry, literature, dance, painting, and decorative arts, as well as political and social currents pertinent to musical evolution. Developments in French style and genre—and comparisons among individual composers and national styles—are traced through a network of musical influence. French Vocal Literature is ideally suited for voice teachers and coaches as well as student and professional performers. The companion website, frenchvocalliterature.com, provides publication information, a discography, links to online recordings and scores, a chronology of events pertinent to music, a genealogy of royal dynasties, and a list of governmental regimes.

Book Watteau  1684 1721

    Book Details:
  • Author : Margaret Morgan Grasselli
  • Publisher :
  • Release : 1984
  • ISBN :
  • Pages : 586 pages

Download or read book Watteau 1684 1721 written by Margaret Morgan Grasselli and published by . This book was released on 1984 with total page 586 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Dance and Drama in French Baroque Opera

Download or read book Dance and Drama in French Baroque Opera written by Rebecca Harris-Warrick and published by Cambridge University Press. This book was released on 2016-10-27 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the evolving practices in music, librettos, choreographed dance, and staging throughout the history of French Baroque opera.

Book The Cambridge History of Eighteenth Century Music

Download or read book The Cambridge History of Eighteenth Century Music written by Simon P. Keefe and published by Cambridge University Press. This book was released on 2009-09-10 with total page 816 pages. Available in PDF, EPUB and Kindle. Book excerpt: The eighteenth century arguably boasts a more remarkable group of significant musical figures, and a more engaging combination of genres, styles and aesthetic orientations than any century before or since, yet huge swathes of its musical activity remain under-appreciated. This History provides a comprehensive survey of eighteenth-century music, examining little-known repertories, works and musical trends alongside more familiar ones. Rather than relying on temporal, periodic and composer-related phenomena to structure the volume, it is organized by genre; chapters are grouped according to the traditional distinctions of music for the church, music for the theatre and music for the concert room that conditioned so much thinking, activity and output in the eighteenth century. A valuable summation of current research in this area, the volume also encourages the readers to think of eighteenth-century music less in terms of overtly teleological developments than of interacting and mutually stimulating musical cultures and practices.