Download or read book The Hudson River to Niagara Falls written by Samuel Dorsky Museum of Art and published by State University of New York Press. This book was released on 2009-07-23 with total page 72 pages. Available in PDF, EPUB and Kindle. Book excerpt: This catalog features forty-five paintings from the permanent collection of the New-York Historical Society, newly restored and available here together for the first time. From the mouth of the Hudson River, north to the Adirondacks, and west to Niagara Falls, these paintings by Thomas Cole, Asher B. Durand, John W. Casilear, Jasper Cropsey, Albert Bierstadt, and George Inness, and others depict the landscapes, historic sites, natural wonders, and waterways of New York State. The catalog also includes important essays by guest curator Dr. Linda S. Ferber, the Museum Director of the New-York Historical Society and one of the country's preeminent scholars and authorities on the art of this period, and art and architectural historian Dr. Kerry Carso, Associate Professor of Art History at SUNY New Paltz. This catalog is the third in a triology of publications and exhibitions produced at the Samuel Dorsky Museum of Art celebrating the Hudson River School of painting. The exhibition and catalog are part of Art and The River, a series of exhibitions, publications and events that celebrate the Hudson-Fulton-Champlain Quadricentennial, which commemorates the 400th anniversary of Henry Hudson's voyage of discovery of the Hudson River.
Download or read book American Landscape and Genre Paintings in the New York Historical Society written by New-York Historical Society and published by Macmillan Reference USA. This book was released on 1982 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book American Landscape and Genre Paintings in the New York Historical Society Naegele Yorke and unidentified artists written by New-York Historical Society and published by . This book was released on 1982 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book American Landscape and Genre Paintings in the New York Historical Society Earle Mount written by New-York Historical Society and published by . This book was released on 1982 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Thomas Cole s Journey written by Elizabeth Mankin Kornhauser and published by Metropolitan Museum of Art. This book was released on 2018-01-29 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thomas Cole (1801–1848) is celebrated as the greatest American landscape artist of his generation. Though previous scholarship has emphasized the American aspects of his formation and identity, never before has the British-born artist been presented as an international figure, in direct dialogue with the major landscape painters of the age. Thomas Cole’s Journey emphasizes the artist’s travels in England and Italy from 1829 to 1832 and his crucial interactions with such painters as Turner and Constable. For the first time, it explores the artist’s most renowned paintings, The Oxbow (1836) and The Course of Empire cycle (1834–36), as the culmination of his European experiences and of his abiding passion for the American wilderness. The four essays in this lavishly illustrated catalogue examine how Cole’s first-hand knowledge of the British industrial revolution and his study of the Roman Empire positioned him to create works that offer a distinctive, even dissident, response to the economic and political rise of the United States, the ecological and economic changes then underway, and the dangers that faced the young nation. A detailed chronology of Cole’s life, focusing on his European tour, retraces the artist’s travels as documented in his journals, letters, and sketchbooks, providing new insight into his encounters and observations. With discussions of over seventy works by Cole, as well as by the artists he admired and influenced, this book allows us to view his work in relation to his European antecedents and competitors, demonstrating his major contribution to the history of Western art.
Download or read book The American Landscapes of Asher B Durand 1796 1886 written by Asher Brown Durand and published by Fundacion Juan March. This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The exhibition of works by Asher B. Durand (1796-1886) will be the first ever in Spain and Europe devoted to this 19th-century painter and founder of the American landscape painting school, that would soon become known as the Hudson River School. Through an important selection of 140 works-oils, drawings, and prints (Durand being a pioneer in the latter)-spanning his entire artistic career, the exhibition will reveal his genius as a landscape painter as well as the other themes he treated during his long career: portraits, genre scenes, and bucolic American landscapes. The exhibition will also include a small selection of paintings by Durand's fellow artists and followers. The majority of the works are being loaned by the New York Historical Society, which holds the most important collection of Durand's works. The project is being overseen by Dr. Linda S. Ferber, N-YHS curator and renowned expert on Durand, with the collaboration of noted scholars on Durand and 19th-century American art: Dr. Barbara Novak, Dr. Barbara Dayer Gallati, Dr. Rebecca Bedell, Dr. Roberta Olson, Dr. Marilyn Kushner, and Dr. Kimberly Orcutt.
Download or read book The American Art Union written by Kimberly A. Orcutt and published by Fordham Univ Press. This book was released on 2024-08-06 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive treatment in seventy years of the American Art-Union’s remarkable rise and fall For over a decade, the New York–based American Art-Union shaped art creation, display, and patronage nationwide. Boasting as many as 19,000 members from almost every state, its meteoric rise and its sudden and spectacular collapse still raise a crucial question: Why did such a successful and influential institution fail? The American Art-Union reveals a sprawling and fascinating account of the country’s first nationwide artistic phenomenon, creating a shared experience of visual culture, art news and criticism, and a direct experience with original works. For an annual fee of five dollars, members of the American Art-Union received an engraving after a painting by a notable US artist and the annual publication Transactions (1839–49) and later the monthly Bulletin (1848–53). Most importantly, members’ names were entered in a drawing for hundreds of original paintings and sculptures by most of the era’s best-known artists. Those artworks were displayed in its immensely popular Free Gallery. Unfortunately, the experiment was short-lived. Opposition grew, and a cascade of events led to an 1852 court case that proved to be the Art-Union’s downfall. Illuminating the workings of the American art market, this study fills a gaping lacuna in the history of nineteenth-century US art. Kimberly A. Orcutt draws from the American Art-Union’s records as well as in-depth contextual research to track the organization’s decisive impact that set the direction of the country’s paintings, sculpture, and engravings for well over a decade. Forged in cultural crosscurrents of utopianism and skepticism, the American Art-Union’s demise can be traced to its nature as an attempt to create and control the complex system that the early nineteenth-century art world represented. This study breaks the organization’s activities into their major components to offer a structural rather than chronological narrative that follows mounting tensions to their inevitable end. The institution was undone not by dramatic outward events or the character of its leadership but by the character of its utopianist plan.
Download or read book American Drawings and Watercolors in the Metropolitan Museum of Art written by Kevin J. Avery and published by Metropolitan Museum of Art. This book was released on 2002 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Metropolitan Museum began acquiring American drawings and watercolors in 1880, just ten years after its founding. Since then it has amassed more than 1,500 works executed by American artists during the eighteenth and nineteenth centuries in watercolor, pastel, chalk, ink, graphite, gouache, and charcoal. This volume documents the draftsmanship of more than 150 known artists before 1835 and that of about 60 unidentified artists of the period. It includes drawings and watercolors by such American masters as John Singleton Copley, John Trumbull, John Vanderlyn, Thomas Cole, Asher Brown Durand, George Inness, and James Abbott McNeill Whistler. Because the 504 works illustrate such a wide range of media, techniques, and styles, this publication is a veritable history of American drawing from the eighteenth through most of the nineteenth century."--Metropolitan Museum of Art website.
Download or read book Captain Watson s Travels in America written by Kathleen A. Foster and published by University of Pennsylvania Press. This book was released on 1997 with total page 438 pages. Available in PDF, EPUB and Kindle. Book excerpt: An engaging overview of the young American republic. It offers a new look at old Philadelphia, fresh and informative insights for scholars in American history and culture, and a delightful collection for connoisseurs of early nineteenth-century art.
Download or read book The Creolization of American Culture written by Christopher J Smith and published by University of Illinois Press. This book was released on 2013-09-16 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Creolization of American Culture examines the artworks, letters, sketchbooks, music collection, and biography of the painter William Sidney Mount (1807–1868) as a lens through which to see the multiethnic antebellum world that gave birth to blackface minstrelsy. As a young man living in the multiethnic working-class community of New York's Lower East Side, Mount took part in the black-white musical interchange his paintings depict. An avid musician and tune collector as well as an artist, he was the among the first to depict vernacular fiddlers, banjo players, and dancers precisely and sympathetically. His close observations and meticulous renderings provide rich evidence of performance techniques and class-inflected paths of musical apprenticeship that connected white and black practitioners. Looking closely at the bodies and instruments Mount depicts in his paintings as well as other ephemera, Christopher J. Smith traces the performance practices of African American and Anglo-European music-and-dance traditions while recovering the sounds of that world. Further, Smith uses Mount's depictions of black and white music-making to open up fresh perspectives on cross-ethnic cultural transference in Northern and urban contexts, showing how rivers, waterfronts, and other sites of interracial interaction shaped musical practices by transporting musical culture from the South to the North and back. The "Africanization" of Anglo-Celtic tunes created minstrelsy's musical "creole synthesis," a body of melodic and rhythmic vocabularies, repertoires, tunes, and musical techniques that became the foundation of American popular music. Reading Mount's renderings of black and white musicians against a background of historical sites and practices of cross-racial interaction, Smith offers a sophisticated interrogation and reinterpretation of minstrelsy, significantly broadening historical views of black-white musical exchange.
Download or read book Kindred Spirits written by Asher Brown Durand and published by Brooklyn Museum of Art. This book was released on 2007 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This major new volume revisits for the first time in over thirty years the world and the works of Asher B. Durand (1796-1886), one of the most important American artists of the nineteenth century.
Download or read book American Paradise written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 1987 with total page 367 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traces the history of the Hudson River School of American painters, shows works by Church, Cole, and Inness, and describes the background of each painting.
Download or read book Mauro in America written by Mauro Gandolfi and published by Yale University Press. This book was released on 2003-01-01 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mauro Gandolfi visited America in 1816 & kept extensive notes on all that he saw, including the customs & attitudes of the people around him.
Download or read book American Picturesque written by John Conron and published by Penn State Press. This book was released on 2010-11-01 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: "American Picturesque offers a magisterial account of the concept of the picturesque and its manifestation in many aspects of nineteenth-century American life. Conron's study ranges over the entire phenomenon, tracing the development of the picturesque aesthetic in genre, landscape, and topographical painting, rural cottages and villas."--BOOK JACKET.
Download or read book Grand Themes written by Jochen Wierich and published by Penn State Press. This book was released on 2012-01-01 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Explores history painting in the United States during the middle decades of the nineteenth century, as exemplified by Emanuel Leutze's Washington Crossing the Delaware (1851). Includes the work of artists such as Daniel Huntington, Lilly Martin Spencer, and Eastman Johnson"--Provided by publisher.
Download or read book Lessons in Likeness written by Estill Curtis Pennington and published by University Press of Kentucky. This book was released on 2011 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1802, when the young Kentucky artist William Edward West began to paint portraits while on a downriver journey, and 1920, when the last of Frank Duveneck's students worked in Louisville, a large number of notable portrait artists were active in Kentucky and the Ohio River Valley. In Lessons in Likeness: Portrait Painters in Kentucky and the Ohio River Valley, 1802-1920, Estill Curtis Pennington charts the course of those artists as they painted a variety of sitters drawn from both urban and rural society. The work is illustrated, when possible, from The Filson Historical Society collection of some four hundred portraits representing one of the most extensive holdings available for study in the region. Portraiture involves artists and subjects, known as sitters, and is an art that combines elements of biography, aesthetics, and cultural history. Private portraits often attract an oral history that enlivens the more colorful aspects of local tradition and culture. Public portraits of towering figures such as George Washington, Henry Clay, and Abraham Lincoln were often reproduced in printed format to satisfy popular demand and subsequently attained an iconic, timeless status. Lessons in Likeness is organized in two parts. Part One, the cultural chronology, serves as a backdrop to the biographies of the portrait artists. This section identifies stylistic sources and significant historical moments that influenced the artists and their milieus. Rather than working in isolation, portrait artists were connected to the world around them and influenced by prevailing trends in their trade. Early in the nineteenth century, for instance, Matthew Jouett journeyed to Boston for study with Gilbert Stuart, and upon his return to Kentucky painted in a style that subsequently influenced an entire generation. Later artists, notably Oliver Frazer and William Edward West, studied the lessons of Thomas Sully in Philadelphia. Sully popularized the lush, warmly colored, and highly flattering style of portraiture practiced by many of the itinerant artists whose careers were facilitated by the introduction of steam and rail travel. The Civil War provoked a dramatic shift in the cultural terrain, further augmented by the rise of photography and the emergence of academic art centers. Painters who had previously worked with a master painter, or learned on their own, were now able to study at established schools, especially in Cincinnati, which became one of the leading centers for the teaching of art in late nineteenth-century America. Several of the teachers there, Frank Duveneck and Thomas Satterwhite Noble in particular, had firsthand experience with avant-garde European styles, notably the realism and naturalism practiced in Munich and Paris in the last quarter of the nineteenth century and then taught in the art schools of New York and Philadelphia. Part Two profiles the artists from this area and period who have appeared in previous art historical literature and have an identifiable body of work represented in public and private collections. Individual biographies provide details of the artists' lives, sources for further study, and locations of works in public collections.
Download or read book American Paintings in The Metropolitan Museum of Art Vol 1 written by John Caldwell and published by Metropolitan Museum of Art. This book was released on 1994-03-01 with total page 674 pages. Available in PDF, EPUB and Kindle. Book excerpt:
